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1. Brothers Water from Patterdale

Brothers Water from Patterdale
Creator:
Edward Lear, 1812–1888
Date:
1836
Materials & Techniques:
Graphite and white gouache on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 7 x 10 1/16 inches (17.8 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

2. Bassenthwaite

Bassenthwaite
Creator:
Edward Lear, 1812–1888
Date:
1836
Materials & Techniques:
Graphite and white gouache on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 6 13/16 x 10 1/8 inches (17.3 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

3. Crummock Water

Crummock Water
Creator:
Edward Lear, 1812–1888
Date:
1836
Materials & Techniques:
Graphite and white gouache on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 6 9/16 x 10 3/16 inches (16.7 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

4. Yewbarrow, Wastwater, 16 September 1836

Yewbarrow, Wastwater, 16 September 1836
Creator:
Edward Lear, 1812–1888
Date:
1836
Materials & Techniques:
Graphite with stumping and white gouache on moderately thick, moderately textured, gray-green wove paper
Dimensions:
Sheet: 6 3/4 x 10 1/8 inches (17.1 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

5. Tollygunge, Calcutta

Tollygunge, Calcutta
Creator:
Edward Lear, 1812–1888
Date:
undated
Materials & Techniques:
Watercolor with goauche, and scratching out over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 3/8 x 10 3/8 inches (16.2 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Dendour

Dendour
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, white, gouache, pen and brown ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 3 1/16 x 10 1/16 inches (7.8 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

7. River pass, between barren rock cliffs

River pass, between barren rock cliffs
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, gouache, pen and black ink on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 7/16 x 10 3/8 inches (16.4 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

8. Mt. Orfano

Mt. Orfano
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 3 7/16 x 10 1/8 inches (8.7 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

9. Amada, 7:30 am, 12 February 1867 (423)

Amada, 7:30 am, 12 February 1867 (423)
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 2 1/4 × 10 1/4 inches (5.7 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

10. Kurayim

Kurayim
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:
Sheet: 2 3/4 x 10 1/16 inches (7 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

11. The Capo Sant' Angelo, Amalfi

The Capo Sant' Angelo, Amalfi
Creator:
Edward Lear, 1812–1888
Date:
ca. 1885
Materials & Techniques:
Pen in gray and black ink with gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 13/16 x 13 1/8 inches (22.4 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Salonica, from my Room Window, 11 Sept. 1848, after Sunset

Salonica, from my Room Window, 11 Sept. 1848, after Sunset
Creator:
Edward Lear, 1812–1888
Date:
1848
Materials & Techniques:
Watercolor, pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 1/8 inches (17.5 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Elizabeth S. Tower

13. A Procession of the Damned: Study for the Damned in Dante's "Inferno"

A Procession of the Damned: Study for the Damned in Dante's "Inferno"
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown wash with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 10 3/8 inches (15.9 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Jerusalem, Plate 14, "One hair nor particle of dust...."

Jerusalem, Plate 14, "One hair nor particle of dust...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Jerusalem, Plate 15, "And Hand & Hyle...."

Jerusalem, Plate 15, "And Hand & Hyle...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Jerusalem, Plate 20, "But when they saw Albion...."

Jerusalem, Plate 20, "But when they saw Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Jerusalem, Plate 3, "To the Public...."

Jerusalem, Plate 3, "To the Public...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Jerusalem, Plate 39, "By Satans Watch-fiends...."

Jerusalem, Plate 39, "By Satans Watch-fiends...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Jerusalem, Plate 43, "They saw their Wheels...."

Jerusalem, Plate 43, "They saw their Wheels...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Jerusalem, Plate 85, "Became a Space & an Allegory...."

Jerusalem, Plate 85, "Became a Space & an Allegory...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Jerusalem, Plate 89, "Tho divided by the Cross...."

Jerusalem, Plate 89, "Tho divided by the Cross...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Jerusalem, Plate 24, "What have I said?...."

Jerusalem, Plate 24, "What have I said?...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Jerusalem, Plate 53, "Jerusalem / Chap. 3"

Jerusalem, Plate 53, "Jerusalem / Chap. 3"
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Jerusalem, Plate 57, "And the voices of Bath...."

Jerusalem, Plate 57, "And the voices of Bath...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Jerusalem, Plate 69, "Then all the Males...."

Jerusalem, Plate 69, "Then all the Males...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Jerusalem, Plate 12, "Why wilt thou give to her...."

Jerusalem, Plate 12, "Why wilt thou give to her...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Jerusalem, Plate 18, "From every-one of the Four Regions...."

Jerusalem, Plate 18, "From every-one of the Four Regions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Jerusalem, Plate 37, "And One stood forth...."

Jerusalem, Plate 37, "And One stood forth...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Jerusalem, Plate 5, "The banks of the Thames...."

Jerusalem, Plate 5, "The banks of the Thames...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Jerusalem, Plate 65, "To decide Two Worlds...."

Jerusalem, Plate 65, "To decide Two Worlds...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Jerusalem, Plate 70, "And this the form of mighty Hand...."

Jerusalem, Plate 70, "And this the form of mighty Hand...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Jerusalem, Plate 8, "Rose up against me...."

Jerusalem, Plate 8, "Rose up against me...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Jerusalem, Plate 82, "I have heard Jerusalems groans...."

Jerusalem, Plate 82, "I have heard Jerusalems groans...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Jerusalem, Plate 92, "What do I see!...."

Jerusalem, Plate 92, "What do I see!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. View at Swiss Cottage, London

View at Swiss Cottage, London
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1836
Materials & Techniques:
Watercolor, pen, brown ink, black ink, graphite, gouache and gum arabic on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 x 10 5/16 inches (17.6 x 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Brussels from the Paris Road

Brussels from the Paris Road
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1831
Materials & Techniques:
Watercolor, gouache, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 11/16 x 10 3/16 inches (17 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Iola S. Haverstick

42. The Pont Neuf

The Pont Neuf
Creator:
Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor, graphite, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 10 3/8 inches (19.1 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Frontispiece: The Progress of a Midshipman

Frontispiece: The Progress of a Midshipman
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 x 11 3/8in. (21.6 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Tempio d' Antonio e Faustina

Tempio d' Antonio e Faustina
Creator:
Thomas Girtin, 1775–1802
Date:
between 1798 and 1799
Materials & Techniques:
Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Out of Study Window

Out of Study Window
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 14 5/16 inches (24.8 x 36.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

46. Out of Study Window

Out of Study Window
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:
Sheet: 5 9/16 x 11 1/4 inches (14.1 x 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

47. Beregonium

Beregonium
Creator:
Print made by Katharine Cameron, 1874–1965
Date:
1920
Materials & Techniques:
Drypoint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 10 1/4 inches (18.7 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Isabelle Hollister Tuttle for the Emerson Tuttle Memorial Collection

48. Dunkerswell Abbey, August 20, 1783

Dunkerswell Abbey, August 20, 1783
Creator:
Francis Towne, 1740–1816
Date:
1783
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 10 3/8 inches (18.7 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Iris

Iris
Creator:
Print made by Samuel Freeman, 1773–1857
Date:
1808
Materials & Techniques:
Colored aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 3/4 x 11 5/8 inches (40 x 29.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. The Penitent

No cover image available
Creator:
Print made by Frederick Bacon, 1803–1887
Date:
between 1842 and 1887
Materials & Techniques:
Stipple engraving and etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 19 15/16 x 13 1/2 inches (50.6 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection