Width [cm]: 27 / Subject Terms: women - YCBA Collections Search Search Results

1. Vegetable Seller, Covent Garden

Creator:: Pieter Angillis, 1685–1734
Date:: ca. 1726
Materials & Techniques:: Oil on panel
Dimensions:: 13 5/8 x 10 5/8 inches (34.6 x 27 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. A View of Richmond Bridge, on the Thames

Creator:: Sir Augustus Wall Callcott, 1779–1844
Date:: between 1807 and 1810
Materials & Techniques:: Oil on paper on board
Dimensions:: 7 1/2 x 10 1/2 inches (19.1 x 26.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink Engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching, printed in brown ink; Modern impression, canceled plate on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 3/8 inches (20.3 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Tiriel Supporting the Dying Myratana and Cursing His Sons

Creator:: William Blake, 1757–1827
Date:: 1786 to 1789
Materials & Techniques:: Pen and black ink with gray wash and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 10 3/4 inches (18.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. America. A Prophecy, Plate 1, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. America. A Prophecy, Plate 16, "In the Flames Stood...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. America. A Prophecy, Plate 17, "On Albions Angels...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. America. A Prophecy, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. America. A Prophecy, Plate 7, "Albions Angel stood...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Europe. A Prophecy, Plate 13 (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Europe. A Prophecy, Plate 8 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Torre de Comares, Alhambra, 1835

Creator:: John Frederick Lewis, 1804–1876
Date:: 1835
Materials & Techniques:: Graphite, watercolor, and gouache, with scratching out on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 14 5/8 x 10 5/8 inches (37.1 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Country Scene: Figures by a Cottage Door and Cattle in a Stream

Creator:: Francis Wheatley, 1747–1801
Date:: 1795
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 7/8 x 10 3/4 inches (25.1 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Chestnut Tree at Little Wymondley, Hertfordshire

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Gray wash over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 x 10 3/4 inches (19.4 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Gateway of Lancaster Castle

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Contemporary drawn border: 7 5/8 x 10 1/2 inches (19.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Beauvais Cathedral

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and white gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/16 × 10 9/16 inches (40.8 × 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

31. The Artist Assaulted by Time, Ignorance and Envy

Creator:: Mauritius Lowe, 1746–1793
Date:: between 1772 and 1790
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 x 10 5/8 inches (21.3 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. A Venetian Fountain [North Italian Set: No. 7]

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1894
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

33. Kitchen Scene: Dunkerrin, September 1835

Creator:: Sir David Wilkie, 1785–1841
Date:: 1835
Materials & Techniques:: Watercolor and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 5/8 inches (20.6 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Porch, Reims Cathedral

Creator:: Samuel Prout, 1783–1852
Date:: ca. 1840
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite, with scratching out on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 16 5/8 × 10 3/4 inches (42.2 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. View of New Street, near London Bridge

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream laid paper mounted on thick, slightly textured, cream card
Dimensions:: Mount: 7 1/4 x 10 1/2 inches (18.4 x 26.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Harvesters

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 10 3/4 inches (16.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Figure Study

Creator:: Augustus Edwin John, 1878–1961
Date:: undated
Materials & Techniques:: Pen and black ink on thin, smooth, cream graph paper
Dimensions:: Sheet: 8 1/4 × 10 5/8 inches (21 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Estate of Brian Sewell

38. Evening

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Stipple engraving and etching, hand colored on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 × 10 5/8 inches (33 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Noon

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Stipple engraving and etching, hand colored on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 × 10 1/2 inches (33 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Illustration to Pilgrim's Progress

Creator:: John Flaxman, 1755–1826
Date:: 1792
Materials & Techniques:: Black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 10 3/4 inches (22.2 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Sketch for Dieppe Sands

Creator:: Walter Richard Sickert, 1860–1942
Date:: 1919
Materials & Techniques:: Pen and black and red ink over graphite on thin, slightly textured, cream laid paper mounted on masonite
Dimensions:: Sheet: 7 1/8 x 10 5/8 inches (18.1 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

42. A Hay Wagon Drawn by Four Horses

Creator:: Charles Cooper Henderson, 1803–1877
Date:: undated
Materials & Techniques:: Watercolor, with pen, in brown ink, over graphite with traces of, white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 9 7/8 × 14 inches (25.1 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. How to Vault in the Saddle

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 x 10 3/4 inches (33 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Women and their Garments Artistically Described

Creator:: George Louis Palmella Busson Du Maurier, 1834–1896
Date:: 1874
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 3/4 inches (18.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching, drypoint print and stipple engraving on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 11 3/16 x 15 9/16 inches (28.4 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching, stipple engraving and drypoint print on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Dr. Syntax Bound to a Tree by Highwaymen

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor with pen and brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 1/4 inches (13.3 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. A Village Street, Figures by Old Cottages

Creator:: William Alexander, 1767–1816
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 10 1/2 inches (35.2 x 26.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Portrait of Catherine Blake

Creator:: George Richmond, 1809–1896
Date:: ca. 1830
Materials & Techniques:: Graphite and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 10 1/2 inches (34.3 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Coffee House and Mosque Entrance, Cairo

Creator:: Robert Charles Goff, 1837–1922
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 1/2 x 13 5/16 inches (24.2 x 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

51. L'Eglise de St. Gervais et St. Protais

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

52. View of Leiston Abbey

Creator:: Print made by William Byrne, 1743–1805
Date:: 1781
Materials & Techniques:: Etching and stipple engraving on moderately thick, textured, beige laid paper
Dimensions:: Sheet: 9 11/16 x 11 3/4 inches (24.6 x 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Saint Stephen's, Walbrook

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/16 x 12 5/8 inches (23.9 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

54. Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"

Creator:: Walter Richard Sickert, 1860–1942
Date:: ca. 1888
Materials & Techniques:: Pen and black ink and graphite on thick, smooth, beige card
Dimensions:: Sheet: 12 3/4 x 10 1/2 inches (32.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Mary Gertrude Abbey Fund

55. Die Maussalle.... - "Hamlet," Act III, Scene II

Creator:: Print made by Daniel Berger, 1744–1824
Date:: between 1778 and 1780
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/16 × 10 3/4 inches (23 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

56. Cave of the Golden Calf: Studies of a Woman in a Coat and Hat

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite, colored pencil and crayon on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

57. Little Missenden Church from the Southeast

Creator:: Print made by Lydia Bates, active 1784
Date:: 1784
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/16 x 17 1/8 inches (29 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. Hercules before the Temple of Janus

Creator:: Print made by Abraham Blooteling, 1640–1690
Date:: between 1680 and 1690
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/16 × 10 11/16 inches (36 × 27.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. Political Caricature: "The Spiritualists"

Creator:: Anthony Walker, 1726–1765
Date:: undated
Materials & Techniques:: Gray wash and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 10 1/2 inches (22.9 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Dinant, No. 1: Southwest View

Creator:: Print made by George Arnald, 1763–1841
Date:: between 1818 and 1828
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 11 3/4 inches (22.3 x 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

61. Dinant, No. 1: Southwest View

Creator:: Print made by George Arnald, 1763–1841
Date:: between 1818 and 1828
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 x 11 11/16 inches (21.7 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. Hercules before the Temple of Janus

Creator:: Print made by Abraham Blooteling, 1640–1690
Date:: between 1680 and 1690
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 11/16 × 10 11/16 inches (34.8 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. Virgilia and Volumnia Plead with Coriolanus

Creator:: Robert Smirke, 1752–1845
Date:: ca. 1795
Materials & Techniques:: Brown wash with gouache over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 3/4 x 12 1/8 inches (29.8 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Figure Studies of the Virgin Mary

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 7/8 × 10 5/8 inches (20 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Preposterous Head Dress, or the Feathered Lady

Creator:: Print made by Matthew Darly, active 1754–1778
Date:: 1776
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 17 11/16 x 10 1/2 inches (44.9 x 26.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Allegorical Scene

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Image: 2 3/16 × 6 1/16 inches (5.6 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Charon's Boat

Creator:: Print made by John Bell, 1811–1895
Date:: between 1838 and 1850
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 8 3/8 x 12 1/2 inches (21.2 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. Morning

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Stipple engraving and etching, hand colored on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 × 10 1/2 inches (33 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Bride, Paul and Virginia, the Chalees Satoon, East India

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving; hand coloring done by an unknown later printer on thick cream card
Dimensions:: Sheet: 5 1/4 × 10 9/16 inches (13.4 × 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Croix de Moulin les Planches

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 13 1/8 x 10 1/2 inches (33.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Bordesley Hall, the Seat of John Taylor, Esq.

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 9/16 x 10 9/16 inches (21.7 x 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Red-Scar, the Residence of William Cross, Esquire

Creator:: Thomas Higham, 1796–1844
Date:: 1832
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 x 10 3/4 inches (20.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The House of George Humphrys, Esq., Spark Brook

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 11/16 x 10 1/2 inches (22 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Peacocks in the Wood

Creator:: George Percival Gaskell, 1868–1934
Date:: undated
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 13/16 x 10 3/4 inches (40.1 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Donald and Willi Holden

75. Fish Haulers

Creator:: Gertrude Hermes, 1901–1983
Date:: 1926
Materials & Techniques:: Wood-engraving on thin, slightly textured, beige Asian paper
Dimensions:: Sheet: 8 1/8 x 10 1/2 inches (20.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

76. Tour de l'horloge, Tours

Creator:: Hedley Fitton, 1859–1929
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 20 5/16 x 14 1/2 inches (51.6 x 36.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

77. Villa d'Este: Evening

Creator:: George Percival Gaskell, 1868–1934
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 x 10 13/16 inches (44.5 x 27.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

78. The Spa

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gelatin silver print on semigloss photographic paper mounted to moderately thick, gray wove paper
Dimensions:: Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. Grown Ladies Taught to Dance

Creator:: Print made by P. Crotchet, active 1768
Date:: 1768
Materials & Techniques:: Line engraving, etching and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 11/16 x 10 3/4 inches (37.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Width [cm] 27

Subject Terms women

Search Results

1. Vegetable Seller, Covent Garden

2. A View of Richmond Bridge, on the Thames

3. Apuleia in Search of Apuleius

4. Apuleia in Search of Apuleius

5. The Woman and Tambourine

6. The Woman and Tambourine

7. Tiriel Supporting the Dying Myratana and Cursing His Sons

8. America. A Prophecy, Plate 1, Frontispiece

9. America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

10. America. A Prophecy, Plate 16, "In the Flames Stood...."

11. America. A Prophecy, Plate 17, "On Albions Angels...."

12. America. A Prophecy, Plate 2, Title Page

13. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

14. America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

15. America. A Prophecy, Plate 7, "Albions Angel stood...."

16. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

17. Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

18. Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

19. Europe. A Prophecy, Plate 13 (Bentley 10)

20. Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)

21. Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

22. Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

23. Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

24. Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

25. Europe. A Prophecy, Plate 8 (Bentley 9)

26. The Torre de Comares, Alhambra, 1835

27. Country Scene: Figures by a Cottage Door and Cattle in a Stream

28. The Chestnut Tree at Little Wymondley, Hertfordshire

29. The Gateway of Lancaster Castle

30. Beauvais Cathedral

31. The Artist Assaulted by Time, Ignorance and Envy

32. A Venetian Fountain [North Italian Set: No. 7]

33. Kitchen Scene: Dunkerrin, September 1835

34. The Porch, Reims Cathedral

35. View of New Street, near London Bridge

36. The Harvesters

37. Figure Study

38. Evening

39. Noon

40. Illustration to Pilgrim's Progress

41. Sketch for Dieppe Sands

42. A Hay Wagon Drawn by Four Horses

43. How to Vault in the Saddle

44. Women and their Garments Artistically Described

45. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

46. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

47. Dr. Syntax Bound to a Tree by Highwaymen

48. A Village Street, Figures by Old Cottages

49. Portrait of Catherine Blake

50. Coffee House and Mosque Entrance, Cairo

51. L'Eglise de St. Gervais et St. Protais

52. View of Leiston Abbey

53. Saint Stephen's, Walbrook

54. Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"

55. Die Maussalle.... - "Hamlet," Act III, Scene II

56. Cave of the Golden Calf: Studies of a Woman in a Coat and Hat

57. Little Missenden Church from the Southeast

58. Hercules before the Temple of Janus

59. Political Caricature: "The Spiritualists"

60. Dinant, No. 1: Southwest View

61. Dinant, No. 1: Southwest View

62. Hercules before the Temple of Janus

63. Virgilia and Volumnia Plead with Coriolanus

64. Figure Studies of the Virgin Mary

65. The Preposterous Head Dress, or the Feathered Lady

66. Allegorical Scene

67. Charon's Boat

68. Morning

69. The Bride, Paul and Virginia, the Chalees Satoon, East India

70. Croix de Moulin les Planches

71. Bordesley Hall, the Seat of John Taylor, Esq.

72. Red-Scar, the Residence of William Cross, Esquire

73. The House of George Humphrys, Esq., Spark Brook

74. Peacocks in the Wood