Width [cm]: 41 / Image Use: Free to Use - YCBA Collections Search Search Results

401. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 × 16 5/16 inches (27.9 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

402. Marly

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 7/8 × 16 1/8 inches (27.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

403. Havre

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 × 16 inches (27 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

404. The Royal Naval School at New Cross

Creator:: Print made by Thomas Talbot Bury, 1811–1877
Date:: undated
Materials & Techniques:: Hand-colored lithograph on moderately thick cream card
Dimensions:: Sheet: 14 1/16 x 18 3/4 inches (35.7 x 47.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

405. Concerto Coalitionale

Creator:: James Sayer, 1748–1823
Date:: 1785
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 7/8 x 16in. (30.2 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

406. Scarcity in India

Creator:: Print made by Charles Knight, 1743–c.1826
Date:: 1794
Materials & Techniques:: Color printed stipple engraving with hand coloring in watercolor
Dimensions:: Plate: 20 1/4 x 16in. (51.4 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

407. British Plenty

Creator:: Charles Knight, 1743–c.1826
Date:: 1794
Materials & Techniques:: Stipple engraving, partially printed in color
Dimensions:: Plate: 20 1/4 x 16in. (51.4 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

408. Edward Jenner, M.D. F.R.S. & c.

Creator:: John Raphael Smith, 1752–1812
Date:: 1801
Materials & Techniques:: Color printed mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/2 × 16 1/8 inches (54.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

409. A Landscape with Cattle

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1775
Materials & Techniques:: Etching (proof) on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 x 16 inches (27.9 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

410. The Lark at Heaven's Gate Sings

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and graphite with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 x 16 3/16 inches (27.9 x 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

411. Crossing the Brook

Creator:: William Say, 1768–1834
Date:: 1804
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 27 1/4 × 18 3/16 inches (69.2 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

412. The Tempest, Act V, Scene I

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1795
Materials & Techniques:: Mezzotint and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 24 3/4 × 18 7/8 inches (62.9 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. The Breaking Up of the Agamemnon, no. 1

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1870
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 18 3/4 inches (27.6 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

414. Sir Charles Hay, Lord Newton

Creator:: Charles Turner, 1774–1857
Date:: 1814
Materials & Techniques:: Mezzotint, proof before all letters on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 23 11/16 × 17 3/8 inches (60.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. The In's and the Outs of the Jesuits Treatment of his Friends

Creator:: Richard Newton, 1777–1798
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 16 1/8in. (21.9 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. Calcutta

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 16 inches (22.5 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

417. Dane's Island

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 × 14 1/8 inches (23.2 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

418. Landscape

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 11 3/4 inches (17.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

419. Shoreline Landscape

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 15 1/4 inches (20 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

420. Landscape

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 5/16 × 14 11/16 inches (23.7 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

421. East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esquire

Creator:: John Buckler FSA, 1770–1851
Date:: 1823
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

422. The Mail Coach in a Flood

Creator:: Print made by Frederick Rosenberg, active 1816–1832
Date:: 1827
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. South East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1818
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

424. Charlcote house and Gateway, Warwickshire; the Seat of the Lucy Family

Creator:: John Buckler FSA, 1770–1851
Date:: 1823
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1822
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. West Front of Longford Castle, Wiltshire the Seat of the Earl of Radnor

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. South East View of Crest Park, Bedfordshire

Creator:: John Buckler FSA, 1770–1851
Date:: 1831
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. Mount Moriah

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1836
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Etching and engraving with chine collé; first state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. Blois

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 × 16 inches (28.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

431. Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs

Creator:: James Girtin, ca. 1780–after 1820
Date:: 1803
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

432. Half Title page for: Views in Paris and its Environs.

Creator:: James Girtin, ca. 1780–after 1820
Date:: 1803
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. View of Tonbridge During the Late Election

Creator:: Joseph Josiah Dodd, 1809–1894
Date:: after 1832
Materials & Techniques:: Lithograph with chine collé and hand coloring in watercolor on thick, slightly textured, cream card
Dimensions:: Sheet: 11 5/8 × 16 1/4 inches (29.5 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. An Elevated View of the New Dock in Wapping

Creator:: William Daniell, 1769–1837
Date:: 1803
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 34 5/8 × 21 5/8 inches (87.9 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

435. San Frediano in Cestello, Florence

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1915
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 7/8 x 15 15/16 inches (27.6 x 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of The Edwin M. Herr Memorial Collection by Mrs. Herr in memory of her husband Edwin M. Herr, Yale PhD 1884, transfer from the Yale University Art Gallery

436. A View of the Temple of Comus & c. in Vauxhall Gardens

Creator:: John S. Muller, ca. 1715–1792
Date:: ca. 1794
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 10 3/4 x 16 1/4 inches (27.3 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. Whitton House, Middlesex: Elevation of the East Front

Creator:: Roger Morris, 1695–1749
Date:: between 1732 and 1739
Materials & Techniques:: Graphite, pen and black ink and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 16 5/16 inches (30.5 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. St. Paul's, Covent Garden

Creator:: John Miller, Before c.1750
Date:: between 1765 and 1775
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 x 16in. (50.2 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. Temple at Baalbec: Architectural Detail of Upright of the Portico in its Perfect State

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 15 3/8 inches (24.8 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

440. Details of Temple at Sheitla

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. The Ruins of Carthage

Creator:: James Bruce, 1730–1794
Date:: ca. 1769
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 5/16 × 38 1/4 inches (64.3 × 97.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. Tomb de la Chretienne/ Juba and Cleopatra

Creator:: James Bruce, 1730–1794
Date:: ca. 1769
Materials & Techniques:: Watercolor, pen and brown ink, black ink, gouache, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 21 3/8 inches (39.1 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. Temple of Jupiter and Minerva

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 38 5/8 × 25 5/8 inches (98.1 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. Unidentified Fish

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/16 × 16 inches (30.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

445. Unidentified Fish

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 16 inches (30.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

446. Christ Church from the Meadows

Creator:: Print made by Joseph Skelton, active 1820–1850
Date:: between 1820 and 1823
Materials & Techniques:: Etching and engraving; engraver's proof (a) on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 5/8 × 16 1/8 inches (32.1 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. Poole, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; 2nd state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

448. St. Michael's Mount, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1813
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 inches (29.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

449. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. Statue of the Marquis of Hastings in Tank Square - Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: between 1833 and 1838
Materials & Techniques:: Watercolor, gray wash, white gouache, and graphite on moderately thick, moderately textured, blue-gray wove paper
Dimensions:: Sheet: 8 1/4 × 15 inches (21 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. Trinity Hall from the Garden, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: undated
Materials & Techniques:: Watercolor, black chalk, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

453. Entrance to Brentford

Creator:: William Henry Harriott, active 1811, died 1839
Date:: 1809
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 16 1/8 inches (30.2 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

454. Norwegian Landscape

Creator:: Harold Gilman, 1876–1919
Date:: undated
Materials & Techniques:: Pen and black ink on moderately thick, slightly textured, cream wove paper mounted on board
Dimensions:: Mount: 18 1/8 x 21 1/8 inches (46 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

455. Gray Mare and a Chestnut Foal

Creator:: John Frederick Lewis, 1804–1876
Date:: 1846
Materials & Techniques:: Watercolor, white gouache and graphite with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 16 1/4 inches (28.9 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

456. The Claudian Aqueduct and Colosseum

Creator:: Thomas Jones, 1742–1803
Date:: 1778
Materials & Techniques:: Watercolor and graphite with gum on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

457. Tivoli

Creator:: Thomas Jones, 1742–1803
Date:: ca. 1777
Materials & Techniques:: Watercolor and graphite with gum on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 16 1/4 inches (27.6 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

458. Dutch Fishing Boats at Anchor in an Estuary

Creator:: William Joy, 1803–1867
Date:: ca. 1850
Materials & Techniques:: Watercolor with scraping and gum on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 16 3/16in. (28.6 x 41.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

459. Dutch Fishing Boats at Anchor in an Estuary

Creator:: William Joy, 1803–1867
Date:: undated
Materials & Techniques:: Watercolor with scraping and gum on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 x 16 1/4in. (28.7 x 41.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

460. Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1822
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 x 16 1/4 inches (31.1 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

461. The Rotunda and Gardens, Ranelagh

Creator:: John Maurer, active 1713–1761
Date:: ca. 1744
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 16 11/16in. (25.4 x 42.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

462. Macbeth and the Witches

Creator:: James Northcote, 1746–1831
Date:: between 1777 and 1778
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 x 16 1/4 inches (32.4 x 41.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

463. The Garden of the Villa Borghese

Creator:: Thomas Jones, 1742–1803
Date:: ca. 1776
Materials & Techniques:: Watercolor and oil paint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 x 16 inches (27.9 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

464. The Gypsy Fortune-Teller

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1758
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 12 1/8 inches (24.4 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

465. Caulking the Schooner, Falmouth Harbour

Creator:: Joseph Severn, 1793–1879
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper mounted on board
Dimensions:: Sheet: 14 1/4 × 10 1/4 inches (36.2 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

466. The Quarry

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Brown ink and brown wash over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 3/8 x 11 5/8 inches (21.3 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

467. Study of the Head of a Ram

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Black chalk, white chalk, and red chalk on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 11 3/4 x 16 1/8 inches (29.8 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

468. Arch of Trajan Mactar Modern Makther set in Landscape

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite, gray wash, pen and black ink on moderately textured, thick, cream laid paper
Dimensions:: Sheet: 19 1/4 × 25 1/2 inches (48.9 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

469. Aquaduct at Cherchel

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 × 16 1/8 inches (30.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

470. Aquaduct at Cherchel

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 19 × 25 1/4 inches (48.3 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

471. North East View of Dunster Castle, Somersetshire

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1800
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 1/8 inches (29.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

472. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 16 inches (32.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

473. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 3/16 × 15 15/16 inches (36 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

474. Clovelly Bay and Lundy Island

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

475. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 16 inches (32.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

476. Whitstable, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 16 inches (28.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

477. Bridge at Narni

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1819
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 inches (29.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

478. The Observatory at Rosehill, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving; early state, engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

479. Brignall Church

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818-1823
Materials & Techniques:: Etching with chine collé; open etched state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 inches (28.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

480. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (aa) on very thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 19 7/8 inches (34.6 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

481. Merrick Abbey, Swaledale

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1818-1823
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 16 inches (26.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

482. Simmer Lake, near Askrig

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1818-1823
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 15/16 inches (39.4 × 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

483. Simmer Lake, near Askrig

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1822
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 × 22 inches (38.3 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

484. Deucalion and Pyrrha after the Flood

Creator:: Print made by Lydia Bates, active 1784
Date:: 1784
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 16 1/4 inches (29.2 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

485. A View of Esq. Turner's Garden at Valence in Kent

Creator:: John Donowell, active 1753–1786
Date:: undated
Materials & Techniques:: Pen and gray ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 16 1/8 inches (25.4 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

486. Harlech Castle

Creator:: Isaac Weld, 1774–1856
Date:: 1810
Materials & Techniques:: Brown wash, pen and rown ink, over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 3/16 x 16 5/16in. (25.9 x 41.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

487. View of Totnes, Devon

Creator:: William Havell, 1782–1857
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 16 1/4 inches (25.1 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

488. Position pour le Garde en Tierce et le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

489. Position de la Garde de Tierce et le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

490. Position de la Garde en Quarte, et le Coup de Quarte Basse

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 5/16 inches (27.6 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

491. De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 inches (27.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

492. De la Parade de Seconde sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

493. De la Parade de Tierce, sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 15/16 inches (26.7 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

494. De la Risposte de Quarte apres la Parade de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

495. De la Parade de Prime sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 inches (28.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

496. De la Parade du Cavé sur le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

497. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

498. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

499. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

500. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Width [cm] 41

Image Use Free to Use

Search Results

401. The Mew Stone at the Entrance of Plymouth Sound

402. Marly

403. Havre

404. The Royal Naval School at New Cross

405. Concerto Coalitionale

406. Scarcity in India

407. British Plenty

408. Edward Jenner, M.D. F.R.S. & c.

409. A Landscape with Cattle

410. The Lark at Heaven's Gate Sings

411. Crossing the Brook

412. The Tempest, Act V, Scene I

413. The Breaking Up of the Agamemnon, no. 1

414. Sir Charles Hay, Lord Newton

415. The In's and the Outs of the Jesuits Treatment of his Friends

416. Calcutta

417. Dane's Island

418. Landscape

419. Shoreline Landscape

420. Landscape

421. East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esquire

422. The Mail Coach in a Flood

423. South East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

424. Charlcote house and Gateway, Warwickshire; the Seat of the Lucy Family

425. South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart.

426. West Front of Longford Castle, Wiltshire the Seat of the Earl of Radnor

427. South East View of Crest Park, Bedfordshire

428. Mount Moriah

429. St. Germain-en-Laye

430. Blois

431. Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs

432. Half Title page for: Views in Paris and its Environs.

433. View of Tonbridge During the Late Election

434. An Elevated View of the New Dock in Wapping

435. San Frediano in Cestello, Florence

436. A View of the Temple of Comus & c. in Vauxhall Gardens

437. Whitton House, Middlesex: Elevation of the East Front

438. St. Paul's, Covent Garden

439. Temple at Baalbec: Architectural Detail of Upright of the Portico in its Perfect State

440. Details of Temple at Sheitla

441. The Ruins of Carthage

442. Tomb de la Chretienne/ Juba and Cleopatra

443. Temple of Jupiter and Minerva

444. Unidentified Fish

445. Unidentified Fish

446. Christ Church from the Meadows

447. Poole, Dorsetshire

448. St. Michael's Mount, Cornwall

449. Coombe-Martin, Devonshire

450. Saltash, Cornwall

451. Statue of the Marquis of Hastings in Tank Square - Calcutta

452. Trinity Hall from the Garden, Cambridge

453. Entrance to Brentford

454. Norwegian Landscape

455. Gray Mare and a Chestnut Foal

456. The Claudian Aqueduct and Colosseum

457. Tivoli

458. Dutch Fishing Boats at Anchor in an Estuary

459. Dutch Fishing Boats at Anchor in an Estuary

460. Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

461. The Rotunda and Gardens, Ranelagh

462. Macbeth and the Witches

463. The Garden of the Villa Borghese

464. The Gypsy Fortune-Teller

465. Caulking the Schooner, Falmouth Harbour

466. The Quarry

467. Study of the Head of a Ram

468. Arch of Trajan Mactar Modern Makther set in Landscape

469. Aquaduct at Cherchel

470. Aquaduct at Cherchel

471. North East View of Dunster Castle, Somersetshire

472. The Mew Stone at the Entrance of Plymouth Sound

473. Plymouth Dock from Mount Edgecumbe

474. Clovelly Bay and Lundy Island