Width [cm]: 31 - YCBA Collections Search Search Results

201. Bridge and Trees

Creator:: Cornelius Varley, 1781–1873
Date:: ca. 1810
Materials & Techniques:: Watercolor and graphite on medium, slightly-textured, cream laid paper
Dimensions:: Sheet: 8 x 12 1/16 inches (20.3 x 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, watercolor, gouache, verso; white gouache on medium, smooth, brown wove paper
Dimensions:: Sheet: 11 × 12 1/4 inches (27.9 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Section of the Loggia, Deepdene; Section of the Staircase, Ceilings and Skylights of the Hall and Staircase, Deepdene

Creator:: unknown artist
Date:: 1841
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 26 1/2 × 18 1/4 inches (67.3 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Section of the Entrance Hall, Plan of the Entrance Hall, Deepdene

Creator:: unknown artist
Date:: 1841
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Image: 17 1/4 × 12 1/4 inches (43.8 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Illustration to Pilgrim's Progress, 10. (The Pilgrim in the Armory)

Creator:: Henry Courtney Selous, 1811–1890
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 12 5/16 inches (21.3 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Andrew Wilton

206. St. Michael's Mount, Ultrecht

Creator:: Louis Haghe, 1806–1885
Date:: 1849
Materials & Techniques:: Watercolor, white gouache, graphite and gum arabic on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/8 × 12 3/8 inches (41 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Tree Study

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1807
Materials & Techniques:: Graphite and black chalk on medium, moderately textured, gray wove paper
Dimensions:: Sheet: 9 1/2 × 12 inches (24.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Two Figures by the Side of a Pond and a Church in a Hilly Landscape

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: undated
Materials & Techniques:: Graphite on very thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 12 inches (25.4 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Julian Hayter, the Artist's Daughter

Creator:: John Hayter, 1800–1895
Date:: 1836
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 11 1/4 inches (22.9 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. A Seascape

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 12 inches (22.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. The Ruins of Leiston Abbey

Creator:: Thomas Hearne, 1744–1817
Date:: 1781
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. East Side of Mr. Hare's New House

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1783
Materials & Techniques:: Watercolor over graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 7 1/4 x 10 1/2 inches (18.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. North East View of Mr. Hare's New House

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1783
Materials & Techniques:: Watercolor with gray ink over graphite on medium, smooth, cream laid paper
Dimensions:: Contemporary drawn border: 7 1/4 x 10 1/2 inches (18.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. View of the Lurlei, Rhine

Creator:: unknown artist
Date:: between 1826 and 1866
Materials & Techniques:: Graphite
Dimensions:: Sheet: 9 7/8 x 12 1/8in. (25.1 x 30.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. A Magpie

Creator:: John Bewick, 1760–1795
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper mounted to moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 12 1/4 inches (20.3 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Wigmore Castle, Herefordshire

Creator:: William Alexander, 1767–1816
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 12 5/16 inches (40 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Illumination Column

Creator:: Attributed to Gangaram Chintaman Tambat, active 1790s
Date:: 1795
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 12 1/8 inches (29.2 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. A Wish

Creator:: William Finden, 1787–1852
Date:: 1834
Materials & Techniques:: Line engraving on thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:: Sheet: 17 5/16 × 12 1/8 inches (44 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. St. Cecilia

Creator:: James Henry Watt, 1799–1867
Date:: 1834
Materials & Techniques:: Line engraving on thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Llanthony, Monmouthshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, finished state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/16 × 17 9/16 inches (31 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving, early engraver's proof on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Orfordness

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, engraver's proof on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 20 9/16 inches (35.9 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Orfordness

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/16 × 14 5/16 inches (28.1 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. The Bernese Alps

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 3/16 × 12 inches (43.7 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Scio (Fontana de Melek Mehmet Pasha)

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Cologne

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 5/8 × 12 inches (44.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Tivoli (vignette)

Creator:: Print made by John Pye, 1782–1874
Date:: 1830
Materials & Techniques:: Etching and line engraving, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. A Farewell - Lake of Como, II

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. A Convent Gate

Creator:: Henry Le Keux, 1787–1868
Date:: 1829
Materials & Techniques:: Line engraving on thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:: Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. The Sailor

Creator:: William Finden, 1787–1852
Date:: 1834
Materials & Techniques:: Line engraving on thick, slightly textured, beige wove paper, with beige chine-collé
Dimensions:: Sheet: 17 1/2 × 12 1/16 inches (44.5 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. William Tell's Chapel

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1829
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. St. Maurice

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1829
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Marengo

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Hospice of the Great St. Bernard

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1829
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Lowestoffe

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving and etching on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 20 3/4 inches (37.8 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Whitby

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving and etching on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/8 × 20 1/2 inches (36.5 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Hotel de Ville, Hague

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1859
Materials & Techniques:: Watercolor, pen and brown ink, gouache and graphite, with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/16 x 12 1/16 inches (40.8 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, watercolor, and gouache on medium, smooth, brown wove paper
Dimensions:: Sheet: 15 5/8 × 12 1/8 inches (39.7 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Graphite and gouache on moderately thick, smooth, green wove paper
Dimensions:: Sheet: 8 1/4 × 12 3/8 inches (21 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Bonaparte's Column in Scafolding at Boulogne, France, with Harvesters in a Field

Creator:: Thomas Hosmer Shepherd, 1792–1864
Date:: 1818
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 12 1/8 inches (21.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. The Needles from Alum Bay

Creator:: George Barret Jr., 1767–1842
Date:: undated
Materials & Techniques:: Pen and black ink, pen and brown ink, gray wash and brown wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 12 inches (14 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. St. James Barracks

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, brown wash, white goauche, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 12 inches (19.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Matlock High Tor

Creator:: John Warwick Smith, 1749–1831
Date:: 1784
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 12 inches (23.2 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Sea Breaking on Stony Cliffs at Left

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/2 x 12 1/4 inches (14 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Plan of the Mesquita of Cordova

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, gray ink, black wash, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 7/16 inches (28.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Landscape with Courting Couple

Creator:: John Martin, 1789–1854
Date:: 1839
Materials & Techniques:: Watercolor and gum over graphite and scratching out on medium, slightly textured, cream wove paper mounted on board
Dimensions:: Sheet: 8 3/4 x 12 1/4 inches (22.3 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Bromley Hill, Kent

Creator:: Amelia Long, 1762–1837
Date:: 1823
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 × 12 3/8 inches (40.6 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. On the Cam . . . back of St. John's College, Cambridge

Creator:: Amelia Long, 1762–1837
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 inches (23.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Houses by the Riverside

Creator:: William Marlow, 1740–1813
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/16 x 12 3/8in. (20.5 x 31.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. On the Road Between Salerno and Eboli

Creator:: Monro School
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 3/8 x 12 1/4 inches (21.3 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. A Cave in Sunlight, with Figures

Creator:: William Payne, active 1850s
Date:: 1825
Materials & Techniques:: Watercolor, gouache, and pen and black ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 12 1/4 inches (21.3 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. On the Wye

Creator:: Pupil of William Payne, active 1850s
Date:: undated
Materials & Techniques:: Watercolor, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 12 1/8in. (21 x 30.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Town with Mountainous Landscape

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 1/4 inches (22.9 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Design for a Bookcase

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: undated
Materials & Techniques:: Gray wash, watercolor, pen and ink over graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 1/8 × 12 3/16 inches (28.3 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Design for Commodes for Lady Poulett's Room, Stratford Place

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: 1807
Materials & Techniques:: Graphite and pen and brown ink on moderately textured, moderately thick, brown laid paper
Dimensions:: Sheet: 16 1/4 × 12 3/16 inches (41.3 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. A Southwest View of the Principal Quadrangle or Court Yard of Crosby Hall

Creator:: Samuel Rawle, 1771–1860
Date:: 1816
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 3/4 x 12 1/8in. (27.3 x 30.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Westminster Bridge

Creator:: James Baylis Allen, 1803–1876
Date:: 1853
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 x 12 3/8in. (20.3 x 31.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Northeast View of Crosby Hall

Creator:: William Wise, Active 1823–1876
Date:: 1816
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/4 x 12 1/4in. (26 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Rainy Night in Rome

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1914
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 16 x 10 7/8 inches (40.6 x 27.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

262. The Northeast Prospect of the Church of St. Martin, Outwich

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 3/4 x 12 1/8in. (24.8 x 30.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. The Southwest Prospect of the Church of St. Helen

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. The South Prospect of the Church of St. Olave in Southwark

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. The Southeast Prospect of the Chapel Royal of St. Peter in the Tower

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1737
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 3/8in. (27.9 x 31.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. The Southwest Prospect of the Church of St. Giles Without Cripplegate

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1737
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 7/8 x 12 1/4in. (27.6 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. The Southeast Prospect of the King Henry the VII's Chapel at Westminster

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1739
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 3/8in. (27.9 x 31.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. The South Prospect of the Church of Sepulchre

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1737
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 3/4 x 12in. (27.3 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. The Southeast Prospect of the Church of St. Dunstan in the West

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1737
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. The Palace Doorway [North Italian Set: No. 22]

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1895
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

271. The Palace of the Stuarts

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1898
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 5/8 inches (23.8 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

272. Blue and White (Portrait of a Lady)

Creator:: Ambrose McEvoy, 1878–1927
Date:: undated
Materials & Techniques:: Graphite and watercolor on Thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

273. Bow Church

Creator:: Samuel Alken, 1756–1815
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 5/16 x 12 1/8in. (44 x 30.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Alexander Pope

Creator:: John Faber the Younger, ca. 1695–1756
Date:: ca. 1744
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper, pasted on very thick, smooth, brown card
Dimensions:: Mount: 16 7/8 x 12 5/16 inches (42.8 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Florence & Maynard Mack

275. The Capitol, Rome

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1923
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 x 12 3/16 inches (21.6 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

276. The Southeast Prospect of the Church of All Hallows Barking. Eastern Outer Suburb.

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. The Southwest Prospect of the Church of All Hallows Staining

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/8 x 12 3/16in. (28.3 x 31cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. St. Paul's from Ludgate Hill

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1842
Materials & Techniques:: Lithograph with tint on moderately thick, slightly textured, cream card
Dimensions:: Sheet: 21 5/8 x 14 7/8 inches (55 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

279. The Southwest Prospect of the Church of St. Giles without Cripplegate

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1737
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. The Crypt of the Ancient Nunnery of St. Helen

Creator:: William Wise, Active 1823–1876
Date:: 1817
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 7/8 x 12 3/8in. (25.1 x 31.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. A View of the New Bridge at Westminster

Creator:: Charles Grignion, 1717–1810
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 1/4 x 12 5/16in. (23.5 x 31.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. The West Prospect of the Church of St. Barts the Great

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1737
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Goodrich Castle on the Wye

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 11 × 14 1/2 inches (27.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Messrs. Carfax

Creator:: Sir Max Beerbohm, 1872–1956
Date:: undated
Materials & Techniques:: gray wash with pen and black ink, watercolor and graphite on medium, slightly textured, cream laid paper mounted on board
Dimensions:: Sheet: 11 5/8 x 12 3/8 inches (29.5 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

285. Sheet of Studies of Hounds, Hare, Falcon and Ducks

Creator:: Attributed to Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 12 3/8 inches (21.9 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. Cloud Study - Evening Twilight, Rodney Terrace

Creator:: Thomas Lindsay, 1793–1861
Date:: 1837
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 12 inches (18.7 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Scene in Kent

Creator:: John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Black chalk and white chalk on moderately thick, slightly textured, blue-gray wove paper
Dimensions:: Contemporary drawn border: 11 1/2 x 17 1/8 inches (29.2 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Rocky Landscape

Creator:: Alfred Parsons, 1847–1920
Date:: undated
Materials & Techniques:: Gray wash, black wash and gouache on very thick, rough, cream wove paper
Dimensions:: Sheet: 14 × 12 5/16 inches (35.6 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

289. Cobham Hall, Kent: Plan of Tower Staircase

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite and pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/8 x 12 1/8 inches (48.6 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Design for a blacksmith's shop

Creator:: unknown artist
Date:: between 1780 and 1790
Materials & Techniques:: Graphite and black chalk; verso: pen and brown ink on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/4 x 12 3/16 inches (19.7 x 30.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Design for Clifton Castle, Yorkshire: Plan and Elevation in the Classical Style

Creator:: unknown artist
Date:: ca. 1780-1790
Materials & Techniques:: Pen and black ink, graphite, watercolor on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 19 × 12 inches (48.3 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Elevation of Arch at Tripoli

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 5/8 × 39 inches (65.1 × 99.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Temple of Jupiter and Minerva, Thugga

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink, red pencil, graphite on moderately thick, moderately textured,cream laid paper
Dimensions:: Sheet: 21 1/2 × 12 3/16 inches (54.6 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Coccinia abyssinica (Lam.): finished drawing, the tuber and detail of fruit

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Jasminum dichotomun Vahl (African jasmine): finished drawing

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 15/16 × 12 1/16 inches (40.5 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Mimusops kummel A. DC. : finished drawing with some flowers

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Woodfordia uniflora (A. Rich.) Koehne: finished drawing of flowering shoot

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Millettia ferruginea (Hochst) Baker: finished drawing

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Millettia ferruginea (Hochst.) Baker: finished drawing with a few details excluded

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 15/16 × 12 1/8 inches (40.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Cucumis metuliferus Naud (Wild Cucumber): finished drawing

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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201. Bridge and Trees

202. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

203. Section of the Loggia, Deepdene; Section of the Staircase, Ceilings and Skylights of the Hall and Staircase, Deepdene

204. Section of the Entrance Hall, Plan of the Entrance Hall, Deepdene

205. Illustration to Pilgrim's Progress, 10. (The Pilgrim in the Armory)

206. St. Michael's Mount, Ultrecht

207. Tree Study

208. Two Figures by the Side of a Pond and a Church in a Hilly Landscape

209. Julian Hayter, the Artist's Daughter

210. A Seascape

211. The Ruins of Leiston Abbey

212. East Side of Mr. Hare's New House

213. North East View of Mr. Hare's New House

214. View of the Lurlei, Rhine

215. A Magpie

216. Wigmore Castle, Herefordshire

217. Illumination Column

218. A Wish

219. St. Cecilia

220. Llanthony, Monmouthshire

221. Aldborough

222. Aldborough

223. Aldborough

224. Orfordness

225. Orfordness

226. The Bernese Alps

227. Scio (Fontana de Melek Mehmet Pasha)

228. Cologne

229. Tivoli (vignette)

230. A Farewell - Lake of Como, II

231. A Convent Gate

232. The Sailor

233. William Tell's Chapel

234. St. Maurice

235. Marengo

236. Hospice of the Great St. Bernard

237. Lowestoffe

238. Whitby

239. Hotel de Ville, Hague

240. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

241. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

242. Bonaparte's Column in Scafolding at Boulogne, France, with Harvesters in a Field

243. The Needles from Alum Bay

244. St. James Barracks

245. Matlock High Tor

246. Sea Breaking on Stony Cliffs at Left

247. Plan of the Mesquita of Cordova

248. Landscape with Courting Couple

249. Bromley Hill, Kent

250. On the Cam . . . back of St. John's College, Cambridge

251. Houses by the Riverside

252. On the Road Between Salerno and Eboli

253. A Cave in Sunlight, with Figures

254. On the Wye

255. Town with Mountainous Landscape

256. Design for a Bookcase

257. Design for Commodes for Lady Poulett's Room, Stratford Place

258. A Southwest View of the Principal Quadrangle or Court Yard of Crosby Hall

259. Westminster Bridge

260. Northeast View of Crosby Hall

261. Rainy Night in Rome

262. The Northeast Prospect of the Church of St. Martin, Outwich

263. The Southwest Prospect of the Church of St. Helen

264. The South Prospect of the Church of St. Olave in Southwark

265. The Southeast Prospect of the Chapel Royal of St. Peter in the Tower

266. The Southwest Prospect of the Church of St. Giles Without Cripplegate

267. The Southeast Prospect of the King Henry the VII's Chapel at Westminster

268. The South Prospect of the Church of Sepulchre

269. The Southeast Prospect of the Church of St. Dunstan in the West

270. The Palace Doorway [North Italian Set: No. 22]

271. The Palace of the Stuarts

272. Blue and White (Portrait of a Lady)

273. Bow Church

274. Alexander Pope

275. The Capitol, Rome