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Cloud Study
Creator:
John Constable, 1776–1837
Date:
1822
Materials & Techniques:
Oil on paper laid on panel
Dimensions:
11 1/4 × 19 inches (28.6 × 48.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Cloud Study
Creator:
John Constable, 1776–1837
Date:
1822
Materials & Techniques:
Oil on paper laid on canvas
Dimensions:
12 x 20 inches (30.5 x 50.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Ploughing Scene in Suffolk
Creator:
John Constable, 1776–1837
Date:
1824 to 1825
Materials & Techniques:
Oil on canvas
Dimensions:
16 3/4 x 30 inches (42.5 x 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Near Quillebeuf
Creator:
Richard Parkes Bonington, 1802–1828
Date:
between 1824 and 1825
Materials & Techniques:
Oil on canvas
Dimensions:
16 3/4 x 21 inches (42.5 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view at YUAG
Virgin and Child
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Tempera on panel
Dimensions:
11 1/4 x 9 1/4 inches (28.6 x 23.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Wooded River Landscape with Mother and Child
Creator:
James Arthur O'Connor, 1792–1841
Date:
1830
Materials & Techniques:
Oil on canvas
Dimensions:
17 × 21 inches (43.2 × 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
An Autumn Landscape with Apple Pickers
Creator:
George Smith, 1714–1776
Date:
mid-18th century
Materials & Techniques:
Oil on canvas
Dimensions:
16 3/4 × 25 7/8 inches (42.5 × 65.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Greenwich Fair
Creator:
Attributed to Maria Spilsbury, 1777–1820
Date:
ca. 1800
Materials & Techniques:
Oil on canvas
Dimensions:
16 3/4 × 23 inches (42.5 × 58.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Gilbert W. Chapman, transfer from the Yale University Art Gallery
On View:
Not on view
Winter Landscape
Creator:
George Smith, 1714–1776
Date:
ca. 1750
Materials & Techniques:
Oil on canvas
Dimensions:
16 3/4 × 26 inches (42.5 × 66 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Hop Pickers Outside a Cottage
Creator:
George Smith, 1714–1776
Date:
mid-18th century
Materials & Techniques:
Oil on canvas
Dimensions:
17 × 24 7/8 inches (43.2 × 63.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Hadrian's Villa
Creator:
Richard Wilson, 1713/4–1782
Date:
between 1775 and 1782
Materials & Techniques:
Oil on canvas
Dimensions:
17 × 13 1/2 inches (43.2 × 34.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Surrender of the Two Sons of Tipu Sahib, Sultan of Mysore, to Sir David Baird
Creator:
Henry Singleton, 1766–1839
Date:
ca. 1800
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 21 inches (43.2 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Sheep Washing at Postwick Grove, Norwich
Creator:
James Stark, 1794–1859
Date:
ca. 1822
Materials & Techniques:
Oil on panel
Dimensions:
17 x 21 inches (43.2 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Cicero's Villa and the Gulf of Pozzuoli
Creator:
Richard Wilson, 1713/4–1782
Date:
1773 to 1780
Materials & Techniques:
Oil on canvas
Dimensions:
17 × 21 1/4 inches (43.2 × 54 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Cafe Tabac
Creator:
Cecil Rochfort D'Oyly John, 1906–1993
Date:
undated
Materials & Techniques:
Oil on canvas
Dimensions:
17 × 23 inches (43.2 × 58.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
On View:
Not on view
Juan-les-Pins
Creator:
Cecil Rochfort D'Oyly John, 1906–1993
Date:
undated
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 23 inches (43.2 x 58.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Nicholas Pritzker
On View:
Not on view
Annual Holiday
Creator:
Claude Harrison, 1922–2009
Date:
undated
Materials & Techniques:
Oil on board
Dimensions:
9 x 12 inches (22.9 x 30.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
On View:
Not on view
Seated Woman in a Broad-Brimmed Hat
Creator:
Gwen John, 1876–1939
Date:
undated
Materials & Techniques:
Oil on canvas
Dimensions:
Frame: 16 3/4 × 13 5/8 inches (42.5 × 34.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
On View:
Not on view
Trooping the Colour
Creator:
Bernard Sickert, 1863–1932
Date:
1897
Materials & Techniques:
Oil on panel
Dimensions:
12 1/2 × 15 1/2 inches (31.8 × 39.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Bruce McCashin
On View:
Not on view
Study for 'The Red Cross Knight'
Creator:
John Singleton Copley, 1738–1815
Date:
ca. 1793
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 21 inches (43.2 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Poppies and Tradascanthus
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Oil on paper
Dimensions:
17 x 14 inches (43.2 x 35.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Country Gentleman
Creator:
Henry Walton, 1746–1813
Date:
ca. 1776
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 14 inches (43.2 x 35.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Outside the Pike and Anchor Inn at Ponders End, Middlesex
Creator:
James Pollard, 1792–1867
Date:
1834
Materials & Techniques:
Oil on canvas
Dimensions:
12 × 18 inches (30.5 × 45.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Coastal Landscape with a Ferry Boat
Creator:
Sir Peter Francis Bourgeois, 1756–1811
Date:
1796
Materials & Techniques:
Oil on canvas
Dimensions:
17 × 21 1/8 inches (43.2 × 53.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Clouded Leopards
Creator:
Jacques-Laurent Agasse, 1767–1849
Date:
ca. 1825
Materials & Techniques:
Oil on canvas
Dimensions:
14 x 12 inches (35.6 x 30.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Thames at Westminster
Creator:
Claude de Jongh, ca. 1600–1663
Date:
ca. 1630
Materials & Techniques:
Oil on panel
Dimensions:
17 1/16 × 23 3/4 inches (43.3 × 60.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Portrait of a Man, called Tobias Smollett
Creator:
Attributed to Robert Scaddan, 1720–1802
Date:
ca. 1750
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 13 1/2 inches (43.2 x 34.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
On View:
Not on view
Coach in a Thunderstorm
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
ca. 1795
Materials & Techniques:
Oil on millboard (attached to stretcher); verso: oil sketch
Dimensions:
16 3/4 x 24 inches (42.5 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Study for 'Battle of Waterloo'
Creator:
George Jones, 1786–1869
Date:
1815
Materials & Techniques:
Oil on paper mounted on board
Dimensions:
17 × 20 1/2 inches (43.2 × 52.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

30. Dover

Dover
Creator:
Richard Wilson, 1713/4–1782
Date:
between 1746 and 1747
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 21 1/2 inches (43.2 x 54.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
View of the Wilderness in St. James's Park
Creator:
Richard Wilson, 1713/4–1782
Date:
between 1770 and 1775
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 21 inches (43.2 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Wooded Landscape with a Cottage and Shepherd
Creator:
Thomas Gainsborough, 1727–1788
Date:
1748 to 1750
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 21 3/8 inches (43.2 x 54.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Wooded River Landscape with Fishermen
Creator:
James Arthur O'Connor, 1792–1841
Date:
ca. 1830
Materials & Techniques:
Oil on canvas
Dimensions:
16 15/16 x 20 15/16 inches (43 x 53.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Brown Tea Pot
Creator:
Gwen John, 1876–1939
Date:
between 1915 and 1916
Materials & Techniques:
Oil on canvas
Dimensions:
13 3/16 × 9 1/8 inches (33.5 × 23.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Studies of Military Accoutrements: a study for `The Battle of Waterloo'
Creator:
George Jones, 1786–1869
Date:
1815
Materials & Techniques:
oil on paper laid to card
Dimensions:
16 3/4 x 20 1/2 inches (42.5 x 52.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Mares and Foals, facing right
Creator:
Sawrey Gilpin, 1733–1807
Date:
between 1790 and 1800
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 27 1/2 inches (43.2 x 69.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Mares and Foals, facing left
Creator:
Sawrey Gilpin, 1733–1807
Date:
between 1790 and 1800
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 27 1/2 inches (43.2 x 69.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Grey Shooting Pony, Probably the Property of Johnston King, with a Groom
Creator:
Thomas Woodward, 1801–1852
Date:
1835
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 21 inches (43.2 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell
Creator:
James Pollard, 1792–1867
Date:
1818
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 13 inches (43.2 x 33 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Muhammad Bakhsh Shakh
Creator:
Joseph Edgar Boehm, 1834–1890
Date:
1889
Materials & Techniques:
Bronze, on integral bronze socle
Dimensions:
Overall: 16 3/4 × 10 1/2 × 6 1/2 inches (42.5 × 26.7 × 16.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund
On View:
Not on view
Chichester (Cathedral series)
Creator:
Sheila Girling, 1924–2015
Date:
2009
Materials & Techniques:
Acrylic and collage on handmade wove paper
Dimensions:
Frame: 25 1/4 × 20 1/4 × 1 1/4 inches (64.1 × 51.4 × 3.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Barford Sculptures, Ltd.
On View:
Not on view
Glint of Gold
Creator:
Tessa Pullan, born 1953
Date:
1983
Materials & Techniques:
Bronze, with wooden base
Dimensions:
Overall: 17 x 22 3/4 x 5 inches (43.2 x 57.8 x 12.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Splendour, Queen Alexandra's Carriage Horse
Creator:
Herbert Haseltine, 1877–1962
Date:
1910
Materials & Techniques:
Bronze
Dimensions:
Overall: 17 x 17 1/4 x 5 1/4 inches (43.2 x 43.8 x 13.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Timber Hauling
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1917
Materials & Techniques:
Black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 11/16 x 17 inches (34.8 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
John R. Skeaping, 1901–1980
Date:
1963
Materials & Techniques:
Watercolor and gouache on thick, rough, cream wove paper
Dimensions:
Sheet: 17 × 23 1/2 inches (43.2 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
John R. Skeaping, 1901–1980
Date:
1963
Materials & Techniques:
Watercolor on thick, rough cream wove paper
Dimensions:
Sheet: 17 × 21 1/2 inches (43.2 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate VII, Human Body, Lateral View
Creator:
Print made after George Stubbs, 1724–1806
Date:
1804
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 3/4 × 20 1/4 inches (67.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George and Olga Kenney
Villa d'Este
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1796
Materials & Techniques:
Watercolor, graphite, pen and back ink, blue wash and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 x 21 3/4 inches (42.5 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fruit trees, 3 April 1863
Creator:
Edward Lear, 1812–1888
Date:
1863
Materials & Techniques:
Watercolor with pen in brown ink over graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 16 13/16 x 10 inches (42.7 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
No cover image available
Creator:
Print made by William Hogarth, 1697–1764
Date:
1752
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 16 3/4 × 20 3/4 inches (42.5 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

51. Before

No cover image available
Creator:
Print made by William Hogarth, 1697–1764
Date:
1736
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 16 3/4 × 12 3/4 inches (42.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
Achilles Wounded
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 12 3/8 inches (42.5 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Christ Appearing to the Apostles after the Resurrection
Creator:
Print made by William Blake, 1757–1827
Date:
1795 to 1805
Materials & Techniques:
Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:
Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Complaint and The Consolation: or Night Thoughts
Creator:
William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Hand-colored line engraving
Dimensions:
Spine: 16 3/4in. (42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Complaint and the Consolation; or Night Thoughts
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Dimensions:
Spine: 16 3/4in. (42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Complaint and the Consolation; or Night Thoughts (and title page)
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Dimensions:
Spine: 16 3/4in. (42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 27, "O treacherous conscience!"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection