Width [cm]: 21 - YCBA Collections Search Search Results

401. The Manner of Burying Mr. Wiseman in the Fields who Dies in Prison

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 x 8 1/4in. (17.8 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

402. Master Brown

Creator:: Charles Howard Hodges, 1764–1837
Date:: 1786
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 3/8 × 9 11/16 inches (31.4 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

403. The Charter House

Creator:: James S. Storer, 1771–1853
Date:: 1804
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 3/4 x 8 1/4in. (17.1 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

404. Charter House

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 x 8 3/8in. (17.8 x 21.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

405. The Charter House

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 5 1/16 x 8 3/16in. (12.9 x 20.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

406. A View of Cold Harbor in Thames Street, London

Creator:: unknown artist
Date:: 1818
Materials & Techniques:: Engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 9 1/16 × 11 5/8 inches (23 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

407. White Hart, Bishopsgate Street

Creator:: unknown artist
Date:: 1800
Materials & Techniques:: Engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 10 × 8 3/8 inches (25.4 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

408. A View of London taken from the bridge near Chelsea

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 9/16 x 8 1/4in. (16.7 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

409. Streatham Church, South East

Creator:: unknown artist
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 9 x 8 1/4in. (22.9 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

410. Crosby Hall

Creator:: James S. Storer, 1771–1853
Date:: 1804
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 8 1/4in. (27.9 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

411. Ponte de Southwark in London

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 5 1/4 x 8 1/8in. (13.3 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

412. View of Crosby Place from the Priory Close of St. Helen's, circa 1471

Creator:: W. Wilkinson, 19th Century
Materials & Techniques:: Photo reproduction
Dimensions:: Sheet: 6 x 8 3/16in. (15.2 x 20.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. The S.W. Prospect of the Church of St. Leonard, Shoreditch

Creator:: Benjamin Cole, 1697–1783
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 3/4 x 8 1/4in. (37.5 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. St. Martin, Ludgate

Creator:: S. Jenkins, active 1814–1818
Date:: 1814
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 8 1/4in. (31.1 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. A Bather About to Dive

Creator:: Print made by John Copley, 1875–1950
Date:: 1932
Materials & Techniques:: Etching with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 12 3/16 inches (39.6 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

416. Richard Cooper the Elder

Creator:: John Donaldson, 1737–1801
Date:: undated
Materials & Techniques:: Graphite on vellum
Dimensions:: Sheet: 10 1/4 x 8 3/8 inches (26 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

417. Theodorus Rombouts

Creator:: Print made by Paulus Pontius, 1603–1658
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 1/16 × 11 inches (38.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. Cæsar Alexander Scaglia

Creator:: Print made by Paulus Pontius, 1603–1658
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving (3rd state) on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 11 inches (38.4 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

419. Back Cover of "Rough Ride"

Creator:: David Tremlett, born 1945
Date:: 1985
Materials & Techniques:: Pastel on medium, slightly textured, white wove paper
Dimensions:: Sheet: 5 7/8 × 8 1/4 inches (14.9 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

420. Drawing for Page 2 of "Rough Ride" - Irangi

Creator:: David Tremlett, born 1945
Date:: 1985
Materials & Techniques:: Pastel and graphite on medium, slightly textured, white wove paper
Dimensions:: Sheet: 5 7/8 × 8 1/4 inches (14.9 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

421. Drawing for Page 5 of "Rough Ride" - Corroboree

Creator:: David Tremlett, born 1945
Date:: 1985
Materials & Techniques:: Graphite and pastel on medium, slightly textured, white wove paper
Dimensions:: Sheet: 5 7/8 × 8 1/4 inches (14.9 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

422. Drawing for Page 8 of "Rough Ride"

Creator:: David Tremlett, born 1945
Date:: 1985
Materials & Techniques:: Pastel and graphite on medium, slightly textured, white wove paper
Dimensions:: Sheet: 5 7/8 × 8 1/4 inches (14.9 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

423. Drawing for Page 18 of "Rough Ride"

Creator:: David Tremlett, born 1945
Date:: 1985
Materials & Techniques:: Graphite on medium, slightly textured, white wove paper
Dimensions:: Sheet: 5 7/8 × 8 1/4 inches (14.9 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

424. Carolus Dei Gratia Magnae Britanniae

Creator:: Print made by Adrian Lommelin, ca. 1637–1677
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 × 11 1/16 inches (38.1 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. Ioannes Baptista de Bisthoven

Creator:: Print made by Adrian Lommelin, ca. 1637–1677
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 × 11 3/16 inches (38.1 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. Thomas Howardus

Creator:: Print made by Lucas Vorsterman I, 1595–1675
Date:: ca. 1635
Materials & Techniques:: Line engraving, stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 3/4 × 11 1/16 inches (37.5 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. The Amphitheater seen from S. Pietro in Vinculo

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 x 8 1/4 inches (14.9 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. South American Porcupine

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 8 3/8 inches (29.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. A Snipe

Creator:: James Sowerby, 1756–1822
Date:: 1794
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 × 8 1/8 inches (33 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. A European Goldfinch

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 × 8 1/4 inches (27.9 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

431. Two Walruses with Detail of Flippers

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

432. Eurasian skylark

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. A Baboon

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 8 1/4 inches (27.6 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. A Bear

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

435. Bearded Titmouse

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 × 8 1/8 inches (33 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

436. Lucretia Romana

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: between 1678 and 1717
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 15/16 x 8 3/8 inches (30.4 x 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

437. The Quakers' Meeting

Creator:: Print made by Jacob Gole, 1660–1737
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 8 3/8 inches (28.9 x 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

438. Une espée percera ta propre ame

Creator:: Print made by Jacob Gole, 1660–1737
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 8 5/16 inches (29.2 x 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

439. An Old Woman Drinking

Creator:: Print made by Jacob Gole, 1660–1737
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 5/8 x 8 1/16 inches (27 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

440. Sketch of an Ornate Doorway, With Columns, and Sculpture

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 5 7/8 × 8 1/8 inches (14.9 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. The Late Entrance to Ber Street, Norwich

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8 1/8 inches (27 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. Beeston Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 3/16 inches (27.1 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. Remains of the Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 8 1/4 inches (26.5 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. Sketch at Mulbarton

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8 3/16 inches (27 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

445. The Greyfriars Tower, Lynn, as it appeared 1801

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 8 1/16 inches (25.3 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

446. New Church, Mary-le-Bone-Middlesex

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 3/4 x 8 1/8in. (22.2 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. [set of 16]: 1-12:Fox-hunting subjects (no titles)

Creator:: Richard Purcell, active 1746–1766
Date:: 1823
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 5 3/8 x 8 1/4in. (13.7 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

448. Havre

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1834
Materials & Techniques:: Etching and engraving on moderately thick, smooth textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 8 1/4 inches (13 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

449. Tancarville

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 8 1/4 inches (13 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. Harfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and engraving; second state on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. Picking Mulberries

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 1/4 x 10 5/16 inches (18.4 x 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. A Castle on a River

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 8 1/8 inches (13.7 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

453. Lookdown or Moonfish after Original by John White in the British Museum [Caribbean and Oceanic, No. 21]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 8 3/16 inches (18.4 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

454. Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, with pen in brown ink and black ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 8 1/4 inches (21.6 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

455. Coastal Profiles of Dominica and Santa Cruz, after the original by John White in the British Museum [Caribbean and Oceanic, No. 2]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Pen in brown ink, over graphite, with watercolor and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 8 7/16 inches (24.1 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

456. Milkweed, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 55 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 15/16 × 8 1/8 inches (35.4 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

457. Iguana, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 9 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, pen and ink, graphite, and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 8 5/16 inches (14.4 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

458. Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881

Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881

Creator:: Lionel Grimston Fawkes, 1849–1931
Date:: 1881
Materials & Techniques:: Graphite and watercolor on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 8 3/8 inches (40 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

459. Jamaica: the barbecue on the Rosebery Plantation, with the Manchester Mountains in the distance

Creator:: Lionel Grimston Fawkes, 1849–1931
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 5 1/8 × 8 3/8 inches (13 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

460. Dominica: View from Mrs. Ogilvy's lodging-house window at Roseau

Creator:: Lionel Grimston Fawkes, 1849–1931
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 8 3/8 inches (14.6 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

461. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Etching on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

462. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Etching, soft-ground, and aquatint on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

463. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Soft-ground etching on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

464. Horse and Dog

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 3/8 inches (14.3 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

465. Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 8 3/8 inches (17.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

466. Knight Falling From His Horse at a Squire's Tilt

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

467. "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

468. "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

469. "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 8 3/16 inches (16.4 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

470. "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 8 7/16 inches (17.5 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

471. "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

472. "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 1/4 inches (16.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

473. "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

474. "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 8 5/16 inches (17.3 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

475. "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk and white gouache on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 5/16 inches (16.5 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

476. "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

477. Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, with pen, in black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 11/16 × 10 1/16 inches (27.1 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

478. The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot

Creator:: Possibly Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, with pen, in gray ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 6 3/16 × 8 5/16 inches (15.7 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

479. A Young Man with a Horse, with Studies of Hounds and Dead Hare

Creator:: John Hoppner, 1758–1810
Date:: ca. 1785
Materials & Techniques:: Watercolor, with pen, in brown ink, with graphite, and gouache on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/4 × 8 1/16 inches (26 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

480. An English Postilion

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Mount: 6 3/8 × 9 3/16 inches (16.2 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

481. The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 8 1/2 × 11 11/16 inches (21.6 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

482. A Racehorse, Bridled and Saddled

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 3/4 × 10 3/4 inches (24.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

483. A Greyhound, Facing Left

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 7 1/16 × 9 1/8 inches (17.9 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

484. Kindly, with Jockey Up

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 5/16 × 8 1/16 inches (16 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

485. Sloven, with Jockey Up, Galloping to Right

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 8 5/16 inches (15.9 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

486. Saddled Horse, with a Crest Branded on His Flank, Walking to Right

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 1/8 × 8 5/16 inches (15.6 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

487. Foxhunter, with Jockey Up

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 7/16 × 8 5/16 inches (13.8 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

488. Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 10 1/8 × 11 3/4 inches (25.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

489. Six Foxhounds Resting

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Graphite, gray wash and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 8 1/4 inches (11.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

490. Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 8 3/16 inches (17.3 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

491. Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder

Creator:: Possibly James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 13 3/16 × 13 9/16 inches (33.5 × 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

492. Thames from Richmond

Creator:: Henry Macbeth-Raeburn, 1860–1947
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 15 1/2 x 10 1/4 inches (39.4 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

493. Château de la Mailleraie

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slighty textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 16 1/4 inches (28.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

494. Vernon

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/8 × 8 3/8 inches (13 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

495. Inverness

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

496. Ô Laborum

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1865-1866
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 22 7/8 x 15 13/16 inches (58.1 x 40.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Stephen Clark, B.A. 1903, Fund

497. Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy

Creator:: James Hardy, active 1770s
Date:: undated
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 5/8 x 8 1/8 inches (29.5 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

498. Catherine, Duchess of Suffolk

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Materials & Techniques:: Color-printed stipple engraving
Dimensions:: Sheet: 11 1/16 x 8 1/16in. (28.1 x 20.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

499. Bridge

Creator:: Print made by Joseph Pennell, 1860–1926
Date:: undated
Materials & Techniques:: Lithograph on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 8 3/16 inches (29.6 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

500. Gants de Suède

Creator:: James McNeill Whistler, 1834–1903
Date:: 1890
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 5/8 x 8 1/4 inches (29.5 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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401. The Manner of Burying Mr. Wiseman in the Fields who Dies in Prison

402. Master Brown

403. The Charter House

404. Charter House

405. The Charter House

406. A View of Cold Harbor in Thames Street, London

407. White Hart, Bishopsgate Street

408. A View of London taken from the bridge near Chelsea

409. Streatham Church, South East

410. Crosby Hall

411. Ponte de Southwark in London

412. View of Crosby Place from the Priory Close of St. Helen's, circa 1471

413. The S.W. Prospect of the Church of St. Leonard, Shoreditch

414. St. Martin, Ludgate

415. A Bather About to Dive

416. Richard Cooper the Elder

417. Theodorus Rombouts

418. Cæsar Alexander Scaglia

419. Back Cover of "Rough Ride"

420. Drawing for Page 2 of "Rough Ride" - Irangi

421. Drawing for Page 5 of "Rough Ride" - Corroboree

422. Drawing for Page 8 of "Rough Ride"

423. Drawing for Page 18 of "Rough Ride"

424. Carolus Dei Gratia Magnae Britanniae

425. Ioannes Baptista de Bisthoven

426. Thomas Howardus

427. The Amphitheater seen from S. Pietro in Vinculo

428. South American Porcupine

429. A Snipe

430. A European Goldfinch

431. Two Walruses with Detail of Flippers

432. Eurasian skylark

433. A Baboon

434. A Bear

435. Bearded Titmouse

436. Lucretia Romana

437. The Quakers' Meeting

438. Une espée percera ta propre ame

439. An Old Woman Drinking

440. Sketch of an Ornate Doorway, With Columns, and Sculpture

441. The Late Entrance to Ber Street, Norwich

442. Beeston Priory, Beeston Regis

443. Remains of the Priory, Beeston Regis

444. Sketch at Mulbarton

445. The Greyfriars Tower, Lynn, as it appeared 1801

446. New Church, Mary-le-Bone-Middlesex

447. [set of 16]: 1-12:Fox-hunting subjects (no titles)

448. Havre

449. Tancarville

450. Harfleur

451. Picking Mulberries

452. A Castle on a River

453. Lookdown or Moonfish after Original by John White in the British Museum [Caribbean and Oceanic, No. 21]

454. Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]

455. Coastal Profiles of Dominica and Santa Cruz, after the original by John White in the British Museum [Caribbean and Oceanic, No. 2]

456. Milkweed, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 55 A]

457. Iguana, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 9 A]

458. Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881

459. Jamaica: the barbecue on the Rosebery Plantation, with the Manchester Mountains in the distance

460. Dominica: View from Mrs. Ogilvy's lodging-house window at Roseau

461. Untitled

462. Untitled

463. Untitled

464. Horse and Dog

465. Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.

466. Knight Falling From His Horse at a Squire's Tilt

467. "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

468. "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

469. "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

470. "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

471. "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

472. "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'

473. "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

474. "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

475. "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'