Width [cm]: 19 - YCBA Collections Search Search Results

1601. Celadon and Amelia

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 7 1/2 inches (26 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1602. The House of William Russell, Esq., Showell Green

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper, pasted on left edge to B1977.14.14752b
Dimensions:: Sheet: 8 9/16 x 11 13/16 inches (21.8 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1603. The House of George Humphrys, Esq., Spark Brook

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 11/16 x 10 1/2 inches (22 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1604. Ticket: For The Benefit Of Mad' Banti

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1795
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 7 1/2 inches (15.9 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1605. Ticket for the Benefit of Madame Banti

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 x 7 5/8 inches (15.2 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1606. Beddington

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 7/16 inches (16.9 × 21.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1607. The Tower from the River

Creator:: Charles Heath, 1785–1848
Date:: 1825
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 9 13/16 x 12 1/16 inches (25 x 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1608. Green Park

Creator:: Charles Heath, 1785–1848
Date:: 1825
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 9 13/16 x 12 1/8 inches (25 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1609. Lough Foyle, Londonerry

Creator:: John J. Hinchliff, 1805–1875
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/16 × 7 3/8 inches (16.4 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1610. Hot August

Creator:: Print made by Charles Shannon, 1863–1937
Date:: 1897
Materials & Techniques:: Chiaroscuro woodcut on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 8 7/8 × 7 1/2 inches (22.5 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

1611. Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1612. Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1613. Seven and a man, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1614. A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 15/16 x 7 5/16 inches (30.3 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1615. Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1616. Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 5/16 x 7 5/16 inches (28.8 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1617. Title page for ' A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: 1731
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 1/8 x 7 5/16 inches (28.3 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1618. A Vulture with prey, and a heron, a Pl. for 'A New Drawing Book...of various kinds of Birds, Drawn from life by Mr. Francis Barlow, 1731' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: 1731
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 5/16 x 7 3/8 inches (28.8 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1619. Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: 1731
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 5/16 x 7 5/16 inches (28.7 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1620. Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: 1731
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 5/16 x 7 5/16 inches (28.8 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1621. Sketch of Part of a Column

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 15 inches (24.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1622. Adam de Coster

Creator:: Print made by Pieter de Jode II, ca. 1606–1674
Date:: ca. 1635
Materials & Techniques:: Line engraving and stiipple engraving, (3rd state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/16 × 7 5/8 inches (26.5 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1623. Stirling Castle

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1899
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Plate: 7 15/16 × 3 5/16 inches (20.2 × 8.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

1624. Three Landscape Studies

Creator:: Print made by John Crome, 1768–1821
Date:: undated
Materials & Techniques:: Etching on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 5/16 x 9 3/16 inches (23.7 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1625. The Back of the Mills

Creator:: Print made by John Crome, 1768–1821
Date:: ca. 1812
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 7 9/16 inches (24.8 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1626. Coast of New Zealand, Near Auckland

Creator:: John Moran, 1831–1902
Date:: 1874
Materials & Techniques:: Pen and brown ink and gray wash; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 × 7 1/2 inches (8.5 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

1627. Mowers

Creator:: Print made by Sir Frank William Brangwyn, 1867–1956
Date:: 1920
Materials & Techniques:: Wood engraving on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

1628. Salvia nilotica Juss. ex Jacq. (Nile Sage): finished drawing of a flowering shoot with details of floral dissections

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 15/16 × 12 1/8 inches (40.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1629. Albuca abyssinica Murrary (Ethiopian Squill): finished drawing of flowering plant, with floral details

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 15/16 × 12 1/8 inches (40.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1630. Guizotia abyssinica (Linn.F.) Cass. : finished drawing by anonymous French artist of flowering plant and details of flowers

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 11 7/8 inches (39.7 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1631. Ischaemum afrum (J.F. Gmel.) Dandy: finished drawing of whole plant, with inflorescence

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 × 9 7/8 inches (32.4 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1632. Kniphofia pumila (Ait.) Kunth (Redhot Poker): finished drawing of leaves and inflorescence, with floral details

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1633. Kniphofia pumila (Ait.) Kunth (Redhot Poker): finished drawing of flowering plant

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/16 × 12 1/4 inches (40.8 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1634. Bauhinia farec Desv. : finished drawing of a flowering shoot, with details of flowers below

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 9/16 × 9 13/16 inches (31.9 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1635. Coleus species 1: finished drawing of habit of flowering plant

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 12 1/8 inches (40.3 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1636. Panicum deustum Thunb. (Wild Millet): finished drawing of whole plant in flower

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor over graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 15/16 × 12 1/8 inches (40.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1637. The Haunts of Dickens: Birthplace of Charles Dickens, Commercial Rd., Landport, Portsmouth

Creator:: Paul Braddon, 1864–1937
Materials & Techniques:: Watercolor over graphite
Dimensions:: Sheet: 10 15/16 x 7 5/16in. (27.8 x 18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. Norman Zlotsky in memory of Sarai Ribicoff

1638. Woman Standing by a Trough

Creator:: Thomas D. W. Dearn, 1777–1853
Date:: 1829
Materials & Techniques:: Graphite on wove paper
Dimensions:: Sheet: 4 9/16 x 7 5/16in. (11.6 x 18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1639. Two Thatched Cottages

Creator:: Thomas D. W. Dearn, 1777–1853
Date:: 1833
Materials & Techniques:: Graphite on wove paper
Dimensions:: Sheet: 4 7/8 x 7 5/16in. (12.4 x 18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1640. View in the West Valley above Sheffield

Creator:: Thomas Beilby, 1747–1826
Date:: 1777
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1641. Conisbrough Castle

Creator:: Thomas Beilby, 1747–1826
Date:: 1780
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1642. Roche Abbey from the Serpentine River

Creator:: Thomas Beilby, 1747–1826
Date:: 1778
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1643. Landscape Study with a House

Creator:: Thomas Beilby, 1747–1826
Date:: ca. 1775
Materials & Techniques:: Graphite and gray wash on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1644. Wheatley, the Seat of Sir George Cooke, Baronet

Creator:: Thomas Beilby, 1747–1826
Date:: 1778
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1645. Conisbrough Castle

Creator:: Thomas Beilby, 1747–1826
Date:: ca. 1775
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1646. Left Side of the China Cabinet in the Drawing Room (Arklow House)

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Graphite, pen and gray, brown and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 9 15/16 × 7 1/2 inches (25.2 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1647. The Haunts of Charles Dickens: Rochester Castle - shewing remains of the castle moat...

Creator:: Paul Braddon, 1864–1937
Materials & Techniques:: Watercolor over graphite
Dimensions:: Sheet: 10 7/8 x 7 1/2in. (27.6 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. Norman Zlotsky in memory of Sarai Ribicoff

1648. The Haunts of Charles Dickens: "House of the Six Poor Travellers". charles Dickens' Xmas Tale 1854 was founded upon...

Creator:: Paul Braddon, 1864–1937
Materials & Techniques:: Watercolor over graphite
Dimensions:: Sheet: 10 11/16 x 7 5/16in. (27.1 x 18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. Norman Zlotsky in memory of Sarai Ribicoff

1649. The Haunts of Charles Dickens: Tavistock House. Here Charles Dickens began "Bleak House"... 1851..1853

Creator:: Paul Braddon, 1864–1937
Materials & Techniques:: Watercolor over graphite
Dimensions:: Sheet: 10 7/8 x 7 1/2in. (27.6 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. Norman Zlotsky in memory of Sarai Ribicoff

1650. Ruins of a Cottage

Creator:: Thomas D. W. Dearn, 1777–1853
Materials & Techniques:: Graphite on wove paper
Dimensions:: Sheet: 4 13/16 x 7 9/16in. (12.2 x 19.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1651. Two Thatched Cottages, One with a Bird Cage Hanging beside the Front Door

Creator:: Thomas D. W. Dearn, 1777–1853
Materials & Techniques:: Graphite on wove paper
Dimensions:: Sheet: 5 3/16 x 7 3/8in. (13.2 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1652. Roche Abbey, near Sandbeck

Creator:: Thomas Beilby, 1747–1826
Date:: 1776
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1653. Kirkstall Abbey, near Leeds

Creator:: Thomas Beilby, 1747–1826
Date:: 1769
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1654. View above New Bridge on the River Wear at Durham

Creator:: Thomas Beilby, 1747–1826
Date:: 1773
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1655. View near Sheffield

Creator:: Thomas Beilby, 1747–1826
Date:: 1776
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1656. View above the Abbey Mills on the River Wear at Durham

Creator:: Thomas Beilby, 1747–1826
Date:: 1771
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1657. New Bridge at Durham

Creator:: Thomas Beilby, 1747–1826
Date:: 1775
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1658. View at Nunwick near Hexham in Northumberland

Creator:: Thomas Beilby, 1747–1826
Date:: 1768
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1659. Trinity Church, Sheffield

Creator:: Thomas Beilby, 1747–1826
Date:: 1776
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1660. South View of the Manor near Sheffield

Creator:: Thomas Beilby, 1747–1826
Date:: 1776
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1661. Cockle Castle near Morpeth in Northumberland

Creator:: Thomas Beilby, 1747–1826
Date:: 1775
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1662. Winlaton Bridge on the Derwent near Newcastle

Creator:: Thomas Beilby, 1747–1826
Date:: 1773
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1663. West End of Tynemouth Abbey

Creator:: Thomas Beilby, 1747–1826
Date:: 1777
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1664. Stannington Bridge, the Seat of Mr. Ward

Creator:: Thomas Beilby, 1747–1826
Date:: 1773
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1665. View of Heaton Mill, near Newcastle

Creator:: Thomas Beilby, 1747–1826
Date:: 1776
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1666. Chatsworth, the Seat of the Duke of Devonshire

Creator:: Thomas Beilby, 1747–1826
Date:: 1774
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1667. North Side of Tynemouth Abbey

Creator:: Thomas Beilby, 1747–1826
Date:: 1777
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1668. Inside View of Tynemouth Abbey

Creator:: Thomas Beilby, 1747–1826
Date:: 1777
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1669. Conisbrough Castle near Doncaster

Creator:: Thomas Beilby, 1747–1826
Date:: 1777
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1670. View of Blacow Hill Farm

Creator:: Thomas Beilby, 1747–1826
Date:: 1777
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1671. Salmon Fishery opposite Kings Meadow on the River Tyne

Creator:: Thomas Beilby, 1747–1826
Date:: 1778
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1672. Wiseton Hall, the Seat of Jonathon Acklom

Creator:: Thomas Beilby, 1747–1826
Date:: 1777
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1673. Prison Buildings

Creator:: J. J. Rurie, active 1843
Materials & Techniques:: Watercolor over graphite on off-white paper
Dimensions:: Sheet: 4 1/2 x 7 9/16in. (11.5 x 19.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1674. Figures in the Queens Prison June 1843 / JJR

Creator:: J. J. Rurie, active 1843
Date:: 1843
Materials & Techniques:: Watercolor over graphite on off-white paper
Dimensions:: Sheet: 3 3/8 x 7 7/16in. (8.5 x 18.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1675. Outside View of Old St. Pauls

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 3/4 x 7 1/2in. (27.3 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1676. Advertisment of H.R. Williams, Wine Importer, who used Crosby Hall as a Store

Creator:: unknown artist
Materials & Techniques:: Engraving and letterpress
Dimensions:: Sheet: 12 1/2 x 7 9/16in. (31.8 x 19.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1677. Christchurch, Spitalfields

Creator:: unknown artist
Materials & Techniques:: Hand colored, etched outline
Dimensions:: Sheet: 9 3/4 x 7 3/8in. (24.8 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1678. St. Clement Danes

Creator:: unknown artist
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 7 1/4 x 7 1/2in. (18.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1679. Organ in St. Ann's Church, Hampstead Hill, which came from Crosby Hall

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gelatin silver print on medium, flat, smooth, photographic paper
Dimensions:: Sheet: 9 1/8 × 7 3/8 inches (23.2 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1680. Photos of the Garden of Crosby Hill

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss, photographic paper
Dimensions:: Sheet: 10 × 7 3/8 inches (25.4 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1681. Photos of the Garden of Crosby Hill

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 10 × 7 1/2 inches (25.4 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1682. The Staircase of No. 4 Crosby Hall

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gelatin silver print on medium, semigloss photographic paper
Dimensions:: Sheet: 10 1/4 × 7 3/8 inches (26 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1683. St. Barts' South Transept

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 x 7 3/8in. (20.3 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1684. Pyrenean chamois

Creator:: Samuel Howitt, 1756–1822
Date:: 1813 to 1817
Materials & Techniques:: Watercolor, ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 3/4 × 7 1/2 inches (24.8 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1685. Original Sketchbook, Studies of Mammals, and Studies of Deer

Creator:: Samuel Howitt, 1756–1822
Date:: 1813 to 1817
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 3/4 × 7 1/2 inches (24.8 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1686. The Remains of Finchale Abbey at Cocken, near Durham

Creator:: Thomas Beilby, 1747–1826
Date:: 1772
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1687. View on the River Tyne above Newcastle

Creator:: Thomas Beilby, 1747–1826
Date:: 1773
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1688. West View of Sheffield Manor

Creator:: Thomas Beilby, 1747–1826
Date:: 1776
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1689. View below Gibside, the Seat of the Earl of Strathmore

Creator:: Thomas Beilby, 1747–1826
Date:: 1772
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1690. North East View of Roche Abbey

Creator:: Thomas Beilby, 1747–1826
Date:: 1777
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1691. South East View of Tynemouth Abbey

Creator:: Thomas Beilby, 1747–1826
Date:: 1777
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1692. Canal, Wharf, and Tunnel under the Turnpike Road at Weseton

Creator:: Thomas Beilby, 1747–1826
Date:: 1777
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1693. View from the Hermitage near Warkworth

Creator:: Thomas Beilby, 1747–1826
Date:: 1778
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1694. Lumley Castle

Creator:: Thomas Beilby, 1747–1826
Date:: 1778
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1695. South View of Page Hall

Creator:: Thomas Beilby, 1747–1826
Date:: 1778
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1696. Canklow, belonging to Mr. Taylor

Creator:: Thomas Beilby, 1747–1826
Date:: 1778
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1697. Hinney Heugh on South Tyne

Creator:: Thomas Beilby, 1747–1826
Date:: 1778
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1698. South East View of Page Hall, near Sheffield

Creator:: Thomas Beilby, 1747–1826
Date:: 1778
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1699. Habes Bridge near Kendall

Creator:: Thomas Beilby, 1747–1826
Date:: 1780
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1700. North Gate at Roche Abbey

Creator:: Thomas Beilby, 1747–1826
Date:: 1778
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Width [cm] 19

Search Results

1601. Celadon and Amelia

1602. The House of William Russell, Esq., Showell Green

1603. The House of George Humphrys, Esq., Spark Brook

1604. Ticket: For The Benefit Of Mad' Banti

1605. Ticket for the Benefit of Madame Banti

1606. Beddington

1607. The Tower from the River

1608. Green Park

1609. Lough Foyle, Londonerry

1610. Hot August

1611. Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)

1612. Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

1613. Seven and a man, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

1614. A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

1615. Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

1616. Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

1617. Title page for ' A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

1618. A Vulture with prey, and a heron, a Pl. for 'A New Drawing Book...of various kinds of Birds, Drawn from life by Mr. Francis Barlow, 1731' (1 of 9)

1619. Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)

1620. Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

1621. Sketch of Part of a Column

1622. Adam de Coster

1623. Stirling Castle

1624. Three Landscape Studies

1625. The Back of the Mills

1626. Coast of New Zealand, Near Auckland

1627. Mowers

1628. Salvia nilotica Juss. ex Jacq. (Nile Sage): finished drawing of a flowering shoot with details of floral dissections

1629. Albuca abyssinica Murrary (Ethiopian Squill): finished drawing of flowering plant, with floral details

1630. Guizotia abyssinica (Linn.F.) Cass. : finished drawing by anonymous French artist of flowering plant and details of flowers

1631. Ischaemum afrum (J.F. Gmel.) Dandy: finished drawing of whole plant, with inflorescence

1632. Kniphofia pumila (Ait.) Kunth (Redhot Poker): finished drawing of leaves and inflorescence, with floral details

1633. Kniphofia pumila (Ait.) Kunth (Redhot Poker): finished drawing of flowering plant

1634. Bauhinia farec Desv. : finished drawing of a flowering shoot, with details of flowers below

1635. Coleus species 1: finished drawing of habit of flowering plant

1636. Panicum deustum Thunb. (Wild Millet): finished drawing of whole plant in flower

1637. The Haunts of Dickens: Birthplace of Charles Dickens, Commercial Rd., Landport, Portsmouth

1638. Woman Standing by a Trough

1639. Two Thatched Cottages

1640. View in the West Valley above Sheffield

1641. Conisbrough Castle

1642. Roche Abbey from the Serpentine River

1643. Landscape Study with a House

1644. Wheatley, the Seat of Sir George Cooke, Baronet

1645. Conisbrough Castle

1646. Left Side of the China Cabinet in the Drawing Room (Arklow House)

1647. The Haunts of Charles Dickens: Rochester Castle - shewing remains of the castle moat...

1648. The Haunts of Charles Dickens: "House of the Six Poor Travellers". charles Dickens' Xmas Tale 1854 was founded upon...

1649. The Haunts of Charles Dickens: Tavistock House. Here Charles Dickens began "Bleak House"... 1851..1853

1650. Ruins of a Cottage

1651. Two Thatched Cottages, One with a Bird Cage Hanging beside the Front Door

1652. Roche Abbey, near Sandbeck

1653. Kirkstall Abbey, near Leeds

1654. View above New Bridge on the River Wear at Durham

1655. View near Sheffield

1656. View above the Abbey Mills on the River Wear at Durham

1657. New Bridge at Durham

1658. View at Nunwick near Hexham in Northumberland

1659. Trinity Church, Sheffield

1660. South View of the Manor near Sheffield

1661. Cockle Castle near Morpeth in Northumberland

1662. Winlaton Bridge on the Derwent near Newcastle

1663. West End of Tynemouth Abbey

1664. Stannington Bridge, the Seat of Mr. Ward

1665. View of Heaton Mill, near Newcastle

1666. Chatsworth, the Seat of the Duke of Devonshire

1667. North Side of Tynemouth Abbey

1668. Inside View of Tynemouth Abbey

1669. Conisbrough Castle near Doncaster

1670. View of Blacow Hill Farm

1671. Salmon Fishery opposite Kings Meadow on the River Tyne

1672. Wiseton Hall, the Seat of Jonathon Acklom

1673. Prison Buildings

1674. Figures in the Queens Prison June 1843 / JJR

1675. Outside View of Old St. Pauls