Width [cm]: 40 / Image Use: Free to Use - YCBA Collections Search Search Results

201. Palais du Lord Maire

Creator:: Louis Jules Arnout, 1814–1867
Date:: undated
Materials & Techniques:: Lithograph on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 13 1/2 × 16 3/4 inches (34.3 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Mortlake

Creator:: William Westall, 1781–1850
Date:: 1823
Materials & Techniques:: Lithograph on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 9/16 inches (27 × 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. A General View of the Remains of Bermondsey Abbey, Surrey

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1820
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 14 1/16 × 18 1/2 inches (35.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Joseph Deane Bourke, 3rd Earl of Mayo

Creator:: John Raphael Smith, 1752–1812
Date:: 1784
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 20 9/16 × 15 11/16 inches (52.2 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. New London Bridge from Billingsgate (low water)

Creator:: Edward William Cooke, 1811–1880
Date:: 1832
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 11 13/16 x 15 5/8in. (30 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Prospect der Koniglichen Marth in London

Creator:: George C. Winckler, Active 1760
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 x 15 5/8in. (30.5 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. [Landscape]

Creator:: Joseph Farington, 1747–1821
Materials & Techniques:: Pen and ink and watercolor over graphite on wove paper
Dimensions:: Image: 9 3/4 x 15 7/8 inches (24.8 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. A Weasel

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. L'Epée & Lanterne Combattüe par L'Epée et Manteau

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 17 inches (28.1 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. The Royal Dockyard at Portsmouth

Creator:: Robert Dodd, 1748–1816
Date:: ca. 1790
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 14 7/8 x 15 5/8in. (37.8 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Ramsgate

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint; engraver's proof (a) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/4 × 15 3/4 inches (28.6 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Ancient View of the Greengate Street Stafford

Creator:: R. Martin, active 1823–1840
Date:: 1840
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 9 1/8 x 15 5/8in. (23.2 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Coaching: The Reading Coaches

Creator:: Robert Havell, 1769–1832
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 11/16 x 15 5/8in. (27.1 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. A pair: 1. The Reading Coaches.

Creator:: Robert Havell, 1769–1832
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/4 x 15 5/8in. (27.3 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. A Flight Across the Herring Pool

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1800
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/8 x 15 5/8in. (23.2 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

Creator:: Print made by Charles Jameson Grant, active 1830–1852
Date:: 1833
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 x 15 13/16 inches (27.8 x 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Bindman

217. A View from Cap't Grenvilles Monument to the Grecian Temple in the Gardens of Earl Temple at Stow, in Buckinghamshire

Creator:: George Bickham the Younger, ca. 1706–1771
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/4 x 15 3/4in. (26 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. A View of the Bridge upon the Canal in Lord Burlington's Garden at Chiswick

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 3/4 x 15 3/4in. (27.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. A View of the Orangerie in Lord Burlington's Garden at Chiswick

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/2 x 15 3/4in. (26.7 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. "Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite, watercolor, and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 9/16 inches (28.4 × 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. "You're Not Going to Follow, Belle, Are You?"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Foxhunting: Rider and a Couple of Hounds Entering a Covert

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 15 3/4 inches (25.1 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. On the Thames

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1875
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 5/8 inches (29.8 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Ô Laborum

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1865-1866
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 22 7/8 x 15 13/16 inches (58.1 x 40.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Stephen Clark, B.A. 1903, Fund

225. The Benevolent Cottager

Creator:: William Nutter, 1754–1802
Date:: 1788
Materials & Techniques:: Stipple
Dimensions:: Sheet: 21 1/2 x 15 7/8in. (54.6 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. The Disaster

Creator:: Print made by William Ward, 1766–1826
Date:: 1789
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 × 17 3/8 inches (58.4 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1793
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 15 3/4in. (22.9 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

228. A Negroes Dance in the Island of Dominica

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1779
Materials & Techniques:: Stipple engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 1/8 x 15 3/4 inches (33.4 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Henry VI

Creator:: James Bretherton, ca. 1730–1806
Materials & Techniques:: Etching (and aquatint?) printed in red-brown ink
Dimensions:: Sheet: 27 3/4 x 15 3/4in. (70.5 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

230. Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

Creator:: Print made by James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 x 15 3/4 inches (22.9 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. The Lover's Dream

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 x 15 5/8in. (27.9 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Horse Loaded with Artist’s Paraphernalia

Creator:: John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 12 7/8 inches (24.4 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

Creator:: Print made by John Couse, active 1753–1764
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/4 × 15 3/4 inches (26 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. The Toast

Creator:: George Hunt, active 1820–1840
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 7/8 x 17 3/4in. (35.2 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

Creator:: Print made by Nathaniel Parr, active 1742–1751
Date:: between 1780-1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 15 3/4 inches (29.2 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Horse Guards, Whitehall

Creator:: Thomas Malton the Younger, 1748–1804
Date:: undated
Materials & Techniques:: Watercolor over etched outline on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 1/8 × 15 5/8 inches (30.8 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. St. Martin-in-the-Fields, Interior

Creator:: Thomas Malton the Younger, 1748–1804
Date:: undated
Materials & Techniques:: Watercolor over etched outline on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 13/16 × 15 3/4 inches (32.5 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Banqueting House, Whitehall

Creator:: Thomas Malton the Younger, 1748–1804
Date:: undated
Materials & Techniques:: Watercolor over etched outline, and graphite; verso: pen and black ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 3/8 × 15 3/4 inches (31.4 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. The Horse Guards Parade

Creator:: Possibly William Henry Pyne, 1769–1843
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 7/16 × 15 11/16 inches (24 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. St. Paul's from St. Martin's Le Grand

Creator:: James Baily, active 1815–1834
Date:: 1815
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 19 3/8 x 15 7/8in. (49.2 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Plan of the West India Docks

Creator:: Print made by Benjamin Baker, 1766–1841
Date:: 1802
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 16 1/4 inches (30.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. South East View, Lincoln's Inn

Creator:: Print made by Day & Co., 1824–1913
Date:: between 1845 and 1850
Materials & Techniques:: Lithograph on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 x 15 3/4 inches (28.5 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Blenheim House

Creator:: J. Mynde, active 1740–1770
Date:: undated
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Mount: 17 1/4 × 24 inches (43.8 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Getting the Length of the Duchess's Foot

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 3/8 x 15 13/16in. (26.4 x 40.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Five People Praying

Creator:: Louisa Augusta Greville, 1743–active 1762
Date:: 1760
Materials & Techniques:: Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 9/16 x 18 1/4 inches (31.9 x 46.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. The Effects of British Valour on the French Directory

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 3/4 x 15 3/4in. (27.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire

Creator:: John Ferneley, 1782–1860
Date:: undated
Materials & Techniques:: Oil, watercolor, gouache, and graphite on medium, slightly textured, brown wove paper mounted on wood
Dimensions:: Sheet: 10 3/4 × 15 3/4 inches (27.3 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Horses Going Up For the Start of a Race

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 3/16 × 15 5/8 inches (15.7 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Return From the Chase, After a Fall

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 × 15 13/16 inches (30.5 × 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Partridge Shooting

Creator:: James Pollard, 1792–1867
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 15 7/8 inches (14.9 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Grouse Shooting

Creator:: James Pollard, 1792–1867
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/16 × 16 5/8 inches (16 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. A Horse Sale in Hopkins's Repository, Barbican

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1798 and 1800
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 1/8 x 17 15/16 inches (33.3 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. The Stable of an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Mount: 10 1/4 × 17 13/16 inches (26 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. A Horse Sale at Hopkins's Repository (An outline)

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 x 15 11/16 inches (23.7 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Four O'Clock in the Country

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1788 and 1790
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 x 15 3/4 inches (32.7 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Man Leading a Horse in Front of a Stable

Creator:: Possibly John West Giles, active 1827–1865
Date:: 1827
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gum arabic on medium, slightly textured, cream wove paper, mounted on card
Dimensions:: Sheet: 11 5/8 × 15 3/4 inches (29.5 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. The Hermit

Creator:: Print made by Joseph Wood, 1720–1763 or 1764
Date:: 1744
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/4 × 15 7/8 inches (31.1 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. Chauncey B. TInker, B.A. 1899

265. The Royal Palace of Windsor

Creator:: Thomas Major, 1714–1799
Date:: 1745
Materials & Techniques:: Engraving on medium, slightly textured, beige laid paper
Dimensions:: Mount: 17 1/4 × 24 inches (43.8 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. St. Catherine's Castle at Fowey, Cornwall

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 19 1/2in. (30.5 x 49.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

267. A Meeting of Creditors

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/8 x 15 7/8in. (23.8 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Interrogatories, or an Examination before the Commissioners

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/16 x 15 13/16in. (23.7 x 40.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1793
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 15 3/4in. (22.5 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Garrick, In the Character of Abel Drugger

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1825
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 23 1/8 x 15 7/8 inches (58.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827
Materials & Techniques:: Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 15 3/4 inches (31.1 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Plymouth, Devonshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1832
Materials & Techniques:: Etching and engraving with chine collé; first state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/16 × 15 11/16 inches (31.6 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Marine View

Creator:: Print made by Elisha Kirkall, ca. 1682–1742
Date:: between 1720 and 1730
Materials & Techniques:: Mezzotint, printed in blue-green colored ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/8 × 16 5/16 inches (33.4 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. A Flower Piece

Creator:: Richard Earlom, 1743–1822
Date:: 1778
Dimensions:: Sheet: 19 7/8 x 15 5/8in. (50.5 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Saint Denis

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1835
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 15 7/8 inches (27.6 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. The Lanterne of St. Cloud

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 3/4 inches (27.3 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. North East View of Wrexham, Church in the County of Denbigh

Creator:: John Boydell, 1720–1804
Date:: 1748
Materials & Techniques:: Etching
Dimensions:: Sheet: 20 9/16 x 15 9/16in. (52.2 x 39.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

278. The Clyde near Carmyle

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1889
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 15 3/4 inches (27.9 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

279. Source of the Tamer and Torridge

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 1/4 inches (31.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Simmer Lake, near Askrig

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1821
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 15 7/8 inches (27.9 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Cairngorms

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1914
Materials & Techniques:: Drypoint on laid paper
Dimensions:: Sheet: 11 1/2 × 15 3/4 inches (29.2 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

282. Palace of La Belle Gabrielle

Creator:: Print made by William Miller, 1796–1882
Date:: 1826-1837
Materials & Techniques:: Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 7/8 inches (27.9 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Eloisa

Creator:: John Raphael Smith, 1752–1812
Date:: 1792
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 × 16 7/8 inches (58.4 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. The Promenade at Carlisle House

Creator:: John Raphael Smith, 1752–1812
Date:: 1781
Materials & Techniques:: Mezzotint (scratched letters)
Dimensions:: Sheet: 13 3/4 x 15 3/4in. (34.9 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. The Widow's Tale

Creator:: William Ward, 1766–1826
Date:: 1789
Materials & Techniques:: Colored mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 22 3/4 × 16 13/16 inches (57.8 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. The Widow's Tale

Creator:: William Ward, 1766–1826
Date:: 1789
Materials & Techniques:: Colored mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 13/16 × 18 inches (60.5 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. A Byroad in Tipperary

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 x 15 5/8 inches (30.8 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

288. A Lancashire River

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1881
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 21 3/4 inches (39.4 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

289. Henry Raeburn

Creator:: William Walker, 1791–1867
Date:: 1826
Materials & Techniques:: Stipple engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 7/8 × 15 7/8 inches (55.6 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. River Stour, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 15 3/4 inches (31.4 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, University Purchase

291. Raji Pollum near Herlpetton

Creator:: Thomas Daniell, 1749–1840
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 15 5/8 inches (25.4 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

292. Near Ryacotta

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 7/8 × 14 1/8 inches (22.5 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

293. North East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esqre. Built by Sir G. Trevor 1576

Creator:: John Buckler FSA, 1770–1851
Date:: 1823
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. South West View of Stockton House, Wiltshire; the Seat of John Biggs Esqr.

Creator:: John Buckler FSA, 1770–1851
Date:: 1810
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. South East View of Wollaton Hall. Nottinghamshire; the Seat of Lord Middleton

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. North view of Longford Castle, lately erected

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Moonlight

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1745
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 x 21 3/8 inches (37.5 x 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. View of Tonbridge During the Late Election

Creator:: Joseph Josiah Dodd, 1809–1894
Date:: after 1832
Materials & Techniques:: Lithograph with chine collé and hand coloring in watercolor on thick, slightly textured, cream card
Dimensions:: Sheet: 11 5/8 × 16 1/4 inches (29.5 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. A View of St. James's Square, London

Creator:: Thomas Bowles III, ca. 1712–1767
Date:: 1753
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 10 1/4 x 15 7/8in. (26 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. The Fishmarket, Venice, No. 2

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1912
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 3/8 x 15 7/8 inches (26.4 x 40.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

YCBA Collections Search

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201. Palais du Lord Maire

202. Mortlake

203. A General View of the Remains of Bermondsey Abbey, Surrey

204. Joseph Deane Bourke, 3rd Earl of Mayo

205. New London Bridge from Billingsgate (low water)

206. Prospect der Koniglichen Marth in London

207. [Landscape]

208. A Weasel

209. L'Epée & Lanterne Combattüe par L'Epée et Manteau

210. The Royal Dockyard at Portsmouth

211. Ramsgate

212. Ancient View of the Greengate Street Stafford

213. Coaching: The Reading Coaches

214. A pair: 1. The Reading Coaches.

215. A Flight Across the Herring Pool

216. The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

217. A View from Cap't Grenvilles Monument to the Grecian Temple in the Gardens of Earl Temple at Stow, in Buckinghamshire

218. A View of the Bridge upon the Canal in Lord Burlington's Garden at Chiswick

219. A View of the Orangerie in Lord Burlington's Garden at Chiswick

220. "Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "

221. "You're Not Going to Follow, Belle, Are You?"

222. Foxhunting: Rider and a Couple of Hounds Entering a Covert

223. On the Thames

224. Ô Laborum

225. The Benevolent Cottager

226. The Disaster

227. How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water

228. A Negroes Dance in the Island of Dominica

229. Henry VI

230. Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

231. The Lover's Dream

232. Horse Loaded with Artist’s Paraphernalia

233. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

234. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is

235. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is

236. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be

237. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was

238. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

239. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are

240. The Toast

241. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

242. Horse Guards, Whitehall

243. St. Martin-in-the-Fields, Interior

244. Banqueting House, Whitehall

245. The Horse Guards Parade

246. St. Paul's from St. Martin's Le Grand

247. Plan of the West India Docks

248. South East View, Lincoln's Inn

249. Blenheim House

250. Getting the Length of the Duchess's Foot

251. Five People Praying

252. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

253. The Effects of British Valour on the French Directory

254. A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire

255. Horses Going Up For the Start of a Race

256. Return From the Chase, After a Fall

257. Partridge Shooting

258. Grouse Shooting

259. A Horse Sale in Hopkins's Repository, Barbican

260. The Stable of an Inn

261. A Horse Sale at Hopkins's Repository (An outline)

262. Four O'Clock in the Country

263. Man Leading a Horse in Front of a Stable

264. The Hermit

265. The Royal Palace of Windsor

266. St. Catherine's Castle at Fowey, Cornwall

267. A Meeting of Creditors

268. Interrogatories, or an Examination before the Commissioners

269. False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats

270. Garrick, In the Character of Abel Drugger

271. Orford, Suffolk

272. Plymouth, Devonshire

273. Marine View

274. A Flower Piece