Plate 12, The Industrious 'Prentice Lord Mayor of London
1747
3
Print made by Joseph Mallord William Turner, 1775–1851
Ship in a Storm
between 1820 and 1826
4
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
5
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
6
Engraved by Joseph Mallord William Turner, 1775–1851
Stonehenge at Daybreak
1815 to 1819
7
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
8
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
9
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
10
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
11
Etched by Joseph Mallord William Turner, 1775–1851
Lauffenbourgh on the Rhine
1811
12
Etched by Joseph Mallord William Turner, 1775–1851
Windmill and Lock
1811
13
Etched by Joseph Mallord William Turner, 1775–1851
Marine Dabblers
1811
14
Etched by Joseph Mallord William Turner, 1775–1851
Mt. St. Gothard
1808
15
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
16
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
17
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
18
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
19
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
20
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
21
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
22
Print made by John Boydell, 1720–1804
Greenland Fishery
1754
23
Print made by Thomas Boydell, active 1750–1751
A Small Breeze
1753
24
Print made by John Boydell, 1720–1804
Morning
1753
25
Print made by John Boydell, 1720–1804
Noon
1753
26
Print made by John Boydell, 1720–1804
A Calm
1754
27
Print made by John Browne, 1741–1801
Evening
ca. 1797
28
Print made by James Bretherton, ca. 1730–1806
The Damnation of Obadiah
1773
29
Print made by Sir Frank Short, 1857–1945
View of a Lake, Derwentwater
1891
30
Charles Turner, 1774–1857
The Little Cottager
1809
31
R. Martin, active 1823–1840
Ancient View of the Greengate Street Stafford
1840
32
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
33
Print made by Henry Le Keux, 1787–1868
Simmer Lake near Askrig
1818-1823
34
Print made by John Le Keux, 1783–1846
Rome, from the Farnese Gardens
1818-1820
35
Print made by W. R. Smith, active 1819–1851
Amboise
1833
36
Print made by Robert Brandard, 1805–1862
Rouen, looking up the river
1834
37
George C. Winckler, Active 1760
Prospect der Koniglichen Marth in London
38
unknown artist
The Foundation or Ground Plan of St. Pauls Church
undated
39
John S. Muller, ca. 1715–1792
A North West View of St. Paul's Cathedral, London
1753
40
John S. Muller, ca. 1715–1792
A North West View of St. Paul's Cathedral, London
1753
41
Thomas Bowles, ca. 1712–died 1753
A View of the Custom House with Part of the Tower
1753
42
Robert Laurie, 1755?–1836
Court of Equity, Belle Savage Inn, Ludgate Hill
1778
43
Sir David Young Cameron, 1865–1945
Doge's Palace
1902
44
Sir David Young Cameron, 1865–1945
Doge's Palace
1902
45
Print made by Sir Muirhead Bone, 1876–1953
Somerset House
1905
46
Print made by Sir Muirhead Bone, 1876–1953
Walberswick Ferry
1913
47
Print made by Sir Muirhead Bone, 1876–1953
Stirling Castle, No. 2
1909
48
Print made by Sir Muirhead Bone, 1876–1953
Dunimarle
1909
49
Print made by William Byrne, 1743–1805
Newbury from Speen Hill
1805
50
Print made by William Byrne, 1743–1805
Wickham from the Marlow Road
1803
51
Print made by William Byrne, 1743–1805
Eton, from the Slough Road
1803
52
Print made by William Byrne, 1743–1805
Abingdon from the Thames Navigation
1805
53
Print made by William Byrne, 1743–1805
Part of Chester Castle
1810
54
Print made by Samuel Rawle, 1771–1860
North East View of Dunster Castle, Somersetshire
1800
55
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
56
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
57
Print made by John Raphael Smith, 1752–1812
Love in Her Eyes Sits Playing
1778
58
Valentine Green, 1739–1813
Valentine Green
1788
59
Print made by Samuel Cousins, 1801–1887
Sir Thomas Lawrence P. R. A
1830
60
Print made by Richard Earlom, 1743–1822
Thomas Pownall, Esq., Member of Parliament
1777
61
Robert Havell, 1769–1832
A pair: 2. The Oxford and Oppostion Coaches
1818
62
John Stevens, active 1745–1746
A View of London and Westminster from One-Tree Hill in Greenwich Park
1752
63
Francesco Bartolozzi, 1728–1815
Zeuxis Composing the Picture of Juno
1785
64
Print made by James Baylis Allen, 1803–1876
Caudebec
1834
65
James McNeill Whistler, 1834–1903
The Storm
1861
66
J. Miller, active 1769–1825
Racing: "Atlas" the Property of his Grace th Duke of Devonshire
1761
67
Isaac Cruikshank, 1764–1811
Buonaparte at Rome Giving Audience in State
1797
68
Print made by Charles Jameson Grant, active 1830–1852
The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!
1833
69
unknown artist
A View of the Orangerie in Lord Burlington's Garden at Chiswick
70
J. Couse, active 1750
The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..
between 1780 and 1815
71
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
72
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
73
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
74
Isaac Cruikshank, 1764–1811
Hell in an Uproar: or an Express from the Committee
ca. 1790
75
George Bickham the Younger, ca. 1706–1771
A View from Cap't Grenvilles Monument to the Grecian Temple in the Gardens of Earl Temple at Stow, in Buckinghamshire
76
unknown artist
A View of the Bridge upon the Canal in Lord Burlington's Garden at Chiswick
77
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
1823
78
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be
1823
79
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is
1823
80
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are
1823
81
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was
1823
82
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is
1823
83
George Hunt, active 1820–1840
The Toast
1824
84
Print made by Charles Cousen, ca. 1819–1889
Abingdon
between 1859 and 1861
85
James Charles Armytage, 1802–1897
Approach to Venice
between 1859 and 1861
86
Giovanni Piranesi, 1720–1778
Giardino Colonna nel clivo del Quirinale
undated
87
Print made by Pierre Charles Canot, ca. 1710–1777
Moonlight
1745
88
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
89
Conrad Martin Metz, 1749–1827
Christ the Judge and Saints John the Baptist and Abel
1801
90
Joseph Josiah Dodd, 1809–1894
View of Tonbridge During the Late Election
after 1832
91
Print made by James T. Willmore, 1800–1863
Montjen
1833
92
Print made by Robert Brandard, 1805–1862
Graville
1834
93
John S. Muller, ca. 1715–1792
A General Prospect of Vaux Hall Gardens, Shewing at one View the disposition of the whole Gardens
94
Nathaniel Parr, active 1742–1751
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
95
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
96
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
1827
97
Print made by R.C. Roffe, active in London 1806–1835
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
98
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was