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1. Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii

Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
Creator:
Thomas Stothard, 1755–1834
Date:
ca. 1799
Materials & Techniques:
Oil on paper laid on canvas
Dimensions:
8 1/4 x 10 1/4 inches (21 x 26 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

2. The Drawing of the Clyde

The Drawing of the Clyde
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Jerusalem, Plate 11, "To labours mighty...."

Jerusalem, Plate 11, "To labours mighty...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Jerusalem, Plate 13, "And that toward Eden...."

Jerusalem, Plate 13, "And that toward Eden...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Jerusalem, Plate 14, "One hair nor particle of dust...."

Jerusalem, Plate 14, "One hair nor particle of dust...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Jerusalem, Plate 19, "His children exil'd from his breast...."

Jerusalem, Plate 19, "His children exil'd from his breast...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Jerusalem, Plate 2, Title Page

Jerusalem, Plate 2, Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Jerusalem, Plate 20, "But when they saw Albion...."

Jerusalem, Plate 20, "But when they saw Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Jerusalem, Plate 25, "And there was heard...."

Jerusalem, Plate 25, "And there was heard...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Jerusalem, Plate 29, "Then the Divine Vision...."

Jerusalem, Plate 29, "Then the Divine Vision...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Jerusalem, Plate 3, "To the Public...."

Jerusalem, Plate 3, "To the Public...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Jerusalem, Plate 38, "His face and bosom...."

Jerusalem, Plate 38, "His face and bosom...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Jerusalem, Plate 41, "Bath who is Legions...."

Jerusalem, Plate 41, "Bath who is Legions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Jerusalem, Plate 42, "Thus Albion sat...."

Jerusalem, Plate 42, "Thus Albion sat...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Jerusalem, Plate 85, "Became a Space & an Allegory...."

Jerusalem, Plate 85, "Became a Space & an Allegory...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Jerusalem, Plate 89, "Tho divided by the Cross...."

Jerusalem, Plate 89, "Tho divided by the Cross...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Jerusalem, Plate 93, "Enitharmon heard...."

Jerusalem, Plate 93, "Enitharmon heard...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Jerusalem, Plate 94, "Albion cold lays on his Rock...."

Jerusalem, Plate 94, "Albion cold lays on his Rock...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Jerusalem, Plate 99, "All Human Forms identified...."

Jerusalem, Plate 99, "All Human Forms identified...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Jerusalem, Plate 21, "O Vala! O Jerusalem...."

Jerusalem, Plate 21, "O Vala! O Jerusalem...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Jerusalem, Plate 24, "What have I said?...."

Jerusalem, Plate 24, "What have I said?...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Jerusalem, Plate 31, "His western heaven...."

Jerusalem, Plate 31, "His western heaven...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Jerusalem, Plate 53, "Jerusalem / Chap. 3"

Jerusalem, Plate 53, "Jerusalem / Chap. 3"
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Jerusalem, Plate 57, "And the voices of Bath...."

Jerusalem, Plate 57, "And the voices of Bath...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."

Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Jerusalem, Plate 63, "Jehovah stood among the Druids...."

Jerusalem, Plate 63, "Jehovah stood among the Druids...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Jerusalem, Plate 69, "Then all the Males...."

Jerusalem, Plate 69, "Then all the Males...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Jerusalem, Plate 71, "And above Albions Land...."

Jerusalem, Plate 71, "And above Albions Land...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Jerusalem, Plate 72, "And the Thirty-two Counties...."

Jerusalem, Plate 72, "And the Thirty-two Counties...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Jerusalem, Plate 75, "And Rahab Babylon the Great...."

Jerusalem, Plate 75, "And Rahab Babylon the Great...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Jerusalem, Plate 12, "Why wilt thou give to her...."

Jerusalem, Plate 12, "Why wilt thou give to her...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Jerusalem, Plate 18, "From every-one of the Four Regions...."

Jerusalem, Plate 18, "From every-one of the Four Regions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Jerusalem, Plate 32, "Leaning against the pillars...."

Jerusalem, Plate 32, "Leaning against the pillars...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Jerusalem, Plate 35, "Then the Divine hand...."

Jerusalem, Plate 35, "Then the Divine hand...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Jerusalem, Plate 37, "And One stood forth...."

Jerusalem, Plate 37, "And One stood forth...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Jerusalem, Plate 45, "Bath, healing City!...."

Jerusalem, Plate 45, "Bath, healing City!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Jerusalem, Plate 47, "From Camberwell to Highgate...."

Jerusalem, Plate 47, "From Camberwell to Highgate...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Jerusalem, Plate 5, "The banks of the Thames...."

Jerusalem, Plate 5, "The banks of the Thames...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Jerusalem, Plate 54, "In Great Eternity...."

Jerusalem, Plate 54, "In Great Eternity...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Jerusalem, Plate 59, "And formed into Four precious stones...."

Jerusalem, Plate 59, "And formed into Four precious stones...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Jerusalem, Plate 64, "Of the Mundane Shell...."

Jerusalem, Plate 64, "Of the Mundane Shell...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Jerusalem, Plate 66, "In awful pomp & gold...."

Jerusalem, Plate 66, "In awful pomp & gold...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Jerusalem, Plate 7, "Was living: panting...."

Jerusalem, Plate 7, "Was living: panting...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Jerusalem, Plate 70, "And this the form of mighty Hand...."

Jerusalem, Plate 70, "And this the form of mighty Hand...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Jerusalem, Plate 8, "Rose up against me...."

Jerusalem, Plate 8, "Rose up against me...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Jerusalem, Plate 80, "Encompassd by the frozen net...."

Jerusalem, Plate 80, "Encompassd by the frozen net...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Jerusalem, Plate 81, "I have mockd those...."

Jerusalem, Plate 81, "I have mockd those...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Jerusalem, Plate 87, "Repelling weeping Enion...."

Jerusalem, Plate 87, "Repelling weeping Enion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Jerusalem, Plate 9, "Condens'd his Emanations...."

Jerusalem, Plate 9, "Condens'd his Emanations...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Jerusalem, Plate 92, "What do I see!...."

Jerusalem, Plate 92, "What do I see!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Study for the Proclamation of Don Carlos

Study for the Proclamation of Don Carlos
Creator:
John Frederick Lewis, 1804–1876
Date:
between 1834 and 1838
Materials & Techniques:
Watercolor, gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 x 10 3/8 inches (44.5 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

58. Falstaff Disguised as Herne

Falstaff Disguised as Herne
Creator:
John Massey Wright, 1777–1866
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 10 3/16 inches (28.9 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

59. Macbeth and Banquo on the Heath

Macbeth and Banquo on the Heath
Creator:
George Fennell Robson, 1788–1833
Date:
ca. 1830
Materials & Techniques:
Watercolor with gouache and scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 10 3/8 inches (19 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

60. Solitude, The Reading Magdalene

Solitude, The Reading Magdalene
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Brown wash and pen and brown ink on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 x 10 1/8 inches (17.8 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

61. The Picnic

The Picnic
Creator:
attributed to Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
undated
Materials & Techniques:
Gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 10 1/8 inches (16.5 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Sheet of Studies of Deer, Figures and Landscape

Sheet of Studies of Deer, Figures and Landscape
Creator:
Aaron Edwin Penley, 1807–1870
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/16 × 10 3/8 inches (18.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Study for, In Mr. Barnard's Boat, Kingston

Study for, In Mr. Barnard's Boat, Kingston
Creator:
John Nixon, ca. 1760–1818
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. The North Porch, Harfleur

The North Porch, Harfleur
Creator:
Sir David Young Cameron, 1865–1945
Date:
1904
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 10 3/8 inches (40 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

65. Early Spring, Gloucestershire

Early Spring, Gloucestershire
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1922
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 x 10 1/16 inches (22.9 x 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

66. Grace Before Meat

Grace Before Meat
Creator:
Sir David Wilkie, 1785–1841
Date:
1839
Materials & Techniques:
Watercolor with brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 x 10 1/8 inches (21 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. The Guildhall, Exeter

The Guildhall, Exeter
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/8 × 10 1/8 inches (20.6 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Landscape with a man playing a pipe under an old tree

Landscape with a man playing a pipe under an old tree
Creator:
style of Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, gouache, pen and black ink, graphite, black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 3/8 inches (37.5 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. On the Pier, Calais

On the Pier, Calais
Creator:
Attributed to Sir David Wilkie, 1785–1841
Date:
ca. 1810
Materials & Techniques:
Graphite with white chalk on moderately thick, moderately textured, beige wove paper
Dimensions:
Mount: 8 1/2 x 12 1/16 inches (21.6 x 30.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Scene Outside an Inn

Scene Outside an Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/16 x 10 3/8 inches (18.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. View of the Church and Village of St. Cue, Cornwall

View of the Church and Village of St. Cue, Cornwall
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1812
Materials & Techniques:
Watercolor with pen and gray and red brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 x 10 1/4 inches (17.1 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. The First Step

The First Step
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 x 10 1/8 inches (26.4 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

73. The Dansant

The Dansant
Creator:
Malcolm Drummond, 1880–1945
Date:
undated
Materials & Techniques:
Pen and black ink and white chalk on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 14 3/8 × 10 1/4 inches (36.5 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

74. The Card Party

The Card Party
Creator:
Francis Hayman, 1707/8–1776
Date:
between late 1720s to early 1730s
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Dancing Couples

Dancing Couples
Creator:
Malcolm Drummond, 1880–1945
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, white chalk, black chalk, and red chalk on thin, slightly textured, brown wove paper
Dimensions:
Sheet: 52 × 10 3/8 inches (132.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

76. Study for a Monument to the Reverend John Clowes

Study for a Monument to the Reverend John Clowes
Creator:
John Flaxman, 1755–1826
Date:
ca. 1820
Materials & Techniques:
Gray ink with brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 10 3/8 inches (19.1 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Putney Church and Bridge

Putney Church and Bridge
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1772
Materials & Techniques:
Watercolor with gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 1/4 x 12 inches (23.5 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. How to Vault in the Saddle

How to Vault in the Saddle
Creator:
Thomas Rowlandson, 1756–1827
Date:
1813
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 x 10 3/4 inches (33 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. A View of the Royal Palace at Naples

A View of the Royal Palace at Naples
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 3/16 x 12 13/16 inches (23.4 x 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching, drypoint print and stipple engraving on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 11 3/16 x 15 9/16 inches (28.4 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Spanish Palace at Naples

Spanish Palace at Naples
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 1/8 x 12 5/16 inches (23.2 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. A View of Part of the Royal Gardens at Naples Towards the Sea

A View of Part of the Royal Gardens at Naples Towards the Sea
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 5/8 x 12 1/2 inches (24.4 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Picking Mulberries

Picking Mulberries
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 7 1/4 x 10 5/16 inches (18.4 x 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
Creator:
Charles Claude Pyne, 1802–1878
Date:
1872
Materials & Techniques:
Watercolor, gouache, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 10 5/16 inches (11.7 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. The Sea Walls, from the Leigh Wood Quarry, Clifton

The Sea Walls, from the Leigh Wood Quarry, Clifton
Creator:
William Gauci, active 1825–1854
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Brian and Linda Gracie

86. Dundry Tower, Leigh Wood, Hotwell House, Clifton

Dundry Tower, Leigh Wood, Hotwell House, Clifton
Creator:
William Gauci, active 1825–1854
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 10 3/8 x 12 5/16 inches (26.3 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Brian and Linda Gracie

87. Venus and Mars

Venus and Mars
Creator:
Richard Cosway, 1742–1821
Date:
ca. 1790
Materials & Techniques:
Brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 7 1/8 inches (22.5 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Figure Study

Figure Study
Creator:
Augustus Edwin John, 1878–1961
Date:
undated
Materials & Techniques:
Graphite, black chalk, and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Estate of Brian Sewell

89. Native Women from Bengal

Native Women from Bengal
Creator:
Arthur William Devis, 1762–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. The Judgement of Paris

The Judgement of Paris
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 10 1/4 inches (20.6 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Classical Landscape with Figures

Classical Landscape with Figures
Creator:
Jean B. C. Chatelain, 1710–1771
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash and graphite on medium, slightly textured, white laid paper
Dimensions:
Sheet: 4 7/8 x 10 1/8in. (12.4 x 25.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Sketch for the Passions: Pride

Sketch for the Passions: Pride
Creator:
Richard Dadd, 1817–1886
Date:
ca. 1854
Materials & Techniques:
Watercolor, black ink, and graphite on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/8 inches (36.8 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Blue Nudes

Blue Nudes
Creator:
Wyndham Lewis, 1882–1957
Date:
1912 to 1913
Materials & Techniques:
Pen and blue ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/16 × 10 1/4 inches (18.9 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

94. The Angling Party

The Angling Party
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray ink, over graphite, border with pen and gray brown ink line on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 x 10 3/16 inches (17.5 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Netting a Salmon Pool

Netting a Salmon Pool
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 10 1/8 inches (16.5 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. A Review of the Northapmton Militia at Brackley

A Review of the Northapmton Militia at Brackley
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 13/16 x 10 3/8 inches (19.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. St. Bartholomew's Gateway

St. Bartholomew's Gateway
Creator:
Hedley Fitton, 1859–1929
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 16 x 10 3/16 inches (40.6 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

98. Bagno della Marchese

Bagno della Marchese
Creator:
Sir William Russell Flint, 1880–1969
Date:
1930
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 1/4 inches (34.3 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

99. Women at Prayer

Women at Prayer
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1936
Materials & Techniques:
Etching on moderately thick, slightly textured, white laid paper
Dimensions:
Sheet: 14 1/8 x 10 3/8 inches (35.9 x 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Associates in Fine Arts

100. Girls Singing

Girls Singing
Creator:
Print made by Pieter van den Berge, active 1689–1737
Date:
undated
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 10 1/4 inches (35.5 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund