Width [cm]: 31 / Subject Terms: architectural subject - YCBA Collections Search Search Results

101. Designs for Gothic Ornamentation

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 16 1/2 × 12 inches (41.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Sketch of a Gothic Church and Monastery

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 12 3/8 inches (22.5 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Malvern Abbey and Gate, Worcestershire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1832
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 22 1/2 inches (42.2 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 22 inches (41.3 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and engraving, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Carew Castle, Pembroke

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving; early engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 16 5/8 inches (33 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Carew Castle, Pembroke

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine-collé; first published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Carew Castle, Pembroke

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching with chine-collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 3/8 inches (41.9 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. St. Michael's Mount, Ultrecht

Creator:: Louis Haghe, 1806–1885
Date:: 1849
Materials & Techniques:: Watercolor, white gouache, graphite and gum arabic on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/8 × 12 3/8 inches (41 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Minster

Creator:: James Duffield Harding, 1798–1863
Date:: 1861
Materials & Techniques:: Graphite and gouache on medium, moderately textured, gray wove paper
Dimensions:: Sheet: 8 3/4 × 12 1/8 inches (22.2 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. The Ruins of Leiston Abbey

Creator:: Thomas Hearne, 1744–1817
Date:: 1781
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Octagonal Temple at Shotover Park, Oxfordshire: Plan, Section and Elevation

Creator:: William Kent, ca.1686–1748
Date:: ca. 1738
Materials & Techniques:: Brown wash, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 x 12 3/8 inches (28.6 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. A Bridge

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 12 1/4 inches (20.6 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. No. 5 interior part of the 2nd temple seen from the North Side

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 11/16 x 12 1/16 inches (37.3 x 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. No. 7 the interior part of the 3rd temple looking from the west front

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 x 12 inches (35.6 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Elevation and Plan of Arch at Makther

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite, gray wash, pen and black ink, red pencil on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 3/8 × 19 1/8 inches (64.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Entrance Gate Zaghouan

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite, pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 1/2 inches (55.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Plan of upright of the Tabernacle above the Niche of Temple at Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink on moderately thick, slightly textured,cream laid paper
Dimensions:: Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Villa Madama, Moonlight

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1830
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 17 3/8 inches (28.6 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 5/8 inches (29.8 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Etching; engraver's proof, 2nd state on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Bridge at Narni

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1819
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 inches (29.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 15 inches (27.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. St. Julienne's Chapel

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite; touched engraver's proof (a) on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/4 inches (44.5 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Turin, from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching with chine collé on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Tantallon Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1822
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Tantallon Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1822
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 10 1/8 inches (36.2 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Tantallon Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1822
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 17 inches (28.4 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Castle with Figures in a Classical Landscape

Creator:: Robert Adam, 1728–1792
Date:: undated
Materials & Techniques:: Watercolor, pen, and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 12 inches (24.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Chepstow Castle from the Bridge

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 12 1/8 inches (22.2 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Gloucester Cathedral

Creator:: unknown artist
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 x 10 inches (20.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. A Border Tower

Creator:: Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor, with pen and brown ink over graphite on very thick, rough, beige wove paper
Dimensions:: Sheet: 8 3/4 × 12 3/8 inches (22.2 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Budds Green, Kent

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 12 1/4 inches (20.6 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Design for Clifton Castle, Yorkshire: Plan and Elevation in the Classical Style

Creator:: unknown artist
Date:: ca. 1780-1790
Materials & Techniques:: Pen and black ink, graphite, watercolor on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 19 × 12 inches (48.3 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Design for a blacksmith's shop

Creator:: unknown artist
Date:: between 1780 and 1790
Materials & Techniques:: Graphite and black chalk; verso: pen and brown ink on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/4 x 12 3/16 inches (19.7 x 30.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. North East View of Mr. Hare's New House

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1783
Materials & Techniques:: Watercolor with gray ink over graphite on medium, smooth, cream laid paper
Dimensions:: Contemporary drawn border: 7 1/4 x 10 1/2 inches (18.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. The Chapel, Dirleton Castle, Scotland

Creator:: Daniel Wilson, 1816–1892
Date:: 1846
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 12 1/4 inches (21 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Section of the Loggia, Deepdene; Section of the Staircase, Ceilings and Skylights of the Hall and Staircase, Deepdene

Creator:: unknown artist
Date:: 1841
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 26 1/2 × 18 1/4 inches (67.3 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Section of the Entrance Hall, Plan of the Entrance Hall, Deepdene

Creator:: unknown artist
Date:: 1841
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Image: 17 1/4 × 12 1/4 inches (43.8 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Deepdene near Dorking

Creator:: Edward Radclyffe, 1809–1863
Date:: undated
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Image: 4 1/8 × 7 inches (10.5 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Design for a Tudoresque Villa

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 × 12 inches (21.4 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Design for a Tudoresque Villa

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Design for Commodes for Lady Poulett's Room, Stratford Place

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: 1807
Materials & Techniques:: Graphite and pen and brown ink on moderately textured, moderately thick, brown laid paper
Dimensions:: Sheet: 16 1/4 × 12 3/16 inches (41.3 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Design for a Bookcase

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: undated
Materials & Techniques:: Gray wash, watercolor, pen and ink over graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 1/8 × 12 3/16 inches (28.3 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Elevations of a Room

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black and gray ink with gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 × 12 3/8 inches (44.8 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. A View of Several Palaces at Naples at Sun Rise

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 5/8 x 12 1/8 inches (24.5 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Ruins of the Savoy Palace, London

Creator:: Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Pen in black ink with gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 12 1/4 inches (21 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. A Village Street

Creator:: pupil of John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 10 3/8 x 13 7/8 inches (26.4 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Avranches

Creator:: Ambrose Poynter, 1796–1886
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 12 5/16in. (21 x 31.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Hotel de Ville, Hague

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1859
Materials & Techniques:: Watercolor, pen and brown ink, gouache and graphite, with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/16 x 12 1/16 inches (40.8 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Arch of Janus, after Piranesi

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 5/16 x 12 1/8 inches (21.1 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Blois

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and engraving, with graphite; touched engraver's proof (ab) on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Design for Rustic Bridge below the Cascade, Virginia Water

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1828
Materials & Techniques:: Pen and black and brown ink, brown and gray wash on slightly textured, medium, white wove paper
Dimensions:: Sheet: 7 11/16 × 12 1/4 inches (19.5 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. An Indian Tomb

Creator:: George Chinnery, 1774–1852
Date:: between 1803 and 1825
Materials & Techniques:: Watercolor, gouache, and black ink on medium, slightly textured, cream wove paper mounted on board
Dimensions:: Sheet: 9 x 12 3/8 inches (22.9 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

156. Delhi

Creator:: Hercules Brabazon Brabazon, 1821–1906
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream board
Dimensions:: Mount: 9 3/4 x 12 1/8 inches (24.7 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

157. Cottages at Chatsworth, Derbyshire: Perspective

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: after 1818
Materials & Techniques:: Graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 14 5/8 × 12 1/4 inches (37.1 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Design for a Small Gothic Church: Section

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 17 1/4 × 12 1/4 inches (43.8 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. The Coliseum, Rome

Creator:: Sir John Frederick William Herschel, first Baronet, 1792–1871
Date:: 1824
Materials & Techniques:: Graphite camera lucida drawing on medium, smooth, cream wove paper
Dimensions:: Mount: 10 × 15 1/4 inches (25.4 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

160. Valle Crucis Abbey, Denbighshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 9 3/4 x 12 1/4 inches (24.8 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Design for a Ceiling

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/4 × 12 3/8 inches (43.8 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Saint Cuthbert's Holy Island

Creator:: Thomas Girtin, 1775–1802
Date:: 1797
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 x 12 inches (25.4 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Dover

Creator:: attributed to Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/16 x 11 1/4 inches (20.8 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Tempio di Clitumno, Rome, after Piranesi

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 7/16 x 12 1/8 inches (21.4 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Warwick Castle

Creator:: Print made by James Fittler, 1758–1835
Date:: 1780
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 11/16 x 12 5/16 inches (24.6 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Cosy Café, King's Road, Chelsea

Creator:: Lewis Morley, 1925–2013
Date:: 1960s
Materials & Techniques:: Gelatin silver print on matte photographic paper
Dimensions:: Sheet: 15 7/8 × 12 inches (40.3 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

167. Greencroft Gardens

Creator:: Lewis Morley, 1925–2013
Date:: 1960s
Materials & Techniques:: Gelatin silver print on matte photographic paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

168. Painswick Churchyard Study No.1

Creator:: Eliot Hodgkin, 1905–1987
Date:: ca. 1940
Materials & Techniques:: Gelatin silver print with traces of graphite on medium, matte photographic paper
Dimensions:: Sheet: 18 3/8 × 12 1/8 inches (46.7 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Estate of Brian Sewell

169. Beaugency

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 12 1/16 inches (21.9 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Château of Amboise

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Etching and engraving, with graphite and scraping out; touched engraver's proof (bc) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Château de Tancarville with Town of Quilleboeuf

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 12 1/8 inches (22.2 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Château de la Mailleraie

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 12 1/8 inches (21.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. A Difference of Opinion

Creator:: Print made by Auguste Boulard, 1852–1927
Date:: 1897
Materials & Techniques:: Etching and drypoint on vellum
Dimensions:: Sheet: 18 15/16 × 12 3/16 inches (48.1 × 30.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bryan Fuermann

174. South View of Sherbone Castle, Dorsetshire The Seat of the Earl of Digby

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Staircase at Blithfield

Creator:: John Buckler FSA, 1770–1851
Date:: 1823
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Wall Paintings

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 7 5/8 × 12 1/4 inches (19.4 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.

Creator:: Print made by James Basire II, 1769–1822
Date:: after 1819
Materials & Techniques:: Hand colored engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 22 7/8 x 15 1/8 inches (58.1 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. The South-East Prospect of King Henry The VII's Chapel at Westminster

Creator:: Print made by William Henry Toms, ca. 1700–ca. 1750
Date:: 1739
Materials & Techniques:: Line engraving on moderately textured, medium, white laid paper
Dimensions:: Sheet: 11 7/8 × 13 inches (30.2 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

Creator:: Print made by Thomas Sutherland, ca. 1785–1838
Date:: 1811
Materials & Techniques:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 10 × 12 1/8 inches (25.4 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Château of Amboise

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Etching and engraving, with graphite; touched engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 12 inches (22.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Magdalen Bridge, Near Oxford

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 inches (24.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

182. Oxford

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 12 3/8 inches (19.7 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

183. High Street, Chestertown, Maryland, 1982

Creator:: Constance Stuart Larrabee, 1914–2000
Date:: 1971, printed 1982
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

184. Bridge of Meulan

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and engraving, with graphite and scraping out; later engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 12 inches (21.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. St. Germains

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. St. Germains

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 12 1/8 inches (21.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Hotel de Ville and Pont d'Arcole

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1835
Materials & Techniques:: Etching and engraving, with graphite, white chalk, scraping out, and chine collé; early touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Valley of the Brook Kedron

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1836
Materials & Techniques:: Etching and engraving with chine-collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 inches (24.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 x 15 1/4 inches (28.6 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching, stipple engraving and drypoint print on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and drypoint print on moderately thick, textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 15 9/16 inches (28.2 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Clare College, Cambridge, From the Backs

Creator:: Richard Banks Harraden, 1778–1862
Date:: 1812
Materials & Techniques:: Watercolor, pen and gray ink, graphite, and gouache on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 12 1/16 inches (21.9 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Tintagel Castle

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Watercolor with wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 9/16 x 12 inches (24.3 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Steel Works, N.E. Consett, County Durham

Creator:: Colin Jones, 1936–2021
Date:: 1980
Materials & Techniques:: Vintage gelatin silver print on photographic paper
Dimensions:: Sheet: 11 7/8 × 16 inches (30.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)

196. N.E. Consett

Creator:: Colin Jones, 1936–2021
Date:: ca. 1970
Materials & Techniques:: Vintage gelatin silver print on photographic paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)

197. Steel Works, Consett, County Durham

Creator:: Colin Jones, 1936–2021
Date:: 1980
Materials & Techniques:: Vintage gelatin silver print on photographic paper
Dimensions:: Sheet: 12 × 16 inches (30.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)

198. Consett, County Durham

Creator:: Colin Jones, 1936–2021
Date:: 1980
Materials & Techniques:: Vintage gelatin silver print on photographic paper
Dimensions:: Sheet: 12 × 16 inches (30.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)

199. Pitchford Hall, Sussex

Creator:: Robert Henry Cheney, ca. 1800–1866
Date:: ca. 1853
Materials & Techniques:: Albumen print from waxed paper negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 × 8 5/8 inches (17.8 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

200. Stonemasons, County Durham, England with Memorial Cross Erected in Burnmoor Church

Creator:: unknown artist
Date:: before 1868
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 14 1/4 × 11 1/8 inches (36.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

YCBA Collections Search

Refine your search

Search Constraints

Width [cm] 31

Subject Terms architectural subject

Search Results

101. Designs for Gothic Ornamentation

102. Sketch of a Gothic Church and Monastery

103. Malvern Abbey and Gate, Worcestershire

104. Warwick Castle, Warwickshire

105. Blenheim, Oxfordshire

106. Carew Castle, Pembroke

107. Carew Castle, Pembroke

108. Carew Castle, Pembroke

109. St. Michael's Mount, Ultrecht

110. Minster

111. The Ruins of Leiston Abbey

112. Octagonal Temple at Shotover Park, Oxfordshire: Plan, Section and Elevation

113. A Bridge

114. No. 5 interior part of the 2nd temple seen from the North Side

115. No. 7 the interior part of the 3rd temple looking from the west front

116. Elevation and Plan of Arch at Makther

117. Entrance Gate Zaghouan

118. Plan of upright of the Tabernacle above the Niche of Temple at Baalbec

119. Villa Madama, Moonlight

120. The Rialto, Venice

121. The Rialto, Venice

122. The Rialto, Venice

123. Bridge at Narni

124. The Rialto, Venice

125. St. Julienne's Chapel

126. Turin, from the Portico of the Superga Church

127. Tantallon Castle

128. Tantallon Castle

129. Tantallon Castle

130. Castle with Figures in a Classical Landscape

131. Chepstow Castle from the Bridge

132. Gloucester Cathedral

133. A Border Tower

134. Budds Green, Kent

135. Design for Clifton Castle, Yorkshire: Plan and Elevation in the Classical Style

136. Design for a blacksmith's shop

137. North East View of Mr. Hare's New House

138. The Chapel, Dirleton Castle, Scotland

139. Section of the Loggia, Deepdene; Section of the Staircase, Ceilings and Skylights of the Hall and Staircase, Deepdene

140. Section of the Entrance Hall, Plan of the Entrance Hall, Deepdene

141. Deepdene near Dorking

142. Design for a Tudoresque Villa

143. Design for a Tudoresque Villa

144. Design for Commodes for Lady Poulett's Room, Stratford Place

145. Design for a Bookcase

146. Elevations of a Room

147. A View of Several Palaces at Naples at Sun Rise

148. Ruins of the Savoy Palace, London

149. A Village Street

150. Avranches

151. Hotel de Ville, Hague

152. Arch of Janus, after Piranesi

153. Blois

154. Design for Rustic Bridge below the Cascade, Virginia Water

155. An Indian Tomb

156. Delhi

157. Cottages at Chatsworth, Derbyshire: Perspective

158. Design for a Small Gothic Church: Section

159. The Coliseum, Rome

160. Valle Crucis Abbey, Denbighshire

161. Design for a Ceiling

162. Saint Cuthbert's Holy Island

163. Dover

164. Tempio di Clitumno, Rome, after Piranesi

165. Warwick Castle

166. Cosy Café, King's Road, Chelsea

167. Greencroft Gardens

168. Painswick Churchyard Study No.1

169. Beaugency

170. Château of Amboise

171. Château de Tancarville with Town of Quilleboeuf

172. Château de la Mailleraie

173. A Difference of Opinion

174. South View of Sherbone Castle, Dorsetshire The Seat of the Earl of Digby