Width [cm]: 43 - YCBA Collections Search Search Results

501. Moonlight at Sea, Off the Isle of Wight

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 16 7/8 inches (30.8 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

502. Moonlight on the Medway at Chatham

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1920
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 17 inches (31.4 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

503. Mill Stream

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 17 inches (28.9 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

504. A View of Erith, Looking Up the Thames

Creator:: Print made by John Boydell, 1720–1804
Date:: 1750
Materials & Techniques:: Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

505. View on the Orwell

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830
Materials & Techniques:: Mezzotint and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 16 3/4 inches (30.8 x 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

506. A View of the Duke of Marlborough's Island Situate on the River Thames, between Maidenhead Bridge & Windsor

Creator:: unknown artist
Date:: 1753
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 11 x 16 3/4in. (27.9 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

507. Thomas Howard, 21st Earl of Arundel and Alethea Howard (née Talbot), 13th Baroness Furnival, Countess of Arundel

Creator:: Lucas Vorsterman I, 1595–1675
Date:: 1624-1629
Materials & Techniques:: Engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 9/16 × 17 7/8 inches (31.9 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

508. An Ancient Sepulchre near Albano, vulgarly ascribed to the Horatii

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1786 to 1819
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 16 7/8 inches (28.4 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

509. A Convent at Albano overlooking the Campagna

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1786 to 1819
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 16 7/8 inches (28.3 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

510. King's Cliff and Rat Island, Fort Marlborough, Benkulen, Sumatra, 1799

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1799
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 11 3/4 x 16 3/4in. (29.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

511. Two Dogs in a Landscape

Creator:: Henry Hulsberg, active 1700s–died 1729
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 13/16 x 16 15/16in. (32.5 x 43cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

512. One of Eleven Designs for Houses and Shops

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/16 x 22 1/2 inches (48.7 x 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

513. One of Eleven Designs for Houses and Shops

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 9/16 x 16 3/4 inches (49.7 x 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

514. Royal Exchange, London

Creator:: John Maurer, active 1713–1761
Date:: 1741
Materials & Techniques:: Engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/8 × 18 15/16 inches (43.5 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

515. Frances Teresa Stewart, Duchess of Richmond and Lennox

Creator:: Thomas Watson, 1743–1781
Date:: 1779
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 16 3/4 inches (49.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

516. Edward IV King of England and France, Lord of Ireland

Creator:: George Vertue, 1684–1756
Date:: 1732
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 24 × 17 1/16 inches (61 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

517. Philip II King of Spain

Creator:: George Vertue, 1684–1756
Date:: 1735
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 24 × 17 inches (61 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

518. Lancelot Brown Esq.

Creator:: John Keyse Sherwin, c.1751–1790
Date:: ca. 1769
Materials & Techniques:: Line and stipple engraving on medium, slightly textured, beige laid paper
Dimensions:: Mount: 24 × 17 1/16 inches (61 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

519. Edward III, King of England and France

Creator:: George Vertue, 1684–1756
Date:: 1732
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 23 7/8 × 17 1/16 inches (60.6 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

520. A View taken near Battersea Church looking towards Chelsea

Creator:: John Boydell, 1720–1804
Date:: 1752
Materials & Techniques:: Engraving on moderately textured, moderately thick, white laid paper
Dimensions:: Sheet: 11 3/4 × 18 1/8 inches (29.8 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

521. A View Taken near Mr. Smith's House at Battersea, Looking up the Thames

Creator:: John Boydell, 1720–1804
Date:: 1752
Materials & Techniques:: Engraving on Moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 13 5/8 × 20 1/8 inches (34.6 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

522. A View of Chelsea Water Works

Creator:: John Boydell, 1720–1804
Date:: 1752
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/4 x 16 7/8in. (26 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

523. A Perspective View of Covent Garden

Creator:: John Maurer, active 1713–1761
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 7/8 x 16 3/4in. (25.1 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

524. Robert Banks Jenkinson, 2nd Earl of Liverpool

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1827
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 22 1/2 × 17 inches (57.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

525. Transporting Cows

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/16 x 17in. (26.3 x 43.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

526. Second Dudley Lord North

Creator:: Rivers, active 1799–1804
Date:: undated
Materials & Techniques:: Engraving on medium, moderately textured, beige wove paper
Dimensions:: Mount: 23 7/8 × 17 1/16 inches (60.6 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

527. The Lively Portraiture of John Felton who Most Miserably Kild [sic] the Right Hon. George Villiers of Buckingham. August ye 23, 1628. 1830

Creator:: after Richard Sawyer, active 1820–1830
Date:: 1830
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 24 × 17 1/16 inches (61 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

528. Palais du Lord Maire

Creator:: Louis Jules Arnout, 1814–1867
Date:: undated
Materials & Techniques:: Lithograph on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 13 1/2 × 16 3/4 inches (34.3 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

529. Annabella, Lady Blake, as Juno, Receiving the Cestus from Venus

Creator:: John Nixon, ca. 1760–1818
Date:: 1771
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 25 1/8 × 16 7/8 inches (63.8 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

530. The Suspension Bridge at Chelsea

Creator:: Thomas Abiel Prior, 1809–1886
Date:: 1852
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 5/8 x 17in. (21.9 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

531. A Sea Port, with a Market on Shore

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1774
Materials & Techniques:: Etching and mezzotint
Dimensions:: Plate: 8 1/4 x 10 inches (21 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Theodore Sizer

532. View with several Vessels lying close to the Shore

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1774
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/16 x 16 15/16 inches (28.1 x 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Theodore Sizer

533. Scene of a Storm, with a Vessel Wrecked

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1774
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 16 15/16 inches (28.2 x 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Theodore Sizer

534. Eloisa

Creator:: John Raphael Smith, 1752–1812
Date:: 1792
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 × 16 7/8 inches (58.4 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

535. Saumur

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 3/4 inches (28.6 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

536. Bridge at Alcantara

Creator:: Print made by Sir Frank William Brangwyn, 1867–1956
Date:: 1917
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/2 × 20 7/8 inches (41.9 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

537. Gibraltar

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving 1st published state on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 16 13/16 inches (29.8 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

538. Glen Crowe, Western Highlands, Scotland

Creator:: after unknown artist
Date:: 1811
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 21 9/16 inches (43.5 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

539. London Bridge--- Demolition

Creator:: Edward William Cooke, 1811–1880
Date:: 1832
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 16 3/4in. (33 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

540. London Bridge from above Bridge

Creator:: William Simpson, 1823–1899
Date:: 1852
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 13 7/16 x 16 15/16in. (34.1 x 43cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

541. The Death of the Great Wolf

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/8 × 17 7/16 inches (34 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

542. Coaching: A Scene at the Devil's Dyke near Brighton in the country of Sussex

Creator:: John Bruce, fl. 1826
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 3/4 × 16 7/8 inches (29.8 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

543. Casper John as a Child

Creator:: Augustus Edwin John, 1878–1961
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, white wove paper
Dimensions:: Sheet: 20 × 17 inches (50.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

544. Garrick Reading the Ode at the Shakespeare Jubilee

Creator:: Caroline Watson, 1760–1814
Date:: 1784
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 7/16 x 17 13/16 inches (62 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Alexander

545. A Perspective View of the Bowling Green &c. at Gubbins in Hertfordshire, a seat of Sr. Jeremy Sambrooke Bart.

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: ca. 1750
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 9 5/8 x 17in. (24.4 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

546. Rouen, looking down the River

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 3/4 inches (28.3 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

547. Alfred, Lord Tennyson

Creator:: Sir Hubert von Herkomer, 1849–1914
Date:: 1879
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/2 × 16 3/4 inches (57.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection (found in storage)

548. Three Actors in a Play

Creator:: Peltro W. Tomkins, 1760–1840
Date:: 1785
Materials & Techniques:: Stipple engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 9/16 × 16 7/8 inches (49.7 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

549. Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

Creator:: Louisa Augusta Greville, 1743–active 1762
Date:: 1770
Materials & Techniques:: Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 18 1/2 inches (31.2 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

550. An Undertaker in Distress

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1796
Materials & Techniques:: Etching and aquatint
Dimensions:: Sheet: 11 5/8 x 17in. (29.5 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

551. Such was the Love of Office of the Noble Lord, That finding he would not be Permitted to Mount the Box, He had been Content to get up Behind

Creator:: James Sayer, 1748–1823
Date:: 1783
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/4 x 16 7/8in. (28.6 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

552. A Deputation from one of the Popular Societies of France, Endeavouring to Persuade John Bull that he can do better Without a Head than with one!!

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1794
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/8 x 16 7/8in. (28.3 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

553. A View of Newcastle upon Tyne

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1801
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 13 3/8 x 17in. (34 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

554. Landscape with Men Sifting Sand

Creator:: David Cox Jr., 1809–1885
Date:: between 1850 and 1859
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 11 3/4 x 16 3/4 inches (29.8 x 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

555. A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 3/8 x 16 3/4in. (26.4 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

556. Lobsters for the Ladies i.e. Jessamin Soldiers or a Veteran Corps Going on Duty

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 16 7/8in. (24.8 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

557. Contributing to the Sinking Fund

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 7/8 x 16 3/4in. (30.2 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

558. Prussian Bobadils, Returning to Berlin!!!!!!!

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 5/8 x 16 7/8in. (27 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

559. The Duke of Brunswick Attacking the Rear of the Sans Culottes

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/2 x 17in. (26.7 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

560. Landscape, Cornwall

Creator:: Alan Reynolds, 1926–2014
Date:: 1958
Materials & Techniques:: Watercolor and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 16 11/16in. (27.9 x 42.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

561. At Grotto Ferrata, near Rome

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1786 to 1819
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 16 7/8 inches (28.3 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

562. An Ancient Sepulchre at Albano

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1786 to 1819
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 17 inches (29.5 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

563. A Convent at Grotto Ferrata, near Rome, the supposed site of Tusculum

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1786 to 1819
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 16 15/16 inches (28.7 x 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

564. At Marino, near Rome

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1786 to 1819
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 x 16 15/16 inches (27.9 x 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

565. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

566. Campos sur les bords du Rio das Velhas

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 13/16 x 16 3/4 inches (32.6 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

567. The Ruins of the Temple of Jupiter in the Plains of Nemea

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 16 3/4 inches (28.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

568. North View of the Plains of Olympia

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802 to 1804
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 11/16 × 17 1/16 inches (29.7 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

569. Architectural Drawing of a Temple Near Ancient Phigalia

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite, gray wash, pen and black ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 11 3/4 x 16 15/16in. (29.8 x 43.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

570. Sitting Up and Taking Nourishment

Creator:: Sir David Low, 1891–1963
Date:: undated
Materials & Techniques:: Pen and black ink, blue chalk and graphite on moderately thick, slightly textured, cream wove paper, mounted on card
Dimensions:: Mount: 14 1/8 × 19 1/8 inches (35.9 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Anthony Monaghan

571. Landscape, Corsica

Creator:: John Minton, 1917–1957
Date:: 1947
Materials & Techniques:: Watercolor, pen and black ink and pen and gray-blue ink with wash, white wax crayon and pastel on medium, moderately textured, cream wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 x 19 1/2 inches (38.1 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

572. Castel Sant' Angelo

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Watercolor, graphite, pen and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 16 3/4 inches (33 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

573. Remains of an Ancient Amphitheatre Near Corinth

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Watercolor, graphite, pen and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

574. Plains of Sparta

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

575. Fort Marlborough from Old Bencoolen, Sumatra, 1799

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1799
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 11 3/4 x 16 3/4in. (29.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

576. Bencooler Bay, Small Road & Wharf, Fort Marlborough, Sumakra, 1799

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1799
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 11 3/4 x 16 3/4in. (29.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

577. Government House & Council House, Fort Marlborough, Benkulen, Sumatra, 1799

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1799
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 11 3/4 x 16 3/4in. (29.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

578. Fort Marlborough, Benkulen, Sumatra, 1799

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1799
Dimensions:: Sheet: 11 3/4 x 16 3/4in. (29.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

579. South East View of Fort Marlborough, Benkulen, Sumatra, 1799

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1799
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 11 3/4 x 16 3/4in. (29.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

580. Soongey Lamou Hills Fort Marlborough, Benkulen, Sumatra, 1799

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1799
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 11 3/4 x 16 3/4in. (29.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

581. Padre's Rock and Sugar Loaf Mountain from Bencooler, Sumatra, 1799

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1799
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 11 3/4 x 16 3/4in. (29.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

582. The Royal Palace of Windsor

Creator:: unknown artist
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 11 x 16 3/4in. (27.9 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

583. View of Bombay

Creator:: Print made by Elisha Kirkall, ca. 1682–1742
Date:: 1734
Materials & Techniques:: Mezzotint, printed in blue ink on paper
Dimensions:: Sheet: 13 3/4 x 16 7/8in. (34.9 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

584. A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England.

A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England.

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Plate: 9 3/4 x 16 3/4in. (24.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

585. The Resurrection

Creator:: John Jones, ca. 1745–1797
Date:: 1796
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 7/8 × 19 1/8 inches (65.7 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

586. Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3)

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 17in. (25.4 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

587. The New Mercury Dedicated to the Free and Independent Electors of Westminster, Pull Devil: Pull Baker

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 16 7/8in. (24.4 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

588. Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 13/16 x 16 3/4 inches (32.5 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

589. View of the New Country Prison at Abingdon, Berkshire

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: undated
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 18 9/16 inches (41.3 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

590. Old Wind-Pump on Hayling Island

Creator:: Sir Frank Short, 1857–1945
Date:: 1908
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 12 x 17in. (30.5 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

591. Carlinan Mill, Iverary, Scotland

Creator:: unknown artist
Date:: 1811
Materials & Techniques:: Colored aquatint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 21 1/2 inches (41.9 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

592. Temple of Minerva, Cape Colonna

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving, Engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 3/4 inches (28.6 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

593. Design for a Silver Chalice (Design for a Wine-Cooler (?) for Rundell, Bride and Rundell)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Sepia on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 7/16 × 16 3/4 inches (39.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

594. Castleton Caves, Peak District, Derbyshire

Creator:: Jean Baptiste Pillement, 1727–1808
Date:: ca. 1760
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

595. South East Front of the Deepdene - Elevation

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and red ink, watercolor, graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 9 3/8 × 16 15/16 inches (23.8 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

596. View of the South East or Entrance Front seen from the East, Deepdene

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Sepia, pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 18 5/8 × 26 7/16 inches (47.3 × 67.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

597. Emanuel College from St. Andrews Street, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gouache, black chalk and graphite on thick, moderately textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/8 inches (47.5 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

598. Chapel Front, Emanuel College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1833
Materials & Techniques:: Watercolor, pen and black ink, black chalk, and graphite on medium, slightly textured, cream wove paper, mounted on card
Dimensions:: Cover: 18 11/16 × 24 1/8 inches (47.5 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

599. Warwick Vase, Public Library, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: 1842
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper, mounted on card
Dimensions:: Cover: 20 3/8 × 17 1/16 inches (51.8 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

600. Principal Front of Bedgebury House - Elevation

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 5/16 × 18 7/16 inches (33.8 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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501. Moonlight at Sea, Off the Isle of Wight

502. Moonlight on the Medway at Chatham

503. Mill Stream

504. A View of Erith, Looking Up the Thames

505. View on the Orwell

506. A View of the Duke of Marlborough's Island Situate on the River Thames, between Maidenhead Bridge & Windsor

507. Thomas Howard, 21st Earl of Arundel and Alethea Howard (née Talbot), 13th Baroness Furnival, Countess of Arundel

508. An Ancient Sepulchre near Albano, vulgarly ascribed to the Horatii

509. A Convent at Albano overlooking the Campagna

510. King's Cliff and Rat Island, Fort Marlborough, Benkulen, Sumatra, 1799

511. Two Dogs in a Landscape

512. One of Eleven Designs for Houses and Shops

513. One of Eleven Designs for Houses and Shops

514. Royal Exchange, London

515. Frances Teresa Stewart, Duchess of Richmond and Lennox

516. Edward IV King of England and France, Lord of Ireland

517. Philip II King of Spain

518. Lancelot Brown Esq.

519. Edward III, King of England and France

520. A View taken near Battersea Church looking towards Chelsea

521. A View Taken near Mr. Smith's House at Battersea, Looking up the Thames

522. A View of Chelsea Water Works

523. A Perspective View of Covent Garden

524. Robert Banks Jenkinson, 2nd Earl of Liverpool

525. Transporting Cows

526. Second Dudley Lord North

527. The Lively Portraiture of John Felton who Most Miserably Kild [sic] the Right Hon. George Villiers of Buckingham. August ye 23, 1628. 1830

528. Palais du Lord Maire

529. Annabella, Lady Blake, as Juno, Receiving the Cestus from Venus

530. The Suspension Bridge at Chelsea

531. A Sea Port, with a Market on Shore

532. View with several Vessels lying close to the Shore

533. Scene of a Storm, with a Vessel Wrecked

534. Eloisa

535. Saumur

536. Bridge at Alcantara

537. Gibraltar

538. Glen Crowe, Western Highlands, Scotland

539. London Bridge--- Demolition

540. London Bridge from above Bridge

541. The Death of the Great Wolf

542. Coaching: A Scene at the Devil's Dyke near Brighton in the country of Sussex

543. Casper John as a Child

544. Garrick Reading the Ode at the Shakespeare Jubilee

545. A Perspective View of the Bowling Green &c. at Gubbins in Hertfordshire, a seat of Sr. Jeremy Sambrooke Bart.

546. Rouen, looking down the River

547. Alfred, Lord Tennyson

548. Three Actors in a Play

549. Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

550. An Undertaker in Distress

551. Such was the Love of Office of the Noble Lord, That finding he would not be Permitted to Mount the Box, He had been Content to get up Behind

552. A Deputation from one of the Popular Societies of France, Endeavouring to Persuade John Bull that he can do better Without a Head than with one!!

553. A View of Newcastle upon Tyne

554. Landscape with Men Sifting Sand

555. A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends

556. Lobsters for the Ladies i.e. Jessamin Soldiers or a Veteran Corps Going on Duty

557. Contributing to the Sinking Fund

558. Prussian Bobadils, Returning to Berlin!!!!!!!

559. The Duke of Brunswick Attacking the Rear of the Sans Culottes

560. Landscape, Cornwall

561. At Grotto Ferrata, near Rome

562. An Ancient Sepulchre at Albano

563. A Convent at Grotto Ferrata, near Rome, the supposed site of Tusculum

564. At Marino, near Rome

565. The Great Exhibition: Exterior View from the Southwest

566. Campos sur les bords du Rio das Velhas

567. The Ruins of the Temple of Jupiter in the Plains of Nemea

568. North View of the Plains of Olympia

569. Architectural Drawing of a Temple Near Ancient Phigalia

570. Sitting Up and Taking Nourishment

571. Landscape, Corsica

572. Castel Sant' Angelo

573. Remains of an Ancient Amphitheatre Near Corinth

574. Plains of Sparta

575. Fort Marlborough from Old Bencoolen, Sumatra, 1799