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1. A Maid

A Maid
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1774
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 10 15/16 x 7 1/8 inches (27.8 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Adelaide
Creator:
Francis Wheatley, 1747–1801
Date:
between 1785 and 1786
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, smooth, cream laid paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 x 4 1/2 inches (8.9 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Little Gleaner
Creator:
unknown artist
Date:
between 1826 and 1866
Materials & Techniques:
Graphite and watercolor on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 7 1/8 x 6 1/4 inches (18.1 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Large Christmas Card
Creator:
Print made by unknown artist
Date:
1895
Materials & Techniques:
Line block print on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 1/4 x 6 1/8 inches (23.5 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Young Lady Seated Wearing a White Dress
Creator:
Edward Edwards, 1738–1806
Date:
1788
Materials & Techniques:
Watercolor, pen, brown ink, and graphite on medium, slightly textured, cream laid paper mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Milkmaid Climbing a Stile
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1750
Materials & Techniques:
Graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 7 3/8 x 6 1/8 inches (18.7 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Westminster Abbey and St. Paul's from Battersea Fields
Creator:
Nathaniel Smith, 1740–1787
Date:
undated
Materials & Techniques:
Watercolor, ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 x 6 3/8in. (10.5 x 16.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Duke of Dorset
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 6 3/8 inches (19.7 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
Woman Praying
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1928
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 13/16 x 8 3/8 inches (30 x 21.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Countess of Blessington
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1837
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 15/16 x 12 15/16 inches (40.5 x 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Orphan
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1834
Materials & Techniques:
Mezzotint, stipple engraving, and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 9/16 x 11 1/8 inches (42.1 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Visionary
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1833
Materials & Techniques:
Mezzotint, stipple engraving, and line engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 9/16 x 11 1/8 inches (42 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Fille de Qualite en Deshabille d'Hiver
Creator:
Print made by Johan Danckerts, 1615–1681/7
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 6 3/4 inches (24.2 x 17.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Christ Appears to Mary Magdalene (John 20:13-14)
Creator:
Richard Westall, 1765–1836
Date:
before 1836
Materials & Techniques:
Graphite with red pencil on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 3/4 x 4 3/8 inches (14.6 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Figure Study of a Lady
Creator:
James Miller, active 1773–1814
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 13/16 × 6 3/8 inches (19.8 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
Lady Sinclair
Creator:
Print made by Marino Bovi, Italian, 1758–ca.1805
Date:
1791
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 x 9 1/16 inches (31.6 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elderly Couple on a Park Bench, with Two Men Beyond
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 6 1/4 x 8 1/16 inches (15.9 x 20.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figure Study of a Lady (back view)
Creator:
James Miller, active 1773–1814
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 11/16 × 6 1/4 inches (19.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
Figure Study of a Lady
Creator:
James Miller, active 1773–1814
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 13/16 × 6 5/16 inches (19.8 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
Figure Study of a Seated Lady
Creator:
James Miller, active 1773–1814
Date:
undated
Materials & Techniques:
Gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 13/16 × 6 5/16 inches (19.8 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
The Death of Cora
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 9/16 x 10 3/16 inches (34.4 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Celadon and Amelia
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 7 1/2 inches (26 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Lee Hankey, 1869–1952
Date:
1913
Materials & Techniques:
Etching and drypoint on thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 5/8 x 9 1/2 inches (29.5 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund