Height [cm]: 41 / Subject Terms: religious and mythological subject

1. David Playing the Harp

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/4 x 12 3/4 inches (41.3 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

2. Sealing the Stone and Setting a Watch

Creator:: William Blake, 1757–1827
Date:: 1800 to 1803
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:: Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

3. Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Three Marys

Creator:: Benjamin West, 1738–1820
Date:: 1783
Materials & Techniques:: Watercolor with pen in brown ink.; verso: graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 3/16 x 8 1/4 inches (41.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. A Design for a Ceiling

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 16 x 8 1/8 inches (40.6 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Joshua Commanding the Sun to Stand Still

Creator:: John Martin, 1789–1854
Date:: 1818
Materials & Techniques:: Graphite, brown wash, scratching out and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 24 1/8 inches (40.6 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Get Thee Behind Me, Satan

Creator:: John Flaxman, 1755–1826
Date:: between 1783 and 1787
Materials & Techniques:: Gray ink with graphite and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 21 7/8 inches (40.6 x 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Proposal for a Happy New Year

Creator:: unknown artist
Date:: after 1850
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper, mounted on thick, smooth, light blue card
Dimensions:: Mount: 16 × 11 5/8 inches (40.6 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

27. The Triumph of Galatea

Creator:: Print made by John Smith, 1652–1743
Date:: 1701
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 × 9 7/8 inches (43.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

28. Le jeune devot

Creator:: Print made by Johann Lorenz Haid, 1702–1750
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/4 x 11 5/8 inches (41.2 x 29.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

29. The Calling of Samuel

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint (second state) on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 16 5/16 × 12 3/16 inches (41.4 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

30. The Infant Hercules

Creator:: Print made by William James Ward, ca. 1800–1840
Date:: 1819
Materials & Techniques:: Mezzotint (second state) on thick, rough, cream laid paper
Dimensions:: Sheet: 26 × 18 3/4 inches (66 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

31. The Tribute Money

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 5/8 × 22 5/8 inches (47.3 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

32. Hagar and Ishmael

Creator:: Print made by William Say, 1768–1834
Date:: 1812
Materials & Techniques:: Mezzotint (proof before all letters) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 25 7/8 × 19 5/8 inches (65.7 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33. Die Unschuldige Susana - Susanna Innocens

Creator:: Print made by Johann Philip Koch, ca. 1716–1796
Date:: undated
Materials & Techniques:: Mezzotint printed in blue ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 19 1/2 inches (40.6 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

34. Der Keusche Joseph - Joseph Castus

Creator:: Print made by Johann Philip Koch, ca. 1716–1796
Date:: undated
Materials & Techniques:: Mezzotint printed in blue ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 19 3/4 inches (40.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

35. Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis

Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis

Creator:: Print made by Johann Lorenz Haid, 1702–1750
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 19 1/8 x 13 3/4 inches (48.5 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36. Vertumnus et Pomona

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 x 14 3/16 inches (51.5 x 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. S. Andreas

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 3/16 x 14 7/16 inches (53.8 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. S. Philippus

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 3/8 x 14 13/16 inches (54.3 x 37.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. S. Jacobus Major

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 9/16 x 14 5/8 inches (54.7 x 37.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. S. Paulus

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 13/16 x 15 1/4 inches (52.8 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

41. S. Bartholomaeus

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 14 11/16 inches (54 x 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42. Barbara Palmer (née Villiers) Countess of Castlemaine

Creator:: Thomas Watson, 1743–1781
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 11/16 × 13 1/16 inches (42.4 × 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Dido and Aeneas; The Morning of the Chase

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1842
Materials & Techniques:: Etching and line engraving with graphite; engraver's proof (a), touched on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 21 1/8 × 28 1/8 inches (53.7 × 71.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Richard Robinson, Bishop of Kildare

Creator:: Richard Houston, ca. 1721–1775
Date:: 1764
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/4 × 11 13/16 inches (41.3 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Thomas Secker, Lord Bishop of Oxford

Creator:: James McArdell, ca. 1729–1765
Date:: 1747
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Mount: 16 1/8 × 12 1/16 inches (41 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Tribute Money

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/4 × 20 1/4 inches (41.3 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. The Tribute Money

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/4 × 20 3/8 inches (41.3 × 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Neaera

Creator:: Print made by John Young, 1755–1825
Date:: 1788
Materials & Techniques:: Mezzotint (first state) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 11 13/16 inches (40.6 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. Philoctetes in the Island of Lemnos

Creator:: James Barry, 1741–1806
Date:: 1777
Materials & Techniques:: Engraving
Dimensions:: Plate: 8 x 14 1/2in. (20.3 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Capuchins of Our Lady of Médoux

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Right Reverent Thomas Newton, D.D.

Creator:: James Watson, 1740–1790
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 18 5/16 × 14 1/16 inches (46.5 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Mrs. Quarrington as St. Agnes

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: ca. 1787
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 16 15/16 x 13 11/16 inches (43 x 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

53. The Good Samaritan

Creator:: Simon François Ravenet, 1706–1774
Date:: 1772
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 22 1/2 inches (48.9 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Pool of Bethesda

Creator:: Simon François Ravenet, 1706–1774
Date:: 1772
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 x 22 5/8 inches (49.2 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Atalanta and Hippomanes

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1763
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 11/16 x 11 5/16 inches (42.4 x 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Grave, A Poem, by Robert Blair

Creator:: Prints made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching and letterpress bound in full calf with marbled endpapers on moderately thick, slightly textured, laid paper and wove paper
Dimensions:: Binding: 16 1/8 inches (41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Golden Bough

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1856
Materials & Techniques:: Etching; open etched state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 1/8 × 26 1/2 inches (41 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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Height [cm] 41

Subject Terms religious and mythological subject

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1. David Playing the Harp

2. Sealing the Stone and Setting a Watch

3. Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

4. Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

5. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

6. Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

7. Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

8. Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

9. Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

10. Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

11. Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

12. Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

13. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

14. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

15. Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

16. Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

17. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

18. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

19. Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

20. Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

21. Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

22. The Three Marys

23. A Design for a Ceiling

24. Joshua Commanding the Sun to Stand Still

25. Get Thee Behind Me, Satan

26. Proposal for a Happy New Year

27. The Triumph of Galatea

28. Le jeune devot

29. The Calling of Samuel

30. The Infant Hercules

31. The Tribute Money

32. Hagar and Ishmael

33. Die Unschuldige Susana - Susanna Innocens

34. Der Keusche Joseph - Joseph Castus

35. Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis

36. Vertumnus et Pomona

37. S. Andreas

38. S. Philippus

39. S. Jacobus Major

40. S. Paulus

41. S. Bartholomaeus

42. Barbara Palmer (née Villiers) Countess of Castlemaine

43. Dido and Aeneas; The Morning of the Chase

44. Richard Robinson, Bishop of Kildare

45. Thomas Secker, Lord Bishop of Oxford

46. The Tribute Money

47. The Tribute Money

48. Neaera

49. Philoctetes in the Island of Lemnos

50. Capuchins of Our Lady of Médoux

51. The Right Reverent Thomas Newton, D.D.

52. Mrs. Quarrington as St. Agnes

53. The Good Samaritan

54. The Pool of Bethesda

55. Atalanta and Hippomanes

56. The Grave, A Poem, by Robert Blair

57. Robert Blair, The Grave, Title Page

58. Christ Descending into the Grave

59. The Descent of Man into the Vale of Death

60. Death's Door

61. Death of the Strong Wicked Man

62. The Counsellor, King, Warrior, Mother & Child, in the Tomb

63. The Reunion of the Soul & the Body

64. The Meeting of a Family in Heaven

65. The Day of Judgment

66. The Soul Hovering over the Body reluctantly Parting with Life

67. The Death of the Good Old Man

68. The Soul Exploring the Recesses of the Grave

69. The Golden Bough