Width [cm]: 31 - YCBA Collections Search Search Results

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: undated
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 23 3/8 × 18 1/2 inches (59.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1632. Mrs. Jerningham

Creator:: Print made by Henry Hoppner Meyer, ca. 1782–1847
Date:: 1809
Materials & Techniques:: Stipple engraving (proof) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 12 inches (40 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1633. Maria, Countess Waldegrave

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: undated
Materials & Techniques:: Mezzotint (first state) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 16 3/8 × 12 inches (41.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1634. Lady Ann Dawson as "Diana"

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: 1754
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1635. Charlotte at the Tomb of Werther

Creator:: William Dickinson, 1746–1823
Date:: 1785
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 13/16 × 13 1/2 inches (40.1 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1636. Visiting Card of Sir Joshua Reynolds

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1790
Materials & Techniques:: Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:: Mount: 17 1/16 × 12 1/8 inches (43.3 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

1637. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 18 3/8 x 12 3/16 inches (46.7 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

1638. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 18 3/8 x 12 3/16in. (46.7 x 31cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

1639. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 18 3/8 x 12 3/16in. (46.7 x 31cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

1640. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 18 3/8 x 12 3/16in. (46.7 x 31cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

1641. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 18 3/8 x 12 3/16in. (46.7 x 31cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

1642. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 18 3/8 x 12 3/16in. (46.7 x 31cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

1643. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 18 3/8 x 12 3/16in. (46.7 x 31cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

1644. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 18 3/8 x 12 3/16in. (46.7 x 31cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

1645. Emilia, Duchess of Leinster

Creator:: William Dickinson, 1746–1823
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 7/8 × 12 5/16 inches (42.9 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1646. Lady Mary Dudley

Creator:: George Perfect Harding, 1780–1853
Date:: undated
Materials & Techniques:: Watercolor and gouache on moderately textured, wove paper
Dimensions:: Sheet: 10 3/8 × 6 inches (26.4 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

1647. Westminster Abbey from Dean's Yard

Creator:: Print made by Ernest L. Hampshire, born 1882
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 x 12 1/4 inches (21.9 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

1648. St. Katherine by the Tower

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 3/8 x 12in. (18.7 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1649. Overthrow of the Republican-Babel

Creator:: James Gillray, 1756–1815
Date:: 1809
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 5/8 × 14 1/2 inches (49.8 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1650. Le Quai de Rosaire

Creator:: William M. Larkins, 1901–1974
Materials & Techniques:: Etching, 3rd State
Dimensions:: Sheet: 10 1/2 x 12 1/4in. (26.7 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

1651. Pan G

Creator:: Print made by Stephen Buckley, born 1944
Date:: 1983
Materials & Techniques:: Color lithograph; artist's proof on moderately thick, moderately textured, Arches white wove paper
Dimensions:: Sheet: 26 3/4 × 21 3/4 inches (67.9 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1652. Untitled

Creator:: Print made by Stephen Buckley, born 1944
Date:: 1977
Materials & Techniques:: Color printed etching, aquatint, and roulette from four plates; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:: Sheet: 25 1/8 × 19 1/2 inches (63.8 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1653. Untitled

Creator:: Print made by Stephen Buckley, born 1944
Date:: 1977
Materials & Techniques:: Color printed aquatint from four plates; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:: Sheet: 25 1/2 × 19 1/2 inches (64.8 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1654. Soldier piping

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 9 × 12 inches (22.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

1655. Arquata: The British Base in Italy

Creator:: Martin Hardie, 1875–1952
Date:: 1919
Materials & Techniques:: Drypoint
Dimensions:: Sheet: 8 1/2 x 12 1/8in. (21.6 x 30.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

1656. The Death of Mark Antony

Creator:: Print made by Jean Marie Delatre, 1746–1840
Date:: 1805
Materials & Techniques:: Line engraving and stipple engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/8 × 12 1/4 inches (37.2 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1657. [One of] 25 drawings and prints for ceilings

Creator:: George Richardson, ca.1738–ca.1813
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 12 inches (39.4 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1658. [One of] 25 drawings and prints for ceilings

Creator:: George Richardson, ca.1738–ca.1813
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 12 inches (30.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1659. Pan and Syrinx, No. 1

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching with mezzotint (trial proof of abandoned plate) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 12 1/4 inches (24.4 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

1660. The Entrance of the Medway

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Mezzotint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 17 1/4 inches (31.4 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1661. Little Devil's Bridge

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1885
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

1662. Campden, Gloucestershire

Creator:: Charles John Watson, 1846–1927
Materials & Techniques:: Etching on laid paper
Dimensions:: Plate: 8 1/2 x 12in. (21.6 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1663. Hebe

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Stipple engraving on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 17 3/8 × 13 1/2 inches (44.1 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1664. St. Marks, Venice

Creator:: Charles John Watson, 1846–1927
Materials & Techniques:: Etching on laid paper
Dimensions:: Plate: 7 x 10in. (17.8 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1665. Shareholders Ticket for Lord Dundas with plan of the Theatre, Royal Drury Lane

Creator:: unknown artist
Date:: 1812
Dimensions:: Sheet: 10 x 12in. (25.4 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1666. Portrait of Sir H. Rider Haggard

Creator:: Print made by William Strang, 1859–1921
Date:: 1911
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 18 3/8 × 12 1/8 inches (46.7 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1667. Sheep-Sheering

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 12 3/16 inches (34.3 × 30.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1668. British, Neoclassical style frame

Creator:: unknown framemaker
Date:: 20th century
Materials & Techniques:: Wood and compo, water gilt and patinated
Dimensions:: Frame: 10 1/2 × 12 inches (26.7 × 30.5 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

1669. British, Neoclassical frame

Creator:: unknown framemaker
Date:: 20th century
Materials & Techniques:: Wood and compo, water gilt and patinated
Dimensions:: Frame: 9 7/8 × 12 3/8 × 1 3/4 inches (25.1 × 31.4 × 4.4 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

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Width [cm] 31

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1601. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1602. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1603. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1604. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1605. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1606. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1607. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1608. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1609. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1610. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1611. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1612. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1613. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1614. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1615. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1616. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1617. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1618. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1619. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1620. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1621. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1622. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1623. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1624. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1625. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1626. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1627. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1628. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1629. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1630. Femme de Lettres

1631. Mrs. Braddyll

1632. Mrs. Jerningham

1633. Maria, Countess Waldegrave

1634. Lady Ann Dawson as "Diana"

1635. Charlotte at the Tomb of Werther

1636. Visiting Card of Sir Joshua Reynolds

1637. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1638. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1639. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1640. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1641. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1642. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1643. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1644. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1645. Emilia, Duchess of Leinster

1646. Lady Mary Dudley

1647. Westminster Abbey from Dean's Yard

1648. St. Katherine by the Tower

1649. Overthrow of the Republican-Babel

1650. Le Quai de Rosaire

1651. Pan G

1652. Untitled

1653. Untitled

1654. Soldier piping

1655. Arquata: The British Base in Italy

1656. The Death of Mark Antony

1657. [One of] 25 drawings and prints for ceilings

1658. [One of] 25 drawings and prints for ceilings

1659. Pan and Syrinx, No. 1

1660. The Entrance of the Medway

1661. Little Devil's Bridge

1662. Campden, Gloucestershire

1663. Hebe

1664. St. Marks, Venice

1665. Shareholders Ticket for Lord Dundas with plan of the Theatre, Royal Drury Lane

1666. Portrait of Sir H. Rider Haggard

1667. Sheep-Sheering

1668. British, Neoclassical style frame

1669. British, Neoclassical frame