Height [cm]: 45 - YCBA Collections Search Search Results

1. Lion and Lioness

Creator:: George Stubbs, 1724–1806
Date:: 1770
Materials & Techniques:: Enamel on copper
Dimensions:: 9 1/2 × 11 inches (24.1 × 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Hampstead Heath

Creator:: John Constable, 1776–1837
Date:: between 1820 and 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 × 14 inches (45.1 × 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

3. Squally Weather

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1840 and 1845
Materials & Techniques:: Oil on paper, laid on canvas
Dimensions:: 12 x 18 inches (30.5 x 45.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Stormy Sea Breaking on a Shore

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1840 and 1845
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/2 x 25 inches (44.5 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis

Creator:: Robert Smirke, 1752–1845
Date:: ca. 1792
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 x 14 inches (45.1 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. The Judgement of Korah, Dathan and Abiram

Creator:: Maria Hadfield Cosway, 1759–1838
Date:: ca. 1801
Materials & Techniques:: Pen and ink and oil on canvas
Dimensions:: 14 3/4 × 11 1/2 inches (37.5 × 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Lago d'Agnano with Vesuvius in the distance

Creator:: Richard Wilson, ca. 1712–1782
Date:: between 1770 and 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/2 x 20 3/4 inches (44.5 x 52.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Philosopher Giving a Lecture on the Orrery

Creator:: Joseph Wright of Derby, 1734–1797
Date:: ca. 1768
Materials & Techniques:: Oil on canvas
Dimensions:: 17 5/8 x 23 1/2 inches (44.8 x 59.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. A Family Conversation Piece

Creator:: Joseph Highmore, 1692–1780
Date:: 1730 to 1735
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 x 31 1/2 inches (45.1 x 80 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v

Creator:: James Stephanoff, 1787–1874
Date:: 1832
Materials & Techniques:: Oil on panel
Dimensions:: 17 1/2 x 14 5/8 inches (44.5 x 37.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

11. Evening

Creator:: Francis Wheatley, 1747–1801
Date:: 1799
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/2 x 21 1/2 inches (44.5 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Noon

Creator:: Francis Wheatley, 1747–1801
Date:: 1799
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/2 x 21 1/2 inches (44.5 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Morning

Creator:: Francis Wheatley, 1747–1801
Date:: 1799
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/2 x 21 1/2 inches (44.5 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Night

Creator:: Francis Wheatley, 1747–1801
Date:: 1799
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/2 x 21 1/2 inches (44.5 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. A view of Greenwich from the River with many Boats

Creator:: Jan Griffier the Elder, ca. 1645–1718
Date:: Between 1700-1710
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 x 32 3/4 inches (45.1 x 83.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. The Barber

Creator:: Marcellus Laroon the Younger, 1679–1772
Date:: between 1760 and 1769
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/2 x 13 3/4 inches (44.5 x 34.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. Girl Holding a Rose

Creator:: Gwen John, 1876–1939
Date:: 1915 to 1925
Materials & Techniques:: Oil on canvas
Dimensions:: 17 7/8 × 14 5/8 inches (45.4 × 37.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)

Creator:: Philip Reinagle, 1749–1833
Date:: 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 17 7/8 x 14 3/4 inches (45.4 x 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Castlefairn

Creator:: James Paterson, 1854–1932
Date:: between 1890 and 1895
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 × 30 inches (45.1 × 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Isabel S. Kurtz in memory of her father, Charles M. Kurtz
On View:: Not on view

20. The Brahmin Committing his Daughter Coraly to the Care of Blandford

Creator:: Thomas Kirk, 1765–1797
Date:: ca. 1793
Materials & Techniques:: Oil on canvas
Dimensions:: 17 5/8 x 14 1/8 inches (44.8 x 35.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Anonymous Gift in Appreciation of Paul Mellon
On View:: Not on view

21. An Unfinished View of the West Gate, Canterbury

Creator:: Paul Sandby, 1731–1809
Date:: between 1780 and 1785
Materials & Techniques:: Pen and brown ink and oil on paper laid down on panel
Dimensions:: 17 7/8 x 25 inches (45.4 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. Lago d'Agnano with the Grotta del Cane

Creator:: Richard Wilson, ca. 1712–1782
Date:: between 1770 and 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/2 × 21 inches (44.5 × 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. Grinding Corn

Creator:: Arthur William Devis, 1762–1822
Date:: between 1792 and 1795
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 × 23 1/2 inches (45.1 × 59.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether

Creator:: James Ward, 1769–1859
Date:: between 1801 and 1807
Materials & Techniques:: Oil on panel
Dimensions:: 17 3/4 × 24 1/4 inches (45.1 × 61.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald

Creator:: George Clint, 1770–1854
Date:: ca. 1822
Materials & Techniques:: Oil on panel
Dimensions:: 17 1/2 x 12 1/4 inches (44.5 x 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. Newmarket Again

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: ca. 1952
Materials & Techniques:: Oil on panel
Dimensions:: 17 3/4 x 24 inches (45.1 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. Southern Hero and Black Speck, the property of J. V. Rank

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: 1940
Materials & Techniques:: Oil on panel
Dimensions:: 17 3/4 x 24 inches (45.1 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

28. The Angel Binding Satan

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: ca. 1797
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 × 14 3/4 inches (45.1 × 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

29. L'Enfant du Régiment

Creator:: Sir John Everett Millais, 1829–1896
Date:: 1854 to 1855
Materials & Techniques:: Oil on paper, laid on canvas, mounted on board
Dimensions:: 17 3/4 x 24 inches (45.1 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

30. A Day at the Beach

Creator:: Roma Higgins, 1908–1979
Date:: undated
Materials & Techniques:: Oil on masonite
Dimensions:: 17 1/2 x 23 1/2 inches (44.5 x 59.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Nicholas Pritzker
On View:: Not on view

31. The Kitchen Tea

Creator:: Roma Higgins, 1908–1979
Date:: undated
Materials & Techniques:: Oil on masonite
Dimensions:: 17 1/2 x 23 1/2 inches (44.5 x 59.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Nicholas Pritzker
On View:: Not on view

32. Ailsa Craig

Creator:: William Bell Scott, 1811–1890
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 12 13/16 x 19 1/4 inches (32.5 x 48.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

33. Nocturne in Blue and Silver

Creator:: James McNeill Whistler, 1834–1903
Date:: 1872 to 1878, butterfly added ca. 1885
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/2 x 24 inches (44.5 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

34. The Assumption and Coronation of the Virgin

Creator:: unknown artist
Date:: 1450 to 1500
Materials & Techniques:: Alabaster
Dimensions:: Overall: 17 1/2 × 10 1/2 × 1 3/4 inches (44.5 × 26.7 × 4.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

35. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Ink with traces of graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 14 inches (45.1 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 17 1/2 x 11 inches (44.5 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 x 11 1/8 inches (44.8 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 x 11 inches (44.8 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Strolling Actresses Dressing in a Barn

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 17 5/8 × 22 3/8 inches (44.8 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

40. Night the First. On Life, Death, and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. 'Oft bursts my song beyond the bounds of life' (Page 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. 'Time, in advance, behind him hides his wings' (Page 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. 'Measuring his motions by revolving spheres' (Page 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. 'O treacherous conscience! while she seems to sleep" (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. 'Swift on his downy pinion flies from woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. 'The thunder, if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. 'Death! great proprietor of all! 'tis thine' (Page 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. 'But for the blessing wrestle not with heaven' (Page 88)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Study for a Destroying Deity

Creator:: William Blake, 1757–1827
Date:: 1820 to 1825
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 24 inches (45.1 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Classical Male Nude with a Rearing Horse

Creator:: George Romney, 1734–1802
Date:: 1773-1774
Materials & Techniques:: Pen and brown ink with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 7/8 x 13 7/8 inches (45.4 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

83. Perspective View of the Bridge at Sion

Creator:: Edward Rooker, 1724–1774
Date:: 1768
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 24 3/8 inches (47.6 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Fainasollis, Borbar and Fingal

Creator:: James Parker, 1750–1805
Date:: 1783
Materials & Techniques:: Line-engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 20 inches (44.5 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Gem for 1830

Creator:: Robert Smirke, 1752–1845
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Romps

Creator:: William Ward, 1766–1826
Date:: 1796
Materials & Techniques:: Mezzotint on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 13/16 × 23 1/2 inches (47.8 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. A Fish from the Red Sea

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 7/8 x 13 1/2 inches (45.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Seyali Hindu (Acacia)

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 13 1/2 inches (45.1 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Magicians Marching off After the Success of their Incantations

Creator:: Edward Rooker, 1724–1774
Date:: ca. 1763
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 7/8 x 20 3/8 inches (45.4 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

Creator:: Edward Rooker, 1724–1774
Date:: ca. 1763
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 20 1/2 inches (45.1 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Neptune's Trident

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1824 to 1825
Materials & Techniques:: Etching and engraving on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 17 5/8 × 11 1/8 inches (44.8 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Villagers Charm to Lure the Bees

Creator:: unknown artist
Materials & Techniques:: Stipple, printed in colors
Dimensions:: Sheet: 17 1/2 x 20 3/8in. (44.5 x 51.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. [Lion and Horse]

Creator:: George Townly Stubbs, 1748–1815
Date:: 1770
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 7/8 x 21 7/8in. (45.4 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Shooting, Plate I

Creator:: William Woollett, 1735–1785
Date:: 1769
Materials & Techniques:: Engraving and etching, fifth published state
Dimensions:: Sheet: 17 1/2 x 21 3/4in. (44.5 x 55.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Shooting, Plate II

Creator:: William Woollett, 1735–1785
Date:: 1770
Materials & Techniques:: Engraving with etching, fifth state
Dimensions:: Image: 15 1/2 x 20 13/16in. (39.4 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Portrait of the Short Horned Bull Patriot

Creator:: Print made by William Ward, 1766–1826
Date:: 1810
Materials & Techniques:: Mezzotint with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 × 23 5/8 inches (50.8 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Lady Charlotte Legge

Creator:: Print made by Joseph Grozer, ca. 1755–1798
Date:: 1794
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 14 inches (48.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. Mrs. Stables and Two Daughters Harriet & Maria

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1781
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 × 14 1/16 inches (45.7 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

99. Mrs. Ann Warren

Creator:: Print made by Charles Howard Hodges, 1764–1837
Date:: undated
Materials & Techniques:: Mezzotint, touched proof, cut impression on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 9/16 × 13 3/8 inches (44.6 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

100. The Honorable Mrs. Watson

Creator:: Print made by Thomas Park, ca. 1760–1834
Date:: ca. 1785
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 7/8 × 15 inches (53 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

Refine your search

Search Constraints

Height [cm] 45

Search Results

1. Lion and Lioness

2. Hampstead Heath

3. Squally Weather

4. Stormy Sea Breaking on a Shore

5. The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis

6. The Judgement of Korah, Dathan and Abiram

7. Lago d'Agnano with Vesuvius in the distance

8. Philosopher Giving a Lecture on the Orrery

9. A Family Conversation Piece

10. Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v

11. Evening

12. Noon

13. Morning

14. Night

15. A view of Greenwich from the River with many Boats

16. The Barber

17. Girl Holding a Rose

18. The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)

19. Castlefairn

20. The Brahmin Committing his Daughter Coraly to the Care of Blandford

21. An Unfinished View of the West Gate, Canterbury

22. Lago d'Agnano with the Grotta del Cane

23. Grinding Corn

24. Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether

25. Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald

26. Newmarket Again

27. Southern Hero and Black Speck, the property of J. V. Rank

28. The Angel Binding Satan

29. L'Enfant du Régiment

30. A Day at the Beach

31. The Kitchen Tea

32. Ailsa Craig

33. Nocturne in Blue and Silver

34. The Assumption and Coronation of the Virgin

35. Human Skeleton, Lateral View

36. Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

37. Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

38. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

39. Strolling Actresses Dressing in a Barn

40. Night the First. On Life, Death, and Immortality; Title Page

41. 'Oft bursts my song beyond the bounds of life' (Page 16)

42. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

43. 'Emblem of that which shall awake the dead' (Page 19)

44. 'We censure nature for a span too short' (Page 23)

45. 'Time, in advance, behind him hides his wings' (Page 24)

46. 'Behold him, when past by; what then is seen' (Page 25)

47. 'Measuring his motions by revolving spheres' (Page 26)

48. 'O treacherous conscience! while she seems to sleep" (Page 27)

49. 'Tis greatly wise to talk with our past hours' (Page 31)

50. 'Like that, the dial speaks; and points to thee' (Page 33)

51. 'Swift on his downy pinion flies from woe' (Page 1)

52. 'Love, and love only, is the loan for love' (Page 37)

53. 'Angels should paint it, angels ever there' (Page 40)

54. 'One radiant mark, – the death-bed of the just' (Page 41)

55. Night the Third. Narcissa; Title Page

56. 'As if the sun could envy, check'd his beam' (Page 49)

57. 'The vale of death! that hush'd cimmerian vale' (Page 54)

58. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

59. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

60. 'This King of Terrors is the Prince of Peace' (Page 63)

61. 'What, though my soul fantastick measures trod' (Page 4)

62. The Christian Triumph; Title Page

63. 'Till death, that mighty hunter, earths them all' (Page 70)

64. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

65. 'The Sun beheld it – No, the shocking scene' (Page 75)

66. 'The thunder, if in that the Almighty dwells' (Page 80)

67. 'His hand the good man fastens on the skies' (Page 86)

68. 'Is lost in love! thou great Philanthropist' (Page 87)

69. 'That touch, with charm celestial heals the soul' (Page 90)

70. 'When faith is virtue, reason makes it so' (Page 92)

71. 'Till at Death's toll, whose restless iron tongue' (Page 7)

72. 'If angels tremble, 'tis at such a sight' (Page 93)

73. 'Death! great proprietor of all! 'tis thine' (Page 8)

74. 'The goddess bursts in thunder and in flame' (Page 95)

75. 'Disease invades the chastest temperence' (Page 10)