Height [cm]: 41 / Width [cm]: 33 - YCBA Collections Search Search Results

1. Studies of Household Cavalry seen during the Coronation of Queen Elizabeth II, 1953

Creator:: Paul-Lucien Dessau, 1909–1999
Date:: 1953
Materials & Techniques:: Oil on canvas
Dimensions:: 16 1/8 x 13 inches (41 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. La Rue Pecquet, Dieppe

Creator:: Walter Richard Sickert, 1860–1942
Date:: ca. 1907
Materials & Techniques:: Oil on canvas
Dimensions:: 16 1/4 x 13 inches (41.3 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

3. Midland Landscape, 1958

Creator:: Prunella Clough, 1919–1999
Date:: 1958
Materials & Techniques:: Oil on board
Dimensions:: 16 × 13 inches (40.6 × 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
On View:: Not on view

4. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite squared for transfer on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 x 10 3/4 inches (41.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. 'Oft bursts my song beyond the bounds of life' (Page 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'Death! great proprietor of all! 'tis thine' (Page 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Sealing the Stone and Setting a Watch

Creator:: William Blake, 1757–1827
Date:: 1800 to 1803
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:: Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

25. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Mrs. Henry Bunbury

Creator:: Print made by James Watson, 1740–1790
Date:: 1778
Materials & Techniques:: Mezzotint (second state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 7/16 × 14 5/16 inches (49.4 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

27. Right Hon. John Hely Hutchinson, LL.D.

Creator:: Print made by James Watson, 1740–1790
Date:: 1778
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 18 1/8 × 13 1/16 inches (46 × 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

28. Samuel Johnson, L. L. D.

Creator:: Print made by William Doughty, 1757–1782
Date:: 1779
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/8 x 13 11/16 inches (46.1 x 34.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

29. The Honorable Augustus Keppel, Admiral of the Blue

Creator:: Print made by William Doughty, 1757–1782
Date:: 1779
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper, laid in mount
Dimensions:: Sheet: 18 1/4 x 13 5/16 inches (46.3 x 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

30. The Countess of Blessington

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1837
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 15/16 x 12 15/16 inches (40.5 x 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

31. A Dove

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 16 1/4 × 13 1/8 inches (41.3 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. A Bird

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 16 1/8 × 13 inches (41 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Views of Spain, Volume I

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Views of Polar Regions

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. An Aga of the Janizaries

Creator:: Print made by Robert Blyth, 1750–1784
Date:: 1779
Materials & Techniques:: Etching on moderately thick, moderately textured, beige laid paper, laid on mount
Dimensions:: Sheet: 16 x 13 1/16 inches (40.6 x 33.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. John Hamilton Mortimer, Esq.

Creator:: Valentine Green, 1739–1813
Date:: 1779
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 15/16 × 12 7/8 inches (45.5 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)

Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)

Creator:: John Hamilton Mortimer, 1740–1779
Dimensions:: Sheet: 16 x 13in. (40.6 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Mrs.Catherine Bunbury (née Horneck)

Creator:: James Watson, 1740–1790
Date:: 1778
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 1/2 × 15 5/8 inches (52.1 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Edgar, "King Lear", Act III, Scene III

Creator:: John Hamilton Mortimer, 1740–1779
Date:: 1775
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 13in. (40.6 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. York, "Henry IV", Part II, Act V, Scene IV

Creator:: John Hamilton Mortimer, 1740–1779
Date:: 1775
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 13in. (40.6 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

41. Barbara Palmer (née Villiers) Countess of Castlemaine

Creator:: Thomas Watson, 1743–1781
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 11/16 × 13 1/16 inches (42.4 × 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. George Colman, The Elder

Creator:: Edward Scriven, 1775–1841
Date:: 1813
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 13 inches (41.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Samuel Foote

Creator:: John Blackmore, active 1740–1780
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 17 3/4 × 13 1/4 inches (45.1 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Frances Teresa Stewart, Duchess of Richmond and Lennox

Creator:: Thomas Watson, 1743–1781
Date:: 1779
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 16 3/4 inches (49.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Lucy Hardinge (née Long)

Creator:: Thomas Watson, 1743–1781
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 3/8 × 15 3/16 inches (51.8 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Mrs. Williams Hope of Amsterdam

Creator:: Charles Howard Hodges, 1764–1837
Date:: 1788
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 17 1/4 × 12 15/16 inches (43.8 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Henrietta, Countess of Rochester

Creator:: Thomas Watson, 1743–1781
Date:: 1779
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 16 3/8 inches (49.8 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Right Reverent Thomas Newton, D.D.

Creator:: James Watson, 1740–1790
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 18 5/16 × 14 1/16 inches (46.5 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Miss Nelly O'Brien

Creator:: Charles Phillips, 1737– after 1783
Date:: 1770
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/8 × 13 7/16 inches (46 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Frances Russell, Marquess of Tavistock

Creator:: Print made by James Watson, 1740–1790
Date:: 1767
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 17 15/16 × 13 inches (45.6 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Beaumaris, Isle of Anglesea

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 22 1/8 inches (41.3 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Kidwelly Castle, South Wales

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1837
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 22 1/8 inches (40.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Whitehaven, Cumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1837
Materials & Techniques:: Etching with chine-collé; open etched state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/8 × 22 inches (41 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. L'Antiquaire

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/8 x 13 1/16 inches (42.9 x 33.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. Knives, Scissars, and Razors to Grind

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 13 1/2 inches (43.2 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Miss Nelly O'Brien

Creator:: Print made by Charles Phillips, 1737– after 1783
Date:: 1770
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/4 × 13 1/8 inches (46.4 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

57. James Paine and his Son

Creator:: Print made by James Watson, 1740–1790
Date:: 1767
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 × 13 1/8 inches (45.7 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. Sir Joshua Reynolds, P.R.A., F.R.S., LL.D.

Creator:: Print made by James Watson, 1740–1790
Date:: c.1770
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/16 × 14 3/16 inches (48.7 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. Elizabeth Godden (née Houghton), Lady Taylor

Creator:: Print made by William Dickinson, 1746–1823
Date:: ca. 1775
Materials & Techniques:: Mezzotint (only state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 × 16 1/2 inches (54 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

60. John Boydell, Engraver

Creator:: Valentine Green, 1739–1813
Date:: 1772
Materials & Techniques:: Mezzotint on moderately thick, modereately textured, cream laid paper, laid on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/8 x 13 5/16 inches (46.6 x 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. La benedicite

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/16 x 13 1/16 inches (41.7 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. La gouvernante

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 5/8 x 13 inches (42.2 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy

Creator:: John Watts, active 1766–1786
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 3/16 × 14 3/4 inches (51.3 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

64. The Water Mill above the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Two Saddled Horses in Stalls in a Stable

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 16 × 22 inches (40.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Flower Girl

Creator:: John Young, 1755–1825
Date:: 1785
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/8 x 13 1/8 inches (41 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Rat Hunters

Creator:: James Mitchell, 1791–1852
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Mount: 21 13/16 × 15 5/16 inches (55.4 × 38.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Samuel Foote Esq.

Creator:: Print made by John Blackmore, active 1740–1780
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 13/16 × 13 inches (45.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Turnips & Carrots ho

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 12 7/8 inches (41.3 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey

70. Castle Upnor, on the River Medway

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 22 1/4 inches (41 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Lowestoffe, Suffolk

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1837
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 22 1/8 inches (41 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Battleship

Creator:: Peter Lanyon, 1918–1964
Date:: ca. 1944
Materials & Techniques:: Watercolor and gouache on medium, moderately textured, white wove paper and medium, smooth, brown wove paper
Dimensions:: Sheet: 16 1/8 x 13 inches (41 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

73. A Design for a Ceiling

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 16 x 8 1/8 inches (40.6 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Salsona Catalonia

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Falls of the Chulilla

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Cordora looking down the Guadalquiver

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. La Fuen de Munia & Village of Cortes

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Bridge

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Entrance to the Hall of Ambassadors, Alcazar at Seville

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Corunna

Creator:: Charles Hamilton Smith, 1776–1859
Date:: 1814
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Views from Spain towards the High Pyrenees

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Canlavieja

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Punta del Gada from the Anchorage; Azores

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Views on the Tagus

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Grotto of Montserrat

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Triumphal Arch of Bara

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Prison of the Inquisition at Cordova

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Port Passages

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Town and Castle of Cardona

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Monastery of San Just where Charles V died

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Torre Moncorvo in Tra los Montes

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Bridge over the Coa near Almeida

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Ponte de Aquida near Almeida

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Ponta del Grada

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Belem Tower near Lisbon on the Tagus

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Chapel of San Juan de la Pena, Coast of Biscay

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Tomb of the Scipio's near Tarragona

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Outeiro

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Irun River between Lumbier and Sanguesa, Navarre

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Cape St. Vincent

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Height [cm] 41

Width [cm] 33

Search Results

1. Studies of Household Cavalry seen during the Coronation of Queen Elizabeth II, 1953

2. La Rue Pecquet, Dieppe

3. Midland Landscape, 1958

4. Human Skeleton, Lateral View

5. 'Teaching, we learn; and giving, we retain' (Page 35)

6. 'Angels should paint it, angels ever there' (Page 40)

7. Night the Third. Narcissa; Title Page

8. 'Disease invades the chastest temperence' (Page 10)

9. 'Oft bursts my song beyond the bounds of life' (Page 16)

10. 'Emblem of that which shall awake the dead' (Page 19)

11. 'Behold him, when past by; what then is seen' (Page 25)

12. 'Tis greatly wise to talk with our past hours' (Page 31)

13. 'Like that, the dial speaks; and points to thee' (Page 33)

14. 'Love, and love only, is the loan for love' (Page 37)

15. 'Angels should paint it, angels ever there' (Page 40)

16. 'One radiant mark, – the death-bed of the just' (Page 41)

17. Night the Third. Narcissa; Title Page

18. 'Till at Death's toll, whose restless iron tongue' (Page 7)

19. 'Death! great proprietor of all! 'tis thine' (Page 8)

20. 'Disease invades the chastest temperence' (Page 10)

21. 'The present moment terminates our sight' (Page 13)

22. 'Teaching, we learn; and giving, we retain' (Page 35)

23. 'The longest night though longer far, would fail' (Page 15)

24. Sealing the Stone and Setting a Watch

25. 'Till at Death's toll, whose restless iron tongue' (Page 7)

26. Mrs. Henry Bunbury

27. Right Hon. John Hely Hutchinson, LL.D.

28. Samuel Johnson, L. L. D.

29. The Honorable Augustus Keppel, Admiral of the Blue

30. The Countess of Blessington

31. A Dove

32. A Bird

33. Views of Spain, Volume I

34. Views of Polar Regions

35. An Aga of the Janizaries

36. John Hamilton Mortimer, Esq.

37. Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)

38. Mrs.Catherine Bunbury (née Horneck)

39. Edgar, "King Lear", Act III, Scene III

40. York, "Henry IV", Part II, Act V, Scene IV

41. Barbara Palmer (née Villiers) Countess of Castlemaine

42. George Colman, The Elder

43. Samuel Foote

44. Frances Teresa Stewart, Duchess of Richmond and Lennox

45. Lucy Hardinge (née Long)

46. Mrs. Williams Hope of Amsterdam

47. Henrietta, Countess of Rochester

48. The Right Reverent Thomas Newton, D.D.

49. Miss Nelly O'Brien

50. Frances Russell, Marquess of Tavistock

51. Beaumaris, Isle of Anglesea

52. Kidwelly Castle, South Wales

53. Whitehaven, Cumberland

54. L'Antiquaire

55. Knives, Scissars, and Razors to Grind

56. Miss Nelly O'Brien

57. James Paine and his Son

58. Sir Joshua Reynolds, P.R.A., F.R.S., LL.D.

59. Elizabeth Godden (née Houghton), Lady Taylor

60. John Boydell, Engraver

61. La benedicite

62. La gouvernante

63. Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy

64. The Water Mill above the Bridge at Charenton

65. Two Saddled Horses in Stalls in a Stable

66. The Flower Girl

67. Rat Hunters

68. Samuel Foote Esq.

69. Turnips & Carrots ho

70. Castle Upnor, on the River Medway

71. Lowestoffe, Suffolk

72. Battleship

73. A Design for a Ceiling

74. Salsona Catalonia