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1301. False Perspective Exemplified

Creator:: Print made by Samuel Ireland, 1744–1800
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

1302. The Southwark Iron Bridge

Creator:: Print made by George Cooke, 1781–1834
Date:: 1828
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

1303. Der Pic von Teneriffa

Creator:: Print made by unknown artist
Date:: 1850
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

1304. Remains of Winchester Palace, Southwark

Creator:: Print made by George Cooke, 1781–1834
Date:: 1828
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

1305. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1306. Colophon

Creator:: Michael Landy, Born 1963
Date:: 2002
Materials & Techniques:: Letterpress on 350gsm Hahnemühle Roll Bright white wove paper
Dimensions:: Sheet: 35 × 30 3/8 inches (88.9 × 77.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

1307. Bring Out Your Dead

Creator:: Print made by Edmund Evans, 1826–1905
Date:: 1864
Materials & Techniques:: Color-printed wood engraving on medium, smooth, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

1308. The Gipsy

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite; touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 13/16 × 5 7/8 inches (27.5 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1309. Smailholm Tower

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 inches (42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1310. Scenographia Americana: A View of Bethlem, the Great Moravian Settlement in the Province of Pennsylvania

Creator:: Paul Sandby, 1731–1809
Date:: 1758-1760
Materials & Techniques:: Engraving
Dimensions:: Plate: 14 3/8 × 20 7/8 inches (36.5 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1311. Shakspeare

Materials & Techniques:: Stipple engraving and etching on wove paper
Dimensions:: Image: 3 3/8 x 2 13/16in. (8.6 x 7.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1312. Seated Female Figure with a Large Book

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1732 to 1736
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 5 7/8 x 1/16in. (14.9 x 0.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1313. Hon. George Berkeley

Creator:: Christian Friedrich Zincke, 1685–1767
Date:: between 1706 and 1746
Materials & Techniques:: Enamel on copper
Dimensions:: Sheet: 1 7/8 x 1/16 inches (4.8 x 0.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1314. Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis

Creator:: Published by Giovanni Giacomo de Rossi, 1627–1691
Date:: between 1546 and 1590
Materials & Techniques:: Bound volume of intaglio prints on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1315. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1316. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1317. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1318. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1319. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1320. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1321. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1322. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1323. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1324. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1325. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1326. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1327. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1328. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1329. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1330. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1331. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1332. Frontispiece: Hercules Fighting the Hydra

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1333. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1334. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1335. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1336. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1337. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1338. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1339. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1340. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1341. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1342. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1343. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1344. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1345. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1346. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1347. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1348. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1349. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1350. Studies for the Instruction of Painters, two suites. Rome

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1351. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1352. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1353. The Painter's Pool, 2 June 2002

Creator:: Jem Southam, born 1950
Date:: 2002
Materials & Techniques:: Chromogenic dye coupler print on photographic paper
Dimensions:: Sheet: 12 × 16 inches (30.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1354. Lace Sample

Creator:: William Henry Fox Talbot, 1800–1877
Date:: ca. 1845
Materials & Techniques:: Salted paper print from a calotype negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 1/8 × 7 1/2 inches (23.2 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1355. Marriage à la Mode, Plate 1

Creator:: Print made by Gerard Jean Baptiste Scotin, 1671–1716
Date:: 1745
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 15 3/8 × 18 1/2 inches (39.1 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1356. Marriage à la Mode, Plate 5

Creator:: Print made by Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 15 1/8 × 18 3/8 inches (38.4 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1357. Marriage à la Mode, Plate 4

Creator:: Print made by Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 15 1/4 × 18 3/8 inches (38.7 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1358. Marriage à la Mode, Plate 3

Creator:: Print made by Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 15 1/8 × 18 3/8 inches (38.4 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1359. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1360. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1361. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1362. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1363. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1364. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1365. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1366. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1367. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1368. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1369. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1370. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1371. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1372. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1373. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1374. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1375. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1376. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1377. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1378. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1379. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1380. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1381. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1382. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1383. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1384. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1385. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1386. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1387. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1388. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1389. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1390. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1391. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1392. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1393. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1394. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1395. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1396. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1397. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1398. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1399. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1400. Album Drawing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1301. False Perspective Exemplified

1302. The Southwark Iron Bridge

1303. Der Pic von Teneriffa

1304. Remains of Winchester Palace, Southwark

1305. Album Drawing

1306. Colophon

1307. Bring Out Your Dead

1308. The Gipsy

1309. Smailholm Tower

1310. Scenographia Americana: A View of Bethlem, the Great Moravian Settlement in the Province of Pennsylvania

1311. Shakspeare

1312. Seated Female Figure with a Large Book

1313. Hon. George Berkeley

1314. Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis

1315. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1316. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1317. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1318. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1319. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1320. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1321. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1322. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1323. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1324. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1325. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1326. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1327. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1328. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1329. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1330. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1331. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1332. Frontispiece: Hercules Fighting the Hydra

1333. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1334. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1335. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1336. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1337. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1338. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1339. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1340. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1341. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1342. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1343. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1344. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1345. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1346. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1347. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1348. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1349. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1350. Studies for the Instruction of Painters, two suites. Rome

1351. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1352. Studies for the Instruction of Painters, two suites. Rome, c. 1630

1353. The Painter's Pool, 2 June 2002

1354. Lace Sample

1355. Marriage à la Mode, Plate 1

1356. Marriage à la Mode, Plate 5

1357. Marriage à la Mode, Plate 4

1358. Marriage à la Mode, Plate 3

1359. Album Drawing

1360. Album Drawing

1361. Album Drawing

1362. Album Drawing

1363. Album Drawing

1364. Album Drawing

1365. Album Drawing

1366. Album Drawing

1367. Album Drawing

1368. Album Drawing

1369. Album Drawing

1370. Album Drawing

1371. Album Drawing

1372. Album Drawing

1373. Album Drawing

1374. Album Drawing

1375. Album Drawing