Width [cm]: 20 / Subject Terms: architectural subject - YCBA Collections Search Search Results

1. The Piazzetta, Venice

Creator:: Edward Pritchett, active ca. 1828–1864
Date:: mid-19th century
Materials & Techniques:: Oil on board
Dimensions:: 5 3/4 x 8 inches (14.6 x 20.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Pisa (vertical)

Creator:: Ben Nicholson, 1894–1982
Date:: 1967
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 x 7 7/8in. (30.5 x 20cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Russell

3. Landscape with Windmill

Creator:: attributed to John Constable, 1776–1837
Date:: between 1825 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper laid to card
Dimensions:: Sheet: 4 1/4 x 7 7/8 inches (10.8 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Fisherman's Cottage, Dover

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1790s
Materials & Techniques:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 7/8 inches (13.3 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Dendera

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink on moderately thick, moderately textured, wove paper, mounted on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 9/16 x 7 15/16 inches (9 x 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

6. Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with gray and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/4 x 15 inches (54 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Details of a Composite Order from the Temple of Augustus at Mylasa

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/4 x 15 1/16 inches (54 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Remains of an Ionic Order and Circus at Aphrodisias

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/4 x 14 11/16 inches (54 x 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Details of a Corinthian Order, Possibly from Mylasa

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/8 x 15 3/16 inches (53.7 x 38.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. An Altar at Delos

Creator:: Giovanni Battista Borra, 1713–1770
Date:: 1751
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 3/16 x 14 3/4 inches (53.8 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Posizione delle Piramidi di Sachara

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 5/16 x 14 15/16 inches (54.1 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Plans and Views of Two Pyramids, One Cephron's at Giza

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/4 x 14 13/16 inches (54 x 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. View, Cross Section, and Other Details of Cheop's Pyramid at Giza

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/4 x 14 7/8 inches (54 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Flamstead End, Old Ruskin's Cottage near Cheshunt, May 1814

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1814
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 3/4 inches (12.1 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Cheshunt Church, 23 May 1814

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1814
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 7 7/8 inches (12.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Château des Comtes de Flandre, Ghent

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: ca. 1833
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 9 15/16 inches (35.3 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Castle Above a Rocky Gorge

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, blue wove paper
Dimensions:: Sheet: 7 1/16 x 8 15/16 inches (17.9 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Black Tower Norwich

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 8 3/16 inches (26.8 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Greyfriars Tower, Lynn, as it appeared 1801

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 8 1/16 inches (25.3 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Cottage at Diss

Creator:: Robert Dixon, 1780–1815
Date:: 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 8 1/4 inches (25.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. West Tower, Wymondham Church

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 1/4 inches (27.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Sketch at Mulbarton

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8 3/16 inches (27 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Remains of the Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 8 1/4 inches (26.5 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Beeston Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 3/16 inches (27.1 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Chelsea

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: ca. 1882
Materials & Techniques:: Etching and drypoint on thick, smooth, beige wove paper
Dimensions:: Sheet: 9 1/2 x 12 1/4 inches (24.2 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

26. Devereux House, the Strand, London

Creator:: George Shepheard, ca. 1770–1842
Date:: 1811
Materials & Techniques:: Watercolor, graphite, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 7 3/4 inches (28.6 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Zattere, Sunset

Creator:: James Holland, 1799–1870
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 7 7/8 inches (15.2 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Grove Cottage, Box Hill, Surrey, the Seat of George Barclay Esq.

Creator:: John Hassell, 1767–1825
Date:: ca. 1812
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 7 7/8 inches (14.9 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Entrance to King John's Palace, Eltham, Kent

Creator:: John Hassell, 1767–1825
Date:: ca. 1812
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 inches (15.2 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Sluice House, Hornsey, Middlesex

Creator:: John Hassell, 1767–1825
Date:: ca. 1812
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 7 7/8 inches (15.2 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Design for Clifton Castle, Yorkshire: Ground Floor Plan

Creator:: Thomas Harrison, 1744–1829
Date:: undated
Materials & Techniques:: Gray and green wash with pen and black ink over graphite; gray wash with pen and black ink over graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 7 × 8 inches (17.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, watercolor and gouache on moderately thick, moderately textured, green wove paper
Dimensions:: Sheet: 14 7/8 × 7 7/8 inches (37.8 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Pembroke College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: undated
Materials & Techniques:: Pen and black ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 8 inches (12.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Windsor Castle from the Eton Playing Fields

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Black ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 7 3/4 inches (14.3 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Gateway to a Castle: approached by a bridge

Creator:: Attributed to John Henderson, 1764–1843
Date:: undated
Materials & Techniques:: Gray wash over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/2 × 7 7/8 inches (29.2 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Design for Clifton Castle, Yorkshire: Ground Floor Plan

Creator:: Thomas Harrison, 1744–1829
Date:: undated
Materials & Techniques:: Gray and green wash with pen and black ink over graphite; gray wash with pen and black ink over graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 7 × 8 inches (17.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Adrian Hope's House I: Plan of the Ground Floor

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 8 3/8 × 7 11/16 inches (21.3 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Cobham Hall, Kent: Design for a Lintel for One End of a Passage

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 8 inches (33.7 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 14 inches (54 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Badminton Church and Part of the Duke of Beaufort's House

Creator:: Luke Sullivan, 1705–1771
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 8 inches (13 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. A Coastal Scene (Italian) with Breakwater, High Cliffs and a Fort

Creator:: Thomas Wyck, 1616–1677
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 7 3/4 inches (15.2 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Inside of Castle Gate, Taunton, Somerset

Creator:: John Inigo Richards, 1730/31?–1810
Date:: 1752
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/8 × 8 inches (12.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A Village in a Rocky Coastal Inlet (Italian ?) with Round Tower on the Left Bank

Creator:: Thomas Wyck, 1616–1677
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 8 inches (15.2 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Part of the Monastery of St. Saviours, Southwark

Creator:: C. John M. Whichelo, 1784–1865
Date:: 1809
Materials & Techniques:: Gray wash with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 3/8 inches (22.5 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Daughters of Jerusalem Weeping by the Waters of Babylon

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, pink laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 7 13/16in. (23.2 x 19.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 x 7 13/16in. (24.4 x 19.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 7 7/8in. (25.2 x 20cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 7 3/4in. (23.5 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphite, pen and brown ink and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/16 × 7 7/8 inches (16 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Rosslyn Chapel

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1901
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 8 inches (28.3 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

52. The Five Sisters, York Minister

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 7 3/4 inches (40.3 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

53. Porta del Molo, Genoa [North Italian Set: No. 23]

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1896
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 × 8 inches (23.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

54. The Belfry of Bruges [Belgian Set: No. 6]

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching
Dimensions:: Sheet: 16 3/4 × 7 7/8 inches (42.5 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

55. The Five Sisters, York Minister

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 7 3/4 inches (40.6 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

56. Exeter College, Oxford

Creator:: Joseph Murray Ince, 1806–1859
Date:: 1835
Materials & Techniques:: Watercolor, gum arabic and graphite with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 8 inches (26.7 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Frieze and Capitals (from Priene?)

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 5/16 x 15 inches (54.2 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Elgin Cathedral, Morayshire

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Line engraving, 2nd published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 1/8 inches (20.3 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink and pen, watercolor and gouache, verso: white gouache on medium, slightly textured, brown wove
Dimensions:: Sheet: 13 1/2 × 7 3/4 inches (34.3 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Adrian Hope's House I: Plan of the Basement

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 8 11/16 × 7 7/8 inches (22.1 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Temple of Venus, Bay of Baie

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: ca. 1788-1820
Materials & Techniques:: Black chalk and stump on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 8 inches (14.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Château d'Ecouen

Creator:: William Callow, 1812–1908
Date:: 1833
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 8 inches (24.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Carisbrook Castle, Isle of Wight

Creator:: Frederick Calvert, ca. 1785–1845
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 4 7/8 × 7 7/8 inches (12.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink, graphite, and gray wash on sheet: moderately thick, moderately textured beige laid paper; mount: moderately thick moderately textured beige laid paper
Dimensions:: Sheet: 9 1/4 x 8in. (23.5 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Design for a Shop Front: Elevation

Creator:: James Paine, 1717–1789
Date:: undated
Materials & Techniques:: Pen and gray ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 7 3/4in. (19.1 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Shed

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and scratching out on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 7/8 × 7 7/8 inches (14.9 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Sleaford Church

Creator:: Print made by Bartholomew Howlett, 1767–1827
Date:: 1801
Materials & Techniques:: Line engraving, proof on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/4 × 8 1/4 inches (17.1 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Two Views of a Gothic Table

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1830
Materials & Techniques:: Graphite on medium, moderately textured, white laid paper
Dimensions:: Sheet: 3 5/8 x 7 7/8 inches (9.2 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Window West End, South Aisle, Saint Vincent

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink, and pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 × 3 7/8 inches (22.5 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Design for a Stained Glass Window

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on thin, smooth, blue wove paper
Dimensions:: Sheet: 7 × 8 inches (17.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 7 7/8 inches (28.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Farmhouse

Creator:: Edward Francis Burney, 1760–1848
Date:: 1802
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 7 3/4 inches (14 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

73. Berwick on Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Entry of the Rajah, Ogmor

Creator:: Print made by William Spencer Bagdatopolous, 1888–1965
Date:: 1935
Materials & Techniques:: Drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 9/16 x 10 15/16 inches (42 x 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

75. Harbor Scene, Bristol

Creator:: unknown artist
Date:: ca. 1855
Materials & Techniques:: Salted paper print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 1/4 × 8 inches (15.9 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

76. Windsor Castle, Ornamental Waters, Frogmore

Creator:: Sir John Benjamin Stone, 1838–1914
Date:: 1901
Materials & Techniques:: Vintage platinum print on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 inches (15.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

77. Marble Portrait Statue of a Veiled Priestess at the British Museum

Creator:: Stephen Thompson, active 19th century
Date:: early 1870s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 8 inches (26 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

78. St. Paul's Cathedral in the Moonlight

Creator:: Bill Brandt, 1904–1983
Date:: 1944, printed 1955-60
Materials & Techniques:: Gelatin silver print on medium, semi-gloss photographic paper
Dimensions:: Sheet: 9 1/4 × 7 7/8 inches (23.5 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. The Fringe Boys, Brighton Pier

Creator:: Lewis Morley, 1925–2013
Date:: 1961
Materials & Techniques:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 10 × 8 inches (25.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

80. Muckross Abbey, Killarney

Creator:: Print made by Morgan Dennis, 1892–1960
Date:: undated
Materials & Techniques:: Drypoint and etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/16 x 10 1/8 inches (18.6 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

81. The Convent and Part of the Town of Candelaria, on the south side of Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1820
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper mounted to thick, slightly textured, gray wove paper
Dimensions:: Sheet: 4 3/4 × 7 7/8 inches (12.1 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Triad Figure, Interior of Elephanta

Creator:: Print made by William Woolnoth, active 1806–1830
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 10 7/8 inches (18.4 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

83. View of Lucknow

Creator:: Print made by unknown artist
Date:: ca. 1860
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 10 5/8 inches (18.1 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

84. Devotees in India Sacrificing Themselves to the Idol Juggernaut

Creator:: Print made by T. Kelly, active ca. 1837
Date:: 1837
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 1/2 inches (20.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

85. At Chatsoo near Jeypoor

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 7 3/4 inches (17.1 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

86. Courtyard of an Inn on the Thames

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 8 inches (31.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Tomb of Van Balen, Antwerp, September 7, 1832

Creator:: John Scarlett Davis, 1804–1845
Date:: 1832
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, pale orange wove paper
Dimensions:: Sheet: 5/8 x 7 3/4 inches (1.6 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on thin wove paper stained for tracing
Dimensions:: Mount: 7 3/8 × 9 5/8 inches (18.7 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and graphite on wove paper, laid down on contemporary laid paper mount
Dimensions:: Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

90. At Ashford

Creator:: Attributed to Rev. Daniel Finch, 1757–1840
Date:: 1818
Materials & Techniques:: Pen and brown ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 8 inches (21.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Facade of Ruined (?) Roman Temple, with Columns and Doorway

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: after 1771
Materials & Techniques:: Watercolor and graphite, verso: blue wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/4 × 8 inches (23.5 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 7 15/16 inches (14 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. Clock Tower, St. Alban's Abbey

Creator:: Henry Edridge, 1769–1821
Date:: 1801
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 7 7/8 inches (26.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. A Difference of Opinion

Creator:: Print made by Auguste Boulard, 1852–1927
Date:: 1897
Materials & Techniques:: Etching and drypoint on vellum
Dimensions:: Sheet: 18 15/16 × 12 3/16 inches (48.1 × 30.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bryan Fuermann

95. Part of Westminster

Creator:: Print made by unknown artist
Date:: ca. 1850
Materials & Techniques:: Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 1/16 × 10 5/16 inches (20.5 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Westminster Hall

Creator:: unknown artist
Date:: ca. 1850
Materials & Techniques:: Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 1/16 × 10 1/4 inches (20.5 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. East Front of Princes Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 1/4 × 7 3/4 inches (31.1 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Old Palace Yard

Creator:: Frederick Mackenzie, 1788–1854
Date:: 1809
Materials & Techniques:: Graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 7 5/8 × 9 3/4 inches (19.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Houses at Kingston on the Thames

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 6 3/8 x 7 3/4 inches (16.2 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Narada Muni

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Brown wash with graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 8 inches (26 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

YCBA Collections Search

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1. The Piazzetta, Venice

2. Pisa (vertical)

3. Landscape with Windmill

4. Fisherman's Cottage, Dover

5. Dendera

6. Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus

7. Details of a Composite Order from the Temple of Augustus at Mylasa

8. Remains of an Ionic Order and Circus at Aphrodisias

9. Details of a Corinthian Order, Possibly from Mylasa

10. An Altar at Delos

11. Posizione delle Piramidi di Sachara

12. Plans and Views of Two Pyramids, One Cephron's at Giza

13. View, Cross Section, and Other Details of Cheop's Pyramid at Giza

14. Flamstead End, Old Ruskin's Cottage near Cheshunt, May 1814

15. Cheshunt Church, 23 May 1814

16. Château des Comtes de Flandre, Ghent

17. Castle Above a Rocky Gorge

18. The Black Tower Norwich

19. The Greyfriars Tower, Lynn, as it appeared 1801

20. Cottage at Diss

21. West Tower, Wymondham Church

22. Sketch at Mulbarton

23. Remains of the Priory, Beeston Regis

24. Beeston Priory, Beeston Regis

25. Chelsea

26. Devereux House, the Strand, London

27. The Zattere, Sunset

28. Grove Cottage, Box Hill, Surrey, the Seat of George Barclay Esq.

29. The Entrance to King John's Palace, Eltham, Kent

30. Sluice House, Hornsey, Middlesex

31. Design for Clifton Castle, Yorkshire: Ground Floor Plan

32. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

33. Pembroke College, Cambridge

34. Windsor Castle from the Eton Playing Fields

35. Gateway to a Castle: approached by a bridge

36. Design for Clifton Castle, Yorkshire: Ground Floor Plan

37. Adrian Hope's House I: Plan of the Ground Floor

38. Cobham Hall, Kent: Design for a Lintel for One End of a Passage

39. Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof

40. Badminton Church and Part of the Duke of Beaufort's House

41. A Coastal Scene (Italian) with Breakwater, High Cliffs and a Fort

42. Inside of Castle Gate, Taunton, Somerset

43. A Village in a Rocky Coastal Inlet (Italian ?) with Round Tower on the Left Bank

44. Part of the Monastery of St. Saviours, Southwark

45. The Daughters of Jerusalem Weeping by the Waters of Babylon

46. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

47. Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats

48. Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats

49. Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

50. St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710

51. Rosslyn Chapel

52. The Five Sisters, York Minister

53. Porta del Molo, Genoa [North Italian Set: No. 23]

54. The Belfry of Bruges [Belgian Set: No. 6]

55. The Five Sisters, York Minister

56. Exeter College, Oxford

57. Frieze and Capitals (from Priene?)

58. Elgin Cathedral, Morayshire

59. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

60. Adrian Hope's House I: Plan of the Basement

61. Temple of Venus, Bay of Baie

62. Château d'Ecouen

63. Carisbrook Castle, Isle of Wight

64. The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

65. Design for a Shop Front: Elevation

66. Shed

67. Sleaford Church

68. Two Views of a Gothic Table

69. Window West End, South Aisle, Saint Vincent

70. Design for a Stained Glass Window

71. Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches

72. Farmhouse

73. Berwick on Tweed

74. Entry of the Rajah, Ogmor