Width [cm]: 32 - YCBA Collections Search Search Results

1001. Cowdray

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1882
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, beige wove paper
Dimensions:: Sheet: 8 7/8 x 12 3/4 inches (22.5 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1002. Dutch Boat

Creator:: Samuel Prout, 1783–1852
Date:: 1814
Materials & Techniques:: Softground etching (?)
Dimensions:: Sheet: 9 3/4 x 13 1/2in. (24.8 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

1003. Dido Building Carthage

Creator:: Print made by Edward Goodall, 1795–1870
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1004. Cologne from the River

Creator:: Print made by Arthur Willmore, 1814–1888
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1005. Childe Harold's Pilgrimage

Creator:: Print made by James T. Willmore, 1800–1863
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 3/4 inches (24.8 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1006. Venice, The Dogana

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1875
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 3/4 inches (23.8 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1007. The Fighting Téméraire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1008. Snowstorm

Creator:: Print made by Robert Brandard, 1805–1862
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1009. Approach to Venice

Creator:: James Charles Armytage, 1802–1897
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1010. Kippford

Creator:: Sir Frank Short, 1857–1945
Materials & Techniques:: Drypoint on laid paper
Dimensions:: Sheet: 8 3/4 x 12 3/4in. (22.2 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1011. Architectural Designs Incorporating Chinoiserie motifs: China Railing

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on medium, textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 15 3/8 inches (25 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1012. Architectural Designs incorporating Chinoiserie Motifs: Rails

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on moderately thick, textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 15 3/8 inches (25.3 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1013. Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on medium, textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 15 3/8 inches (25 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1014. Bonus - Melior - Optimus, or the Devil's The Best of the Bunch

Creator:: James Gillray, 1756–1815
Date:: 1783
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 1/2in. (21.6 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1015. A Block for the Wigs - or, The New State Whirligig

Creator:: James Gillray, 1756–1815
Date:: 1783
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 12 3/4in. (21.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1016. Suitable Restrictions

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1017. The Misers Economy

Creator:: Richard Newton, 1777–1798
Date:: 1794
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/8 x 12 5/8in. (21.3 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1018. A Present for Past Favours

Creator:: William O'Keefe, active 1794–1807
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1019. Inspection of Property and Income, John Bull and The Inquisition

Creator:: William O'Keefe, active 1794–1807
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/8 x 12 1/2in. (20.6 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1020. Ducking a Pickpocket

Creator:: William O'Keefe, active 1794–1807
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 12 1/2in. (22.2 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1021. A Contest between Oppression and Reason, On the Best Way of Settleing Debates

Creator:: William O'Keefe, active 1794–1807
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 7/8 x 12 1/2in. (20 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1022. How to Attack, Defeat, and Destroy all France

Creator:: William O'Keefe, active 1794–1807
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 x 12 5/8in. (20.3 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1023. The Regency Twelfth Cake not cut up, and All the People rejoiced and said "Long Live the King"

Creator:: James Sayer, 1748–1823
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 12 1/2in. (22.5 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1024. Barataria

Creator:: James Sayer, 1748–1823
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/4 x 12 3/4in. (28.6 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1025. The Political Rat Catcher or Jack Renegado's new Patent Trap's

Creator:: Annibal Scratch, active 1791
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/8 x 12 3/4in. (20.6 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1026. Mars and Venus, or Sir Cecil Chastised

Creator:: Annibal Scratch, active 1791
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 7/8 x 12 5/8in. (20 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1027. Flying Breakfast, or the Contents of a Night Coach

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 11/16 x 12 9/16in. (19.5 x 31.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1028. The Naughty Quaker in Elbow Lane!! Oh! Fie - Oh! Fie!!!

Creator:: Henry Heath, active 1824–1835
Date:: 1825
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1029. A Venerable Spider and A Buzzing Fly

Creator:: John Doyle ('H.B.'), 1797–1868
Date:: 1832
Materials & Techniques:: Lithograph, hand-colored
Dimensions:: Sheet: 9 1/2 x 12 1/2in. (24.1 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1030. Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

Creator:: Print made by Louisa Augusta Greville, 1743–active 1762
Date:: 1760
Materials & Techniques:: Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/8 x 12 5/8 inches (46.6 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1031. An Essay on the Sublime and Beautiful, The Maiden Speech

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Etching, hand colored
Dimensions:: Sheet: 8 1/16 x 12 3/4in. (20.5 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1032. Caernarvon Castle

Creator:: Sir Robert Ker Porter, 1777–1842
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 12 3/4 inches (26.7 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1033. The First Levee of the New P-r-t (Parliament)

Creator:: unknown artist
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 5/8in. (21.6 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1034. Coalition - The Fox & Badger Both in a Hole

Creator:: unknown artist
Date:: 1783
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 x 12 11/16in. (20.3 x 32.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1035. John Bull Ask'd at Saint Stephens

Creator:: John Cawse, 1779–1862
Date:: 1800
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 12 3/4in. (22.2 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1036. Content and Discontent

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 16 3/4 x 12 3/4in. (42.5 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1037. A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/16 x 12 9/16in. (20.8 x 31.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

1038. Homer Singing His Verses to the Greeks

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 12 1/2in. (24.4 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1039. And The' - Tisick, - The Colic, Punch Cures The Gout

Creator:: James Gillray, 1756–1815
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/8 x 12 7/16in. (23.8 x 31.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1040. Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children

Creator:: James Gillray, 1756–1815
Date:: 1782
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 12 5/8in. (22.2 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1041. Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)

Creator:: James Gillray, 1756–1815
Date:: 1782
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 12 1/2in. (22.5 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1042. Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 12 3/4in. (24.4 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1043. Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 3/4 x 12 5/8in. (24.8 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1044. The Loves of the Fox and the Badger, - or The Coalition Wedding

Creator:: James Gillray, 1756–1815
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 7/8 x 12 1/2in. (20 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1045. The Loves of the Fox and the Badger, - or The Coalition Wedding

Creator:: James Gillray, 1756–1815
Date:: 1784
Materials & Techniques:: Etching
Dimensions:: Sheet: 7 7/8 x 12 1/2in. (20 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1046. The Ceremony of Opening London Bridge, August 1, 1831

Creator:: Print made by Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1047. The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover

Creator:: James Gillray, 1756–1815
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/8 x 12 3/4in. (20.6 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1048. A Prophetic Sketch of the (wig) Club as Described in the First Book of Samuel, Chapter twenty-two, Verse two

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 12 3/4in. (24.1 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1049. The Imperial Dilly!!

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/16 x 12 3/4in. (21.4 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1050. Wooded Upland Landscape with Riders and Packhorse

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: 1797
Materials & Techniques:: Mezzotint and drypoint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 18 3/8 inches (35.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1051. A Bungling Disguise; or, a French Discovery

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/8 x 12 3/4in. (25.1 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1052. French Discernment; or, a Bumling Discovery!

Creator:: Richard Newton, 1777–1798
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/8 x 12 5/8in. (25.7 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

1053. A Peep in the City - or Spoil'd Children

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 11/16 x 12 3/4in. (22.1 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1054. A Cudgelling Match between English and French Negroes in the Island of Dominica

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1779
Materials & Techniques:: Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 × 13 7/8 inches (29.5 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1055. In Bradley Vale, 29 May 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1056. Loweswater from Water End House, Friday 31 July 1835

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1835
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1057. Near Ennerdale Lake, 20 May 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1058. The Pillar & Steeple or Red Pike from the East End of Ennerdale Lake, 10 May 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1059. From Anglers Rock, Ennerdale Lake, 10 May 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1060. Ennerdale, 10 May 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1061. Whitehaven Road, 10 May 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1062. Ennerdale, 10 May 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1063. Near the Anglers Rock, Ennerdale Lake, 10 May 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 5/8 inches (22.9 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1064. Ennerdale Lake, 20 May 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 1/2 inches (23.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1065. Ennerdale Lake, 10 May 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1066. Ennerdale Lake, 10 May 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1067. From under the Screes at Wast Water, May 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 5/8 inches (22.9 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1068. From Rydal Cottage, 11 February 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 3/4 inches (23.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1069. At Rydal Lake, 8 February 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1070. Rydal Cottage from the Bridge, 8 February 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 5/8 inches (22.9 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1071. Rydal Lake, 8 February 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1072. Princeps Wolfangus Wilhelmus

Creator:: Print made by Lucas Vorsterman I, 1595–1675
Date:: ca. 1635
Materials & Techniques:: Line engraving, stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/2 × 12 3/4 inches (41.9 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1073. Near Rydal Lake, 10 February 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 5/8 inches (22.9 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1074. Study of a Reclining, Nude Figure

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1806
Materials & Techniques:: Black chalk and white chalk on medium, rough, brown wove paper
Dimensions:: Sheet: 10 1/2 × 12 11/16 inches (26.7 × 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1075. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1076. An Autumn Afternoon on Hampstead Heath

Creator:: Print made by John Copley, 1875–1950
Date:: 1939
Materials & Techniques:: Etching and drypoint with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/16 x 12 1/2 inches (41.8 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1077. Looking over Alum Bay

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1078. On the Road to the Needles From Cowes

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1079. From the Height near the Needles Light House

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 12 3/4 inches (22.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1080. The Needles and Lighthouse, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1081. Near Saint Lawrence, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1082. Near Saint Lawrence Station, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 1/2 inches (23.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1083. Ventnor Down, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1084. Near Saint Lawrence, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1085. From the Port of Saint Lawrence, 14 January 1826

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 12 1/2 inches (24.1 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1086. Pianura dell'Hermo in Faccia a Sardes

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 3/4 x 21 5/16 inches (37.5 x 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1087. Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink and gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 x 21 1/4 inches (38.1 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1088. Cnidus: Plan of the Harbor and Map of Sites

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 5/8 x 21 1/4 inches (37.2 x 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1089. View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/8 x 21 1/4 inches (38.4 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1090. Plan of the Bay of Tyre

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 3/4 x 21 1/4 inches (37.5 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1091. Samos

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 15/16 x 21 1/4 inches (38 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1092. Plan of the Port of Sigacik (ancient Teos)

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 7/8 x 21 1/4 inches (37.8 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1093. Aquedotto Angolare

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 7/8 x 21 1/4 inches (37.8 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1094. View of Maglova Aqueduct

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 11/16 x 21 1/4 inches (37.3 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1095. George Pritchard, Her Britannic Majesty's Consul

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint, stipple engraving, and etching with colored woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/4 x 12 1/2 inches (41.2 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1096. Ideal Pastoral Life

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1829
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Mount: 16 5/16 x 12 7/16 inches (41.5 x 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1097. The Flood

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1829
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Mount: 16 3/8 x 12 1/2 inches (41.6 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1098. Near Shorwell, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1832
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 1/2 inches (23.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1099. Cavalry Charging

Creator:: Print made by Conrad Gessner, 1764–1826
Date:: 1801
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1100. Harbour Scene

Creator:: Print made by John Thomas Serres, 1759–1825
Date:: 1803, published 1806
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 12 5/8 inches (22.2 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1001. Cowdray

1002. Dutch Boat

1003. Dido Building Carthage

1004. Cologne from the River

1005. Childe Harold's Pilgrimage

1006. Venice, The Dogana

1007. The Fighting Téméraire

1008. Snowstorm

1009. Approach to Venice

1010. Kippford

1011. Architectural Designs Incorporating Chinoiserie motifs: China Railing

1012. Architectural Designs incorporating Chinoiserie Motifs: Rails

1013. Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..

1014. Bonus - Melior - Optimus, or the Devil's The Best of the Bunch

1015. A Block for the Wigs - or, The New State Whirligig

1016. Suitable Restrictions

1017. The Misers Economy

1018. A Present for Past Favours

1019. Inspection of Property and Income, John Bull and The Inquisition

1020. Ducking a Pickpocket

1021. A Contest between Oppression and Reason, On the Best Way of Settleing Debates

1022. How to Attack, Defeat, and Destroy all France

1023. The Regency Twelfth Cake not cut up, and All the People rejoiced and said "Long Live the King"

1024. Barataria

1025. The Political Rat Catcher or Jack Renegado's new Patent Trap's

1026. Mars and Venus, or Sir Cecil Chastised

1027. Flying Breakfast, or the Contents of a Night Coach

1028. The Naughty Quaker in Elbow Lane!! Oh! Fie - Oh! Fie!!!

1029. A Venerable Spider and A Buzzing Fly

1030. Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

1031. An Essay on the Sublime and Beautiful, The Maiden Speech

1032. Caernarvon Castle

1033. The First Levee of the New P-r-t (Parliament)

1034. Coalition - The Fox & Badger Both in a Hole

1035. John Bull Ask'd at Saint Stephens

1036. Content and Discontent

1037. A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament

1038. Homer Singing His Verses to the Greeks

1039. And The' - Tisick, - The Colic, Punch Cures The Gout

1040. Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children

1041. Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)

1042. Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4)

1043. Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen

1044. The Loves of the Fox and the Badger, - or The Coalition Wedding

1045. The Loves of the Fox and the Badger, - or The Coalition Wedding

1046. The Ceremony of Opening London Bridge, August 1, 1831

1047. The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover

1048. A Prophetic Sketch of the (wig) Club as Described in the First Book of Samuel, Chapter twenty-two, Verse two

1049. The Imperial Dilly!!

1050. Wooded Upland Landscape with Riders and Packhorse

1051. A Bungling Disguise; or, a French Discovery

1052. French Discernment; or, a Bumling Discovery!

1053. A Peep in the City - or Spoil'd Children

1054. A Cudgelling Match between English and French Negroes in the Island of Dominica

1055. In Bradley Vale, 29 May 1833

1056. Loweswater from Water End House, Friday 31 July 1835

1057. Near Ennerdale Lake, 20 May 1836

1058. The Pillar & Steeple or Red Pike from the East End of Ennerdale Lake, 10 May 1836

1059. From Anglers Rock, Ennerdale Lake, 10 May 1836

1060. Ennerdale, 10 May 1836

1061. Whitehaven Road, 10 May 1836

1062. Ennerdale, 10 May 1836

1063. Near the Anglers Rock, Ennerdale Lake, 10 May 1836

1064. Ennerdale Lake, 20 May 1836

1065. Ennerdale Lake, 10 May 1836

1066. Ennerdale Lake, 10 May 1836

1067. From under the Screes at Wast Water, May 1836

1068. From Rydal Cottage, 11 February 1836

1069. At Rydal Lake, 8 February 1836

1070. Rydal Cottage from the Bridge, 8 February 1836

1071. Rydal Lake, 8 February 1836

1072. Princeps Wolfangus Wilhelmus

1073. Near Rydal Lake, 10 February 1836

1074. Study of a Reclining, Nude Figure

1075. The Great Exhibition: Exterior View from the Southwest