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Classification Prints

George Stubbs Hay-Makers

George Stubbs, 1724–1806

Hay-Makers

1791

William Hogarth Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII

William Hogarth, 1697–1764

Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII

1746

William Hogarth Strolling Actresses Dressing in a Barn

William Hogarth, 1697–1764

Strolling Actresses Dressing in a Barn

1738

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake Night the First. On Life, Death, and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

ca. 1797

William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

ca. 1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

ca. 1797

William Blake 'The thunder if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake Night the First. On Life, Death, and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

1797

William Blake Night the First. On Life, Death, and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake The Complaint, and the Consolation; or, Night Thoughts

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

1797

William Blake The Complaint, and the Consolation; or, Night Thoughts

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

ca. 1797

William Blake Illustrations of The Book of Job

Print made by William Blake, 1757–1827

Illustrations of The Book of Job

1826

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

unknown artist Sir Hugh Middleton's Glory or the First Issuing of the Water into the New River Head, 1613

unknown artist

Sir Hugh Middleton's Glory or the First Issuing of the Water into the New River Head, 1613

ca. 1772

James Barry Elysium and Tartarus or the State of Final Retribution

James Barry, 1741–1806

Elysium and Tartarus or the State of Final Retribution

1791

John Harris The Revolt of the Fleet, 1642

John Harris, active 1686–1740

The Revolt of the Fleet, 1642

ca. 1710

Valentine Green Mrs. Cosway

Print made by Valentine Green, 1739–1813

Mrs. Cosway

1787

Newton Limbird Smith Fielding Le Crotoy from the Mouth of the Somme

Newton Limbird Smith Fielding, 1799–1856

Le Crotoy from the Mouth of the Somme

1825

Richard Earlom A Shepherd Boy

Print made by Richard Earlom, 1743–1822

A Shepherd Boy

1781

Edward Fisher Garrick Between Tragedy and Comedy

Print made by Edward Fisher, 1722–1785

Garrick Between Tragedy and Comedy

undated

William Sharp John Hunter, F.R.S.

Print made by William Sharp, 1749–1824

John Hunter, F.R.S

1788

William Sharp John Hunter, F.R.S.

Print made by William Sharp, 1749–1824

John Hunter, F.R.S

1788

Charles Howard Hodges Lavinia Countess Spencer

Print made by Charles Howard Hodges, 1764–1837

Lavinia Countess Spencer

1784

William Dickinson Emilia, Duchess of Leinster

Print made by William Dickinson, 1746–1823

Emilia, Duchess of Leinster

1796

Samuel Cousins Miss Croker

Print made by Samuel Cousins, 1801–1887

Miss Croker

1828

Samuel Cousins Mary Elizabeth, Countess Grey, with Her Two Children

Print made by Samuel Cousins, 1801–1887

Mary Elizabeth, Countess Grey, with Her Two Children

1831

Valentine Green Mrs. Cosway

Print made by Valentine Green, 1739–1813

Mrs. Cosway

1787

Peltro W. Tomkins Sylvia

Print made by Peltro W. Tomkins, 1760–1840

Sylvia

1786

Samuel Cousins The Visionary

Print made by Samuel Cousins, 1801–1887

The Visionary

1833

Samuel Cousins The Orphan

Print made by Samuel Cousins, 1801–1887

The Orphan

1834

John Raphael Smith The Hon. Mrs. O'Neill

Print made by John Raphael Smith, 1752–1812

The Hon. Mrs. O'Neill

1778

John Dixon Lady Mary Catharine Bertie

Print made by John Dixon, ca. 1740–1811

Lady Mary Catharine Bertie

1767

Robert Graves William Esdaile

Print made by Robert Graves, 1798–1873

William Esdaile

1826

James Watson A Storm

Print made by James Watson, 1740–1790

A Storm

1767

unknown artist The Welcome Home

Print made by unknown artist

The Welcome Home

1790

unknown artist The Market Lass

Print made by unknown artist

The Market Lass

1794

unknown artist The Nosegay Girl

Print made by unknown artist

The Nosegay Girl

1795

unknown artist Archery

Print made by unknown artist

Archery

1794

unknown artist Lady Time Present and Lady Time Past

Print made by unknown artist

Lady Time Present and Lady Time Past

1773

Edward Calvert The Flood

Print made by Edward Calvert, 1799–1883

The Flood

1829

Edward Calvert Ideal Pastoral Life

Print made by Edward Calvert, 1799–1883

Ideal Pastoral Life

1829

Thomas Vivares Design of a Ruineous Bridge for the Garden at Sion

Thomas Vivares, c.1735–c.1790

Design of a Ruineous Bridge for the Garden at Sion

1778

James Caldwall Inside view of the Supper-room & part of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby

Print made by James Caldwall, 1739–1819

Inside view of the Supper-room & part of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby

1780

John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

Charles Grignion The Noble Behavior of Caractacus, before the Emperor Claudius

Print made by Charles Grignion, 1717–1810

The Noble Behavior of Caractacus, before the Emperor Claudius

1751

John Jones Mrs. Jordan in the Character of Hypolita

John Jones, ca. 1745–1797

Mrs. Jordan in the Character of Hypolita

1791

Charles Rosenberg The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

Print made by Charles Rosenberg, active 1828–1848

The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

1837

Thomas Sutherland The Ship 'Woodford'

Thomas Sutherland, ca. 1785–1838

The Ship 'Woodford'

1825

James Mason River Landscape with Cattle Wading and Watermill

Print made by James Mason, 1710–1783

River Landscape with Cattle Wading and Watermill

1757

James Mason View of Mount Edgecumbe from the Blockhouse

James Mason, 1710–1783

View of Mount Edgecumbe from the Blockhouse

1755

James Mason A View of the Castle and Town of Dover

James Mason, 1710–1783

A View of the Castle and Town of Dover

1762