The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
1800
Not on view
8
Cornelis Ketel, 1548–1616
Sir John Smythe of Westenhanger, Kent (1557–1608)
1579
Not on view
9
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
Not on view
10
Samuel De Wilde, 1748–1832
John Quick as Tony Allspice
ca. 1796
Not on view
11
Sir Charles Lock Eastlake, 1793–1865
A View of the Church of S. Sabina and the Pyramid of Cestius, Rome
ca. 1825
Not on view
12
George Morland, 1763–1804
Old horses with a dog in a stable
ca. 1791
Not on view
13
Sir Edwin Henry Landseer, 1802–1873
Study of a Dog Lying Down
1860
Not on view
14
Edward Burne-Jones, 1833–1898
Fair Rosamund and Queen Eleanor
1861
Not on view
15
Jacques-Laurent Agasse, 1767–1849
Clouded Leopards
ca. 1825
Not on view
16
John Jackson, 1778–1831
Sir David Wilkie
ca. 1810
Not on view
17
Richard Parkes Bonington, 1802–1828
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
ca. 1826
Not on view
18
George Jones, 1786–1869
A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'
1815
Not on view
19
Attributed to Peter DeWint, 1784–1849
Windsor Castle
early 19th century
Not on view
20
George Haugh, 1756–1827
The Countess of Effingham with Gun and Shooting Dogs
1787
Not on view
21
John Frederick Herring, 1795–1865
The Suffolk Hunt: Going to Cover near Herringswell
1833
Not on view
22
John Frederick Herring, 1795–1865
The Suffolk Hunt: Gone Away
1833
Not on view
23
John Frederick Herring, 1795–1865
The Suffolk Hunt : The Death
1833
Not on view
24
John Frederick Herring, 1795–1865
The Suffolk Hunt: Full Cry
1833
Not on view
25
James Ward, 1769–1859
A Border Leicester Ewe
between 1795 and 1800
Not on view
26
James Ward, 1769–1859
Gloucestershire Old Spot
between 1800 and 1805
Not on view
27
William Brodie, 1815–1881
Alfred, Lord Tennyson, Poet Laureate
1857
Not on view
28
Edward Hodges Baily, 1788–1867
Edward Hodges
1820
Not on view
29
John Henry Foley, 1818–1874
Edmund Burke
1865
Not on view
30
John Henry Foley, 1818–1874
Oliver Goldsmith
1863
Not on view
31
Robert Polhill Bevan, 1865–1925
The Horse Mart (with further sketches in the margin)
ca. 1918
32
Robert Polhill Bevan, 1865–1925
The White House (Gould's Farm Luppitt)
ca. 1920
33
John Constable, 1776–1837
Ruin of St. Botolph's Priory, Colchester
ca. 1809
34
Samuel Palmer, 1805–1881
Wilmot's Hill, Kent
ca. 1851
35
Samuel Palmer, 1805–1881
A Cow Lodge with a Mossy Roof
ca. 1829
36
Samuel Palmer, 1805–1881
Tintern Abbey
1835
37
Samuel Palmer, 1805–1881
A Barn with a Mossy Roof, Shoreham
undated
38
Samuel Palmer, 1805–1881
The Primitive Cottage, Shoreham
undated
39
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
40
Print made after George Stubbs, 1724–1806
Plate VIII, Human Body, Posterior View
1804
41
Print made after George Stubbs, 1724–1806
Plate VII, Human Body, Lateral View
1804
42
Print made after George Stubbs, 1724–1806
Plate VI, Human Body, Frontal View
1804
43
Print made after George Stubbs, 1724–1806
Plate X, Fowl Body, Lateral View
1804
44
George Stubbs, 1724–1806
Human Skeleton, Posterior View
1795 to 1806
45
George Stubbs, 1724–1806
Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)
1795 to 1806
46
George Stubbs, 1724–1806
Fowl Skeleton, Lateral View (Outline drawing)
1795 to 1806
47
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for the Key Figure to Table XV)
1795 to 1806
48
George Stubbs, 1724–1806
Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)
1795 to 1806
49
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
50
George Stubbs, 1724–1806
Fowl Body, Lateral View (Outline drawing, related to Table XV)
1795 to 1806
51
Print made by William Hogarth, 1697–1764
The Four Times of Day, Plate I: Morning
1738
52
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate VII: In Fleet Street Prison
1735
53
William Hogarth, 1697–1764
A Rake's Progress, Plate VI: He Gambles
1735
54
William Hogarth, 1697–1764
The Invasion, Plate I: France
1756
55
William Hogarth, 1697–1764
The Invasion, Plate II: England
1756
56
William Hogarth, 1697–1764
The Cockpit
1759
57
William Hogarth, 1697–1764
A Rake's Progress, Plate VIII: In Bedlam
1735
58
Robert Polhill Bevan, 1865–1925
Fields Farm, Clayhidon
1917
59
Robert Polhill Bevan, 1865–1925
Horse Dealers
ca. 1918
60
Attributed to Joseph Mallord William Turner, 1775–1851
Via Mala
between 1813 and 1823
61
Joseph Mallord William Turner, 1775–1851
Near Grindelwald
ca. 1796
62
Joseph Mallord William Turner, 1775–1851
Villa Salviati on the Arno
between 1796 and 1797
63
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
64
Etched by Joseph Mallord William Turner, 1775–1851
Pembury Mill, Kent
1808
65
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
66
Print made by Joseph Mallord William Turner, 1775–1851
Crowhurst
between 1813 and 1823
67
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge in Middle Distance
1808
68
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
69
Etched by Joseph Mallord William Turner, 1775–1851
Juvenile Tricks
1811
70
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
71
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
72
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
73
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
74
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
75
Etched by Joseph Mallord William Turner, 1775–1851