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1. A View on Hampstead Heath, Early Morning

A View on Hampstead Heath, Early Morning
Creator:
Attributed to John Constable, 1776–1837
Date:
ca. 1821
Materials & Techniques:
Oil on canvas
Dimensions:
9 1/2 × 12 3/4 inches (24.1 × 32.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II

Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
Creator:
James Smetham, 1821–1889
Date:
ca. 1874
Materials & Techniques:
Oil over ink on panel
Dimensions:
4 3/4 x 12 9/16 inches (12.1 x 31.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

4. Andernach

Andernach
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1817
Materials & Techniques:
Watercolor, gouache, pen and black ink and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Mqabba, Qrendi

Mqabba, Qrendi
Creator:
Edward Lear, 1812–1888
Date:
1866
Materials & Techniques:
Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper, mounted on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 1/16 x 12 11/16 inches (23 x 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

6. The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
Creator:
William Blake, 1757–1827
Date:
1805 to 1808
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/16 × 12 1/2 inches (46.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

The Poems of Thomas Gray, Design 35, "Ode to Adversity."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Poems of Thomas Gray, Design 65, "The Bard."

The Poems of Thomas Gray, Design 65, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

The Poems of Thomas Gray, Design 83, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Poems of Thomas Gray, Design 97, "Ode for Music."

The Poems of Thomas Gray, Design 97, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

The Poems of Thomas Gray, Design 3, "Ode on the Spring."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Poems of Thomas Gray, Design 5, "Ode on the Spring."

The Poems of Thomas Gray, Design 5, "Ode on the Spring."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Poems of Thomas Gray, Design 53, "The Bard."

The Poems of Thomas Gray, Design 53, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Poems of Thomas Gray, Design 55, "The Bard."

The Poems of Thomas Gray, Design 55, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Poems of Thomas Gray, Design 57, "The Bard."

The Poems of Thomas Gray, Design 57, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Poems of Thomas Gray, Design 27, "A Long Story."

The Poems of Thomas Gray, Design 27, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. View of the Modern City of Pergamon

View of the Modern City of Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/16 x 21 5/16 inches (38.3 x 54.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Siege of Namur

The Siege of Namur
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
between 1773 and 1817
Materials & Techniques:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 17 13/16 inches (28.5 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Overthrow of Dr. Slop

Overthrow of Dr. Slop
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
between 1773 and 1817
Materials & Techniques:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 x 17 11/16 inches (28.7 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
Creator:
John Dixon, ca. 1740–1811
Date:
1771
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/8 x 14 inches (48.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Wooded Landscape with Herdsman and Cows

Wooded Landscape with Herdsman and Cows
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
between 1785 and 1788
Materials & Techniques:
Soft-ground etching with aquatint, in gray ink on thick, slightly textured, brown laid paper
Dimensions:
Sheet: 11 5/8 x 14 1/4 inches (29.5 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. View of Arched Doorway

View of Arched Doorway
Creator:
Print made by Alfred East, 1849–1913
Date:
undated
Materials & Techniques:
Drypoint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/2 x 12 1/2 inches (29.2 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

37. Hilly Landscape with River and Cattle

Hilly Landscape with River and Cattle
Creator:
John Glover, 1767–1849
Date:
ca. 1810
Materials & Techniques:
Watercolor over graphite on moderateley thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 x 12 3/4 inches (21 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Landscape with Farmhouse, Figures and Pond

Landscape with Farmhouse, Figures and Pond
Creator:
Paul Sandby Munn, 1773–1845
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 12 5/8 inches (21 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. In Knole Park

In Knole Park
Creator:
Robert Hills, 1769–1844
Date:
undated
Materials & Techniques:
Gray wash and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 12 1/2 inches (19.1 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Old London, View from St. James Park Looking East

Old London, View from St. James Park Looking East
Creator:
William Henry Pyne, 1769–1843
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 12 3/4in. (19.7 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Severn-Henbury Village and Blaize Castle from the road in the Mill

The Severn-Henbury Village and Blaize Castle from the road in the Mill
Creator:
Attributed to J. Hadley, active 1730–1758
Date:
undated
Materials & Techniques:
Gray wash, and pen and black ink on four joined sheets of medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/4 × 12 3/4 inches (10.8 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Sluice Gate near Slough

The Sluice Gate near Slough
Creator:
Paul Sandby Munn, 1773–1845
Date:
1811
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 12 5/8 inches (28.6 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Notre Dame

Notre Dame
Creator:
Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:
1908
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 11/16 x 15 inches (52.5 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

44. The Basilica at Pergamon

The Basilica at Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 3/16 x 21 1/4 inches (38.5 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Bushey Church from the South West

Bushey Church from the South West
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 3/4 x 15 inches (24.8 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. A Farmyard

A Farmyard
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1815
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 x 12 3/4 inches (26.7 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Greenwich from the Park

Greenwich from the Park
Creator:
Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, gray laid paper
Dimensions:
Sheet: 5 3/8 x 12 9/16 inches (13.7 x 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. A Church in Italy

A Church in Italy
Creator:
Joseph Wright of Derby, 1734–1797
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 12 3/4 inches (24.8 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. City of Bath

City of Bath
Creator:
Francis Place, 1647–1728
Date:
1678
Materials & Techniques:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 15/16 × 12 9/16 inches (10 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Roslyn Castle - a wooded river landscape

Roslyn Castle - a wooded river landscape
Creator:
Thomas Peploe Wood, 1817–1845
Date:
1839
Materials & Techniques:
Brown wash with brown and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 5/8 inches (24.1 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. On the Thames

On the Thames
Creator:
pupil of John Varley, 1778–1842
Date:
undated
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 12 1/2 inches (22.2 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Thatched-roof Barn

Thatched-roof Barn
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 × 12 3/4 inches (20.6 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

54. Malmesbury Abbey

Malmesbury Abbey
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 6 1/8 × 12 1/2 inches (15.6 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. The Waggoner's Rest

The Waggoner's Rest
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1800 and 1805
Materials & Techniques:
Watercolor with pen and gray ink over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 7/8 x 9 1/4 inches (14.9 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Kenilworth Castle

Kenilworth Castle
Creator:
Attributed to Francis Bedford, 1816–1894
Date:
ca. 1865
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

57. The Watermill Above the Bridge at Charenton

The Watermill Above the Bridge at Charenton
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, moderately textured, cream wove paper, (two sheets mounted together)
Dimensions:
Sheet: 7 11/16 x 12 3/4 inches (19.5 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. The Shepherd - Evening

The Shepherd - Evening
Creator:
Francis Oliver Finch, 1802–1862
Date:
1845
Materials & Techniques:
Watercolor, graphite, and gum, with scraping on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 12 3/4 inches (20.3 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Landscape with a Bridge

Landscape with a Bridge
Creator:
Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:
1790 to 1795
Materials & Techniques:
Pen and brown ink, brown wash, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 12 5/8 inches (20.3 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Matlock High Tor, Derbyshire

Matlock High Tor, Derbyshire
Creator:
John Emes, 1762–1810
Date:
ca. 1786
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 9/16 × 12 1/2 inches (37 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. A Mountain Stream

A Mountain Stream
Creator:
François Louis Thomas Francia, 1772–1839
Date:
1801
Materials & Techniques:
Watercolor and graphite on medium, rough, cream laid paper, pasted on thick, smooth, cream card
Dimensions:
Contemporary drawn border: 10 5/8 x 12 3/4 inches (27 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Wooded Landscape with Figures

Wooded Landscape with Figures
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1788
Materials & Techniques:
Black chalk and stumping, with touches of white and red chalk, gray and brown wash, heightened with gouache on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 12 1/2 inches (39.4 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Mountainous Landscape, North Wales

Mountainous Landscape, North Wales
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1802
Materials & Techniques:
Watercolor and gum over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 x 12 5/8 inches (21.6 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

64. On the Monnow, Monmouth

On the Monnow, Monmouth
Creator:
Henry Edridge, 1769–1821
Date:
undated
Materials & Techniques:
Watercolor, white gouache, and graphite with scratching out on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Night from the River

Night from the River
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Drypoint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 12 5/8 inches (44.8 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

66. Landscape

Landscape
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/16 × 11 7/8 inches (23.3 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

67. The Battle of Taniers, Part Second

The Battle of Taniers, Part Second
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 1/2 × 12 1/2 inches (26.7 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. A Stage Coach Outside of the Entrance of an Inn

A Stage Coach Outside of the Entrance of an Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Brown wash, gray wash, pen and black ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 x 10 1/16 inches (14.9 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Oakhampton Castle

Oakhampton Castle
Creator:
Francis Towne, 1740–1816
Date:
1772
Materials & Techniques:
Gray wash and black ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. "Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'

"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 5/16 × 12 7/16 inches (21.1 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. "Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'

"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 12 1/2 inches (21.1 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Rider on a Brown Horse Going at a Wall

Rider on a Brown Horse Going at a Wall
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 × 12 3/4 inches (22.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. The Huntsman, Galloping to Left and Encouraging Hounds

The Huntsman, Galloping to Left and Encouraging Hounds
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 12 9/16 inches (22.5 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. The Duke of Cumberland Riding With Mr. de Burgh's Hunt

The Duke of Cumberland Riding With Mr. de Burgh's Hunt
Creator:
John Ferneley, 1782–1860
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gouache and gum arabic on thick, rough, cream wove paper
Dimensions:
Sheet: 8 11/16 × 12 9/16 inches (22.1 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Preliminary Study for "A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire"

Preliminary Study for "A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire"
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 × 12 7/16 inches (22.7 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Chelsea

Chelsea
Creator:
James McNeill Whistler, 1834–1903
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 x 12 3/4 inches (24.2 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

77. Riverside Village, Bengal, Upper India

Riverside Village, Bengal, Upper India
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 12 11/16 inches (21.3 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

78. Landscape with a Fisherman

Landscape with a Fisherman
Creator:
James McNeill Whistler, 1834–1903
Date:
1861
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, smooth, cream laid paper
Dimensions:
Sheet: 9 3/4 x 12 5/8 inches (24.8 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

79. Wild Duck Shooting

Wild Duck Shooting
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Patience in a Punt

Patience in a Punt
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 8 1/16 × 12 1/2 inches (20.5 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Foxhunting: The Leap

Foxhunting: The Leap
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 12 1/2 inches (23.7 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Foxhunting: Drawing a Cover

Foxhunting: Drawing a Cover
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 7/16 inches (23.8 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. A View of Part of the Royal Gardens at Naples Towards the Sea

A View of Part of the Royal Gardens at Naples Towards the Sea
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 5/8 x 12 1/2 inches (24.4 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. May Day

May Day
Creator:
Print made by Rowney & Forster, active 1820–1822
Date:
after 1821
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 12 9/16 inches (21.9 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Guy Fawkes

Guy Fawkes
Creator:
Print made by Rowney & Forster, active 1820–1822
Date:
after 1821
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 12 1/2 inches (21.8 × 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Haymaking

Haymaking
Creator:
Heinrich W. Schweickhardt, 1746–1797
Date:
undated
Materials & Techniques:
Pen and black ink, gray ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 × 12 9/16 inches (17.8 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Ruins at Capua

Ruins at Capua
Creator:
Carlo Labruzzi, 1748–1817
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/8 × 12 1/2 inches (38.4 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. A Village Pond with Farm Buildings

A Village Pond with Farm Buildings
Creator:
George Lambert, 1700–1765
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 x 12 7/16in. (20.3 x 31.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Woodland Landscape

Woodland Landscape
Creator:
Richard Cooper the Younger, 1740–1814
Date:
undated
Materials & Techniques:
Graphite, brown wash, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 12 5/8 inches (22.2 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. The Bungalow at Colgong, near Bhagalpur as it appeared after it was burnt

The Bungalow at Colgong, near Bhagalpur as it appeared after it was burnt
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, wove paper
Dimensions:
Sheet: 9 1/8 × 12 1/2 inches (23.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Paddington Canal

Paddington Canal
Creator:
Alvin Langdon Coburn, 1882–1966
Date:
1909
Materials & Techniques:
Photogravure on medium, slightly textured, cream wove paper
Dimensions:
Frame: 14 3/4 × 12 3/4 × 1 inches (37.5 × 32.4 × 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

92. Regent's Canal

Regent's Canal
Creator:
Alvin Langdon Coburn, 1882–1966
Date:
1909
Materials & Techniques:
Photogravure on medium, slightly textured, cream wove paper
Dimensions:
Frame: 14 3/4 × 12 3/4 × 1 inches (37.5 × 32.4 × 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

93. The Grotto and the Temple of Contemplation, Stowe

The Grotto and the Temple of Contemplation, Stowe
Creator:
Jean B. C. Chatelain, 1710–1771
Date:
1752
Materials & Techniques:
Watercolor, graphite, brown wash, gray wash, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 12 3/4 inches (22.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. A View of the Rotunda in the Garden at Stowe, Buckinghamshire

A View of the Rotunda in the Garden at Stowe, Buckinghamshire
Creator:
Jean B. C. Chatelain, 1710–1771
Date:
1753
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 12 3/4 inches (23.2 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Mountainous Landscape

Mountainous Landscape
Creator:
Alexander Cozens, 1717–1786
Date:
ca. 1780
Materials & Techniques:
Brown ink, black ink, gray wash, brown wash and pale brown ground on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 12 1/2 inches (24.1 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Melville Castle, Midlothian

Melville Castle, Midlothian
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Watercolor with pen in brown ink over graphite on very thick, moderately textured, brown wove paper
Dimensions:
Sheet: 6 7/8 x 9 1/4 inches (17.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Windmill Hill, no. 2

Windmill Hill, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1877
Materials & Techniques:
Etching and drypoint, with plate tone on medium, moderately textured, cream antique laid paper
Dimensions:
Sheet: 8 1/8 x 12 5/8 inches (20.6 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

98. The Pool

The Pool
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1915
Materials & Techniques:
Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

99. Kensington Gardens, no. 2 (large plate)

Kensington Gardens, no. 2 (large plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 17 3/16 x 12 1/2 inches (43.6 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

100. Combe Bottom

Combe Bottom
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, light blue laid paper
Dimensions:
Sheet: 7 11/16 x 12 1/2 inches (19.6 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield