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1501. Studies of a tiger

Studies of a tiger
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 7 1/8 inches (18.1 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1502. Marion "Polly" Terry as Fitz-James

Marion "Polly" Terry as Fitz-James
Creator:
Charles Lutwidge Dodgson [pseud. Lewis Carroll], 1832–1898
Date:
1875, printed ca. 1980
Materials & Techniques:
Gold toned printing-out-paper print from a collodion wet plate negative
Dimensions:
Sheet: 9 1/8 × 7 1/8 inches (23.2 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Sondra S. and Gary L. Haller, Yale MA (HON.) 1980

1503. Ancient Temple at Kunkhul

Ancient Temple at Kunkhul
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 7 1/8 inches (26.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

1504. Study of a Lion

Study of a Lion
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1505. Study of cattle and figures in a landscape

Study of cattle and figures in a landscape
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/4 × 7 inches (12.1 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1506. Figure Study

Figure Study
Creator:
Augustus Edwin John, 1878–1961
Date:
undated
Materials & Techniques:
Pen and black ink on thin, smooth, cream laid paper
Dimensions:
Sheet: 8 7/8 × 6 7/8 inches (22.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Estate of Brian Sewell

1507. Alan Ramsay Scotus

Alan Ramsay Scotus
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Aquatint, stipple engraving, and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1508. Palais at Blois

Palais at Blois
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching; open etched state on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 15/16 × 7 3/16 inches (12.5 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1509. Pont de l'Arche

Pont de l'Arche
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper mounted on cream wove paper
Dimensions:
Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1510. Pont de l'Arche

Pont de l'Arche
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and engraving, with white chalk, black ink, and scraping out; early touched engraver's proof on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 7/8 × 7 inches (14.9 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1511. Col. Mannering, Hazlewood, and the Smugglers

Col. Mannering, Hazlewood, and the Smugglers
Creator:
Print made by William Finden, 1787–1852
Date:
1836
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 11 1/4 inches (23.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1512. The Farmer's Boy

The Farmer's Boy
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 7 1/16 inches (21.8 x 18 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1513. Sir George Beaumont, Bart.

Sir George Beaumont, Bart.
Creator:
Print made by John Samuel Agar, ca. 1773–1858
Date:
1812
Materials & Techniques:
Crayon manner and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 1/4 x 13 1/8 inches (38.7 x 33.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1514. Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1797
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 15/16 x 10 7/8 inches (40.5 x 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1515. The Golden D'Or

The Golden D'Or
Creator:
Ian Stephenson, 1934–2000
Date:
before 1980
Materials & Techniques:
Acrylic on paper
Dimensions:
Sheet: 10 7/8 x 7 1/4 inches (27.6 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Samuel and Gabrielle Lurie

1516. Pot Valiant: Scene in a Tap-Room

Pot Valiant: Scene in a Tap-Room
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, smooth, blue wove paper
Dimensions:
Sheet: 9 x 6 15/16in. (22.9 x 17.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1517. Study for the Portrait of a Lady

Study for the Portrait of a Lady
Creator:
Attributed to Sir Peter Lely, 1618–1680
Date:
undated
Materials & Techniques:
Black chalk, white chalk, red chalk and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 × 6 7/8 inches (22.9 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1518. The Death of Ananias

The Death of Ananias
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on cream card with cream card cutout pasted on top
Dimensions:
Mount: 7 15/16 x 9 5/8 inches (20.2 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1519. The Conversion of the Proconsul

The Conversion of the Proconsul
Creator:
Print made by George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1520. The Miraculous Draught of Fishes

The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 7 3/4 x 8 9/16 inches (19.7 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1521. The Healing of the Lame Man

The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth cream wove paper mounted on contemporary cream card
Dimensions:
Mount: 8 3/8 x 9 15/16 inches (21.2 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1522. The Healing of the Lame Man

The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 9/16 x 7 3/16 inches (11.6 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1523. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 6 15/16 x 7 7/8 inches (17.7 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1524. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:
Image: 4 1/2 x 7 3/16 inches (11.5 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1525. Admiral Vernon's Monument in Westminster Abbey

Admiral Vernon's Monument in Westminster Abbey
Creator:
John Michael Rysbrack, 1694–1770
Date:
ca. 1763
Materials & Techniques:
Pen and brown ink, black ink, gray wash, brown wash, and graphite on medium, slightly textured, cream laid paper mounted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 11/16 x 6 13/16in. (29.7 x 17.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1526. An Historical Episode: ? A Military Officer Leading other Figures in Taking an Oath upon a Sword on a Table before Churchmen

An Historical Episode: ? A Military Officer Leading other Figures in Taking an Oath upon a Sword on a Table before Churchmen
Creator:
Charles Reuben Ryley, 1752–1798
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper mounted thin, smooth, cream wove paper
Dimensions:
Sheet: 4 5/8 × 7 1/4 inches (11.7 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1527. Sketch for 'The Continence of Scipio'

Sketch for 'The Continence of Scipio'
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash over graphite on medium, slightly textured, cream laid paper mounted on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 inches (13.3 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1528. Penitent Magdalene

Penitent Magdalene
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash over red chalk on medium, slightly textured, cream laid paper mounted on medium, moderately textured, white paper
Dimensions:
Sheet: 5 7/16 x 5 3/4in. (13.8 x 14.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1529. Plan of Moldings, St Stephen's Chapel

Plan of Moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper with flier attached
Dimensions:
Sheet: 8 1/8 × 7 1/8 inches (20.6 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1530. Lincoln's Inn Gate

Lincoln's Inn Gate
Creator:
Samuel Ireland, 1744–1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1531. Lincoln's Inn Hall and Chapel

Lincoln's Inn Hall and Chapel
Creator:
Samuel Ireland, 1744–1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1532. Mrs. Sheppard Expostulating with her Son

Mrs. Sheppard Expostulating with her Son
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 x 6 15/16 inches (21 x 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1533. Cotton Garden, Westminster

Cotton Garden, Westminster
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 7/8 × 9 1/8 inches (30.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1534. Mr. Hawks thinks he had Better Turn Back

Mr. Hawks thinks he had Better Turn Back
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite and black chalk
Dimensions:
Sheet: 4 1/4 x 7in. (10.8 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1535. Thoughts on Matrimony

Thoughts on Matrimony
Creator:
Print made by William Ward, 1766–1826
Date:
1786
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 × 9 3/16 inches (31.6 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1536. 'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'

'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/4 x 5 7/8in. (8.3 x 14.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1537. A Village Street with Cattle and Sheep Being Driven Through

A Village Street with Cattle and Sheep Being Driven Through
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink, and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 1/2 × 5 3/4 inches (8.9 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1538. A Village Fountain

A Village Fountain
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/16 × 7 3/16 inches (11.3 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1539. The Inner Temple

The Inner Temple
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 6 7/8in. (13 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1540. Stone Buildings, Lincoln's Inn

Stone Buildings, Lincoln's Inn
Creator:
Samuel Ireland, 1744–1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 7 inches (12.1 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1541. Lincoln's Inn Hall and Chapel

Lincoln's Inn Hall and Chapel
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1542. Temple Church

Temple Church
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 6 7/8 inches (14 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1543. Painter's Hall

Painter's Hall
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 7in. (12.7 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1544. Clement's Inn

Clement's Inn
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 7 inches (13 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1545. Blacksmith's Hall

Blacksmith's Hall
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1546. Currier's Hall

Currier's Hall
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1547. Southwest View of Middle Temple

Southwest View of Middle Temple
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1548. Gray's Inn

Gray's Inn
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 7 inches (13 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1549. Barber's Hall

Barber's Hall
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 1/8 inches (13.3 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1550. Garden Front of Stationer's Hall

Garden Front of Stationer's Hall
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 7in. (12.7 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1551. Lincoln's Inn Gate

Lincoln's Inn Gate
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 6 7/8in. (12.1 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1552. Brewer's Hall

Brewer's Hall
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1553. Garden Front of Weaver's Hall

Garden Front of Weaver's Hall
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 7 1/4 inches (13 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1554. Gray's Inn

Gray's Inn
Creator:
Samuel Ireland, 1744–1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1555. Tallow Chandler's Hall

Tallow Chandler's Hall
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 6 7/8 inches (13 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1556. Clement's Inn

Clement's Inn
Creator:
Samuel Ireland, 1744–1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1557. A Ship at Sea

A Ship at Sea
Creator:
Philip Wilson Steer, 1860–1942
Date:
undated
Materials & Techniques:
Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 6 7/8 inches (12.1 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

1558. Sir Joshua Reynolds

Sir Joshua Reynolds
Creator:
George H. Every, 1837–1910
Date:
1866
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 x 13 1/2 inches (50.8 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1559. Talman, Sir Ralph Cole and Marco Ricci

Talman, Sir Ralph Cole and Marco Ricci
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 7 inches (22.5 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1560. Hugh Robinson

Hugh Robinson
Creator:
Print made by Frederick Atkinson, active 1800
Date:
1800
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/16 x 7 3/16 inches (25.8 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1561. Enoch Seeman

Enoch Seeman
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 3/4 x 6 15/16 inches (22.3 x 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1562. Godfrey Schalcken

Godfrey Schalcken
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
1763
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 13/16 x 7 1/8 inches (22.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1563. Henry Tresham, Esq, R.A.

Henry Tresham, Esq, R.A.
Creator:
Print made by George Chinnery, 1774–1852
Date:
1802
Materials & Techniques:
Etching, drypoint, and stipple engraving on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 9 7/16 × 7 3/16 inches (24 × 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1564. Henry Tresham, Esq. R. A.

Henry Tresham, Esq. R. A.
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1814
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/16 × 12 5/16 inches (38.6 × 31.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1565. Entrance to the House of Lords

Entrance to the House of Lords
Creator:
Attributed to William Capon, 1757–1827
Date:
1796
Materials & Techniques:
Graphite, pen and black and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 × 6 7/8 inches (20.3 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1566. House of Commons, the Speaker Reprimanding a Person at the Bar

House of Commons, the Speaker Reprimanding a Person at the Bar
Creator:
Print made by Henry Melville, active 1826–1841
Date:
after 1850
Materials & Techniques:
Line engraving on moderately thick, smooth cream wove paper
Dimensions:
Sheet: 10 3/4 × 8 3/16 inches (27.3 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1567. House of Lords, Her Majesty Opening the Session of Parliament

House of Lords, Her Majesty Opening the Session of Parliament
Creator:
Print made by Henry Melville, active 1826–1841
Date:
ca. 1837
Materials & Techniques:
Line engraving on silghtly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 × 8 15/16 inches (20.3 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1568. The Parliament House, from Old Palace Yard, Westminster

The Parliament House, from Old Palace Yard, Westminster
Creator:
Print made by William Deeble, active 1814–1849
Date:
1829
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 4 15/16 × 7 inches (12.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1569. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

Henry VII Chapel at Westminster Showing Two Renovated Pinacles
Creator:
Print made by Augustus Charles Pugin, 1762–1832
Date:
undated
Materials & Techniques:
Etched and aquatinted engraving, proof before letters on smooth, medium, white wove paper
Dimensions:
Sheet: 11 1/8 × 8 1/8 inches (28.3 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1570. Fleet Street

Fleet Street
Creator:
Henry Lambert, active 1926
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 x 7 1/8in. (22.9 x 18.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1571. The Prodigal Son Taking Leave

The Prodigal Son Taking Leave
Creator:
unknown artist
Date:
1788
Materials & Techniques:
Engraving
Dimensions:
Sheet: 5 1/8 x 7in. (13 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1572. The Kill

The Kill
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1573. The Fair Penitent

The Fair Penitent
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray, brown, and red-brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1574. The Vicar Preaching to the Prisoners

The Vicar Preaching to the Prisoners
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1575. A Tour in a Cathedral

A Tour in a Cathedral
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and red-brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/16 x 7 inches (11.3 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1576. The Sailor's Return

The Sailor's Return
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown, red-brown, and gray ink, over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 11/16 x 6 15/16 inches (22.1 x 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1577. Portrait Sketches

Portrait Sketches
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
between 1870 and 1873
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 9 3/4 inches (32.1 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

1578. Mother Bundle in a Rage or Too late for the Stage

Mother Bundle in a Rage or Too late for the Stage
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1809
Materials & Techniques:
Watercolor with pen and brown-gray, red-brown, and brown ink, over graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 3/8 x 7 1/8 inches (11.1 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1579. Norwich Market Place

Norwich Market Place
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and gray-brown ink, and wash over graphite; verso: pen and gray brown ink and wash over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 7/16 x 6 7/8 inches (13.8 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1580. The Family of Children

The Family of Children
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 7 1/4 inches (11 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1581. The Woolpack Inn

The Woolpack Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and red-brown and gray ink with wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 7 inches (11 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1582. Study of the Head of a Young Man

Study of the Head of a Young Man
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and gray ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/4 x 5 3/4 inches (8.3 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1583. Roslin Castle, Midlothian, Scotland

Roslin Castle, Midlothian, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 × 7 1/8 inches (22.9 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1584. The Cathedral of St. Andrews, Scotland

The Cathedral of St. Andrews, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 × 7 1/16 inches (22.9 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1585. Abernethy Tower, Scotland

Abernethy Tower, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 × 7 inches (22.9 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1586. Dunkeld Cathedral, Scotland

Dunkeld Cathedral, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 × 7 1/16 inches (22.9 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1587. Arbroath Abbey, Scotland

Arbroath Abbey, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 7 1/16 inches (22.7 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1588. Kinloss Abbey, Scotland

Kinloss Abbey, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 × 7 1/8 inches (22.9 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1589. Pluscarden Abbey

Pluscarden Abbey
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 × 7 1/8 inches (22.9 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1590. Troilus and Cressida?

Troilus and Cressida?
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/8 × 7 1/4 inches (23.8 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

1591. Mrs. Carwardine and Child

Mrs. Carwardine and Child
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Brown wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/8 × 7 1/4 inches (23.8 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

1592. Dance

Dance
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

1593. William Cavendish, Duke of Newcastle

William Cavendish, Duke of Newcastle
Creator:
after Sir Anthony Van Dyck, 1599–1641
Date:
1836
Materials & Techniques:
Stipple engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 7/16 × 6 7/8 inches (26.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

1594. Bowing Down at Appearance of Dark Figure

Bowing Down at Appearance of Dark Figure
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

1595. Sketch for the Temptation of Christ?

Sketch for the Temptation of Christ?
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 7 1/4 inches (11.4 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

1596. Two Crouching Figures

Two Crouching Figures
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/4 × 7 1/4 inches (12.1 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

1597. Mrs. Johnston and Child

Mrs. Johnston and Child
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 7 1/8 inches (24.1 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

1598. Whitby

Whitby
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof (c) on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/8 × 11 5/8 inches (43.5 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1599. Whitby

Whitby
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Etching and engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1600. Patie Rebukes Roger

Patie Rebukes Roger
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960