<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Width [cm] 21

Remove constraint Width [cm]: 21

Image Use Free to Use

Remove constraint Image Use: Free to Use

Search Results

Sawrey Gilpin Two Leopards
Sawrey Gilpin, 1733–1807
Two Leopards
undated
Sawrey Gilpin Two Cows on a Hill
Sawrey Gilpin, 1733–1807
Two Cows on a Hill
undated
Sawrey Gilpin Cow Lying Down
Sawrey Gilpin, 1733–1807
Cow Lying Down
undated
Francis Bedford Harlech Castle, North Wales
Francis Bedford, 1816–1894
Harlech Castle, North Wales
ca. 1860
Sawrey Gilpin Coat of Arms flanked by a Unicorn and Lion
Sawrey Gilpin, 1733–1807
Coat of Arms flanked by a Unicorn and Lion
undated
William Henry Fox Talbot The Building of Nelson’s Column
William Henry Fox Talbot, 1800–1877
The Building of Nelson’s Column
ca. 1843
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
Robert Brandard Jedburgh Abbey
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
Edward Goodall Caerlaverock Castle
Print made by Edward Goodall, 1795–1870
Caerlaverock Castle
1834
William Miller Melrose
Print made by William Miller, 1796–1882
Melrose
1834
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
Edward Goodall Caerlaverock Castle
Print made by Edward Goodall, 1795–1870
Caerlaverock Castle
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
unknown artist Henry Fuseli, Esq.
unknown artist
Henry Fuseli, Esq
1808
Thomas Chambars Lewis Francis Roubiliac
Print made by Thomas Chambars, ca. 1724–1789
Lewis Francis Roubiliac
undated
John Buckler FSA a. The Staircase at Longleat / b. Ground Plan of Longleat House, Wiltshire
John Buckler FSA, 1770–1851
a. The Staircase at Longleat / b. Ground Plan of Longleat House, Wiltshire
1811
Robert Wallis St. Germain-en-Laye
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1831
Francis Towne View on Lake Maggiore at Evening
Francis Towne, 1740–1816
View on Lake Maggiore at Evening
1781
Wenceslaus Hollar An Elephant and a Camel
Wenceslaus Hollar, 1607–1677
An Elephant and a Camel
1663
Hercules Brabazon Brabazon Evening Landscape
Hercules Brabazon Brabazon, 1821–1906
Evening Landscape
undated
Sir Jeffry Wyatville Windsor Castle, Berkshire: Distant View from the South
Studio of Sir Jeffry Wyatville, 1766–1840
Windsor Castle, Berkshire: Distant View from the South
ca. 1830
Thomas Rowlandson A Worn Out Debauchée
Thomas Rowlandson, 1756–1827
A Worn Out Debauchée
between 1790 and 1795
Francis Towne A Bridge Between Florence and Bologna
Francis Towne, 1740–1816
A Bridge Between Florence and Bologna
1781
James McNeill Whistler Bibi L'alouette
Print made by James McNeill Whistler, 1834–1903
Bibi L'alouette
1859
David Allan Bauldy and Mause
Print made by David Allan, 1744–1796
Bauldy and Mause
1808
Robert Brandard Rietz near Saumur
Print made by Robert Brandard, 1805–1862
Rietz near Saumur
1833
William Miller Loch Achray
Print made by William Miller, 1796–1882
Loch Achray
1834
Edward Francis Finden Lichfield Cathedral
Edward Francis Finden, 1791–1857
Lichfield Cathedral
Charles John Smith 1. Grammar School and 2. Edial Hall near Lichfield
Charles John Smith, 1803–1838
1. Grammar School and 2. Edial Hall near Lichfield
Thomas Cook Samuel Johnson
Thomas Cook, 1744–1818
Samuel Johnson
1786
Thomas Cook Samuel Johnson
Thomas Cook, 1744–1818
Samuel Johnson
1786
Thomas Cook Samuel Johnson
Thomas Cook, 1744–1818
Samuel Johnson
1786
Richard Purcell [set of 16]: 1-12:Fox-hunting subjects (no titles)
Richard Purcell, active 1746–1766
[set of 16]: 1-12:Fox-hunting subjects (no titles)
1823
Richard Purcell [set of 16]: 15.Change of Sport
Richard Purcell, active 1746–1766
[set of 16]: 15.Change of Sport
1823
Edward Francis Finden Edinburgh
Edward Francis Finden, 1791–1857
Edinburgh
Edward Francis Finden Ashbourne, Derbyshire
Edward Francis Finden, 1791–1857
Ashbourne, Derbyshire
Edward Francis Finden View of Lichfield
Edward Francis Finden, 1791–1857
View of Lichfield
Edward Francis Finden Lichfield Cathedral
Edward Francis Finden, 1791–1857
Lichfield Cathedral
Edward Francis Finden Lichfield Cathedral
Edward Francis Finden, 1791–1857
Lichfield Cathedral
Sir Francis Seymour Haden By Twickenham
Sir Francis Seymour Haden, 1818–1910
By Twickenham
1865
James McNeill Whistler Old Hungerford Bridge
Print made by James McNeill Whistler, 1834–1903
Old Hungerford Bridge
1861
Francesco Bartolozzi Gainsborough
Print made by Francesco Bartolozzi, 1728–1815
Gainsborough
undated
Alfred Diston View of La Rambla de Castro near Port Orotava, Tenerife
Alfred Diston, active 1818–1829
View of La Rambla de Castro near Port Orotava, Tenerife
1825
Alfred Diston View of part of Realesco de abasco from the road to la Cruz Santa
Alfred Diston, active 1818–1829
View of part of Realesco de abasco from the road to la Cruz Santa
1818
John Warwick Smith The Slate Quarries at Bron Llwyd
John Warwick Smith, 1749–1831
The Slate Quarries at Bron Llwyd
undated
Luke Clennell Ships at Wharf with Passengers Disembarking
Luke Clennell, 1781–1840
Ships at Wharf with Passengers Disembarking
undated
John Cleveley the younger Deptford Dockyard, Kent
John Cleveley the younger, 1747–1786
Deptford Dockyard, Kent
undated
William Finden The Great Temple, Hurdwar
Print made by William Finden, 1787–1852
The Great Temple, Hurdwar
ca. 1840
Edward Goodall Scene at Colgong on the Ganges
Print made by Edward Goodall, 1795–1870
Scene at Colgong on the Ganges
1836
Edward J. Portbury The Hindoo Mother
Print made by Edward J. Portbury, 1795–1885
The Hindoo Mother
1858
unknown artist Hunting Scene in India
Print made by unknown artist
Hunting Scene in India
undated
unknown artist London Types: Orientals
Print made by unknown artist
London Types: Orientals
undated
Sawrey Gilpin Skeletal Drawing, and Leg Studies, of Cattle
Sawrey Gilpin, 1733–1807
Skeletal Drawing, and Leg Studies, of Cattle
undated
Edward Dayes Waltham Abbey, Essex
Edward Dayes, 1763–1804
Waltham Abbey, Essex
1783
Jonathan Skelton An Orchard by a Stream
Jonathan Skelton, active 1754, died 1758
An Orchard by a Stream
undated
unknown artist Design for a Ceiling
unknown artist
Design for a Ceiling
undated
Henry Edridge A Winding River
Henry Edridge, 1769–1821
A Winding River
undated
Mauritius Lowe Study of Classical Figures
attributed to Mauritius Lowe, 1746–1793
Study of Classical Figures
undated
Francis Oliver Finch Landscape with Castle, Waterfall and Stream in Foreground
Francis Oliver Finch, 1802–1862
Landscape with Castle, Waterfall and Stream in Foreground
undated
Alfred Elmore The Terrace
Alfred Elmore, 1815–1881
The Terrace
undated
Theodor von Holst Study of a Man Riding a Horse
Theodor von Holst, 1810–1844
Study of a Man Riding a Horse
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
Thomas Daniell Farmhouse, River and Barge
Thomas Daniell, 1749–1840
Farmhouse, River and Barge
1784
John Augustus Atkinson Bologna, View in the Strada Maggiore
John Augustus Atkinson, 1775–1831
Bologna, View in the Strada Maggiore
1819
Comte Alfred d' Orsay Portrait of James Sheridan Knowles
Comte Alfred d' Orsay, 1801–1852
Portrait of James Sheridan Knowles
1839
Robert Hills A Country Lane with Haystack and Gate
Robert Hills, 1769–1844
A Country Lane with Haystack and Gate
undated
Samuel Hieronymus Grimm Between Chiswick and Brentford
Samuel Hieronymus Grimm, 1733–1794
Between Chiswick and Brentford
1774
Andrew Geddes Sheepdog Asleep in a Landscape
Attributed to Andrew Geddes, 1783–1844
Sheepdog Asleep in a Landscape
undated
Hubert-François Gravelot Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)
Hubert-François Gravelot, 1699–1773
Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)
undated
James Ward Two Studies of a Tiger; above: Head and Shoulders; below: Hindquarters
James Ward, 1769–1859
Two Studies of a Tiger; above: Head and Shoulders; below: Hindquarters
undated
James Baylis Allen Caudebec
Print made by James Baylis Allen, 1803–1876
Caudebec
1834
Rev. James Bulwer [One from] A Volume of Drawings and Prints
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
John Le Keux Compartment on One Side, St Stephen's Chapel
Print made by John Le Keux, 1783–1846
Compartment on One Side, St Stephen's Chapel
1825
T. Clarke Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
Print made by T. Clarke, 1799–1839
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
1835
James Fittler The King on his Throne in the House of Lords
Print made by James Fittler, 1758–1835
The King on his Throne in the House of Lords
1804
George Birch View of Guy Fawkes' Tower
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
George Birch Sections of Room under Painted Chamber
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
Augustus Charles Pugin Henry VII Chapel at Westminster Showing Two Renovated Pinacles
Print made by Augustus Charles Pugin, 1762–1832
Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
Thomas Rowlandson Comforts of Bath: The Concert
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Concert
1798
Thomas Rowlandson Comforts of Bath: Coaches Arriving
Thomas Rowlandson, 1756–1827
Comforts of Bath: Coaches Arriving
1798
Thomas Rowlandson Comforts of Bath: The Pump Room
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
Peter DeWint View of the Thames at Kingston
attributed to Peter DeWint, 1784–1849
View of the Thames at Kingston
1809
Thomas Rowlandson Comforts of Bath: Private Practice Previous to the Ball
Thomas Rowlandson, 1756–1827
Comforts of Bath: Private Practice Previous to the Ball
1798
Thomas Rowlandson Comforts of Bath: Gouty Persons Fall on Steep HIll
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Persons Fall on Steep HIll
1798
Henry Thomas Alken Horse and Dog
Henry Thomas Alken, 1785–1851
Horse and Dog
undated
Henry Thomas Alken Knight Falling From His Horse at a Squire's Tilt
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
John Hoppner A Young Man with a Horse, with Studies of Hounds and Dead Hare
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
Samuel Howitt The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
Possibly Samuel Howitt, 1756–1822
The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
undated
Samuel Howitt Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"
Samuel Howitt, 1756–1822
Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"
undated
Thomas Rowlandson An English Postilion
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
John Frederick Tayler Six Foxhounds Resting
John Frederick Tayler, 1802–1889
Six Foxhounds Resting
undated