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May 1955 (Gwithian)
Creator:
Ben Nicholson, 1894–1982
Date:
1955
Materials & Techniques:
Oil on canvas
Dimensions:
41 3/4 x 41 3/4 inches (106 x 106 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Painter's Holiday
Creator:
Francis Danby, 1793–1861
Date:
ca. 1844
Materials & Techniques:
Oil on canvas
Dimensions:
29 7/8 × 41 7/8 inches (75.9 × 106.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Kila Kona Masjid, Purana Qila, Delhi
Creator:
Robert Smith, 1787–1873
Date:
ca. 1823
Materials & Techniques:
Oil on canvas
Dimensions:
29 1/2 x 41 3/4 inches (74.9 x 106 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Diana and her Nymphs at a Fountain
Creator:
Sir Peter Lely, 1618–1680
Date:
ca. 1648
Materials & Techniques:
Oil on canvas
Dimensions:
29 1/2 × 36 1/2 inches (74.9 × 92.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
No cover image available
Creator:
Print made by Thomas Landseer, 1795–1880
Date:
1867
Materials & Techniques:
Etching, mezzotint, and line engraving with roulette on thick, smooth, cream wove paper
Dimensions:
Sheet: 32 1/4 × 51 3/4 inches (81.9 × 131.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Purchased with a gift from Bart and Nini Tiernan
No cover image available
Creator:
Charles Mottram, 1807–1876
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 28 7/8 x 41 3/4in. (73.3 x 106cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown framemaker
Date:
ca. 1640
Materials & Techniques:
reverse ogee section carved and silvered frame with acanthus leaf and flower ornament on a cross-hatched gesso ground
Dimensions:
Frame: 34 3/4 × 41 3/4 inches (88.3 × 106 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art, Paul Mellon Fund