Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
10
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
11
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
12
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
1813 to 1823
13
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
14
Etched by Joseph Mallord William Turner, 1775–1851
The Hindoo Worshipper
1811
15
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
16
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
17
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge in Middle Distance
1808
18
Print made by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
19
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
20
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
21
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
22
Etched by Joseph Mallord William Turner, 1775–1851
The Hindoo Worshipper
1811
23
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
24
Etched by Joseph Mallord William Turner, 1775–1851
Juvenile Tricks
1811
25
Edward Lear, 1812–1888
Brothers Water from Patterdale
1836
26
Edward Lear, 1812–1888
Bassenthwaite
1836
27
Edward Lear, 1812–1888
Crummock Water
1836
28
Edward Lear, 1812–1888
Yewbarrow, Wastwater, 16 September 1836
1836
29
Edward Lear, 1812–1888
Peppering. 20 October. 1834
1834
30
Edward Lear, 1812–1888
Salonica, from my Room Window, 11 Sept. 1848, after Sunset
1848
31
Print made by William Blake, 1757–1827
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
32
Print made by William Blake, 1757–1827
Jerusalem, Plate 38, "His face and bosom...."
1804 to 1820
33
Print made by William Blake, 1757–1827
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
34
Print made by William Blake, 1757–1827
Jerusalem, Plate 49, "The secret coverts of Albion...."
1804 to 1820
35
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
36
Frederick Goulding, 1842–1909
Ruins of the Old Bridge, Vernon
1879
37
Sir George Howland Beaumont seventh Baronet, 1753–1827
Mount Palatine
1783
38
unknown artist
Alcibiades and Timon
undated
39
James Duffield Harding, 1798–1863
Willows by a Stream, Horse and Cart Crossing Bridge
undated
40
Peter Tillemans, 1684–1734
Landscape with two figures in the foreground
undated
41
pupil of John Varley, 1778–1842
Landscape Composition, Dolbadern
undated
42
Joseph Barber, 1757–1811
Autumn Trees by a Lake
undated
43
unknown artist
Solitude, The Reading Magdalene
undated
44
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
45
Thomas Hearne, 1744–1817
Farmhouse and Buildings by a Stream
undated
46
attributed to Sir George Howland Beaumont seventh Baronet, 1753–1827
The Picnic
undated
47
John Varley, 1778–1842
A Romantic Landscape
undated
48
William Henry Hunt, 1790–1864
Aldenham Church
ca. 1817
49
John Preston Neale, 1771/80–1847
On the Colne, Middlesex
undated
50
Alexander Monro, 1802–1844
Landscape at Boxhill, Surrey
undated
51
Dr. Thomas Monro, 1759–1833
Landscape with Trees and two Figures
undated
52
Aaron Edwin Penley, 1807–1870
Sheet of Studies of Deer, Figures and Landscape
undated
53
Samuel Prout, 1783–1852
Kingsteignton, Devon
ca. 1819
54
John Varley, 1778–1842
The Thames at Windsor
ca. 1830
55
Henry Richard Greville third Earl of Warwick, 1779–1853
River Landscape
undated
56
Print made by William Angus, 1752–1821
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
57
Michel Jean Cazabon, 1813–1888
Road to St. Ann's
1857
58
Michel Jean Cazabon, 1813–1888
The Road to the Pitch Lake
1857
59
imitator of John Varley, 1778–1842
River Landscape
undated
60
Michel Jean Cazabon, 1813–1888
Riverside, St. Joseph
1857
61
George Barret Jr., 1767–1842
A Cottage in the Isle of Wight
undated
62
John Varley, 1778–1842
Llyn Dinas, North Wales
1839
63
William Pars, 1742–1782
A Glade in a Wood
undated
64
Dr. Thomas Monro, 1759–1833
Composition: Italian Seascape Effect
undated
65
Print made by unknown artist
A View of Several Palaces at Naples at Sun Rise
undated
66
George Richmond, 1809–1896
Margate, October 2nd, 1850
1850
67
Heneage Finch fourth Earl of Aylesford, 1751–1812
Maxstoke Priory
undated
68
Thomas Rowlandson, 1756–1827
Hengar Wood, St. Tudy, Cornwall
undated
69
Thomas Rowlandson, 1756–1827
Scene Outside an Inn
undated
70
John Ruskin, 1819–1900
Distant View of Saint-Wulfran, Abbeville
undated
71
Thomas Rowlandson, 1756–1827
View of the Church and Village of St. Cue, Cornwall
ca. 1812
72
Thomas Shotter Boys, 1803–1874
Brussels from the Paris Road
1831
73
Print made by John Faber the Younger, ca. 1695–1756
A Girl Spinning Thread
undated
74
Hercules Brabazon Brabazon, 1821–1906
Capri
undated
75
unknown artist
Landscape with Trees and a Distant Castle
ca. 1800
76
Print made by J. Sands, active ca. 1840
Entrance to the Valley of the Dhoon
1840
77
Thales Fielding, 1793–1837
Hop Picking
1832
78
Attributed to Hon. Daniel Finch, 1789–1868
Packington
1834
79
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805
80
William Ashford, 1746–1824
Phoenix Park, Dublin
1905
81
Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman, Cows and Cottage
between 1785 and 1788
82
Samuel Hieronymus Grimm, 1733–1794
Putney Church and Bridge
1772
83
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
84
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards