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201. Mother and Child XIV

Mother and Child XIV
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

202. Mother and Child XVII

Mother and Child XVII
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

203. Mother and Child XVIII

Mother and Child XVIII
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

204. Mother and Child XX

Mother and Child XX
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching and aquatint on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

205. St. Clement Danes

St. Clement Danes
Creator:
John Boydell, 1720–1804
Date:
1751
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 13/16 x 17 1/8in. (30 x 43.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

206. Mother and Child XXII

Mother and Child XXII
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Etching on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

207. Mother and Child XXIII

Mother and Child XXIII
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

208. Mother and Child XXVI

Mother and Child XXVI
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

209. Mother and Child XXVII

Mother and Child XXVII
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Etching on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

210. Mother and Child III

Mother and Child III
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

211. Mother and Child XXX

Mother and Child XXX
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

212. Mother and Child V

Mother and Child V
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

213. Mother and Child VI

Mother and Child VI
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching and aquatint on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

214. Mother and Child IX

Mother and Child IX
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Etching on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

215. King Lyncus Turned Into a Lynx by Ceres

King Lyncus Turned Into a Lynx by Ceres
Creator:
Print made by Jacob Gole, 1660–1737
Date:
between 1675 and 1700
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 7/8 × 17 7/16 inches (35.2 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

216. Three Figures in a Landscape

Three Figures in a Landscape
Creator:
Rev. William Gilpin, 1724–1804
Date:
1766
Materials & Techniques:
Gray wash, graphite, pen and black ink and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 × 17 7/16 inches (30.5 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

217. Celebration on the Thames near Whitehall

Celebration on the Thames near Whitehall
Creator:
Willem van de Velde the Elder, ca. 1611–1693
Date:
1685
Materials & Techniques:
Pen and brown ink, graphite, and gray wash on two joined sheets of medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 17 3/8 inches (28.3 x 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. Tarbert Castle

Tarbert Castle
Creator:
Joshua Cristall, 1768–1847
Date:
undated
Materials & Techniques:
Watercolor with gouache over graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 x 17 1/4 inches (30.5 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

219. Headland on the Coast of South Devon, Possibly Shaldon

Headland on the Coast of South Devon, Possibly Shaldon
Creator:
Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 17 7/16 inches (31.3 x 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. Lady Wigram

Lady Wigram
Creator:
Print made by Charles Turner, 1774–1857
Date:
1817
Materials & Techniques:
Mezzotint (first published state) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 33 3/8 × 22 1/2 inches (84.8 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

221. John Paul Jones

John Paul Jones
Creator:
Print made by Henri Toussaint, 1849–1911
Date:
1906
Materials & Techniques:
Etching and line engraving with chine collé on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 27 7/16 × 21 5/8 inches (69.7 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

222. Crofton Hall, Yorkshire

Crofton Hall, Yorkshire
Creator:
Robert Havell, 1769–1832
Date:
1813
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/2 x 17 3/16 inches (29.2 x 43.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

223. Horace Walpole

Horace Walpole
Creator:
Henry Hoppner Meyer, ca. 1782–1847
Date:
1795
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Mount: 24 1/16 × 17 1/8 inches (61.1 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

224. Designs for Blackfriars Bridge

Designs for Blackfriars Bridge
Creator:
Benjamin Cole, 1697–1783
Date:
1756
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 1/2 x 17 1/4in. (36.8 x 43.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

225. A General View of the Remains of Bermondsey Abbey, Surrey

A General View of the Remains of Bermondsey Abbey, Surrey
Creator:
Bartholomew Howlett, 1767–1827
Date:
1820
Materials & Techniques:
Engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 14 1/16 × 18 1/2 inches (35.7 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

226. View of Charing Cross and Northumberland House

View of Charing Cross and Northumberland House
Creator:
after unknown artist
Date:
1830
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 13 5/8 x 17 1/8in. (34.6 x 43.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

227. Waterloo Bridge

Waterloo Bridge
Creator:
J. Shury, active 1812
Date:
ca. 1820
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 13/16 x 17 1/8in. (22.4 x 43.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

228. Her Royal Highness, the Duchess of Kent

Her Royal Highness, the Duchess of Kent
Creator:
Print made by James Bromley, 1801–1838
Date:
1835
Materials & Techniques:
Mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 27 1/2 × 17 1/8 inches (69.9 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

229. Falmouth

Falmouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828 to 1856
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 13 1/4 × 17 1/4 inches (33.7 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. Inside St. Martin-in-the-Fields

Inside St. Martin-in-the-Fields
Creator:
Thomas Bowles III, ca. 1712–1767
Date:
1751
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 1/8 x 16 3/4in. (28.3 x 42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

231. Vue de l'Interieur de St. Martin de Londres

Vue de l'Interieur de St. Martin de Londres
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 11 3/4 x 17 1/8in. (29.8 x 43.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

232. Devonport and Dockyard, Devonshire

Devonport and Dockyard, Devonshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 17 3/8 inches (28.6 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

233. The Diplomatic Squad or Harmony Interrupted

The Diplomatic Squad or Harmony Interrupted
Creator:
Charles Ansell, ca.1752–active 1790
Date:
1797
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 1/2 x 17 3/8in. (26.7 x 44.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

234. The Obelisk in the Garden at Versailles

The Obelisk in the Garden at Versailles
Creator:
Print made by unknown artist
Date:
between 1740 and 1757
Materials & Techniques:
Etching and engraving hand-coloured in watercolor and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

235. Summer Afternoon, After a Shower

Summer Afternoon, After a Shower
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 17 1/4in. (29.2 x 43.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

236. Jaipur Evening No. 2

Jaipur Evening No. 2
Creator:
Print made by Ernest Stephen Lumsden, 1883–1948
Date:
1913
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/8 × 17 1/4 inches (28.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

237. The Disaster

The Disaster
Creator:
Print made by William Ward, 1766–1826
Date:
1789
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 × 17 3/8 inches (58.4 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

238. The Death of the Great Wolf

The Death of the Great Wolf
Creator:
James Gillray, 1756–1815
Date:
1795
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 3/8 × 17 7/16 inches (34 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

239. Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition

Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
Creator:
James Gillray, 1756–1815
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 1/8 x 17 3/8in. (33.3 x 44.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

240. The Cornfield

The Cornfield
Creator:
Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 11 11/16 × 17 1/4 inches (29.7 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

241. A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal

A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etching with gray, green, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 17 5/16 inches (14.9 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

242. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

243. The Death: The Fox Hoist to a Fence

The Death: The Fox Hoist to a Fence
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 × 17 5/16 inches (26 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

244. Foxhunting: The Meet, With Hounds Coming Out of Kennel

Foxhunting: The Meet, With Hounds Coming Out of Kennel
Creator:
Samuel Alken, 1756–1815
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 17 7/16 inches (27.3 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

245. The 'Royal' Coach Outside the White Lion Inn

The 'Royal' Coach Outside the White Lion Inn
Creator:
William Evans of Bristol, 1809–1858
Date:
ca. 1845
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Mount: 13 1/16 × 17 3/8 inches (33.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

246. "The Poacher's Progress:" Poachers in Prison (The Pardon)

"The Poacher's Progress:" Poachers in Prison (The Pardon)
Creator:
C. Blake, active 1825–1826
Date:
undated
Materials & Techniques:
Graphite, watercolor, and varnish on very thick, rough, brown wove paper
Dimensions:
Sheet: 13 1/16 × 17 1/4 inches (33.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

247. Deerhound and Bitch Cornering a Stag at the Edge of a Woodland Pool

Deerhound and Bitch Cornering a Stag at the Edge of a Woodland Pool
Creator:
Newton Limbird Smith Fielding, 1799–1856
Date:
1832
Materials & Techniques:
Watercolor, gum arabic, gouache, pen and brown ink, and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 17 3/16 inches (28.3 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

248. Skating in the Park

Skating in the Park
Creator:
John James Chalon, 1778–1854
Date:
undated
Materials & Techniques:
Sepia wash and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 3/16 × 17 1/4 inches (33.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

249. The Stable of an Inn

The Stable of an Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, beige laid paper
Dimensions:
Mount: 10 1/4 × 17 13/16 inches (26 × 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

250. "The Poacher's Progress:" 'Poachers Snaring Pheasants'

"The Poacher's Progress:" 'Poachers Snaring Pheasants'
Creator:
C. Blake, active 1825–1826
Date:
undated
Materials & Techniques:
Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:
Sheet: 12 1/8 × 17 7/16 inches (30.8 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

251. Hunting in a Wood

Hunting in a Wood
Creator:
Francis Sartorius, 1734–1804
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on thick, rough, cream laid paper
Dimensions:
Sheet: 11 5/16 × 17 5/16 inches (28.7 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

252. Racing: Two Racehorses With Jockeys up, Galloping to the Right

Racing: Two Racehorses With Jockeys up, Galloping to the Right
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

253. Design for a Chapel at Enfield: Longitudinal Section

Design for a Chapel at Enfield: Longitudinal Section
Creator:
Lewis Vulliamy, 1791–1871
Date:
undated
Materials & Techniques:
Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 11/16 x 17 15/16 inches (32.2 x 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

254. A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford

A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 1/2 × 17 1/8 inches (26.7 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

255. Eastwell Park in Kent - Seat of George Finch Hutton, Esquire

Eastwell Park in Kent - Seat of George Finch Hutton, Esquire
Creator:
William Green, 1760–1823
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 15 1/4 x 17 1/4in. (38.7 x 43.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

256. A Blacksmith's Shop

A Blacksmith's Shop
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1771
Materials & Techniques:
Mezzotint
Dimensions:
Plate: 22 7/8 x 17 1/8in. (58.1 x 43.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

257. Poking the Old Lion

Poking the Old Lion
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 3/8 inches (31 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

258. A Perspective View of the Foundling Hospital with Emblematic Figures

A Perspective View of the Foundling Hospital with Emblematic Figures
Creator:
Charles Grignion, 1717–1810
Date:
1749
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper, pasted on mount
Dimensions:
Sheet: 13 3/4 × 17 3/8 inches (35 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

259. View of Tintern Abbey on the River Wye

View of Tintern Abbey on the River Wye
Creator:
Francis Jukes, 1747–1812
Date:
1799
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 12 5/8 x 17 1/8in. (32.1 x 43.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

260. View of the West End of Tintern Abbey

View of the West End of Tintern Abbey
Creator:
Francis Jukes, 1747–1812
Date:
1800
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 12 5/8 x 17 1/8in. (32.1 x 43.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

261. Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance
Creator:
Louisa Augusta Greville, 1743–active 1762
Date:
1770
Materials & Techniques:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 18 1/2 inches (31.2 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

262. "Maid of the Mill"

"Maid of the Mill"
Creator:
William Woollett, 1735–1785
Date:
ca. 1765
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 13 1/4 x 17 5/16in. (33.7 x 44cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

263. The Glebe Farm

The Glebe Farm
Creator:
Print made by David Lucas, 1802–1881
Date:
1832
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/8 x 17 1/8 inches (30.2 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

264. Vignette, Hampstead Heath, Middlesex

Vignette, Hampstead Heath, Middlesex
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 17 3/8 inches (29.8 x 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

265. Spring

Spring
Creator:
Print made by David Lucas, 1802–1881
Date:
1829 to 1830
Materials & Techniques:
Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 17 1/4 inches (29.5 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

266. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1819
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

267. Nithsdale

Nithsdale
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1891
Materials & Techniques:
Mezzotint with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 17 1/8 inches (31.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

268. Basrah Creek

Basrah Creek
Creator:
Print made by Charles William Cain, 1893–1962
Date:
undated
Materials & Techniques:
Drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 17 3/16 inches (29.2 x 43.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

269. Battle Abbey, The spot where Harold Fell

Battle Abbey, The spot where Harold Fell
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and engraving with chine collé; later engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 17 3/8 inches (32.1 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

270. Battle Abbey, The Spot where Harold Fell

Battle Abbey, The Spot where Harold Fell
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1819
Materials & Techniques:
Etching and engraving; third published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 × 17 3/8 inches (31.4 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

271. Brightling Observatory

Brightling Observatory
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 17 1/4 inches (31.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

272. Crowhurst, Sussex

Crowhurst, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1819
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 17 1/4 inches (31.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

273. The Vale of Ashburnham

The Vale of Ashburnham
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1819
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 × 17 1/8 inches (31.4 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

274. Vale of Heathfield, Sussex

Vale of Heathfield, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1819
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 17 1/4 inches (32.4 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

275. Source of the Tamer and Torridge

Source of the Tamer and Torridge
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 17 1/4 inches (31.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

276. Hardraw Fall

Hardraw Fall
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1818
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 18 1/4 inches (31.1 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

277. Hornby Castle from Tatham Church

Hornby Castle from Tatham Church
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1822
Materials & Techniques:
Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 × 17 1/4 inches (28.7 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

278. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1819
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 11/16 inches (29.2 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

279. Richmond Castle and Town

Richmond Castle and Town
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 9/16 × 17 3/4 inches (29.4 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

280. High Force or Fall of Tees

High Force or Fall of Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1821
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 17 3/4 inches (30.8 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

281. Egglestone Abbey, near Barnard Castle

Egglestone Abbey, near Barnard Castle
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1818-1823
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 17 3/4 inches (28.6 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

282. Aysgarth Force

Aysgarth Force
Creator:
Print made by John Scott, 1774–1828
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé on moderaetely thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 × 17 3/4 inches (30.5 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

283. Views in the Levant: Landscape with Various Shaped Roofs in Foreground

Views in the Levant: Landscape with Various Shaped Roofs in Foreground
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and gray ink, black ink, graphite, gray wash, and black wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 17 3/8 inches (32.4 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

284. Weathercote Cave when Half Filled with Water

Weathercote Cave when Half Filled with Water
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1821
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 17 11/16 inches (29.5 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

285. The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ...

The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ...
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
ca. 1759
Materials & Techniques:
Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/16 x 20 11/16 inches (36 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

286. On the Thames

On the Thames
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching, drypoint, and plate tone, with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

287. Christ Church, Oxford

Christ Church, Oxford
Creator:
Print made by unknown artist
Date:
1907
Materials & Techniques:
Drypoint on thick, smooth, cream laid paper
Dimensions:
Sheet: 12 3/16 x 17 1/2 inches (31 x 44.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

288. Ramparts of Ypres

Ramparts of Ypres
Creator:
Print made by William Strang, 1859–1921
Date:
1898
Materials & Techniques:
Etching on medium, smooth, cream laid paper
Dimensions:
Sheet: 6 3/8 × 14 inches (16.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

289. St. Martin's in the Fields

St. Martin's in the Fields
Creator:
John Boydell, 1720–1804
Date:
1751
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 13/16 x 17 1/8in. (30 x 43.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

290. A Heath

A Heath
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 17 1/4in. (29.8 x 43.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

291. The High Street, Southampton

The High Street, Southampton
Creator:
Print made by William Day, 1764–1807
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 15/16 x 18 11/16 inches (38 x 47.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

292. Sawley Abbey

Sawley Abbey
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1873
Materials & Techniques:
Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/16 x 17 1/4 inches (31 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

293. Sir Charles Hay, Lord Newton

Sir Charles Hay, Lord Newton
Creator:
Charles Turner, 1774–1857
Date:
1814
Materials & Techniques:
Mezzotint, proof before all letters on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 23 11/16 × 17 3/8 inches (60.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

294. Autumnal Sunset

Autumnal Sunset
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

295. Yarmouth, Norfolk

Yarmouth, Norfolk
Creator:
Print made by David Lucas, 1802–1881
Date:
1832
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 17 1/4 inches (29.2 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

296. Yarmouth, Norfolk

Yarmouth, Norfolk
Creator:
Print made by David Lucas, 1802–1881
Date:
1832
Materials & Techniques:
Mezzotint and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 17 1/8 inches (29.8 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

297. A Summerland

A Summerland
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 x 17 1/4 inches (30.5 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

298. Old Sarum

Old Sarum
Creator:
Print made by David Lucas, 1802–1881
Date:
1830
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 x 17 1/4 inches (30.5 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

299. Noon

Noon
Creator:
Print made by David Lucas, 1802–1881
Date:
1830
Materials & Techniques:
Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

300. Gumti River, Upper India

Gumti River, Upper India
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 x 17 1/8 inches (23.2 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter