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1. The Barber
- Date:
- between 1670 and 1690
- Materials & Techniques:
- Mezzotint on medium, moderately textured, cream laid paper
- Dimensions:
- Sheet: 7 15/16 x 5 1/2 inches (20.2 x 14 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- between 1765 and 1771
- Materials & Techniques:
- Mezzotint and etching on moderately thick, slightly textured, beige laid paper
- Dimensions:
- Sheet: 7 1/16 x 5 1/2 inches (18 x 14 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- ca. 1835
- Materials & Techniques:
- Watercolor and graphite on medium, slightly textured, cream wove paper
- Dimensions:
- Sheet: 13 7/8 × 5 5/16 inches (35.2 × 13.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- ca. 1835
- Materials & Techniques:
- Watercolor over graphite on medium, slightly textured, cream wove paper
- Dimensions:
- Sheet: 3 15/16 × 5 5/16 inches (10 × 13.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- ca. 1835
- Materials & Techniques:
- Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
- Dimensions:
- Sheet: 3 7/8 × 5 5/16 inches (9.8 × 13.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
6. After Work
- Date:
- 1926
- Materials & Techniques:
- Etching on thin, slightly textured, beige Japanese paper
- Dimensions:
- Sheet: 6 3/4 x 9 13/16 inches (17.1 x 24.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
7. After Work
- Date:
- 1926
- Materials & Techniques:
- Etching on moderately thick, slightly textured, cream laid paper
- Dimensions:
- Sheet: 7 3/8 x 10 1/8 inches (18.7 x 25.7 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund