Width [cm]: 31 / Image Use: Free to Use / Subject Terms: religious and mythological subject

John Martin, 1789–1854

The Last Judgement (study)

between 1851 and 1853

Not on view

Print made by Samuel Palmer, 1805–1881

The Morning of Life

1860-1861

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake, 1757–1827

Moses Receiving the Law

ca. 1780

William Blake, 1757–1827

Mary Magdalen at the Sepulchre

ca. 1805

George Romney, 1734–1802

Achilles Wounded

undated

George Romney, 1734–1802

Laocoön

ca. 1773

Print made by Wallerant Vaillant, 1623–1677

Adonis dies in the arms of Venus

undated

Print made by William Say, 1768–1834

The Ecstasy of St. Francis

1809

Johann Lorenz Haid Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis

Print made by Johann Lorenz Haid, 1702–1750

Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis

undated

Print made by John Bell, 1811–1895

Charon's Boat

between 1838 and 1850

James McArdell, ca. 1729–1765

Thomas Secker, Lord Bishop of Oxford

1747

Print made by Bernard Lens II, 1659–1725

Tobit and the Angel

undated

Print made by Bernard Lens II, 1659–1725

Tobit and the Angel

undated

Print made by John Simon, 1675–1751

Christ and the Woman of Samaria

undated

Print made by John Raphael Smith, 1752–1812

The Calling of Samuel

1783

Print made by John Dean, 1754–1798

Cupid in the Character of a Link Boy

1777

George Siegmund Facius, 1750–1804

Richard Beadon, Bishop of Bath & Wells

undated

Print made by Francesco Bartolozzi, 1728–1815

Cupid Disarmed by Venus

1804

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by James Mitan, 1776–1822

Turin, from the Portico of the Superga Church

1820

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey, Devonshire

1828

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by James H. Kernot, 1802–1858

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

Print made by William Miller, 1796–1882

Durham Cathedral

1836

Print made by John Doyle ('H.B.'), 1797–1868

The Centaur Nessus Carrying off Deianira

1847

Print made by John Doyle ('H.B.'), 1797–1868

The Harpies Attacking the Daughters of Pandarus

1848

James Bruce, 1730–1794

St. Agnes (after Domenichino)

undated

James Henry Watt, 1799–1867

St. Cecilia

1834

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

Print made by James Mitan, 1776–1822

Turin, from the Portico of the Superga Church

1820

Edward Francis Burney, 1760–1848

Apollo and Phaeton

undated

Isaac Weld, 1774–1856

Interior of the Great Temple at Paestum

1818

John Flaxman, 1755–1826

Sheet of Figure Studies for The Odyssey

undated

Print made by Auguste Boulard, 1852–1927

A Difference of Opinion

1897

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819