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101. Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Illustrations of the Book of Job

No cover image available
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
22 engravings on india paper
Dimensions:
Binding: 17 1/4in. (43.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'

No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on chine-collé
Dimensions:
Binding: 17 1/4in. (43.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. The Drummond Family

The Drummond Family
Creator:
Lawrence Josset, 1910–1995
Date:
1960
Materials & Techniques:
Mezzotint on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 23 3/8 x 32 inches (59.4 x 81.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Study No. 2: Listening

Study No. 2: Listening
Creator:
Print made by John Copley, 1875–1950
Date:
1914
Materials & Techniques:
Lithograph on thin, slightly textured, beige Asian paper
Dimensions:
Sheet: 17 x 13 15/16 inches (43.2 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

123. Lincoln Cathedral

Lincoln Cathedral
Creator:
Thomas Malton, 1726–1801
Date:
1800
Materials & Techniques:
Color aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 22 3/8 × 29 3/8 inches (56.8 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. A Pastoral Scene with Cow

A Pastoral Scene with Cow
Creator:
Victor Marie Picot, 1744–1805
Date:
1777
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 5/8 × 17 1/4 inches (54.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. The Phoenix or the Resurrection of Freedom

The Phoenix or the Resurrection of Freedom
Creator:
James Barry, 1741–1806
Date:
1776
Materials & Techniques:
Engraving and aquatint , published state
Dimensions:
Plate: 17 x 24 1/8in. (43.2 x 61.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Saumerez' Action off Algeciras & Gibraltar

Saumerez' Action off Algeciras & Gibraltar
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1801-1802
Materials & Techniques:
Color aquatint
Dimensions:
Sheet: 17 x 25in. (43.2 x 63.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. View of the Pantheon taken from the Arsenal

View of the Pantheon taken from the Arsenal
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft ground etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 x 26 1/2 inches (42.5 x 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. View Within the Southern Entrance of Gundecotta Pass (1 of 6)

View Within the Southern Entrance of Gundecotta Pass (1 of 6)
Creator:
Thomas Anburey, 1759–1840
Date:
ca. 1792
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 17 × 22 1/8 inches (43.2 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. St. Laurent, Rouen

St. Laurent, Rouen
Creator:
James Holland, 1799–1870
Date:
1850
Materials & Techniques:
Graphite, washes and white gouache on slightly textured, medium, light brown wove paper
Dimensions:
Sheet: 17 1/16 × 11 3/4 inches (43.3 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. A Street Scene in Granada on the Day of the Bullfight

A Street Scene in Granada on the Day of the Bullfight
Creator:
John Frederick Lewis, 1804–1876
Date:
1833
Materials & Techniques:
Watercolor, white gouache, black chalk, red chalk, graphite and gum with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 11 3/8 inches (43.2 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. An Old Manor House

An Old Manor House
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, beige wove paper with creame chine collé
Dimensions:
Mount: 16 7/8 × 12 inches (42.9 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. Clare College, Cambridge

Clare College, Cambridge
Creator:
Richard Banks Harraden, 1778–1862
Date:
1841
Materials & Techniques:
Watercolor, pen and gray ink, gouache, black chalk, gum and graphite on wove paper
Dimensions:
Sheet: 16 3/4 × 24 1/8 inches (42.5 × 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. A Greek Girl Standing on a Balcony

A Greek Girl Standing on a Balcony
Creator:
John Frederick Lewis, 1804–1876
Date:
1840
Materials & Techniques:
Watercolor and gouache over graphite on off-white wove paper, laid down on contemporary mount
Dimensions:
Sheet: 16 3/4 x 11 7/16 inches (42.5 x 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Seated Turk

Seated Turk
Creator:
John Frederick Lewis, 1804–1876
Date:
between 1840 and 1841
Materials & Techniques:
Watercolor, white gouache, black chalk, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 17 x 11 5/8 inches (43.2 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Creator:
Paul Sandby, 1731–1809
Date:
1767
Materials & Techniques:
Watercolor with pen and gray ink and touches of gold paint over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 33 1/4 inches (42.5 x 84.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. On a Man-o'-War

On a Man-o'-War
Creator:
William Anderson, 1757–1837
Date:
between 1794 and 1799
Materials & Techniques:
Watercolor, graphite, pen, and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 × 10 1/2 inches (43.2 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Nantes

Nantes
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on Thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 16 3/4 × 11 3/8 inches (42.5 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. Loch Achray

Loch Achray
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 × 11 3/8 inches (43.2 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. The Wreck

The Wreck
Creator:
Print made by Henry Griffiths, 1835–1849
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. The Bridge of Sighs, Venice

The Bridge of Sighs, Venice
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/16 × 11 3/4 inches (43.3 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. The Field of Waterloo from Hougoumont

The Field of Waterloo from Hougoumont
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 17 1/16 × 11 13/16 inches (43.3 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Tivoli (vignette)

Tivoli (vignette)
Creator:
Print made by John Pye, 1782–1874
Date:
1830
Materials & Techniques:
Etching and line engraving, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. The Tear

The Tear
Creator:
William Finden, 1787–1852
Date:
1834
Materials & Techniques:
Line engraving on thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:
Sheet: 17 × 11 7/8 inches (43.2 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. The Mask

The Mask
Creator:
William Finden, 1787–1852
Date:
1834
Materials & Techniques:
Stipple engraving and line engraving on thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:
Sheet: 17 1/16 × 11 7/8 inches (43.3 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Orford Castle and St. George's Tower

Orford Castle and St. George's Tower
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Line engraving and etching on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/16 × 11 13/16 inches (43.3 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. William Tell's Chapel

William Tell's Chapel
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1829
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. St. Maurice

St. Maurice
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1829
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. Marengo

Marengo
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Studies of a Suit of Armor

Studies of a Suit of Armor
Creator:
Edward Burne-Jones, 1833–1898
Date:
1875
Materials & Techniques:
Graphite, watercolor, and gouache on thick, moderately textured, brown wove paper
Dimensions:
Sheet: 16 3/4 x 12 3/4 inches (42.5 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Bothwell Castle, Lanarkshire

Bothwell Castle, Lanarkshire
Creator:
Hugh William "Grecian" Williams, 1773–1829
Date:
1798
Materials & Techniques:
Pen and black ink, watercolor, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 17 × 24 3/4 inches (43.2 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Design for Court of Edinburgh University

Design for Court of Edinburgh University
Creator:
Robert Morrison, active ca. 1791
Date:
1779
Materials & Techniques:
Watercolor, with pen in black ink, gray ink, and brown ink over graphite on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 17 x 22 3/4 inches (43.2 x 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Head of a Man

Head of a Man
Creator:
Attributed to Sir Godfrey Kneller, 1646–1723
Date:
1732
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, blue laid paper
Dimensions:
Sheet: 16 7/8 x 11 1/8in. (42.9 x 28.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Interior of the Belfry, Bushey Church

Interior of the Belfry, Bushey Church
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1822
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 16 7/8 x 13 inches (42.9 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. Sir Francis Burdett, 5th Baronet

Sir Francis Burdett, 5th Baronet
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 18 3/8 × 13 1/2 inches (46.7 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. South East View of St. Paul's Cathedral

South East View of St. Paul's Cathedral
Creator:
Daniel Havell, 1785–1826
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 16 3/4 x 20 3/4in. (42.5 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Ophelia

Ophelia
Creator:
Print made by Gerald Leslie Brockhurst, 1890–1978
Date:
1942
Materials & Techniques:
Etching, stipple engraving, and drypoint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 17 x 10 13/16 inches (43.2 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Associates in Fine Arts

157. This View of Hanover Square

This View of Hanover Square
Creator:
Robert Pollard, 1755–1838
Date:
1787
Materials & Techniques:
Etching and Aquatint
Dimensions:
Sheet: 16 7/8 x 22in. (42.9 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Alexander Pope

Alexander Pope
Creator:
John Faber the Younger, ca. 1695–1756
Date:
ca. 1744
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper, pasted on very thick, smooth, brown card
Dimensions:
Mount: 16 7/8 x 12 5/16 inches (42.8 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Florence & Maynard Mack

159. Poets and Philosophers of England: The Rt. Hon. Joseph Addison, Mathew Prior Esq., Mr. Alexander Pope, and Mr. William Congreve.

Poets and Philosophers of England: The Rt. Hon. Joseph Addison, Mathew Prior Esq., Mr. Alexander Pope, and Mr. William Congreve.
Creator:
John Smith, 1652–1743
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 17 x 11 1/4in. (43.2 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

160. A South View of the New Customs House

A South View of the New Customs House
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 x 20 1/8in. (43.2 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. The Building

The Building
Creator:
Sir Muirhead Bone, 1876–1953
Date:
1904
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 16 15/16 x 13 3/8 inches (43 x 33.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

162. Professor Henri Focillon

Professor Henri Focillon
Creator:
Print made by Theodore Brenson, 1893–1959
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 11 1/2 inches (42.5 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Madame Henri Focillon

163. The Belfry of Bruges [Belgian Set: No. 6]

The Belfry of Bruges [Belgian Set: No. 6]
Creator:
Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching
Dimensions:
Sheet: 16 3/4 × 7 7/8 inches (42.5 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

164. Cremorne Gardens, Chelsea

Cremorne Gardens, Chelsea
Creator:
Walter Greaves, 1846–1930
Date:
1871
Materials & Techniques:
Pen and black ink, watercolor, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 17 × 12 3/4 inches (43.2 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Man in Egyptian Dress

Man in Egyptian Dress
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, white gouache, black chalk, red chalk, and graphite with scratching out on medium, slightly textured, cream wove paper mounted on card
Dimensions:
Sheet: 17 x 11 1/2 inches (43.2 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. Park Scene with Deer, Cattle, and a Group of Figures

Park Scene with Deer, Cattle, and a Group of Figures
Creator:
George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Black chalk, white chalk, and gray ground on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 7/8 × 23 5/8 inches (42.9 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. Pike Pool, Beresford Hall, Derbyshire

Pike Pool, Beresford Hall, Derbyshire
Creator:
John Linnell, 1792–1882
Date:
1814
Materials & Techniques:
Black and white chalk and graphite on moderately thick, slightly textured, blue-gray wove paper
Dimensions:
Sheet: 16 7/8 x 22 inches (42.9 x 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. Rome, Castle of St. Angelo

Rome, Castle of St. Angelo
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 12 1/8 inches (42.9 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Naples

Naples
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1829
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Amalfi

Amalfi
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1829
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 1/8 inches (43.2 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. A Tournament in St. Mark's Place

A Tournament in St. Mark's Place
Creator:
Print made by Edward Alfred Goodall, 1819–1908
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. A Village Fair

A Village Fair
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 15/16 × 11 7/8 inches (43 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Venice, The Rialto - Moonlight

Venice, The Rialto - Moonlight
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/16 × 11 11/16 inches (43.3 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Valombre

Valombre
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/16 × 11 15/16 inches (43.3 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: white gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 16 7/8 × 6 3/8 inches (42.9 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Road Scene in Windsor Forest

Road Scene in Windsor Forest
Creator:
Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 16 3/4 x 20 1/4 inches (42.5 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Beauvais

Beauvais
Creator:
attributed to William Henry Hunt, 1790–1864
Date:
ca. 1831
Materials & Techniques:
Watercolor, pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 3/4 x 13 3/4 inches (42.5 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. A Doorway in the Acropolis, Athens

A Doorway in the Acropolis, Athens
Creator:
William James Muller, 1812–1845
Date:
1838
Materials & Techniques:
Watercolor over graphite with gouache on thick, rough, beige wove paper
Dimensions:
Sheet: 16 3/4 × 10 3/4 inches (42.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. Study for Burying the Royal Children

Study for Burying the Royal Children
Creator:
James Northcote, 1746–1831
Date:
ca. 1790
Materials & Techniques:
Oil on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 17 x 11 1/4 inches (43.2 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

180. Design for a Monument to Sir James Reade, Hatfield

Design for a Monument to Sir James Reade, Hatfield
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Graphite, pen and black ink and brown wash on slightly textured, medium, brown laid paper
Dimensions:
Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. Olivia Returns to Her Family

Olivia Returns to Her Family
Creator:
Francis Wheatley, 1747–1801
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 21 7/8 inches (43.2 x 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. The Rustic Lover

The Rustic Lover
Creator:
Francis Wheatley, 1747–1801
Date:
1786
Materials & Techniques:
Watercolor with black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 x 13 3/4 inches (43.2 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Florence

Florence
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. A Pheasant Wing

A Pheasant Wing
Creator:
James Sowerby, 1756–1822
Date:
undated
Materials & Techniques:
Graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 11 inches (43.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Study of a Woman

Study of a Woman
Creator:
Nathaniel Smith, 1740–1787
Date:
1743
Materials & Techniques:
Black chalk and white chalk on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 16 3/4 × 10 1/4 inches (42.5 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

186. Bowes Tower

Bowes Tower
Creator:
Print made by Edward Webb, active 1805–1854
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. The Lake of Geneva

The Lake of Geneva
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; finished engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. Amalfi (vignette)

Amalfi (vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 11 7/8 inches (43.2 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. Paestum (vignette)

Paestum (vignette)
Creator:
Print made by John Pye, 1782–1874
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. Fire at Sea (vignette)

Fire at Sea (vignette)
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. Destruction of Both Houses of Parliament

Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. The Sea The Sea (vignette)

The Sea The Sea (vignette)
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1836
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 × 11 5/16 inches (43.2 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. The Resurrection of the Dead

The Resurrection of the Dead
Creator:
Conrad Martin Metz, 1749–1827
Date:
1801
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 13/16 × 24 1/16 inches (42.7 × 61.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Geoffrey and Renée Hartman

194. Knives, Sissors and Razors to Grind

Knives, Sissors and Razors to Grind
Creator:
Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Etching and aquatint, proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 x 13 1/2 inches (42.9 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Emma Hart as Bacchante

Emma Hart as Bacchante
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1784
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 16 3/4 × 12 15/16 inches (42.5 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

196. One folio volume of sixty-seven sheets of drawings of elevations, ground plans, and ornamentation from several Gothic structures. (One loose drawing.)

One folio volume of sixty-seven sheets of drawings of elevations, ground plans, and ornamentation from several Gothic structures. (One loose drawing.)
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Dimensions:
Sheet: 17 × 11 1/2 inches (43.2 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

197. Untitled

Untitled
Creator:
Henry Swinburne, 1743–1803
Date:
undated
Materials & Techniques:
Pen and black ink on very thick, slightly textured, beige card
Dimensions:
Portfolio: 16 3/4 × 11 9/16 inches (42.5 × 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
Creator:
Print made by W. Pyott, active late 18th century
Date:
1792
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/4 x 14 3/4 inches (48.9 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

199. Do you want any Matches?

Do you want any Matches?
Creator:
Anthony Cardon, 1772–1813
Date:
1794
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 13 3/8 inches (43.2 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. Round and Sound Five Pence a Pund Duke Cherry's

Round and Sound Five Pence a Pund Duke Cherry's
Creator:
Anthony Cardon, 1772–1813
Date:
1795
Materials & Techniques:
Etching and aquatint, proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 x 13 3/8 inches (42.9 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection