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801. Session's House, Clerkenwell Green

Session's House, Clerkenwell Green
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

802. Hanover Terrace, Regent's Park

Hanover Terrace, Regent's Park
Creator:
Print made by George Cooke, 1781–1834
Date:
1827
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

803. The Bold Dragoon

The Bold Dragoon
Creator:
Print made by unknown artist
Date:
1850
Materials & Techniques:
Etching and line engraving with roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

804. Blenheim House

Blenheim House
Creator:
Print made by unknown artist
Date:
1751
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

805. The Grèves from the Summit of Mount St Michael

The Grèves from the Summit of Mount St Michael
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1836
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

806. Book Illustration of a Medieval Scene

Book Illustration of a Medieval Scene
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

807. William Woollett, Engraver to His Majesty

William Woollett, Engraver to His Majesty
Creator:
Print made by John Keyse Sherwin, c.1751–1790
Date:
1784
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

808. Hesperides, by Robert Herrick

Hesperides, by Robert Herrick
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line photoengraving on thin, smooth, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

809. To an Old Woman, by Robert Herrick

To an Old Woman, by Robert Herrick
Creator:
Print made by Edwin Austin Abbey, 1852–1911
Date:
1883
Materials & Techniques:
Line photoengraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

810. A Perspective View of the Palace of the King of Prussia

A Perspective View of the Palace of the King of Prussia
Creator:
Print made by unknown artist
Date:
1755
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

811. St. John's Library

St. John's Library
Creator:
Print made by Daniel Havell, 1785–1826
Date:
1815
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

812. Hesperides, by Robert Herrick

Hesperides, by Robert Herrick
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line photoengraving on medium, smooth, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

813. New Westminster Bridge, Designed by P. N. Page

New Westminster Bridge, Designed by P. N. Page
Creator:
Print made by Leighton Brothers, active 1858–1885
Date:
1858
Materials & Techniques:
Chromoxylograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

814. Chelsea New Bridge

Chelsea New Bridge
Creator:
Print made by Leighton Brothers, active 1858–1885
Date:
1858
Materials & Techniques:
Chromoxylograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

815. Jerusalem, from the Valley of Jehosaphat

Jerusalem, from the Valley of Jehosaphat
Creator:
Print made by unknown artist
Date:
1821
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

816. The City of Morocco, Taken from the South

The City of Morocco, Taken from the South
Creator:
after William Marshall Craig, 1763 or 1764–1829
Date:
1828
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

817. The Post Office & St. Paul's, from St. Martin's Le Grand

The Post Office & St. Paul's, from St. Martin's Le Grand
Creator:
Print made by George Cooke, 1781–1834
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

818. Capstadt, Cap der Guten, Hoffmung in Africa

Capstadt, Cap der Guten, Hoffmung in Africa
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

819. Port of Dieppe, in the Department of the Lower Seine, in France

Port of Dieppe, in the Department of the Lower Seine, in France
Creator:
Print made by Charles Warren, 1767–1823
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

820. Toulouse

Toulouse
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

821. Capstadt, Cap der Guten, Hoffmung in Africa

Capstadt, Cap der Guten, Hoffmung in Africa
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

822. Timbuctu, in Africa

Timbuctu, in Africa
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

823. Vue de Vaucluse, and Ancien Palais des Papes

Vue de Vaucluse, and Ancien Palais des Papes
Creator:
Print made by unknown artist
Date:
1829
Materials & Techniques:
Lithograph on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

824. Ratcliffe Power Station, Study 65, Nottinghamshire, England

Ratcliffe Power Station, Study 65, Nottinghamshire, England
Creator:
Michael Kenna, born 1953
Date:
1987
Materials & Techniques:
Sepia toned gelatin silver print on photographic paper
Dimensions:
Sheet: 6 × 9 1/4 inches (15.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

825. Charles "Charlie" Terry

Charles "Charlie" Terry
Creator:
Charles Lutwidge Dodgson [pseud. Lewis Carroll], 1832–1898
Date:
1865, printed ca.1980
Materials & Techniques:
Gold toned contact print from a collodion wet plate negative on photographic printing-out paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Barbara Benson and Richard Benson (1943–2017)

826. O the Roast Beef of Old England, &c.

O the Roast Beef of Old England, &c.
Creator:
Print made by Charles Mosley, c.1720–c.1770
Date:
1749
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/8 × 18 inches (38.4 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

827. Marriage à la Mode, Plate 4

Marriage à la Mode, Plate 4
Creator:
Print made by Simon François Ravenet, 1706–1774
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/4 × 18 3/8 inches (38.7 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

828. Marriage à la Mode, Plate 1

Marriage à la Mode, Plate 1
Creator:
Print made by Gerard Jean Baptiste Scotin, 1671–1716
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 3/8 × 18 1/2 inches (39.1 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

829. Marriage à la Mode, Plate 3

Marriage à la Mode, Plate 3
Creator:
Print made by Bernard Baron, 1696–1762
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/8 × 18 3/8 inches (38.4 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

830. Marriage à la Mode, Plate 5

Marriage à la Mode, Plate 5
Creator:
Print made by Simon François Ravenet, 1706–1774
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/8 × 18 3/8 inches (38.4 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

831. Karen Truax

Karen Truax
Creator:
Bill Jay, 1940–2009
Date:
2004
Materials & Techniques:
Digital Ink jet print on medium, smooth, white wove paper
Dimensions:
Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

832. Irving Pobboravsky

Irving Pobboravsky
Creator:
Bill Jay, 1940–2009
Date:
2004
Materials & Techniques:
Digital Ink jet print on medium, smooth, white wove paper
Dimensions:
Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

833. Jean-Paul Kernot

Jean-Paul Kernot
Creator:
Bill Jay, 1940–2009
Date:
2004
Materials & Techniques:
Digital Ink jet print on medium, smooth, white wove paper
Dimensions:
Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

834. Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis

Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis
Creator:
Published by Giovanni Giacomo de Rossi, 1627–1691
Date:
between 1546 and 1590
Materials & Techniques:
Bound volume of intaglio prints on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

835. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

836. Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat

Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat
Creator:
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Date:
between 1546 and 1590
Materials & Techniques:
Line engraving (uncut panorama, three plates) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

837. Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora

Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora
Creator:
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Date:
between 1546 and 1590
Materials & Techniques:
Line engraving (uncut panorama, three plates) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

838. Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23

Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23
Creator:
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Date:
between 1546 and 1590
Materials & Techniques:
Line engraving (uncut panorama, three plates) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

839. Near Raito on the Gulf of Salerno

Near Raito on the Gulf of Salerno
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1783
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 10 inches (19.1 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

840. A Mistake

A Mistake
Creator:
Print made by William Heath, 1795–1840
Date:
1829
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 5/8 × 16 1/2 inches (32.1 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

841. Ellen Terry (Mrs. George Frederick Watts)

Ellen Terry (Mrs. George Frederick Watts)
Creator:
Charles Lutwidge Dodgson [pseud. Lewis Carroll], 1832–1898
Date:
1865, printed ca.1980
Materials & Techniques:
Gold toned contact print from a collodion wet plate negative on photographic printing-out paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Barbara Benson and Richard Benson (1943–2017)

842. Design for a Cartouche with Figures Holding Hands

Design for a Cartouche with Figures Holding Hands
Creator:
Attributed to Augustin Heckel, 1690–1770
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper mounted on thin blue laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

843. Sketches for Panels Executed at Crowe Hall

Sketches for Panels Executed at Crowe Hall
Creator:
J. R. Harris, active 1876
Date:
1876
Materials & Techniques:
Pen and brown ink, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

844. Sketches for Panels Executed at Crowe Hall

Sketches for Panels Executed at Crowe Hall
Creator:
J. R. Harris, active 1876
Date:
1876
Materials & Techniques:
Pen and brown ink, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

845. The Devil's Tower, Norwich Oct. 1841

The Devil's Tower, Norwich Oct. 1841
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1847
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

846. Sketches for Panels Executed at Crowe Hall

Sketches for Panels Executed at Crowe Hall
Creator:
J. R. Harris, active 1876
Date:
1876
Materials & Techniques:
Pen and brown ink, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

847. Sketches for Panels Executed at Crowe Hall

Sketches for Panels Executed at Crowe Hall
Creator:
J. R. Harris, active 1876
Date:
1876
Materials & Techniques:
Pen and brown ink, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

848. Casa Pilatos, Seville, Spain

Casa Pilatos, Seville, Spain
Creator:
Richard Pare, born 1948
Date:
1983
Materials & Techniques:
Chromogenic print on photographic paper
Dimensions:
Sheet: 24 × 20 inches (61 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something Inc.

849. The Painter's Pool, 2 June 2002

The Painter's Pool, 2 June 2002
Creator:
Jem Southam, born 1950
Date:
2002
Materials & Techniques:
Chromogenic dye coupler print on photographic paper
Dimensions:
Sheet: 12 × 16 inches (30.5 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

850. Lace Sample

Lace Sample
Creator:
William Henry Fox Talbot, 1800–1877
Date:
ca. 1845
Materials & Techniques:
Salted paper print from a calotype negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 9 1/8 × 7 1/2 inches (23.2 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

851. Beaumont Newhall

Beaumont Newhall
Creator:
Bill Jay, 1940–2009
Date:
2004
Materials & Techniques:
Digital Ink jet print on medium, smooth, white wove paper
Dimensions:
Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

852. East of Genoa

East of Genoa
Creator:
John Robert Cozens, 1752–1797
Date:
between 1782 and 1783
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 10in. (15.9 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

853. Hon. George Berkeley

Hon. George Berkeley
Creator:
Christian Friedrich Zincke, 1685–1767
Date:
between 1706 and 1746
Materials & Techniques:
Enamel on copper
Dimensions:
Sheet: 1 7/8 x 1/16 inches (4.8 x 0.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

854. Town Hall, Ghent

Town Hall, Ghent
Creator:
Print made by J. Higham, active ca. 1848
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

855. Ulm Cathedral

Ulm Cathedral
Creator:
Print made by William Woolnoth, active 1806–1830
Date:
1822
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

856. St. Lorenz Kirche, Nurnberg

St. Lorenz Kirche, Nurnberg
Creator:
Print made by William Woolnoth, active 1806–1830
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

857. St. Dunstans Stepney

St. Dunstans Stepney
Creator:
Print made by Thomas Dale, active ca. 1921
Date:
1818
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

858. Illustrations for 'Gil Blas', plate IV

Illustrations for 'Gil Blas', plate IV
Creator:
Print made by James Heath, 1757–1834
Date:
1781
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

859. Illustrations for 'Gil Blas', plate V

Illustrations for 'Gil Blas', plate V
Creator:
Print made by William Sharp, 1749–1824
Date:
1781
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

860. Illustrations for 'Gil Blas', plate III

Illustrations for 'Gil Blas', plate III
Creator:
Print made by Charles Grignion, 1717–1810
Date:
1781
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

861. Illustrations for 'Gil Blas', plate X

Illustrations for 'Gil Blas', plate X
Creator:
after Thomas Stothard, 1755–1834
Date:
1781
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

862. Illustrations for 'Gil Blas', plate VI

Illustrations for 'Gil Blas', plate VI
Creator:
after Thomas Stothard, 1755–1834
Date:
1781
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

863. Illustrations for 'Gil Blas', plate VIII

Illustrations for 'Gil Blas', plate VIII
Creator:
Print made by James Heath, 1757–1834
Date:
1781
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

864. Australia, News from Home

Australia, News from Home
Creator:
Print made by George Baxter, 1804–1867
Date:
1853
Materials & Techniques:
Baxter print on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

865. Thomas Pelham-Holles, first Duke of Newcastle-under-Lyne

Thomas Pelham-Holles, first Duke of Newcastle-under-Lyne
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

866. View of the Temple of Aesculapius

View of the Temple of Aesculapius
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1764
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

867. The Castle of Isola, Italy

The Castle of Isola, Italy
Creator:
Published by Rudolf Ackermann, 1764–1834
Date:
1822
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

868. Charles II, King of England, Scotland, France & Ireland

Charles II, King of England, Scotland, France & Ireland
Creator:
Print made by George Vertue, 1684–1756
Date:
1736
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

869. Francis Beaumont, Esquire

Francis Beaumont, Esquire
Creator:
Print made by George Vertue, 1684–1756
Date:
1729
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

870. Frontispiece to The Sporting Magazine or Monthly Calendar, Volume 48

Frontispiece to The Sporting Magazine or Monthly Calendar, Volume 48
Creator:
Print made by unknown artist
Date:
1803
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

871. Lac de Gaube, Pyrenees

Lac de Gaube, Pyrenees
Creator:
Print made by Joseph C. Bentley, 1809–1851
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

872. Mountain of the Grande Chartreuse, from Grenoble

Mountain of the Grande Chartreuse, from Grenoble
Creator:
Print made by Joseph C. Bentley, 1809–1851
Date:
undated
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

873. View of Cape Diamond

View of Cape Diamond
Creator:
Print made by unknown artist
Date:
1798
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

874. Hill of Binion from the Lake

Hill of Binion from the Lake
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

875. Fall of Foyers, Invernesshire

Fall of Foyers, Invernesshire
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
1836
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

876. Loch-Lubnaig, West End

Loch-Lubnaig, West End
Creator:
Published by Longman, active 1804–1914
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

877. Loch-Kaitrin, East End

Loch-Kaitrin, East End
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

878. Kinloch Rannoch

Kinloch Rannoch
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

879. Loch-Lubnaig, East End

Loch-Lubnaig, East End
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

880. Windings of the Tay, Looking toward the Mountains of Athol

Windings of the Tay, Looking toward the Mountains of Athol
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

881. Pass of Killicrankie

Pass of Killicrankie
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

882. View from the Heights of Dunkeld

View from the Heights of Dunkeld
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

883. Loch Tay Looking toward Killin

Loch Tay Looking toward Killin
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

884. Down Castle, Craigforth and Stirling in the Distance

Down Castle, Craigforth and Stirling in the Distance
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

885. Caldron Linn

Caldron Linn
Creator:
Print made by Thomas Medland, 1755–1823
Date:
undated
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

886. Taymouth

Taymouth
Creator:
Print made by Samuel Alken, 1756–1815
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

887. Loch-tay, from Killin

Loch-tay, from Killin
Creator:
Print made by Francis Jukes, 1747–1812
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

888. Cori-nan-Urischin

Cori-nan-Urischin
Creator:
Print made by Samuel Alken, 1756–1815
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

889. Benledi

Benledi
Creator:
Print made by Francis Jukes, 1747–1812
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

890. Loch-leven

Loch-leven
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

891. Loch-erin-head

Loch-erin-head
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

892. The Circle of Gavarnie, Pyrenees

The Circle of Gavarnie, Pyrenees
Creator:
Print made by Joseph C. Bentley, 1809–1851
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

893. Fall of the Brahan

Fall of the Brahan
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

894. Clifden, Connemara

Clifden, Connemara
Creator:
Print made by Robert Brandard, 1805–1862
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

895. Mr. Sharp and Mr. Blunt

Mr. Sharp and Mr. Blunt
Creator:
Published by Matthew Darly, active 1754–1778
Date:
1773
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

896. Titus Oates

Titus Oates
Creator:
Print made by unknown artist
Date:
1810
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

897. View of the Rock Bridge

View of the Rock Bridge
Creator:
Print made by unknown artist
Date:
1798
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

898. G. L. LeClerc, Count de Buffon

G. L. LeClerc, Count de Buffon
Creator:
Print made by unknown artist
Date:
1828
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

899. Five Ships of the Line and a Frigate Engaging off Portipea

Five Ships of the Line and a Frigate Engaging off Portipea
Creator:
Print made by unknown artist
Date:
1748
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

900. Side Elevation of St. Paul's, London

Side Elevation of St. Paul's, London
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection