Width [cm]: 17 - YCBA Collections Search Search Results

1601. Untitled

Creator:: Bill Jay, 1940–2009
Date:: before 1992
Materials & Techniques:: Collage on medium, smooth, white wove paper
Dimensions:: Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1602. Viewers Viewed

Creator:: Bill Jay, 1940–2009
Date:: before 1992
Materials & Techniques:: Collage on medium, smooth, white wove paper
Dimensions:: Sheet: 8 1/2 × 11 inches (21.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1603. Ratcliffe Power Station, Study 51, Nottinghamshire, England

Creator:: Michael Kenna, born 1953
Date:: 1987
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 9 1/4 × 6 1/2 inches (23.5 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1604. One-Arch Bridge, Breconshire

Creator:: Nevil Story - Maskelyne, 1823–1911
Date:: 1849
Materials & Techniques:: Calotype waxed paper negative on cream wove paper
Dimensions:: Image: 6 × 6 3/4 inches (15.2 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1605. On a Devon River

Creator:: Major General Philip Bedingfield, 1828-1897
Date:: 1873
Materials & Techniques:: Brown wash with graphite on thick, slightly textured, brown wove paper
Dimensions:: Sheet: 4 × 6 3/4 inches (10.2 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Estate of Roberta A. Kendall

1606. Study from Nature – A Scottish Burn

Creator:: Charles Nicholls Woolnoth, 1815-1906
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Estate of Roberta A. Kendall

1607. Richard de Feversham, Church of All Saints, Graveney

Creator:: Rubbed by Townsend Rich, 1909–1998
Date:: 1968
Materials & Techniques:: Crayon rubbing on thin, smooth, white wove paper
Dimensions:: Sheet: 37 1/2 × 17 5/8 inches (95.3 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Townsend Rich

1608. Then / Now / Professors vs. Professionals

Creator:: Bill Jay, 1940–2009
Date:: before 1992
Materials & Techniques:: Collage on medium, smooth, white wove paper
Dimensions:: Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1609. Untitled

Creator:: Bill Jay, 1940–2009
Date:: before 1992
Materials & Techniques:: Collage on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1610. Untitled

Creator:: Bill Jay, 1940–2009
Date:: before 1992
Materials & Techniques:: Collage on medium, smooth, white wove paper
Dimensions:: Sheet: 8 1/2 × 11 inches (21.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1611. The Good Teacher Points at the Moon, the Good Student Looks at the Moon - Not at the Finger

Creator:: Bill Jay, 1940–2009
Date:: before 1992
Materials & Techniques:: Collage on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1612. Untitled

Creator:: Bill Jay, 1940–2009
Date:: before 1992
Materials & Techniques:: Collage on medium, smooth, white wove paper
Dimensions:: Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1613. Fate

Creator:: Bill Jay, 1940–2009
Date:: before 1992
Materials & Techniques:: Collage on medium, smooth, white wove paper
Dimensions:: Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1614. Untitled

Creator:: Bill Jay, 1940–2009
Date:: before 1992
Materials & Techniques:: Collage on medium, smooth, white wove paper
Dimensions:: Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1615. Scrub and Archer

Creator:: Published by William Holland, 1757–1815
Date:: 1783
Materials & Techniques:: Etching with hand coloring in watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 9 1/8 inches (24.8 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

1616. English Landscape

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 6 1/2 inches (22.9 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

1617. Concrete Cabin

Creator:: Peter Doig, born 1959
Date:: 1996
Materials & Techniques:: Etching, aquatint, and deep bite on 350gsm Zerkall Etching white wove paper
Dimensions:: Sheet: 21 1/4 × 17 1/4 inches (54 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1618. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

Creator:: Attributed to James Ward, 1769–1859
Materials & Techniques:: Graphite
Dimensions:: Sheet: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1619. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

Creator:: Attributed to James Ward, 1769–1859
Materials & Techniques:: Graphite
Dimensions:: Sheet: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1620. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

Creator:: Attributed to James Ward, 1769–1859
Materials & Techniques:: Graphite
Dimensions:: Sheet: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1621. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

Creator:: Attributed to James Ward, 1769–1859
Materials & Techniques:: Graphite
Dimensions:: Sheet: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1622. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

Creator:: Attributed to James Ward, 1769–1859
Materials & Techniques:: Graphite
Dimensions:: Sheet: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1623. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

Creator:: Attributed to James Ward, 1769–1859
Materials & Techniques:: Graphite
Dimensions:: Sheet: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1624. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

Creator:: Attributed to James Ward, 1769–1859
Materials & Techniques:: Graphite
Dimensions:: Sheet: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1625. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

Creator:: Attributed to James Ward, 1769–1859
Materials & Techniques:: Graphite
Dimensions:: Sheet: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1626. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

Creator:: Attributed to James Ward, 1769–1859
Materials & Techniques:: Graphite
Dimensions:: Sheet: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1627. The Almonry

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1926
Materials & Techniques:: Etching; 6th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 × 10 1/8 inches (37.5 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1628. The Lot at Vers

Creator:: Print made by Sir Frank William Brangwyn, 1867–1956
Date:: 1911
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Plate: 5 1/4 × 6 1/2 inches (13.3 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles Nagel Jr., BA 1923, BFA 1926, MFA 1928

1629. The Falcon

Creator:: Print made by Edward Julius Detmold, 1883–1957
Date:: 1904
Materials & Techniques:: Etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 15 5/16 x 13 1/16 inches (38.9 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Isabelle Hollister Tuttle for the Emerson Tuttle Memorial Collection

1630. On the Wall, Klingen Thor in Rothenburg

Creator:: Adeline S. Illingworth, 1858–ca.1930
Date:: 1899
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 9 1/4 x 6 1/2in. (23.5 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

1631. Potter's Bow

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1924
Materials & Techniques:: Etching; 7th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 7 1/4 inches (26.7 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1632. The Almonry

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1925
Materials & Techniques:: Etching; 5th state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 7 inches (25.4 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1633. Time Smoking a Picture

Creator:: Print made by Thomas Cook, 1744–1818
Date:: early 1800s
Materials & Techniques:: Line engraving, etching, and mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 11/16 x 10 15/16 inches (45 x 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Chauncey B. Tinker, B.A. 1899

1634. Santa Maria

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1928
Materials & Techniques:: Etching and drypoint
Dimensions:: Plate: 6 3/4 x 4 7/16in. (17.1 x 11.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1635. Lessing and Edith Rosenwald Book Plate

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1930
Materials & Techniques:: Etching on laid paper
Dimensions:: Plate: 6 x 4in. (15.2 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1636. Argyle's Lodgings, Stirling

Creator:: Print made by Susan Fletcher Crawford, active 1892–died 1919
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, smooth, cream laid paper
Dimensions:: Sheet: 10 7/16 x 8 3/16 inches (26.5 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1637. Old Castle of Gloom (Castle Campbell)

Creator:: Print made by Susan Fletcher Crawford, active 1892–died 1919
Date:: undated
Materials & Techniques:: Etching and drypoint print on medium, smooth, cream laid paper
Dimensions:: Sheet: 13 1/4 x 8 1/2 inches (33.7 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1638. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1639. Chancel of Edington Church

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and brown ink, brown wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 15/16 × 6 1/2 inches (20.2 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1640. Still Life with Lobster and Game

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: ca. 1688
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 9/16 × 6 9/16 inches (21.7 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1641. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 14 inches (50.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1642. The Paris Set: R. 362 Saint Germain l'Auxerrois

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching and drypoint on thin, smooth, cream laid paper
Dimensions:: Sheet: 13 7/8 × 7 1/8 inches (35.2 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

1643. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1644. South Front of Melrose Abbey, 1835

Creator:: unknown artist
Date:: 1835
Materials & Techniques:: Engraving
Dimensions:: Sheet: 4 3/4 x 6 13/16in. (12 x 17.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1645. Dryburgh Abbey, Sir Walter Scott's Sepulchre 1835

Creator:: unknown artist
Date:: 1835
Materials & Techniques:: Engraving
Dimensions:: Sheet: 4 5/8 x 6 5/8in. (11.8 x 16.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1646. Frith (Dingald Stewart's Monument) Edinburgh from Carlton Hill

Creator:: John Cousen, 1804–1880
Materials & Techniques:: Engraving
Dimensions:: Sheet: 5 3/16 x 6 5/8in. (13.2 x 16.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1647. Warwick Castle/ The Seat of the Right Honorable, The Earl of Warwick

Creator:: John Brandard, 1812–1863
Date:: 1845
Materials & Techniques:: Engraving
Dimensions:: Sheet: 5 1/16 x 6 13/16in. (12.8 x 17.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1648. Sketchbook

Creator:: William M. Larkins, 1901–1974
Materials & Techniques:: Pen and black ink over graphite
Dimensions:: Sheet: 8 15/16 x 6 3/4in. (22.7 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1649. Roman Remains in London

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 3 3/4 × 6 9/16 inches (9.5 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1650. Mill Pond Bridge, Rotherhithe

Creator:: James Lawson Stewart, active 1883–died 1929
Date:: undated
Materials & Techniques:: Watercolor on moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 5 × 6 1/2 inches (12.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1651. View of the South Sea House

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 5 3/16 × 7 5/8 inches (13.2 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1652. Montague House

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 4 15/16 x 6 13/16in. (12.5 x 17.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1653. The Marine Society

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 7 × 6 5/8 inches (17.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1654. Ennui

Creator:: Walter Richard Sickert, 1860–1942
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 13 1/2 x 10 1/2in. (34.3 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. Walter Bareiss, B.S. 1940

1655. Ghent Gate, Bruges

Creator:: Print made by William Strang, 1859–1921
Date:: 1898
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 3/4 × 8 inches (24.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1656. The Man Who Would Be King

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, slightly textured, blued white laid paper
Dimensions:: Sheet: 7 1/2 × 9 1/4 inches (19.1 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

1657. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

Creator:: Attributed to James Ward, 1769–1859
Materials & Techniques:: Graphite
Dimensions:: Sheet: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1658. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

Creator:: Attributed to James Ward, 1769–1859
Materials & Techniques:: Graphite
Dimensions:: Sheet: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1659. Sketch of lovers fleeing at night

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Brown ink and brown wash on thick, smooth, beige wove paper
Dimensions:: Sheet: 14 × 6 3/4 inches (35.6 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

1660. Back view of man on horseback

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured cream wove paper
Dimensions:: Sheet: 4 3/4 × 6 1/2 inches (12.1 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

1661. To Skiffy - Skipt on, With His Wonted Grace. Vide Birthday Ball.

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/8 x 6 5/8in. (23.2 x 16.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1662. Le Quai de Rosaire (Preparatory drawing I)

Creator:: William M. Larkins, 1901–1974
Materials & Techniques:: Graphite
Dimensions:: Sheet: 6 1/4 x 6 3/4in. (15.9 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

1663. Hudibrass and His ' Squire (Fox and Burke)

Creator:: James Gillray, 1756–1815
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/16 x 6 3/4in. (21.1 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1664. A Picardy Plough

Creator:: Martin Hardie, 1875–1952
Date:: 1913
Materials & Techniques:: Etching
Dimensions:: Sheet: 4 7/8 x 6 13/16in. (12.4 x 17.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

1665. Study of children running

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Pen and black ink on medium, smooth, cream laid paper
Dimensions:: Sheet: 4 3/8 × 6 3/4 inches (11.1 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

1666. An Old Manor House

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Line engraving, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 11/16 × 6 11/16 inches (29.7 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1667. Head of a young girl and girl with pigtails

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 6 1/2 inches (14 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

1668. Man astride a horse drinking from a stream

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 4 3/8 × 6 1/2 inches (11.1 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

1669. Studies of cats

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/2 × 6 1/2 inches (16.5 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

1670. Male figures, possibly studies for sculpture

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 3/4 × 6 1/2 inches (12.1 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

1671. Men riding horseback

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 4 3/8 × 6 1/2 inches (11.1 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

1672. Deer in the Forest

Creator:: Joseph Hecht, 1891–1951
Date:: ca. 1926
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, blue laid paper
Dimensions:: Sheet: 14 1/4 x 9 3/8 inches (36.1 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1673. Adam de Coster

Creator:: Print made by Pieter de Jode II, ca. 1606–1674
Date:: ca. 1635
Materials & Techniques:: Line engraving, stipple engraving and etching (1st state) on medium, slightly textured, cream laid paper
Dimensions:: Mount: 10 7/8 × 7 1/8 inches (27.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1674. Adam de Coster

Creator:: Print made by Pieter de Jode II, ca. 1606–1674
Date:: ca. 1635
Materials & Techniques:: Stipple engraving and line engraving (2nd state) on medium, slightly textured, cream laid paper
Dimensions:: Mount: 10 7/8 × 7 7/8 inches (27.6 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1675. A Sea Piece

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1889
Materials & Techniques:: Mezzotint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 8 1/2 inches (34.6 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1676. Coaxing Mother

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Wood engraving with hand coloring on moderately thick, slightly textured, cream wove paper, pasted on contemporary mount made of moderately thick, slightly textured, beige laid paper
Dimensions:: Mount: 7 15/16 x 6 7/8 inches (20.2 x 17.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1677. Bantry Hill

Creator:: John E. Nicholls, active ca. 1847–1851
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 6 x 6 3/4in. (15.2 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1678. Potato Lifting

Creator:: Print made by William Strang, 1859–1921
Date:: 1882
Materials & Techniques:: Etching on medium, slightly textured,beige laid paper
Dimensions:: Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Allen Evarts Foster, B.A. 1906

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1601. Untitled

1602. Viewers Viewed

1603. Ratcliffe Power Station, Study 51, Nottinghamshire, England

1604. One-Arch Bridge, Breconshire

1605. On a Devon River

1606. Study from Nature – A Scottish Burn

1607. Richard de Feversham, Church of All Saints, Graveney

1608. Then / Now / Professors vs. Professionals

1609. Untitled

1610. Untitled

1611. The Good Teacher Points at the Moon, the Good Student Looks at the Moon - Not at the Finger

1612. Untitled

1613. Fate

1614. Untitled

1615. Scrub and Archer

1616. English Landscape

1617. Concrete Cabin

1618. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

1619. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

1620. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

1621. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

1622. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

1623. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

1624. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

1625. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

1626. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

1627. The Almonry

1628. The Lot at Vers

1629. The Falcon

1630. On the Wall, Klingen Thor in Rothenburg

1631. Potter's Bow

1632. The Almonry

1633. Time Smoking a Picture

1634. Santa Maria

1635. Lessing and Edith Rosenwald Book Plate

1636. Argyle's Lodgings, Stirling

1637. Old Castle of Gloom (Castle Campbell)

1638. The Descent of Man into the Vale of Death

1639. Chancel of Edington Church

1640. Still Life with Lobster and Game

1641. The Descent of Man into the Vale of Death

1642. The Paris Set: R. 362 Saint Germain l'Auxerrois

1643. The Descent of Man into the Vale of Death

1644. South Front of Melrose Abbey, 1835

1645. Dryburgh Abbey, Sir Walter Scott's Sepulchre 1835

1646. Frith (Dingald Stewart's Monument) Edinburgh from Carlton Hill

1647. Warwick Castle/ The Seat of the Right Honorable, The Earl of Warwick

1648. Sketchbook

1649. Roman Remains in London

1650. Mill Pond Bridge, Rotherhithe

1651. View of the South Sea House

1652. Montague House

1653. The Marine Society

1654. Ennui

1655. Ghent Gate, Bruges

1656. The Man Who Would Be King

1657. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

1658. [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.

1659. Sketch of lovers fleeing at night

1660. Back view of man on horseback

1661. To Skiffy - Skipt on, With His Wonted Grace. Vide Birthday Ball.

1662. Le Quai de Rosaire (Preparatory drawing I)

1663. Hudibrass and His ' Squire (Fox and Burke)

1664. A Picardy Plough

1665. Study of children running

1666. An Old Manor House

1667. Head of a young girl and girl with pigtails

1668. Man astride a horse drinking from a stream

1669. Studies of cats

1670. Male figures, possibly studies for sculpture

1671. Men riding horseback

1672. Deer in the Forest

1673. Adam de Coster

1674. Adam de Coster

1675. A Sea Piece