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1. Near Dakkeh

Near Dakkeh
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on medium, slightly textured, wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 2 7/16 x 7 11/16 inches (6.2 x 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

2. Dendera

Dendera
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink on moderately thick, moderately textured, wove paper, mounted on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 3 9/16 x 7 15/16 inches (9 x 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

3. Details of a Composite Order from the Temple of Augustus at Mylasa

Details of a Composite Order from the Temple of Augustus at Mylasa
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 15 1/16 inches (54 x 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Daughters of Jerusalem Weeping by the Waters of Babylon

The Daughters of Jerusalem Weeping by the Waters of Babylon
Creator:
John Martin, 1789–1854
Date:
1834
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:
Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Temple of Venus, Bay of Baie

Temple of Venus, Bay of Baie
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
ca. 1788-1820
Materials & Techniques:
Black chalk and stump on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 8 inches (14.6 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink, graphite, and gray wash on sheet: moderately thick, moderately textured beige laid paper; mount: moderately thick moderately textured beige laid paper
Dimensions:
Sheet: 9 1/4 x 8in. (23.5 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 6 15/16 x 7 7/8 inches (17.7 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Triad Figure, Interior of Elephanta

Triad Figure, Interior of Elephanta
Creator:
Print made by William Woolnoth, active 1806–1830
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 10 7/8 inches (18.4 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

9. At Chatsoo near Jeypoor

At Chatsoo near Jeypoor
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 7 3/4 inches (17.1 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

10. Facade of Ruined (?) Roman Temple, with Columns and Doorway

Facade of Ruined (?) Roman Temple, with Columns and Doorway
Creator:
Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:
after 1771
Materials & Techniques:
Watercolor and graphite, verso: blue wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/4 × 8 inches (23.5 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Ruins of a Temple, Sunset

Ruins of a Temple, Sunset
Creator:
George Chinnery, 1774–1852
Date:
undated
Materials & Techniques:
Watercolor, gouache, brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 × 7 7/8 inches (12.7 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Temple of Vesta, Tivoli

Temple of Vesta, Tivoli
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, white laid paper
Dimensions:
Sheet: 9 1/8 x 7 3/4 inches (23.2 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. View of the Theater and Plan of the Ionic Temple at Sardis

View of the Theater and Plan of the Ionic Temple at Sardis
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Watercolor with black and brown ink and gray wash over graphite on moderately thick, moderately textured, cream laid paper with gray wash
Dimensions:
Sheet: 21 1/4 x 14 15/16 inches (54 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Members of a Ionic Temple in Ruins at Priene (now Turunclar)

Members of a Ionic Temple in Ruins at Priene (now Turunclar)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 5/16 × 14 15/16 inches (54.1 × 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Remains of an Ionic Temple of Bacchus at Aphrodisias

Remains of an Ionic Temple of Bacchus at Aphrodisias
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 14 15/16 inches (54 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Details of a Corinthian Order from a Temple at Cnidus

Details of a Corinthian Order from a Temple at Cnidus
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 21 3/8 x 15 inches (54.3 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Details of the Doric Order from the Athenian Temple of Apollo at Delos

Details of the Doric Order from the Athenian Temple of Apollo at Delos
Creator:
Giovanni Battista Borra, 1713–1770
Date:
1751
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 3/16 x 14 13/16 inches (53.8 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna

Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/16 x 14 3/4 inches (53.5 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Frieze and Capital of the Ionic Temple at Toreh

Frieze and Capital of the Ionic Temple at Toreh
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 3/16 x 14 15/16 inches (53.8 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Plan of the Temple of Juno at Samos and Details of a Column

Plan of the Temple of Juno at Samos and Details of a Column
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Watercolor with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 15 1/16 inches (54 x 38.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Details of the Ionic Temple at Toreh

Details of the Ionic Temple at Toreh
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 14 7/8 inches (53.9 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Children's Bacchanal

No cover image available
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
1680-1690s
Materials & Techniques:
Mezzotint, proof before inscriptions on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/8 × 7 3/4 inches (28.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund