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The Bruiser
Creator:
William Hogarth, 1697–1764
Date:
1763
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 12 inches (40 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Thomas S. Holman, New York, NY
Self-portrait
Creator:
William Hogarth, 1697–1764
Date:
1749
Materials & Techniques:
Etching and engraving on laid paper
Dimensions:
Sheet: 15 7/8 x 11in. (40.3 x 27.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
An Election Entertainment, Plate I
Creator:
William Hogarth, 1697–1764
Date:
1755-58
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/4 x 21 1/4in. (40 x 54cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chairing the Members, Plate IV
Creator:
William Hogarth, 1697–1764
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 5/8 x 21 1/4in. (39.7 x 54cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hogarth Painting the Comic Muse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1764
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ioannes Snellincx
Creator:
Print made by Pieter de Jode II, ca. 1606–1674
Date:
ca. 1635
Materials & Techniques:
Engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 7/8 × 11 5/8 inches (40.3 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Lavatory
Creator:
John Copley, 1875–1950
Date:
1909
Materials & Techniques:
Lithograph, printed in seven colors
Dimensions:
Sheet: 15 5/8 x 20 3/4in. (39.7 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Portrait of Fuseli
Creator:
Print made by William Bromley, 1769–1842
Date:
undated
Materials & Techniques:
Line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 11/16 x 11 inches (39.8 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Night

Night
Creator:
Print made by John Boydell, 1720–1804
Date:
1756
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 1/4 inches (39.7 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Wreck of the Nuestra Senora de los Remedios
Creator:
Print made by John Boydell, 1720–1804
Date:
1753
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Ruins of Dioclesian's Baths
Creator:
Richard Cooper the Elder, 1701–1764
Materials & Techniques:
Soft ground etching with aquatint
Dimensions:
Sheet: 15 3/4 x 21 3/8in. (40 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
Creator:
James Clark, 19th century
Date:
1812
Materials & Techniques:
Hand colored aquatint with etching on moderately thick, smooth, brown wove paper
Dimensions:
Sheet: 15 7/8 x 17 1/16 inches (40.3 x 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Clifton Suspension Bridge
Creator:
James Duffield Harding, 1798–1863
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Liverpool

Liverpool
Creator:
Leon J. B. Sabatier, active 1827–m.1887
Date:
1840
Materials & Techniques:
Color lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 18 13/16 × 25 1/4 inches (47.8 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Hen Peckt Husband
Creator:
Butler Clowes, active 1768, died 1782
Date:
ca. 1768
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 15 7/8 x 20in. (40.3 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Politician
Creator:
unknown artist
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 11/16 × 10 3/4 inches (39.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South East View of tLand-Guard Fort, in Suffolk
Creator:
Thomas Major, 1714–1799
Date:
1754
Materials & Techniques:
Line engraving on thick, rough, cream wove paper
Dimensions:
Sheet: 15 5/8 × 23 1/2 inches (39.7 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rural Lovers
Creator:
Francois Vivares, 1709–1780
Date:
1760
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 7/8 x 19 3/4in. (40.3 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Overflowing of the Pitt
Creator:
unknown artist
Date:
1771
Materials & Techniques:
engraving
Dimensions:
Sheet: 15 5/8 × 10 11/16 inches (39.7 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ivy Bridge, Devonshire
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1816
Materials & Techniques:
Etching; engraver's proof, open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 3/4 inches (39.7 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Weathercote Cave when Half Filled with Water
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1821
Materials & Techniques:
Line engraving and etching, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Mount: 15 7/8 × 20 7/8 inches (40.3 × 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. James's Park
Creator:
Francis David Soiron, Born 1764
Date:
1790
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 1/16 × 22 inches (48.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Tea Garden
Creator:
Francis David Soiron, Born 1764
Date:
1793
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 × 21 13/16 inches (48.3 × 55.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Mary Cadogan
Creator:
John Dean, 1754–1798
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 9/16 × 11 11/16 inches (39.5 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Women at Prayer
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1936
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 11/16 x 11 9/16 inches (39.8 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Demolition of St. James's Hall, Interior
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1906
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream Asian paper
Dimensions:
Sheet: 20 11/16 x 15 1/4 inches (52.5 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Emerson Tuttle in memory of Theodore Sizer, transfer from the Yale University Art Gallery
The North Porch, Harfleur
Creator:
Sir David Young Cameron, 1865–1945
Date:
1904
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 10 3/8 inches (40 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Five Sisters, York Minister
Creator:
Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 7 3/4 inches (40.3 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Notre Dame, Dinant [Belgian Set: No. 8]
Creator:
Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 9 1/2 inches (39.7 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Parish Church of St. Botolph without Aldgate
Creator:
unknown artist
Date:
1792
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 5/8 x 9 1/16in. (39.7 x 23cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof (touched) on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Folkestone: Harbour, and Coast to Dover, Kent
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 9/16 × 21 9/16 inches (39.5 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Oxford from the Abingdon Road
Creator:
Print made by John Pye, 1782–1874
Date:
1818
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 1/8 × 34 7/8 inches (58.7 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hylton Castle, County of Durham
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1816 to 1823
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 3/4 × 21 3/4 inches (40 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, moderately textured, cream laid paper, with cream chine collé
Dimensions:
Sheet: 27 × 29 1/4 inches (68.6 × 74.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Resurrection of the Dead
Creator:
Conrad Martin Metz, 1749–1827
Date:
1801
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 13/16 × 24 1/16 inches (42.7 × 61.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Geoffrey and Renée Hartman
A Lecture on Gadding
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Etching, stipple engraving, and mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 7/16 x 15 1/16 inches (46.9 x 38.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Man-Trap
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
c.1780
Materials & Techniques:
Mezzotint on laid paper
Dimensions:
Plate: 13 15/16 x 11 1/2in. (35.4 x 29.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
Creator:
Print made by W. Pyott, active late 18th century
Date:
1792
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/4 x 14 3/4 inches (48.9 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

73. Princess

Princess
Creator:
Print made by David Mach, born 1956
Date:
1996
Materials & Techniques:
Screen print on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 x 29 3/8 inches (55.9 x 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Kasser / Mochary Family Foundation
Lithograph from a Collection of 14, 1952-1954
Creator:
Print made by Reg Butler, 1913–1981
Date:
1954
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 11 15/16 inches (40 x 30.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Presentation in the Temple
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Baptism
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Flight into Egypt
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Temptation in the Wilderness
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
Rejection at Nazareth
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Pool of Bethsada
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Confrontation with the Pharisees over the Disciples Eating Grain on the Sabbath
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Healing of the Man with the Withered Hand
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Raising of the Widow’s Son at Nain
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Centurion’s Servant
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Parables by the Sea
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Anointing of Jesus in the House of Simon the Pharisee
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Raising of Jairus’s Daughter
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Woman with the Issue of Blood
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Healing of the Dumb Man and the Defiance of the Pharisees
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Stilling of the Tempest
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Mission of the Twelve
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Healing of the Two Blind Men
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Healing of the Dumb Man
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Confession of Saint Peter
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Woman Taken in Adultery
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Departure of the Rich Young Ruler
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Shekel in the Fish’s Mouth
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Woman Healed on the Sabbath
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
The Healing of the Man Born Blind
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964
Christ Rebuking the Lawyer in the House of the Pharisee
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964