Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
26
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
27
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
28
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
29
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
30
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
31
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
32
Charles Turner, 1774–1857
The Little Cottager
1809
33
Print made by James Basire, 1730–1802
The Procession of King Edward VI from the Tower
1787
34
Alfred Stevens, 1817–1875
Decorative Design with Heads of a Cat, Hare and Goose
undated
35
James Bruce, 1730–1794
Temple at Baalbec: Sheet of Sketches of Columns
undated
36
John Frederick Lewis, 1804–1876
Highland Hospitality
1832
37
Henry William Bunbury, 1750–1811
The Duel: 'Twelfth Night,' Act III, Scene IV
ca. 1790
38
Joseph Severn, 1793–1879
Caulking the Schooner, Falmouth Harbour
undated
39
John Hollins, 1798–1855
Henry Cranmer March Phillipps
1829
40
John Frederick Lewis, 1804–1876
Roman Pilgrims
1854
41
after Inigo Jones, 1573–1652
Palace of Whitehall - The Water Side
1748
42
Guillaume Philippe Benoist, 1725–ca. 1770
Palace of Whitehall - The Westminster Side
1748
43
Thomas Grieve, 1799–1882
Design for Midsummer Night's Dream
undated
44
Paul Sandby, 1731–1809
A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
1802
45
Samuel Shelley, 1750–1808
Prince Rasselas and His Sister Conversing in Their Summer Palace on the Banks of the Nile
1804
46
James Bruce, 1730–1794
No. 1 Sketch of temple remains at Baalbec or Palmyra
undated
47
James Bruce, 1730–1794
No. 4 sketch of temple remains at Baalbec or Palmyra
undated
48
James Bruce, 1730–1794
No. 9 sketch of temple remains at Baalbec or Palmyra
undated
49
James Bruce, 1730–1794
Ruins of Temples at Saltronza
ca. 1768
50
James Bruce, 1730–1794
Upright of the Niche at the Temple at Baalbec
undated
51
Etched by Samuel Middiman, ca. 1750–1831
The Temple of Jupiter in the Island of Aegina
1828
52
Print made by Henry Lemon, 1823–1882
Saturday Night
ca. 1850
53
Print made by David Loggan, 1633–1692
Collegium Sancti Iohannis Evangelista Cantabrigia illustrata
1690
54
William Bambridge, 1819–1879
Group of Scotch Pines near the Obelisk, Age 104 Years
1864
55
after Comte Alfred d' Orsay, 1801–1852
J.M.W. Turner - "The Fallacy of Hope"
1851
56
John Young, 1755–1825
Christ giving sight to the blind
1816
57
James Hardy, active 1770s
Edmund Burke, Esq
58
Print made by Charles E. Wagstaff, 1808–
The Marriage of Her Most Gracious Majesty Queen Victoria
1844
59
Mary Hoare, 1744–1820
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
1782
60
Thomas Daniell, 1749–1840
Main Entrance of the Jami Mosque, Jaunpur
1797 to 1807
61
William Ward, 1766–1826
The Daughters of Sir Thomas Frankland Bart
1797
62
Henry Edridge, 1769–1821
Abbeville
undated
63
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
64
Mary Hoare, 1744–1820
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
65
John Rubens Smith, 1775–1849
[Shooting]: Innocence Alarm'd
1803
66
after Charles Hunt, 1803–1877
William Long, Huntsmen to his Grace the duke of Beaufort, on his Favorite Horse (Milkman)
1836
67
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
68
Frederick Christian Lewis the Elder, 1779–1856
James Northcote
1824
69
Print made by Henry Hoppner Meyer, ca. 1782–1847
James Northcote
1815
70
unknown artist
Red and Yellow Macaw
1832
71
Print made by Henry Robert Robertson, 1839–1921
Ulysses Deriding Polyphemus
ca. 1887
72
Print made by Henry Robert Robertson, 1839–1921
The Fighting Téméraire
ca. 1887
73
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
74
George Vertue, 1684–1756
Charles I and Henrietta
1742
75
Peter DeWint, 1784–1849
Barden Tower, Yorkshire
undated
76
Edward Clifford, 1844–1907
Castle Grant
1905
77
John Crome, 1768–1821
Entrance to Earlham Park, near Norwich
between 1807 and 1808
78
Print made by John Dixon, ca. 1740–1811
The Oracle, Representing Britannia, Hibernia, Scotia and America
1774
79
Print made by John Baptist Jackson, 1701–1780
The Finding of Moses
1741
80
William Ward, 1766–1826
Sailors in a Storm
1798
81
William Ward, 1766–1826
Sailors in a Fight
1798
82
William Walker, 1791–1867
Henry Raeburn
1826
83
Henry M. Hudson, active 1782–1800
Mrs. Curtis
84
Print made by Charles Turner, 1774–1857
George Viscount Malden and Lady Elizabeth Capel
1817
85
Print made by Richard Houston, ca. 1721–1775
Miss Harriet Powell
1771
86
Print made by Francis Haward, 1759–1797
Mrs. Siddons, in the Character of the Tragic Muse
1787
87
Print made by Charles Turner, 1774–1857
Interior of a Cottage
1809
88
Print made by James Watson, 1740–1790
Right Hon. Augustus Hervey
1773
89
Print made by Thomas Watson, 1743–1781
The Honourable Mrs. Beresford with the Marchioness Townshend and the Hon. Mrs. Gardiner Adoring a Term of Hymen
1776
90
Print made by Charles Knight, 1743–c.1826
Miss Farren
1791
91
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1803
92
Print made by William Whiston Barney, active 1805–1817
George Spencer, Earl of Sunderland, and Lord Charles Spencer