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Hampstead Heath
Creator:
John Constable, 1776–1837
Date:
ca. 1825
Materials & Techniques:
Oil on canvas
Dimensions:
18 × 25 1/2 inches (45.7 × 64.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Drummond Family
Creator:
Lawrence Josset, 1910–1995
Date:
1960
Materials & Techniques:
Mezzotint on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 23 3/8 x 32 inches (59.4 x 81.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mont Saint-Michel
Creator:
Charles Reginald Aston, 1832–1908
Date:
undated
Materials & Techniques:
Watercolor and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Frame: 16 × 25 3/4 × 1 1/4 inches (40.6 × 65.4 × 3.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert and Pauline Knoll
A General View of Paris taken from Chaillot
Creator:
etching by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft-ground etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/8 inches (46.4 x 66.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Pont Neuf, the Mint, &c.
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Yellow-eyed Babbler (Chrysomma sinense) perched on Chinese hat plant (Holmskioldia sanguinea)
Creator:
unknown artist
Date:
ca. 1770
Materials & Techniques:
Watercolor, gouache, pen and ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/4 × 25 1/2 inches (46.4 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Pont Neuf, the Mint, &c.
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Promenade in St. James's Park
Creator:
Francis David Soiron, Born 1764
Date:
1793
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/8 × 28 1/4 inches (48.6 × 71.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Tashichoedzong, Bhutan and Foot Bridge
Creator:
Samuel Davis, 1760–1819
Date:
1783
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 18 3/16 × 25 3/8 inches (46.2 × 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sugar Loaf, Cape of Good Hope
Creator:
Samuel Davis, 1760–1819
Date:
1779
Materials & Techniques:
Watercolor, pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 18 × 25 7/16 inches (45.7 × 64.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Review of the Queens Own Regiment of the Yeomanry Cavalry
Creator:
Henry Papprill, 1816–d.after 1883
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 × 25 1/2 inches (46.4 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord Viscount Duncan
Creator:
Charles Turner, 1774–1857
Date:
1798
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 18 x 25 3/4in. (45.7 x 65.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
The Spottiswoode Ox
Creator:
Print made by James Ward, 1769–1859
Date:
1804
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 25 1/2 inches (51.4 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
Creator:
Robert Pollard, 1755–1838
Date:
1790
Materials & Techniques:
Aquatint, etching, and engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 × 27 3/8 inches (45.7 × 69.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Promenade in St. Jame's Park
Creator:
Francis David Soiron, Born 1764
Date:
1793
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 22 5/8 × 31 5/16 inches (57.5 × 79.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Slave Trade
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Mezzotint, printed in color, published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 22 × 29 1/2 inches (55.9 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
African Hospitality
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Mezzotint, printed in color, published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 22 1/4 x 29 1/4in. (56.5 x 74.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Drummond Family
Creator:
Lawrence Josset, 1910–1995
Date:
1960
Materials & Techniques:
Mezzotint in colored ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 23 1/8 x 31 5/8 inches (58.7 x 80.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Drummond Family
Creator:
Lawrence Josset, 1910–1995
Date:
1960
Materials & Techniques:
Mezzotint on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 20 1/2 x 28 inches (52.1 x 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Henry Pyall, 1795–1833
Date:
1835
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 18 x 25 3/4in. (45.7 x 65.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Richard Newton, 1777–1798
Date:
1795
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 18 × 25 3/4 inches (45.7 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of William S. Konecky
No cover image available
Creator:
Print made by William Miller, 1796–1882
Date:
1847
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection