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1. The Ruins of Netley Abbey

The Ruins of Netley Abbey
Creator:
Print made by John Constable, 1776–1837
Date:
1826
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Brandsby Tower, Yorkshire

Brandsby Tower, Yorkshire
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
ca. 1838
Materials & Techniques:
Soft-ground etching on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 10 3/16 x 7 5/8 inches (25.9 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Black Tower Norwich

The Black Tower Norwich
Creator:
Robert Dixon, 1780–1815
Date:
between 1810 and 1811
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 8 3/16 inches (26.8 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Double Hairpin Set

Double Hairpin Set
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 6 5/8 × 7 5/16 inches (16.8 × 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Beeston Priory, Beeston Regis

Beeston Priory, Beeston Regis
Creator:
Robert Dixon, 1780–1815
Date:
between 1810 and 1811
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 x 8 3/16 inches (27.1 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Dudley Priory in Worcestershire, Plate 2

Dudley Priory in Worcestershire, Plate 2
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 13/16 × 7 5/8 inches (14.7 × 19.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The House of William Russell, Esq., Showell Green

The House of William Russell, Esq., Showell Green
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper, pasted on left edge to B1977.14.14752b
Dimensions:
Sheet: 8 9/16 x 11 13/16 inches (21.8 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Baskerville House, the Residence of John Ryland, Esq.

Baskerville House, the Residence of John Ryland, Esq.
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/2 x 10 3/8 inches (21.6 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The New Meeting

The New Meeting
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 11/16 x 11 3/4 inches (22.1 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Bordesley Hall, the Seat of John Taylor, Esq.

Bordesley Hall, the Seat of John Taylor, Esq.
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 9/16 x 10 9/16 inches (21.7 x 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Ticket: For the Benefit of Mr. Salpietro

Ticket: For the Benefit of Mr. Salpietro
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1799
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 7 5/8 inches (25.6 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)

Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)
Creator:
Print made by George Bickham the Elder, 1683/4–1758
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream laid paper
Dimensions:
Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. L'Eglise Saint-Vaast, Armentieres

L'Eglise Saint-Vaast, Armentieres
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1928
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, white laid paper
Dimensions:
Sheet: 6 7/8 x 9 3/16 inches (17.4 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

14. Flower Garden Porch at Farnley

Flower Garden Porch at Farnley
Creator:
Print made by unknown artist
Date:
1814
Materials & Techniques:
Etching on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. Jumma Musjid, Mandoo

Jumma Musjid, Mandoo
Creator:
Print made by James H. Kernot, 1802–1858
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 11 inches (18.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan