Width [cm]: 45 - YCBA Collections Search Search Results

201. A Burial at Carisbrooke, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Pen and black ink, brown ink, blue wash, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 17 1/2 inches (13.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Skating on the Serpentine

Creator:: Thomas Rowlandson, 1756–1827
Date:: before 1790
Materials & Techniques:: Pen and gray and black ink and wash over graphite; verso: pen and black ink on repaired section on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 14 7/16 inches (22.5 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Isola Madre, Lago Maggiore

Creator:: John Warwick Smith, 1749–1831
Date:: ca. 1781
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream laid paper, laid down on original mount
Dimensions:: Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Eucomis Punctata, Plate 208 from Les Liliacées, volume 4, Paris, 1802-1816

Creator:: Pierre-Joseph Redouté, 1759–1840
Date:: undated
Materials & Techniques:: Color-printed stipple engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 × 17 1/2 inches (58.4 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ira Brind and David Brind, Yale BA 2000

205. Crocus Luteus (Crocus Aureus or Golden Crocus) and Safran Jaune, Plate 196 from Les Liliacées, volume 4, Paris, 1802-1816

Creator:: Pierre-Joseph Redouté, 1759–1840
Date:: between 1802 and 1816
Materials & Techniques:: Color-printed stipple engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 × 17 1/2 inches (58.4 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ira Brind and David Brind, Yale BA 2000

206. Pigs, near Santa Fe, 1983

Creator:: Constance Stuart Larrabee, 1914–2000
Date:: 1983
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

207. Bathing Place, Anstey's Cove

Creator:: Charles Reginald Aston, 1832–1908
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Frame: 18 1/2 × 26 × 1 inches (47 × 66 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert and Pauline Knoll

208. Warwick Castle

Creator:: Charles Reginald Aston, 1832–1908
Date:: undated
Materials & Techniques:: Watercolor and gouache with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 17 3/4 inches (24.8 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert and Pauline Knoll

209. Aquatic Landscape; Men with Boats and Fishtraps

Creator:: unknown artist
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 7/8 × 7 7/8 inches (14.9 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

210. Sculpture from Elliot Marble Group, India, plate 30

Creator:: Linnaeus Tripe, 1822–1902
Date:: 1859
Materials & Techniques:: Albumen print from waxed paper negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 1/8 × 10 3/4 inches (23.2 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

211. Landscape with Sheep

Creator:: Charles Reginald Aston, 1832–1908
Date:: undated
Materials & Techniques:: Watercolor and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Frame: 20 3/4 × 25 × 1 1/8 inches (52.7 × 63.5 × 2.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert and Pauline Knoll

212. North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Rietz near Saumur

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof (early) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 3/4 inches (30.5 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. The State Wagon in Difficulties

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 17 9/16 inches (30.5 x 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/8 inches (30.7 x 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/16 x 17 9/16 inches (30.6 x 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/8 inches (30.6 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Another Saint Sebastian, Shot at by Cruel Archers

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 17 9/16 inches (30.5 x 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. The Old Donkey Turned Restive at Last

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 17 7/8 inches (30.5 x 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 17 1/2 inches (30.5 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

223. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

224. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

225. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

226. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

227. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

228. Pantheum Romanum nunc Mariae Cognomento

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: between 1546 and 1590
Materials & Techniques:: Line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 17 3/4 inches (35.6 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Two of a set of four: The Royal Hunt. 2. Taking the Stag

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1826
Materials & Techniques:: Hand colored and color printed aquatint
Dimensions:: Sheet: 10 7/8 x 17 3/4in. (27.6 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Haweswater, Westmoreland

Creator:: Edward Dayes, 1763–1804
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 17 5/8 inches (30 x 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Mademoiselle Rose Nue, Vue de Dos

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1820
Materials & Techniques:: Black chalk and white chalk on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

232. Landscape: Figure riding a donkey

Creator:: Gainsborough Dupont, 1754–1797
Date:: undated
Materials & Techniques:: Oil and graphite on moderately textured, beige laid paper
Dimensions:: Sheet: 11 3/8 x 13 3/4in. (28.9 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Hybrid

Creator:: Graham Sutherland, 1903–1980
Date:: 1973
Materials & Techniques:: Etching on wove paper
Dimensions:: Sheet: 21 1/2 × 17 1/2 inches (54.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Virginia Bush Suttman

234. View in Barnscliff, near Scarborough, when Overflowed by the Derwent

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Gray and orange wash with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper prepared with orange wash, mounted on thick, moderately textured, cream laid paper with wash line border
Dimensions:: Mount: 14 5/8 x 17 1/2 inches (37.1 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. The Hon. George Pryse Cambell (1793-1858), as a Midshipman

Creator:: Henry Edridge, 1769–1821
Date:: 1805
Materials & Techniques:: Watercolor, pen and black ink, graphite and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Mount: 14 × 19 inches (35.6 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Unidentified Country House: Front Elevation

Creator:: Attributed to John Sanderson, active 1730; died 1774
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash over graphite on medium, moderately textured, white laid paper
Dimensions:: Sheet: 10 5/8 x 17 1/2 inches (27 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Stepping Stones on the River Duddon, Lake District

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 9/16 inches (29.5 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Singer's Farm, Bushey, Hertfordshire

Creator:: after Henry Edridge, 1769–1821
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 3/4 × 17 11/16 inches (32.4 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. The Indian Theatre

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 17 1/2 inches (32 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

240. Prospero and Miranda

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with gouache, black ink, and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 25 11/16 x 18 3/4 inches (65.2 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Porchester Castle, Hampshire

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/16 × 17 7/8 inches (26.5 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. A View of the Old Crater of Morne Soufriere, St. Vincent

Creator:: Rev. Lansdown Guilding, 1798–1831
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gouache and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 3/4 inches (31.1 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Ophelia's Death

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with gouache, black ink, and scraping over graphite on moderately thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, beige laid paper with reminants of contemporary drawn border
Dimensions:: Mount: 22 9/16 x 17 13/16 inches (57.3 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Ardea di Cesarini

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink, graphite on textured, medium, cream laid paper
Dimensions:: Sheet: 12 × 17 5/8 inches (30.5 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. A River Scene

Creator:: William Ellis, 1747–1810
Date:: 1831
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 3/4 × 17 5/8 inches (24.8 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. The Daughters of Sir Thomas Frankland Bart.

Creator:: William Ward, 1766–1826
Date:: 1797
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 22 3/16 × 18 1/4 inches (56.4 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. Ruth Ivor

247. The Porch of the Halle of the Haute Vielle Tour, Rouen

Creator:: Henry Edridge, 1769–1821
Date:: 1819
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 × 17 1/2 inches (27.9 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Smyrna

Creator:: John Foster, ca. 1787–1846
Date:: ca. 1812
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 5/8 inches (29.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Wooded Landscape with Herdsman and Cows

Creator:: Thomas Gainsborough, 1727–1788
Date:: undated
Materials & Techniques:: Gray and black wash with black chalk, pen and black ink, heightened with white chalk on medium, slightly textured, cream laid paper, set into contemporary mount
Dimensions:: Sheet: 10 7/8 x 14 1/4 inches (27.6 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Sorry, Boys, I can't go both ways at once

Creator:: Sir David Low, 1891–1963
Date:: undated
Materials & Techniques:: Pen and black ink, blue chalk, white gouache, gum arabic, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 19 1/4 inches (35.2 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles and E. Jennifer Monaghan

251. The Piazza

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 17 5/8 inches (32.2 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

252. From the West

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 13/16 x 17 5/8 inches (32.5 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

253. The Garden Front

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 13/16 x 17 5/8 inches (32.5 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

254. The Art Gallery

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 17 13/16 inches (32.2 x 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

255. Lear and Cordelia

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on thick, textured, beige card with contemporary drawn border
Dimensions:: Mount: 22 11/16 x 17 13/16 inches (57.7 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Carrig Cennen Castle, Carmarthenshire

Creator:: Rev. John Gardnor, 1729–1808
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 17 7/8 inches (34.9 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. View of Palace Yard on the day of the Coronation of His Majesty George IV

Creator:: Print made by Charles J. Hullmandel, 1789–1850
Date:: 1821
Materials & Techniques:: Hand colored lithograph on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 9 × 17 1/2 inches (22.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Lithograph on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 12 3/4 × 17 3/4 inches (32.4 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. View of the East End of Henry VIIth Chapel as Restored in 1813

Creator:: Print made by George Hawkins, active 1795–1810
Date:: 1814
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. "The Poacher's Progress:" Poachers Before the Magistrates

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Cottager's Hospitality to Travellers of The Coach Broke Down

Creator:: James Pollard, 1792–1867
Date:: 1819
Materials & Techniques:: Watercolor over etched outline, and pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 17 1/2 inches (29.8 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Myles Sandys' Hounds and Huntsmen Starting a Hare

Creator:: Thomas Sunderland, 1744–1828
Date:: undated
Materials & Techniques:: Pen and brown ink, blue ink, blue wash, gray wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/16 × 17 13/16 inches (30.6 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Design for a Chapel at Enfield: Longitudinal Section

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 18 13/16 inches (32.1 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. [Shooting]: Setters

Creator:: William Ward, 1766–1826
Date:: 1806
Materials & Techniques:: Mezzotint, hand-colored
Dimensions:: Sheet: 15 x 17 1/2in. (38.1 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. One Mile from Gretna, Our Governor in Sight, --with a screw loose!

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1836
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/8 x 17 3/4in. (33.3 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Opposition Coaches at Speed

Creator:: Frederick Rosenberg, active 1816–1832
Date:: 1832
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/16 x 17 3/4in. (33.2 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. A False Alarm on the Road to Gretna 'tis only the Mail!

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1838
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/8 x 17 1/2in. (34 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Coaching: The Taglioni Windsor Coach

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored (figure of Taglioni, the dancer, etched in center of title)
Dimensions:: Sheet: 13 7/16 x 17 1/2in. (34.1 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Coaching: Four in Hand

Creator:: unknown artist
Date:: 1835
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 7/8 x 17 9/16in. (35.2 x 44.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Racing [set of four]: The High Mettled Racer. 1. The Racehorse

Creator:: John Hassell, 1767–1825
Date:: 1789
Materials & Techniques:: Aquatint, hand-colored, with engraved titles and verses with aquatinted border
Dimensions:: Sheet: 13 3/4 x 17 1/2in. (34.9 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Racing: Sedbury was for the justness of Shape the most Beautiful and ...the Best Horse of His Size at that time

Creator:: James Seymour, 1702–1752
Date:: ca. 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 1/4 x 17 3/4in. (36.2 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. The Cover

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Full Cry

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Breaking Cover

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. The Death

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. The Toast

Creator:: George Hunt, active 1820–1840
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 7/8 x 17 3/4in. (35.2 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. Threshing Corn

Creator:: Peter DeWint, 1784–1849
Date:: ca. 1845-1849
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 11 3/8 x 17 5/8 inches (28.9 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. Oakhampton Castle

Creator:: Francis Towne, 1740–1816
Date:: 1772
Materials & Techniques:: Gray wash and black ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Lillebonne, Château

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Three Racehorses with Jockeys Up Galloping in a Group to Left

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 17 3/4 inches (27.1 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. "The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 11/16 × 17 5/8 inches (32.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. Three Tigers in a Rocky Landscape

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 11/16 × 17 13/16 inches (32.2 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Foxhunting: At Fault

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 17 13/16 inches (31.4 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Foxhunting: Stopping Hounds That Have Changed

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 7/8 inches (31.8 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Foxhunting: The Chase

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 7/8 inches (31.8 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. Foxhunting: Going to Cover

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 7/16 × 17 13/16 inches (31.6 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Travelling in France

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1789
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Myles Sandys' Hounds and Huntsmen Scenting a Hare

Creator:: Thomas Sunderland, 1744–1828
Date:: undated
Materials & Techniques:: Pen and brown ink, graphite, gray wash, and blue wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 × 17 13/16 inches (30.5 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. "The Poacher's Progress:" 'Poachers Stalking for Partridges'

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. The Stable of an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Mount: 10 1/4 × 17 13/16 inches (26 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Design for a Chapel at Enfield: Transverse Sections, East and West End

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 7/16 inches (31.6 x 46.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. James Gillray

Creator:: Charles Turner, 1774–1857
Date:: 1819
Materials & Techniques:: Hand colored mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 23 9/16 × 17 1/2 inches (59.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. "Tween the Gloamin' and the Mirk, When the Kye Come Hame"

Creator:: Mary Nimmo Moran, 1842–1899
Date:: 1883
Materials & Techniques:: Etching, and plate tone
Dimensions:: Plate: 7 3/4 x 11 3/8in. (19.7 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

296. West View of the Ruins of Cowdray House, Sussex; from the Court

Creator:: John Buckler FSA, 1770–1851
Date:: 1825
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 12 7/8 × 19 3/4 inches (32.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. South East View of Hatfield House, The Seat of the Marquis of Salisbury

Creator:: John Buckler FSA, 1770–1851
Date:: 1812
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. View of the Thuilleries and Bridge taken f rom the Quai d'Orsai

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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201. A Burial at Carisbrooke, Isle of Wight

202. Skating on the Serpentine

203. Isola Madre, Lago Maggiore

204. Eucomis Punctata, Plate 208 from Les Liliacées, volume 4, Paris, 1802-1816

205. Crocus Luteus (Crocus Aureus or Golden Crocus) and Safran Jaune, Plate 196 from Les Liliacées, volume 4, Paris, 1802-1816

206. Pigs, near Santa Fe, 1983

207. Bathing Place, Anstey's Cove

208. Warwick Castle

209. Aquatic Landscape; Men with Boats and Fishtraps

210. Sculpture from Elliot Marble Group, India, plate 30

211. Landscape with Sheep

212. North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton

213. Rietz near Saumur

214. The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring

215. The State Wagon in Difficulties

216. The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

217. A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

218. Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields

219. Another Saint Sebastian, Shot at by Cruel Archers

220. The Old Donkey Turned Restive at Last

221. A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant

222. Various Engravings of York Cathedral

223. Various Engravings of York Cathedral

224. Various Engravings of York Cathedral

225. Various Engravings of York Cathedral

226. Various Engravings of York Cathedral

227. Various Engravings of York Cathedral

228. Pantheum Romanum nunc Mariae Cognomento

229. Two of a set of four: The Royal Hunt. 2. Taking the Stag

230. Haweswater, Westmoreland

231. Mademoiselle Rose Nue, Vue de Dos

232. Landscape: Figure riding a donkey

233. Hybrid

234. View in Barnscliff, near Scarborough, when Overflowed by the Derwent

235. The Hon. George Pryse Cambell (1793-1858), as a Midshipman

236. Unidentified Country House: Front Elevation

237. Stepping Stones on the River Duddon, Lake District

238. Singer's Farm, Bushey, Hertfordshire

239. The Indian Theatre

240. Prospero and Miranda

241. Porchester Castle, Hampshire

242. A View of the Old Crater of Morne Soufriere, St. Vincent

243. Ophelia's Death

244. Ardea di Cesarini

245. A River Scene

246. The Daughters of Sir Thomas Frankland Bart.

247. The Porch of the Halle of the Haute Vielle Tour, Rouen

248. Smyrna

249. Wooded Landscape with Herdsman and Cows

250. Sorry, Boys, I can't go both ways at once

251. The Piazza

252. From the West

253. The Garden Front

254. The Art Gallery

255. Lear and Cordelia

256. Carrig Cennen Castle, Carmarthenshire

257. View of Palace Yard on the day of the Coronation of His Majesty George IV

258. Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

259. View of the East End of Henry VIIth Chapel as Restored in 1813

260. "The Poacher's Progress:" Poachers Before the Magistrates

261. Cottager's Hospitality to Travellers of The Coach Broke Down

262. Myles Sandys' Hounds and Huntsmen Starting a Hare

263. Design for a Chapel at Enfield: Longitudinal Section

264. [Shooting]: Setters

265. One Mile from Gretna, Our Governor in Sight, --with a screw loose!

266. Opposition Coaches at Speed

267. A False Alarm on the Road to Gretna 'tis only the Mail!

268. Coaching: The Taglioni Windsor Coach

269. Coaching: Four in Hand

270. Racing [set of four]: The High Mettled Racer. 1. The Racehorse

271. Racing: Sedbury was for the justness of Shape the most Beautiful and ...the Best Horse of His Size at that time

272. The Cover

273. Full Cry

274. Breaking Cover

275. The Death