Width [cm]: 45 - YCBA Collections Search Search Results

201. Set of four: (1) Stag Hunting

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 1/8 x 17 7/8in. (35.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 17 3/4in. (49.5 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 17 3/4in. (49.5 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Siccre Gully

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/2 × 21 5/16 inches (39.4 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Duchess of Manchester with Her Son George, Viscount Mandeville, as 'Diana and Cupid'

Creator:: Print made by James Watson, 1740–1790
Date:: 1769
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 15/16 × 17 5/8 inches (65.9 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

206. Barmouth Bay, the Junction of the Rivers Mowddach and Gwinion

Creator:: Moses Griffith, 1747–1819
Date:: 1805
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 17 11/16 inches (30.8 x 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Mary Isabella, Duchess of Rutland

Creator:: Print made by John Keyse Sherwin, c.1751–1790
Date:: 1791
Materials & Techniques:: Line engraving (only state) on thick, rough, cream laid paper
Dimensions:: Sheet: 23 3/4 × 17 1/2 inches (60.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

208. Barmouth Bay

Creator:: Moses Griffith, 1747–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper mounted on thick card
Dimensions:: Sheet: 10 x 16 3/4 inches (25.4 x 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. The Fortune Teller

Creator:: Print made by John Keyse Sherwin, c.1751–1790
Date:: 1784
Materials & Techniques:: Line engraving (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 15/16 × 17 1/2 inches (40.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

210. Lady Isabella Hamilton

Creator:: Print made by James Walker, 1748–1808
Date:: 1782
Materials & Techniques:: Mezzotint (first state?) on thick, rough, beige laid paper
Dimensions:: Sheet: 25 5/8 × 17 1/2 inches (65.1 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

211. Charles James Fox, with Lady Sarah Lenox and Lady Susan Strangways

Creator:: Print made by James Watson, 1740–1790
Date:: 1762
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 25 3/4 × 17 3/4 inches (65.4 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

212. Whitehall Palace, London: Elevation of Proposed Design

Creator:: unknown artist
Date:: between 1710 and 1740
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 9/16 × 17 11/16 inches (34.4 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches

Creator:: Richard Morris, active 1830
Date:: ca. 1831
Materials & Techniques:: Pen in black ink with brown and gray wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 20 1/8 inches (16.7 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Bank of England Royal Exchange

Creator:: James H. Kernot, 1802–1858
Date:: 1800
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 14 5/8 × 18 15/16 inches (37.1 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. The National Gallery - Charing Cross

Creator:: Robert Sands, 1792–1855
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 9/16 x 17 3/4in. (24.3 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. The Southwark Iron Bridge

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 3/8 x 17 7/8in. (31.4 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. St. Vincent's Rocks, Clifton (Hotwell House and Baths)

Creator:: Print made by unknown artist
Date:: ca. 1840
Materials & Techniques:: Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 16 x 21 1/8 inches (40.7 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Beatrice, Hero and Ursula

Creator:: John Jones, ca. 1745–1797
Date:: ca. 1771
Materials & Techniques:: Mezzotint, before title
Dimensions:: Sheet: 21 5/8 x 17 7/8in. (55 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Garrick Reading the Ode at the Shakespeare Jubilee

Creator:: Caroline Watson, 1760–1814
Date:: 1784
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 7/16 x 17 13/16 inches (62 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Alexander

220. Study of an Antique Head

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Black chalk and white chalk on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 22 1/4 × 17 1/2 inches (56.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

221. One Mile from Gretna, Our Governor in Sight, --with a screw loose!

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1836
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/8 x 17 3/4in. (33.3 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Opposition Coaches at Speed

Creator:: Frederick Rosenberg, active 1816–1832
Date:: 1832
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/16 x 17 3/4in. (33.2 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. A False Alarm on the Road to Gretna 'tis only the Mail!

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1838
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/8 x 17 1/2in. (34 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]

Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor over graphite, pen and brown ink, and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 17 11/16 inches (36.2 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. The Obelisk in the Garden at Versailles

Creator:: Print made by unknown artist
Date:: between 1740 and 1757
Materials & Techniques:: Etching and engraving hand-coloured in watercolor and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Jamaica: Lucea, Montego Bay, in the Early Morning, From the Steamer

Creator:: Lionel Grimston Fawkes, 1849–1931
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Mount: 10 1/4 × 22 1/4 inches (26 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. A View of Paris

Creator:: Print made by Paul Angier, active 1749
Materials & Techniques:: Etching and engraving hand-colored in watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. "The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 11/16 × 17 5/8 inches (32.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. The Bathers

Creator:: Print made by William Strang, 1859–1921
Date:: 1895
Materials & Techniques:: Mezzotint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 17 3/8 × 20 1/2 inches (44.1 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Georgia O'Keeffe, Stieglitz Archives, transfer from the Beinecke Rare Book and Manuscript Library and the Yale University Art Gallery

230. Going out Milking

Creator:: Charles Turner, 1774–1857
Date:: 1800
Materials & Techniques:: Mezzotint, in colors on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 × 17 7/8 inches (55.9 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. The Return from Milking

Creator:: Charles Turner, 1774–1857
Date:: 1800
Materials & Techniques:: Mezzotint, in colors on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 × 17 13/16 inches (55.9 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. The Woodman's Return

Creator:: John Whessell, 1760–ca. 1823
Date:: 1797
Materials & Techniques:: Colored stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 24 1/4 × 18 7/8 inches (61.6 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. The Itinerant Potters

Creator:: John Whessell, 1760–ca. 1823
Date:: 1797
Materials & Techniques:: Color printed stipple engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 24 5/16 × 19 3/16 inches (61.8 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Freedom (France) - Slavery (Britain)

Creator:: James Gillray, 1756–1815
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/4 x 17 5/8in. (26 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. An Indoor Military Riding School With an Instructor Teaching Recruits to Trot

Creator:: Charles Samuel Keene, 1823–1891
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 15/16 × 12 3/8 inches (20.2 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. The Cover

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Breaking Cover

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. The Death

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. The Toast

Creator:: George Hunt, active 1820–1840
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 7/8 x 17 3/4in. (35.2 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Full Cry

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Threshing Corn

Creator:: Peter DeWint, 1784–1849
Date:: ca. 1845-1849
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 11 3/8 x 17 5/8 inches (28.9 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Arc de Triomphe, Paris

Creator:: Print made by William Walcot, 1874–1943
Date:: 1918
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 25 1/4 inches (76.2 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

243. View of the Tuilleries and Bridge taken from the Quay D'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 5/8 inches (41.3 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. View of Pont St. Michael taken from Pont Neuf

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 17 1/2 inches (14.9 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 6 × 17 1/2 inches (15.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Marriage A-La-Mode, Plate IV: The Toilet Scene

Creator:: Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 7/8 x 17 5/8in. (35.2 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Marriage A-La-Mode, Plate III: The Scene with the Quack

Creator:: Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 17 5/8in. (35.6 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire

Creator:: John Warwick Smith, 1749–1831
Date:: 1764-1831
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Mount: 11 5/8 × 17 9/16 inches (29.5 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Three Racehorses with Jockeys Up Galloping in a Group to Left

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 17 3/4 inches (27.1 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. "The Poacher's Progress:" Poachers Before the Magistrates

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Three Tigers in a Rocky Landscape

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 11/16 × 17 13/16 inches (32.2 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Foxhunting: Stopping Hounds That Have Changed

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 7/8 inches (31.8 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Foxhunting: Going to Cover

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 7/16 × 17 13/16 inches (31.6 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Foxhunting: At Fault

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 17 13/16 inches (31.4 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Foxhunting: The Chase

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 7/8 inches (31.8 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Cottager's Hospitality to Travellers of The Coach Broke Down

Creator:: James Pollard, 1792–1867
Date:: 1819
Materials & Techniques:: Watercolor over etched outline, and pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 17 1/2 inches (29.8 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Travelling in France

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1789
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Myles Sandys' Hounds and Huntsmen Scenting a Hare

Creator:: Thomas Sunderland, 1744–1828
Date:: undated
Materials & Techniques:: Pen and brown ink, graphite, gray wash, and blue wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 × 17 13/16 inches (30.5 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Myles Sandys' Hounds and Huntsmen Starting a Hare

Creator:: Thomas Sunderland, 1744–1828
Date:: undated
Materials & Techniques:: Pen and brown ink, blue ink, blue wash, gray wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/16 × 17 13/16 inches (30.6 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. The Stable of an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Mount: 10 1/4 × 17 13/16 inches (26 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. "The Poacher's Progress:" 'Poachers Stalking for Partridges'

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Design for a Chapel at Enfield: Longitudinal Section

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 18 13/16 inches (32.1 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Design for a Chapel at Enfield: Transverse Sections, East and West End

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 7/16 inches (31.6 x 46.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Plan of a Building for the Register Offices in Scotland

Creator:: Morton, active 1767
Date:: 1767
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 22 × 17 1/2 inches (55.9 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. The Alchemist

Creator:: William Pether, ca. 1738–1821
Date:: 1775
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 22 3/4 x 17 7/8in. (57.8 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Drawing Academy

Creator:: Print made by William Pether, ca. 1738–1821
Date:: ca. 1772
Materials & Techniques:: Mezzotint, proof before title
Dimensions:: Plate: 22 7/8 x 17 7/8in. (58.1 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Interior, St. Etienne

Creator:: Hedley Fitton, 1859–1929
Materials & Techniques:: Etching
Dimensions:: Plate: 22 x 16in. (55.9 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. Stillman Kuhns

270. Stoke Poges Churches

Creator:: Douglas Morison, 1814–1847
Date:: undated
Materials & Techniques:: Lithograph on medium, smooth, beige wove paper
Dimensions:: Mount: 17 3/16 × 24 inches (43.7 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Design for the Mansion House of the Rt. Hon. The Lord Mayor

Creator:: Paul Fourdrinier, 1698–1758
Date:: 1737
Materials & Techniques:: Engraving
Dimensions:: Sheet: 24 x 17 3/4in. (61 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. British Queen Steam Ship

Creator:: Henry Papprill, 1816–d.after 1883
Date:: 1838
Materials & Techniques:: Colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 × 26 7/8 inches (50.2 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Marriage A-La-Mode, Plate II: The Breakfast Scene

Creator:: Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 17 5/8in. (35.6 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. French Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 21 5/16 inches (41.9 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. English Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 × 22 1/8 inches (43.2 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Marriage A-La-Mode, Plate V: The Death of the Earl

Creator:: Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 7/8 x 17 5/8in. (35.2 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. A Modern Bethesda

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: 1923
Materials & Techniques:: Etching with drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 17 3/4 inches (28.6 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

278. A Chorten

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: 1927
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 17 1/2 inches (28.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

279. Landing Sardines at Low Tide

Creator:: Print made by Robert Walker Macbeth, 1848–1910
Date:: 1880
Materials & Techniques:: Etching on wove paper
Dimensions:: Sheet: 12 1/4 x 17 1/2in. (31.1 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

280. Rt. Hon. John Manners, Marquess of Granby, and a Servant

Creator:: Print made by James Watson, 1740–1790
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 23 3/4 × 17 7/8 inches (60.3 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1819
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. Jodhpur

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: 1927
Materials & Techniques:: Etching with drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 17 3/4 inches (34.6 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

283. Feeding the Birds

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: 1921
Materials & Techniques:: Etching with drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

284. The Great Steps

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: 1925
Materials & Techniques:: Etching with drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 17 5/8 inches (24.8 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

285. The Burning Ghat

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: 1929
Materials & Techniques:: Etching with drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 1/2 inches (28.9 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

286. Castel Nuovo

Creator:: Print made by William Strang, 1859–1921
Date:: 1913
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 × 17 3/4 inches (36.8 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

287. An Egyptian Palace

Creator:: Print made by William Walcot, 1874–1943
Date:: 1923
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 17 7/8 inches (38.1 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

288. A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

Creator:: Print made by Robert Isaac Cruikshank, 1789–1856
Date:: after 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/16 x 17 5/8 inches (23.6 x 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

Creator:: John William Edy, 1760–1820
Date:: 1797
Materials & Techniques:: Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 18 11/16 inches (35.9 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. The Father's Leave Taking

Creator:: William Holman Hunt, 1827–1910
Date:: 1879
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

291. Girl Standing by a Bed

Creator:: David Jones, 1895–1974
Date:: undated
Materials & Techniques:: Graphite, watercolor and pastel on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

292. St. Mary's Loch

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1888
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 17 3/4 inches (27.3 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Edwin M. Herr, Yale PhD 1884, Memorial Collection; Gift of Mrs. Herr, transfer from the Yale University Art Gallery

293. Gledhow

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 3/4 inches (31.8 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Brighton

Creator:: Print made by George Cooke, 1781–1834
Date:: 1825
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Crowhurst, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Plymouth Citadel

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1816
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 5/8 inches (31.8 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1816
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Hardraw Fall

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1818
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 18 1/4 inches (31.1 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1819
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 11/16 inches (29.2 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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201. Set of four: (1) Stag Hunting

202. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]

203. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]

204. Siccre Gully

205. Duchess of Manchester with Her Son George, Viscount Mandeville, as 'Diana and Cupid'

206. Barmouth Bay, the Junction of the Rivers Mowddach and Gwinion

207. Mary Isabella, Duchess of Rutland

208. Barmouth Bay

209. The Fortune Teller

210. Lady Isabella Hamilton

211. Charles James Fox, with Lady Sarah Lenox and Lady Susan Strangways

212. Whitehall Palace, London: Elevation of Proposed Design

213. Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches

214. Bank of England Royal Exchange

215. The National Gallery - Charing Cross

216. The Southwark Iron Bridge

217. St. Vincent's Rocks, Clifton (Hotwell House and Baths)

218. Beatrice, Hero and Ursula

219. Garrick Reading the Ode at the Shakespeare Jubilee

220. Study of an Antique Head

221. One Mile from Gretna, Our Governor in Sight, --with a screw loose!

222. Opposition Coaches at Speed

223. A False Alarm on the Road to Gretna 'tis only the Mail!

224. Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]

225. The Obelisk in the Garden at Versailles

226. Jamaica: Lucea, Montego Bay, in the Early Morning, From the Steamer

227. A View of Paris

228. "The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground

229. The Bathers

230. Going out Milking

231. The Return from Milking

232. The Woodman's Return

233. The Itinerant Potters

234. Freedom (France) - Slavery (Britain)

235. An Indoor Military Riding School With an Instructor Teaching Recruits to Trot

236. The Cover

237. Breaking Cover

238. The Death

239. The Toast

240. Full Cry

241. Threshing Corn

242. Arc de Triomphe, Paris

243. View of the Tuilleries and Bridge taken from the Quay D'Orsai

244. View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

245. View of Pont St. Michael taken from Pont Neuf

246. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

247. View of the Pantheon taken from the Arsenal

248. Marriage A-La-Mode, Plate IV: The Toilet Scene

249. Marriage A-La-Mode, Plate III: The Scene with the Quack

250. View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire

251. Three Racehorses with Jockeys Up Galloping in a Group to Left

252. "The Poacher's Progress:" Poachers Before the Magistrates

253. Three Tigers in a Rocky Landscape

254. Foxhunting: Stopping Hounds That Have Changed

255. Foxhunting: Going to Cover

256. Foxhunting: At Fault

257. Foxhunting: The Chase

258. Cottager's Hospitality to Travellers of The Coach Broke Down

259. Travelling in France

260. Myles Sandys' Hounds and Huntsmen Scenting a Hare

261. Myles Sandys' Hounds and Huntsmen Starting a Hare

262. The Stable of an Inn

263. "The Poacher's Progress:" 'Poachers Stalking for Partridges'

264. Design for a Chapel at Enfield: Longitudinal Section

265. Design for a Chapel at Enfield: Transverse Sections, East and West End

266. Plan of a Building for the Register Offices in Scotland

267. The Alchemist

268. Drawing Academy

269. Interior, St. Etienne

270. Stoke Poges Churches

271. Design for the Mansion House of the Rt. Hon. The Lord Mayor

272. British Queen Steam Ship

273. Marriage A-La-Mode, Plate II: The Breakfast Scene

274. French Barracks

275. English Barracks