Width [cm]: 4 / Subject Terms: robe - YCBA Collections Search Search Results

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Width [cm] 4

Subject Terms robe

1. Egyptian Man

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 1 11/16 x 1 7/16 inches (4.3 x 3.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

2. Egpytian Man on Camel

Egpytian Man on Camel

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/16 x 1 11/16 inches (5.2 x 4.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

3. Study of an Egyptian Man on a Camel

Study of an Egyptian Man on a Camel

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 1 11/16 inches (5.4 x 4.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

4. The Annunciation (Luke 1:26)

The Annunciation (Luke 1:26)

Creator:: Richard Westall, 1765–1836
Date:: before 1836
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/8 x 1 1/2 inches (10.5 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Charles Howard, second Baron Howard of Effingham and first Earl of Nottingham (1536-1624)

Charles Howard, second Baron Howard of Effingham and first Earl of Nottingham (1536-1624)

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 3/8 x 11 inches (39.1 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection