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William Paulet, first Marquess of Winchester (1474/5?–1572)
Creator:
unknown artist
Date:
ca. 1575
Materials & Techniques:
Oil on panel
Dimensions:
14 1/8 x 9 3/4 inches (35.9 x 24.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
George I
Creator:
John Faber the Younger, ca. 1695–1756
Date:
1722
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/16 × 9 15/16 inches (35.7 × 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
His Royal Highness Frederick, Prince of Wales
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
after 1730
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/16 x 10 inches (35.7 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery
The Musician
Creator:
Print made by Johann Lorenz Haid, 1702–1750
Date:
1764
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 11 1/8 inches (36.9 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Correspondence
Creator:
Print made by Richard Purcell, active 1746–1766
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/16 × 10 5/8 inches (33.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Tomo Chachi Mico, or King of Yamacraw, and Tooanahowi [sic], His Nephew
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
ca. 1734
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 1/8 × 10 1/8 inches (35.8 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund