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Haycart Passing a Ruined Abbey
Creator:
John Wootton, 1682–1764
Date:
ca. 1745
Materials & Techniques:
Oil on canvas
Dimensions:
22 x 22 inches (55.9 x 55.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Rievaulx Abbey
Creator:
John Wootton, 1682–1764
Date:
ca. 1745
Materials & Techniques:
Oil on canvas
Dimensions:
22 x 22 inches (55.9 x 55.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Duel: 'Twelfth Night,' Act III, Scene IV
Creator:
Henry William Bunbury, 1750–1811
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen and gray ink, red ink, black ink, brown ink, gum arabic, graphite, and white gouache on moderately thick, slightly textured, beige wove paper, mounted on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 22 1/8 × 16 13/16 inches (56.2 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Barden Tower, Yorkshire
Creator:
Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, rough, cream wove paper
Dimensions:
Sheet: 21 7/8 x 16 3/16 inches (55.6 x 41.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Earlham Park, near Norwich
Creator:
John Crome, 1768–1821
Date:
between 1807 and 1808
Materials & Techniques:
Brown wash and watercolor over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 22 1/8 x 18 3/16in. (56.2 x 46.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Honourable Mrs. Beresford with the Marchioness Townshend and the Hon. Mrs. Gardiner Adoring a Term of Hymen
Creator:
Print made by Thomas Watson, 1743–1781
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 23 3/16 × 28 1/2 inches (58.9 × 72.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund