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Lane near Dedham
Creator:
John Constable, 1776–1837
Date:
1802
Materials & Techniques:
Oil on canvas
Dimensions:
13 1/8 x 16 3/4 inches (33.3 x 42.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
View of St. Nicholas Church at Valenciennes after the Siege
Creator:
Joseph Farington, 1747–1821
Date:
1793
Materials & Techniques:
Pen and black ink, gray ink, gray wash, black wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 19 × 26 13/16 inches (48.3 × 68.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 × 14 7/8 inches (48.3 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Near Long Buckby
Creator:
John Faulkner, active 1848–1890
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Image: 19 1/16 × 38 7/8 inches (48.4 × 98.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Helen L. and John W. Hoermann, Yale BE 1945
William Robertson, D.D.
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
1772
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 19 7/8 × 14 1/16 inches (50.5 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sunday Morning, A Cottage Family Going to Church
Creator:
William Nutter, 1754–1802
Date:
1795
Materials & Techniques:
Stipple engraving, colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection