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601. London Bridge as it Appeared before the Houses were Pulled Down

London Bridge as it Appeared before the Houses were Pulled Down
Creator:
Print made by unknown artist
Date:
1775
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

602. Rouen on the Seine

Rouen on the Seine
Creator:
Print made by Samuel Bradshaw, 1830–1869
Date:
1845
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

603. Hamburg

Hamburg
Creator:
Print made by Samuel Davenport, 1783–1867
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

604. Dieppe

Dieppe
Creator:
Print made by Charles Heath, 1785–1848
Date:
1820
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

605. Château of Dieppe

Château of Dieppe
Creator:
Print made by James Lewis, 1782–1858
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

606. View of Rouen

View of Rouen
Creator:
Print made by unknown artist
Date:
1782
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

607. View of Channery, the Borough Town of Rofs-fhire

View of Channery, the Borough Town of Rofs-fhire
Creator:
Print made by unknown artist
Date:
1784
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

608. Portraits of Her Majesty's Stag Hounds

Portraits of Her Majesty's Stag Hounds
Creator:
after Richard Barrett Davis, 1782–1854
Date:
ca. 1840
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

609. View of the Town & Abbey of Dumfermling, in Fifeshire

View of the Town & Abbey of Dumfermling, in Fifeshire
Creator:
Print made by unknown artist
Date:
1784
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

610. View of Ringfend, Irifh Town, Pool Beg, Clontarf, Irelands-eye, Dublin Bay, Ec. in Ireland

View of Ringfend, Irifh Town, Pool Beg, Clontarf, Irelands-eye, Dublin Bay, Ec. in Ireland
Creator:
Published by Alexander Hogg, active 1778–1824
Date:
ca. 1780
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

611. Multifainham Abbey, in the County of Westmeath

Multifainham Abbey, in the County of Westmeath
Creator:
Published by Alexander Hogg, active 1778–1824
Date:
1786
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

612. View of the Black Rocks, New Town Bourn, Bray Head, &c. in Ireland

View of the Black Rocks, New Town Bourn, Bray Head, &c. in Ireland
Creator:
Print made by unknown artist
Date:
ca. 1780
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

613. View of Montmedy

View of Montmedy
Creator:
Print made by unknown artist
Date:
1794
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

614. Dieppe

Dieppe
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

615. View of Leicester, in Leicestershire

View of Leicester, in Leicestershire
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

616. View of Annecy, in Savoy

View of Annecy, in Savoy
Creator:
Published by John Sewell, active 1735–1802
Date:
1796
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

617. View of the City of Vienna in Germany

View of the City of Vienna in Germany
Creator:
Print made by unknown artist
Date:
1790
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

618. Manchester

Manchester
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

619. Grenoble, from the Fortress

Grenoble, from the Fortress
Creator:
Print made by Samuel Bradshaw, 1830–1869
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

620. View of St. Malo in Britanny

View of St. Malo in Britanny
Creator:
Published by John Sewell, active 1735–1802
Date:
1794
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

621. Mont Ferrier, France

Mont Ferrier, France
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1837
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

622. William Cavendish, first Duke of Newcastle-upon-Tyne

William Cavendish, first Duke of Newcastle-upon-Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

623. Cori-nan-Urischin

Cori-nan-Urischin
Creator:
Print made by Samuel Alken, 1756–1815
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

624. Loch-erin-head

Loch-erin-head
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

625. St. Malo

St. Malo
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

626. View of Newcastle, upon Tyne, in Northumberland

View of Newcastle, upon Tyne, in Northumberland
Creator:
Print made by John Peltro, 1760–1808
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

627. Yoked Horses, No. 32

Yoked Horses, No. 32
Creator:
Print made by Thomas Sidney Cooper, 1803–1902
Date:
1837
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

628. The Learned Antiquarians Puzzl'd, (by an English Epitaph)

The Learned Antiquarians Puzzl'd, (by an English Epitaph)
Creator:
Print made by unknown artist
Date:
1770
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

629. The Last Drop

The Last Drop
Creator:
Print made by unknown artist
Date:
1773
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

630. Cape of Good Hope

Cape of Good Hope
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1800
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

631. Harbour of St. Malo

Harbour of St. Malo
Creator:
Print made by W. Floyd, active 1845
Date:
1833
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

632. Credulity, Superstition & Fanaticism

Credulity, Superstition & Fanaticism
Creator:
Print made by Charles Mottram, 1807–1876
Date:
1833
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

633. Approach to Royat, France

Approach to Royat, France
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1838
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

634. Château de Monas, Near Orange, France

Château de Monas, Near Orange, France
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1836
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

635. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

636. Approach to Thiers, France

Approach to Thiers, France
Creator:
Print made by John Cousen, 1804–1880
Date:
1836
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

637. Maria Theresa Charlotte, Daughter of Louis the Sixteenth

Maria Theresa Charlotte, Daughter of Louis the Sixteenth
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1794
Materials & Techniques:
Stipple engraving, aquatint and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

638. No.3 Edmonton, Hark Away Dick

No.3 Edmonton, Hark Away Dick
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

639. No.4 The Brothers' Gibbet at Gonerly

No.4 The Brothers' Gibbet at Gonerly
Creator:
Print made by unknown framemaker
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

640. No.5 Poor Bess Revived

No.5 Poor Bess Revived
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

641. No.2 Leaping Hornsey Toll Gate

No.2 Leaping Hornsey Toll Gate
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

642. No.6 The Phantom Horseman

No.6 The Phantom Horseman
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

643. Scene at a Banking House in 1745

Scene at a Banking House in 1745
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

644. No.7 Bess Swimming the Ouse

No.7 Bess Swimming the Ouse
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

645. Mr. Winkle's Situation When the Door Blew To

Mr. Winkle's Situation When the Door Blew To
Creator:
Print made by Hablot Knight Browne, 1815–1882
Date:
1837
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

646. Count Bertram's Shipwreck

Count Bertram's Shipwreck
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1816
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

647. The Antiquarian

The Antiquarian
Creator:
Published by Mary Darly, active 1762 –1772
Date:
1773
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

648. A Macaroni

A Macaroni
Creator:
after Edward Topham, 1751–1820
Date:
1771
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

649. The Marquis de Guiscard Attempting to Assassinate Harley

The Marquis de Guiscard Attempting to Assassinate Harley
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1844
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

650. A Connoiseur Admiring a Dark Nigh Piece

A Connoiseur Admiring a Dark Nigh Piece
Creator:
Published by Mary Darly, active 1762 –1772
Date:
1771
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

651. Distant View of St. Michel

Distant View of St. Michel
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

652. Chamberry from the Road to Aix

Chamberry from the Road to Aix
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

653. The Unfortunate Death of Major André

The Unfortunate Death of Major André
Creator:
Print made by John Goldar, 1729–1795
Date:
1783
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

654. The King of Brobdingnag and Gulliver

The King of Brobdingnag and Gulliver
Creator:
Print made by James Gillray, 1756–1815
Date:
1803
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

655. Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent

Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent
Creator:
Print made by William Bromley, 1769–1842
Date:
1796
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

656. Pass of Sant Alessio between Taormina and Messina, Sicily

Pass of Sant Alessio between Taormina and Messina, Sicily
Creator:
after Peter DeWint, 1784–1849
Date:
1821
Materials & Techniques:
Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

657. Pirna and the Castle of Sonnenstein

Pirna and the Castle of Sonnenstein
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1828
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

658. North Queen's Ferry

North Queen's Ferry
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

659. Mill on Wimbledon Common

Mill on Wimbledon Common
Creator:
Print made by George Cooke, 1781–1834
Date:
1828
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

660. The Virgin Mother

The Virgin Mother
Creator:
after William Dyce, 1806–1864
Date:
1854
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

661. The Battle of the Pictures

The Battle of the Pictures
Creator:
Print made by unknown artist
Date:
1870
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

662. Wolsey's Well at Esher, Surrey

Wolsey's Well at Esher, Surrey
Creator:
Print made by George Cooke, 1781–1834
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

663. The Altar Piece of St. Clements Danes, Strand: A Fac Similie of Hogarths own Engraving

The Altar Piece of St. Clements Danes, Strand: A Fac Similie of Hogarths own Engraving
Creator:
Print made by unknown artist
Date:
ca. 1860
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

664. A View of the Grand Fete on Parker's Piece, Cambridge

A View of the Grand Fete on Parker's Piece, Cambridge
Creator:
Print made by George Johann Scharf, 1788–1860
Date:
1838
Materials & Techniques:
Lithography on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

665. Sèvres

Sèvres
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1820
Materials & Techniques:
Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

666. The Imposture of the Holy Maid of Kent

The Imposture of the Holy Maid of Kent
Creator:
Print made by Isaac Taylor, 1759–1829
Date:
1796
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

667. For Sale by the Candle at Garraways

For Sale by the Candle at Garraways
Creator:
Print made by unknown artist
Date:
1733
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

668. Dublin Fireworks

Dublin Fireworks
Creator:
Print made by unknown artist
Date:
1749
Materials & Techniques:
Line engraving and etching on thin, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

669. Solway Firth from Allonby, Cumberland

Solway Firth from Allonby, Cumberland
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832
Materials & Techniques:
Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

670. Dodging the Draft

Dodging the Draft
Creator:
Print made by unknown artist
Date:
between 1861 and 1865
Materials & Techniques:
Wood engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

671. Arms of the Dutchess of Kendal

Arms of the Dutchess of Kendal
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

672. Ex Libris of George Lambert

Ex Libris of George Lambert
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1791
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

673. Tail Piece to the Artist's Catalogue, 1761

Tail Piece to the Artist's Catalogue, 1761
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

674. Frontispiece to the Artist's Catalogue

Frontispiece to the Artist's Catalogue
Creator:
Print made by unknown artist
Date:
1850
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

675. Frontispiece to the Artist's Catalogue

Frontispiece to the Artist's Catalogue
Creator:
Print made by unknown artist
Date:
1850
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

676. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

677. Frontispiece to the Artist's Catalogue, 1761

Frontispiece to the Artist's Catalogue, 1761
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

678. Frontispiece to the Artist's Catalogue, 1761

Frontispiece to the Artist's Catalogue, 1761
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

679. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

680. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

681. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

682. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

683. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

684. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

685. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

686. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

687. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

688. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

689. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

690. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

691. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

692. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

693. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

694. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

695. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

696. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

697. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

698. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

699. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

700. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection