Height [cm]: 40 / Subject Terms: architectural subject - YCBA Collections Search Search Results

James Duffield Harding, 1798–1863

View of the Clifton Suspension Bridge

undated

James Clark, 19th century

View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

1812

follower of John Varley, 1778–1842

Saint Peter's Church, Hereford, from Butcher's Row

1802

Paul Sandby, 1731–1809

The Victor Conducted in Triumph

ca. 1781

Daniel Lysons, 1762–1834

Memorials to Mrs. Mary Staunton, John Silvester, Mrs. Frances Whiterly and Mrs. Rebecca Lone from Bedfont Church

between 1796 and 1811

Daniel Lysons, 1762–1834

The Environs of London: Brass plate for Unidentified Infant from East Ham Church

between 1796 and 1811

Sir Richard Colt Hoare, 1758–1838

The Carthusian Convent at Trisulto

1790

Sir Richard Colt Hoare, 1758–1838

The Carthusian Convent at Trisulto

1790

Sir Richard Colt Hoare, 1758–1838

The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora

1790

Sir Richard Colt Hoare, 1758–1838

The Carthusian Convent at Trisulto, near Alatri

1790

Sir Richard Colt Hoare, 1758–1838

Ducal Palace etc at Isola di Sora

1791

Sir Richard Colt Hoare, 1758–1838

Ducal Palace at Isola di Sora

1791

Sir Richard Colt Hoare, 1758–1838

Convento del Carmine, at Isola di Sora

1790

Sir Richard Colt Hoare, 1758–1838

Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora

1791

Sir Richard Colt Hoare, 1758–1838

Ducal Palace at Isola di Sora

1790

Sir Richard Colt Hoare, 1758–1838

Monastery of La Trappe, at Casamare

1790

Print made by Sir Muirhead Bone, 1876–1953

Demolition of St. James's Hall, Interior

1906

Print made by Sir David Young Cameron, 1865–1945

The North Porch, Harfleur

1904

Print made by Sir David Young Cameron, 1865–1945

Notre Dame, Dinant [Belgian Set: No. 8]

1907

Print made by Sir David Young Cameron, 1865–1945

The Five Sisters, York Minister

1907

Print made by Sir David Young Cameron, 1865–1945

Street in Cairo

1910

George Richardson, ca.1738–ca.1813

Design for a Ceiling

undated

John Hassell, 1767–1825

View of Sion House from the Banks of the Thames

1799

Daniel Havell, 1785–1826

A View of the Bank of England

1816

Sir Richard Colt Hoare, 1758–1838

Church of S. Domenico near Sora built upon the ruins of Cicero's Villa

1790

Print made by Sir Muirhead Bone, 1876–1953

A Manhattan Excavation

1923

Lionel Grimston Fawkes Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881

Lionel Grimston Fawkes, 1849–1931

Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881

1881

Lionel Edwards, 1878–1966

The Lodge Gate

1922

James Pollard, 1792–1867

The North Country Mails at The Peacock Inn, Islington

1815

Print made by Benjamin Cole, 1697–1783

Merchant Taylors' School and St. Paul's School

1756

Print made by Thomas Girtin, 1775–1802

On the Banks of the Marne below the Bridge at Charenton

1803

Print made by Gerard van der Gucht, 1696–1776

Fort St. George

1736

Print made by Sir David Young Cameron, 1865–1945

The Canongate Tollbooth

1906

Isaac Johnson, 1754–1835

Survey of Tunstall Marshes

1753

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Barbican

1920

Print made by Sir Muirhead Bone, 1876–1953

Windy Night, Stockholm

1935

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

James Bruce, 1730–1794

No. 18 drawings of ornamental detail of friezes and verso: the entablature and plan of a temple at Baalbec or Palmyra

undated

James Bruce, 1730–1794

No. 21 view from the North Angle of the peristyle of the temple

undated

James Bruce, 1730–1794

No. 25 drawing of temple remains at Baalbec or Palmyra

undated

James Bruce, 1730–1794

No. 29 sketch of temple remains at Baalbec or Palmyra

undated

James Bruce, 1730–1794

Plate XV Back of Temple at Sheitla [sic]

undated

James Bruce, 1730–1794

Details of Lower Arch Mactar, Modern Makther

undated

James Bruce, 1730–1794

Trajans Arch, Makter

undated

James Bruce, 1730–1794

Lambressa, the Praerorium

undated

James Bruce, 1730–1794

Arch and Corinthian Temple of Assuras mod. Zanfour

undated

James Bruce, 1730–1794

Graphite elevation of unidentified column with graphite and pen and ink dimensions

undated

James Bruce, 1730–1794

Gate at Medjez-el-bab

undated

Print made by Edward Goodall, 1795–1870

Tivoli, a Composition

1827

Print made by Edward Goodall, 1795–1870

Tivoli, a Composition

1827

Hugh William "Grecian" Williams, 1773–1829

View of the Forum in Rome

1828

William Green, 1760–1823

Landscape with River and a Bridge

undated

William Green, 1760–1823

Landscape, Castle by a River

undated

William Green, 1760–1823

The Devil's Bridge, Kirkby Lonsdale

undated

James Bruce, 1730–1794

Lower Arch at Makther on Back

undated

James Bruce, 1730–1794

Architectural Details of Arch at Makther

undated

James Bruce, 1730–1794

XVLL Arch at Makther

undated

James Bruce, 1730–1794

Entrance Gate, Zaghouan

ca. 1768

James Bruce, 1730–1794

Details of Temple Above Spring at Zaghouan

ca. 1768

James Bruce, 1730–1794

Temple Above Spring at Zaghouan

ca. 1768

James Bruce, 1730–1794

Arch of Trajan Makther

undated

James Bruce, 1730–1794

Sketch of Arches in Perspective

ca. 1768

James Bruce, 1730–1794

Plan of the circular temple at Baalbec

undated

James Bruce, 1730–1794

Back view of the same circular temple in its present state

undated

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

unknown artist

Tintern Abbey

undated

Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

after Thomas Girtin, 1775–1802

On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

1803

Richard Parkes Bonington, 1802–1828

The Church of St. Wulfran, Abbeville: The North Door of the West Front

ca. 1823

Arthur Bradley, active 1740

Record Drawing of the 1639 Altarpiece in Exeter Cathedral

undated

James Wyatt, 1746–1813

Goodwood, West Sussex: Ceiling Design

undated

Sir John Soane, 1753–1837

Design for Hyde Park and St. James' Park Entrance

ca. 1826

Sir Charles Barry, 1795–1860

Perspective View: the New Houses of Parliament

ca. 1840-1849

Samuel Austin, 1796–1834

Church of Notre Dame, Bruges

undated

Samuel Prout, 1783–1852

The Monnow Bridge, Monmouthshire

before 1814

Samuel Scott, ca. 1702–1772

A Wood Yard on the Thames at Nine Elms

undated

Studio of Sir Jeffry Wyatville, 1766–1840

Elevation of an Unidentified Church

undated

Studio of Sir Jeffry Wyatville, 1766–1840

Wollaton Park, Nottingham: South Elevation

ca. 1801

Studio of Sir Jeffry Wyatville, 1766–1840

Wollaton Hall, Nottingham: Elevation

ca. 1801

Lewis Morley, 1925–2013

Cosy Café, King's Road, Chelsea

1960s

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745