Width [cm]: 25 / Image Use: Free to Use - YCBA Collections Search Search Results

1. The Avon Gorge

Creator:: Francis Danby, 1793–1861
Date:: between 1816 and 1818
Materials & Techniques:: Oil on panel
Dimensions:: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Golding Constable's House, East Bergholt: the Artist's birthplace

Creator:: John Constable, 1776–1837
Date:: ca. 1809
Materials & Techniques:: Oil on canvas
Dimensions:: 5 3/4 × 10 inches (14.6 × 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Bardon Hill, Coleorton Hall

Creator:: John Constable, 1776–1837
Date:: ca. 1823
Materials & Techniques:: Oil on canvas mounted on composition board
Dimensions:: 8 x 10 inches (20.3 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Zagori, Greece

Creator:: Edward Lear, 1812–1888
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 15 1/2 x 10 inches (39.4 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
On View:: Not on view

5. The Return of Othello, 'Othello,' Act II, Scene II

Creator:: Thomas Stothard, 1755–1834
Date:: ca. 1799
Materials & Techniques:: Oil on paper mounted on canvas
Dimensions:: 8 1/4 x 10 inches (21 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

6. A Married Sailor's Adieu

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: ca. 1800
Materials & Techniques:: Oil on panel
Dimensions:: 6 3/4 x 10 inches (17.1 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. The Rat Trap

Creator:: Edmund Bristow, 1787–1876
Date:: early to mid-nineteenth century
Materials & Techniques:: Oil on panel
Dimensions:: 12 x 10 inches (30.5 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Yacht Racing on the Solent

Creator:: unknown artist
Date:: ca. 1827
Materials & Techniques:: Oil on paper
Dimensions:: 6 x 9 3/4 inches (15.2 x 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Building with Trees

Creator:: unknown artist
Date:: 1825 to 1827
Materials & Techniques:: Oil on paper
Dimensions:: 6 x 9 3/4 inches (15.2 x 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. A Harvest Scene with Workers Loading Hay on to a Farm Wagon

Creator:: James Ward, 1769–1859
Date:: ca. 1800
Materials & Techniques:: Oil on panel
Dimensions:: 4 1/2 × 7 7/8 inches (11.4 × 20 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. A View in Suffolk

Creator:: Frederick W. Watts, 1800–1862
Date:: ca. 1830
Materials & Techniques:: Oil on card
Dimensions:: 7 11/16 x 9 13/16 inches (19.5 x 24.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. A Western View of part of Westminster and Bird Cage Walk taken from the Mill House...,

Creator:: George Arnald, 1763–1841
Date:: 1808
Materials & Techniques:: Oil on panel
Dimensions:: 7 1/2 x 9 3/4 inches (19.1 x 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Study of a Coat Belonging to John, 11th Earl of Westmorland

Creator:: Joseph Edgar Boehm, 1834–1890
Date:: mid-19th century
Materials & Techniques:: Oil on panel
Dimensions:: 13 1/2 x 10 inches (34.3 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Kensington Gardens

Creator:: John Martin, 1789–1854
Date:: between 1815 and 1816
Materials & Techniques:: Oil on panel
Dimensions:: 5 1/4 × 7 7/8 inches (13.3 × 20 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Westminster Abbey from Tothill Fields

Creator:: John Varley, 1778–1842
Date:: 1832
Materials & Techniques:: Oil on panel
Dimensions:: 7 1/4 x 10 inches (18.4 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. William Paulet, first Marquess of Winchester (1474/5?–1572)

Creator:: unknown artist
Date:: ca. 1575
Materials & Techniques:: Oil on panel
Dimensions:: 14 1/8 x 9 3/4 inches (35.9 x 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. A Woman, possibly Anne (née Ward) Morland, Wife of the Artist

Creator:: George Morland, 1763–1804
Date:: ca. 1795
Materials & Techniques:: Oil on canvas
Dimensions:: 11 11/16 x 9 11/16 inches (29.7 x 24.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. First Class—The Meeting. "And at first meeting loved."

Creator:: Abraham Solomon, 1823–1862
Date:: 1855
Materials & Techniques:: Oil on panel
Dimensions:: 8 x 10 inches (20.3 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Second Class—The Parting. "Thus part we rich in sorrow, parting poor."

Creator:: Abraham Solomon, 1823–1862
Date:: 1855
Materials & Techniques:: Oil on panel
Dimensions:: 8 x 10 inches (20.3 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Osmington: A View to the Village

Creator:: John Fisher, 1788–1832
Date:: ca. 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 5 3/4 x 10 inches (14.6 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. A Landscape at Wick, Gloucestershire, 'Below the Rocks'

Creator:: Benjamin Barker, 1776–1838
Date:: ca. 1824
Materials & Techniques:: Oil on paper on canvas
Dimensions:: 7 1/8 × 9 3/4 inches (18.1 × 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

22. Sketch for 'The Reading of a Will'

Creator:: Sir David Wilkie, 1785–1841
Date:: 1820
Materials & Techniques:: Oil on board
Dimensions:: 7 1/2 x 10 inches (19.1 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. Free West Indian Dominicans

Creator:: Agostino Brunias, 1728–1796
Date:: ca. 1770
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/2 x 9 3/4 inches (31.8 x 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. Planter and his Wife, with a Servant

Creator:: Agostino Brunias, 1728–1796
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 9 3/4 inches (30.5 x 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. Steeplechasing: At the Start

Creator:: William J. Shayer, 1811–c.1885
Date:: 1869
Materials & Techniques:: Oil on canvas
Dimensions:: 4 3/4 x 9 3/4 inches (12.1 x 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. Steeplechasing: The Hurdle

Creator:: William J. Shayer, 1811–c.1885
Date:: 1869
Materials & Techniques:: Oil on canvas
Dimensions:: 4 3/4 x 9 3/4 inches (12.1 x 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. An Angler's Catch of Coarse Fish

Creator:: Dean Wolstenholme, 1798–1882
Date:: ca. 1850
Materials & Techniques:: Oil on panel
Dimensions:: 8 x 10 inches (20.3 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

28. A West Indian Flower Girl and Two other Free Women of Color

Creator:: Agostino Brunias, 1728–1796
Date:: ca. 1769
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/2 x 9 3/4 inches (31.8 x 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

29. A Leeward Islands Carib family outside a Hut

Creator:: Agostino Brunias, 1728–1796
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/8 x 9 3/4 inches (30.8 x 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

30. Free West Indian Creoles in Elegant Dress

Creator:: Agostino Brunias, 1728–1796
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/8 x 9 3/4 inches (30.8 x 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

31. West Indian Man of Color, Directing Two Carib Women with a Child

Creator:: Agostino Brunias, 1728–1796
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 9 7/8 inches (30.5 x 25.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

32. A West Indian Creole Woman Attended by her Black Servant

Creator:: Agostino Brunias, 1728–1796
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 9 7/8 inches (30.5 x 25.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

33. West Indian Women of Color, with a Child and Black Servant

Creator:: Agostino Brunias, 1728–1796
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/4 x 9 7/8 inches (31.1 x 25.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

34. A Lugger and a Smack in Light Airs

Creator:: Charles Brooking, 1723–1759
Date:: ca. 1750
Materials & Techniques:: Oil on copper
Dimensions:: 7 x 10 inches (17.8 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

35. A Cutter in a Strong Breeze

Creator:: Charles Brooking, 1723–1759
Date:: ca. 1750
Materials & Techniques:: Oil on copper
Dimensions:: 7 x 10 inches (17.8 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

36. Walter Smith

Creator:: unknown artist
Date:: 1787
Materials & Techniques:: Oil on canvas
Dimensions:: 11 1/4 x 9 3/4 inches (28.6 x 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

37. An Enslaved African

Creator:: William James Muller, 1812–1845
Date:: 1838
Materials & Techniques:: Oil on paper laid onto panel
Dimensions:: Overall: 13 1/4 × 10 inches (33.7 × 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

38. Queen Victoria Taking the Coronation Oath, June 28, 1838

Creator:: Sir George Hayter, 1792–1871
Date:: 1850
Materials & Techniques:: Oil on panel
Dimensions:: 14 3/16 x 10 inches (36 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

39. Sheep Grazing

Creator:: John Linnell, 1792–1882
Date:: 1835
Materials & Techniques:: Oil on board
Dimensions:: 6 3/4 × 9 3/4 inches (17.1 × 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

40. A Highland Landscape

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: ca. 1830
Materials & Techniques:: Oil on board
Dimensions:: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

41. Lock gate

Creator:: Attributed to William Mulready, 1786–1863
Date:: undated
Materials & Techniques:: Oil on millboard
Dimensions:: 12 1/4 × 9 7/8 inches (31.1 × 25.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

42. Fishmonger's stall

Creator:: Balthazar Nebot, active 1730–1762
Date:: 1737
Materials & Techniques:: Oil on copper
Dimensions:: 12 × 10 inches (30.5 × 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

43. Augustus

Creator:: unknown artist
Date:: early 19th century
Materials & Techniques:: Bronze
Dimensions:: Overall: 19 7/8 x 10 x 8 1/2 inches (50.5 x 25.4 x 21.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

44. Woman Ironing

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1895
Materials & Techniques:: Black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 10 inches (34.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

45. Huntsman and Hounds

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1896
Materials & Techniques:: Pen and black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 11/16 × 9 13/16 inches (22.1 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. A Harrow in the Orchard

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1896
Materials & Techniques:: Pen and black ink and gray wash; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 15 3/8 inches (25.1 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Horse Mart (with further sketches in the margin)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1918
Materials & Techniques:: Chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 15 inches (34.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Study of a Woman Sewing

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Watercolor, gouache and black chalk on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 11/16 × 17 inches (34.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

49. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, retouched with black ink or oil paint, gray watercolor or gouache, and pale brown watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/16 inches (27.6 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 16 7/8 inches (28.4 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 x 12 3/16 inches (22.8 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 16 3/8 inches (27.6 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 x 14 5/16 inches (27.3 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

56. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

57. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 14 3/16 inches (23.1 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

58. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

59. Owl Standing, Anterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 9 7/8 inches (36.8 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite; verso: ink stain from another drawing on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 x 10 inches (41.9 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A Recollection of the New R.A.

Creator:: John Constable, 1776–1837
Date:: 1837
Materials & Techniques:: Pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 x 10 inches (34 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Trees in a Meadow

Creator:: John Constable, 1776–1837
Date:: ca. 1805
Materials & Techniques:: Graphite, watercolor, black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 x 9 7/8 inches (29.5 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Two Ships at Anchor

Creator:: John Constable, 1776–1837
Date:: 1803
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 9 7/8 inches (20 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Creation of the Heavens

Creator:: John Flaxman, 1755–1826
Date:: ca. 1790
Materials & Techniques:: Gray ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 10 inches (23.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

65. Benjamin Read

Creator:: William Hogarth, 1697–1764
Date:: ca. 1757
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and graphite on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 10 1/2 x 9 3/4 inches (26.7 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 11/16 x 12 3/8 inches (22.1 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 x 9 15/16 inches (17.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun before 1861; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Stork and Aqueduct

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Stork and Aqueduct

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Evening Gun

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint; engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:: Plate: 7 1/2 × 9 7/8 inches (19.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Evening Gun

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint with scraping; touched engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Plate: 7 1/2 × 9 7/8 inches (19 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Catania, Sicily

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint, with graphite and white chalk; touched trial proof on medium, slightly textured, cream wove paper
Dimensions:: Plate: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Bridge and Monument

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1825
Materials & Techniques:: Mezzotint; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Plate: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Bridge and Monument

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1825
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Plate: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Ship and Cutter

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint printed in brown ink; 1873 impression on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 19 7/8 inches (31.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Straw Yard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink, with scraping and brown wash; touched engraver's proof (aa) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 11 1/4 inches (20.6 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Straw Yard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Bridge and Goats

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Ship in a Storm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint, printed in brown ink; 1873 impression on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 × 20 inches (31.4 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Study of Sea and Sky

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Catania, Sicily

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint; 1872 impression on medium, slightly textured, cream wove paper
Dimensions:: Plate: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Ship and Cutter

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint; engraver's proof (b), 1873 impression on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 10 7/8 inches (21.3 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Ship in a Storm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1826
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Bridge in Middle Distance

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

86. The Stork and Aqueduct

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 13 inches (27.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Straw Yard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 13 inches (24.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. High Street, Edinburgh

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor, pen and brown ink, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Chrichton Castle with a Rainbow; Color Study

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured cream wove paper
Dimensions:: Sheet: 6 7/8 x 9 3/4 inches (17.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Shields Lighthouse

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint; artist's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. Gloucester Cathedral

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 16 inches (31.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. Visions of the Daughters of Albion; Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. "And none but Bromian can hear my lamentations..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Visions of the Daughters of Albion; Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. "But when the morn arose, her lamentation renewd..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows

Creator:: Prints made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Volume of 11 relief etchings printed in green ink, with hand coloring in watercolor
Dimensions:: Spine: 14in. (35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. La Cava, 19 July 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 13 15/16 x 10 inches (35.4 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

100. Corpo di Cava, 28 June 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Oil and gouache on moderately thick, moderately textured, green-gray wove paper
Dimensions:: Sheet: 14 1/8 x 9 13/16 inches (35.9 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

YCBA Collections Search

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Search Results

1. The Avon Gorge

2. Golding Constable's House, East Bergholt: the Artist's birthplace

3. Bardon Hill, Coleorton Hall

4. Zagori, Greece

5. The Return of Othello, 'Othello,' Act II, Scene II

6. A Married Sailor's Adieu

7. The Rat Trap

8. Yacht Racing on the Solent

9. Building with Trees

10. A Harvest Scene with Workers Loading Hay on to a Farm Wagon

11. A View in Suffolk

12. A Western View of part of Westminster and Bird Cage Walk taken from the Mill House...,

13. Study of a Coat Belonging to John, 11th Earl of Westmorland

14. Kensington Gardens

15. Westminster Abbey from Tothill Fields

16. William Paulet, first Marquess of Winchester (1474/5?–1572)

17. A Woman, possibly Anne (née Ward) Morland, Wife of the Artist

18. First Class—The Meeting. "And at first meeting loved."

19. Second Class—The Parting. "Thus part we rich in sorrow, parting poor."

20. Osmington: A View to the Village

21. A Landscape at Wick, Gloucestershire, 'Below the Rocks'

22. Sketch for 'The Reading of a Will'

23. Free West Indian Dominicans

24. Planter and his Wife, with a Servant

25. Steeplechasing: At the Start

26. Steeplechasing: The Hurdle

27. An Angler's Catch of Coarse Fish

28. A West Indian Flower Girl and Two other Free Women of Color

29. A Leeward Islands Carib family outside a Hut

30. Free West Indian Creoles in Elegant Dress

31. West Indian Man of Color, Directing Two Carib Women with a Child

32. A West Indian Creole Woman Attended by her Black Servant

33. West Indian Women of Color, with a Child and Black Servant

34. A Lugger and a Smack in Light Airs

35. A Cutter in a Strong Breeze

36. Walter Smith

37. An Enslaved African

38. Queen Victoria Taking the Coronation Oath, June 28, 1838

39. Sheep Grazing

40. A Highland Landscape

41. Lock gate

42. Fishmonger's stall

43. Augustus

44. Woman Ironing

45. Huntsman and Hounds

46. A Harrow in the Orchard

47. The Horse Mart (with further sketches in the margin)

48. Study of a Woman Sewing

49. The Rising Moon

50. The Bellman

51. The Bellman

52. The Rising Moon

53. The Rising Moon

54. The Lonely Tower

55. The Rising Moon

56. The Early Ploughman

57. The Bellman

58. The Lonely Tower

59. Owl Standing, Anterior View

60. Human Skeleton, Lateral View

61. A Recollection of the New R.A.

62. Trees in a Meadow

63. Two Ships at Anchor

64. The Creation of the Heavens

65. Benjamin Read

66. The Early Ploughman

67. The Early Ploughman

68. The Early Ploughman

69. The Stork and Aqueduct

70. The Stork and Aqueduct

71. The Evening Gun

72. The Evening Gun

73. Catania, Sicily

74. Bridge and Monument