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301. Midsummers Day

Midsummers Day
Creator:
Print made by F. A. du Peyron, 1887–1930
Date:
1928
Materials & Techniques:
Drypoint on laid paper
Dimensions:
Plate: 6 7/8 x 11 3/4in. (17.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. Margaret J. Sharpe for the Richard Sharpe V, B.S. 1873, Collection

302. The Widow's Tale

The Widow's Tale
Creator:
William Ward, 1766–1826
Date:
1789
Materials & Techniques:
Colored mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 13/16 × 18 inches (60.5 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

303. Sailors in a Storm

Sailors in a Storm
Creator:
William Ward, 1766–1826
Date:
1798
Materials & Techniques:
Colored mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 22 3/4 × 19 5/16 inches (57.8 × 49.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

304. Sailors in a Fight

Sailors in a Fight
Creator:
William Ward, 1766–1826
Date:
1798
Materials & Techniques:
Colored mezzotint on thick, rough, cream wove paper
Dimensions:
Sheet: 22 5/8 × 19 1/4 inches (57.5 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

305. Crossing the Brook

Crossing the Brook
Creator:
William Say, 1768–1834
Date:
1804
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 27 1/4 × 18 3/16 inches (69.2 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

306. Inside View of the East End of Merton College Chapel

Inside View of the East End of Merton College Chapel
Creator:
Print made by James Basire II, 1769–1822
Date:
1802
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 × 18 inches (33 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

307. View of Exeter College, All Saints Church, &c. from the Turl

View of Exeter College, All Saints Church, &c. from the Turl
Creator:
Print made by James Basire II, 1769–1822
Date:
1806
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/4 × 18 inches (33.7 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

308. Inside View of the Hall of Christ Church

Inside View of the Hall of Christ Church
Creator:
Print made by James Basire II, 1769–1822
Date:
1807
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 3/8 × 18 1/8 inches (34 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

309. A View of Stocks Market

A View of Stocks Market
Creator:
Henry Fletcher, 1729–active 1750
Date:
1763
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 5/8 x 17 15/16in. (32.1 x 45.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

310. The Cut Finger

The Cut Finger
Creator:
Abraham Raimbach, 1784–1868
Date:
1819
Materials & Techniques:
Engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 21 5/16 × 30 1/4 inches (54.1 × 76.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

311. The Errand Boy

The Errand Boy
Creator:
Abraham Raimbach, 1784–1868
Date:
1825
Materials & Techniques:
Engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 22 3/8 × 30 inches (56.8 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

312. North East View of Fort Louis in the Island of Martinique

North East View of Fort Louis in the Island of Martinique
Creator:
Samuel Alken, 1756–1815
Date:
1796
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 12 1/8 x 18in. (30.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

313. Pluck'd Pigeons

Pluck'd Pigeons
Creator:
Richard Newton, 1777–1798
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 5/8 x 18 1/4in. (27 x 46.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

314. Gumti River, Upper India

Gumti River, Upper India
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 x 17 1/8 inches (23.2 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

315. North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot

North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

316. North West view of Charlton House, Kent; The Seat of Lady Wilson

North West view of Charlton House, Kent; The Seat of Lady Wilson
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

317. South East view of Wollaton hall, Nottinghamshire, the Seat of the Right honble. Lord Middleton

South East view of Wollaton hall, Nottinghamshire, the Seat of the Right honble. Lord Middleton
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

318. North West View of Wollaton hall, Nottinghamshire; the Seat of the Right hon'ble Lord Middleton

North West View of Wollaton hall, Nottinghamshire; the Seat of the Right hon'ble Lord Middleton
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

319. South West View of Charlton House Wiltshire the Seat of the Earl of Suffolk

South West View of Charlton House Wiltshire the Seat of the Earl of Suffolk
Creator:
John Buckler FSA, 1770–1851
Date:
1810
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

320. South East View of Belton House, Lincolshire the Seat of the Right Hon'ble Earl Brownlow

South East View of Belton House, Lincolshire the Seat of the Right Hon'ble Earl Brownlow
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

321. Common Sense Versus Precedent

Common Sense Versus Precedent
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 17 15/16 inches (30.4 x 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

322. The (Modern) Deluge

The (Modern) Deluge
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

323. Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally

Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 18 1/16 inches (30.4 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

324. Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division.

Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division.
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/8 x 17 15/16 inches (30.8 x 45.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

325. An Old Coast Guard, Looking Out... A Strange Sail on the Horizon

An Old Coast Guard, Looking Out... A Strange Sail on the Horizon
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 18 1/8 inches (30.3 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

326. The Harpies Attacking the Daughters of Pandarus

The Harpies Attacking the Daughters of Pandarus
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/8 inches (30.5 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

327. The Rivals: Extremes Meet

The Rivals: Extremes Meet
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

328. A Strong Case for Shortening the Hours of Labour

A Strong Case for Shortening the Hours of Labour
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 18 1/8 inches (30.4 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

329. A Scene From the Farce of "The Critic," a Little Altered.

A Scene From the Farce of "The Critic," a Little Altered.
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

330. View of the Palace and Village of Choisi on the Banks of the Seine

View of the Palace and Village of Choisi on the Banks of the Seine
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

331. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

332. View of the Palace and Village of Choisi on the Banks of the Seine

View of the Palace and Village of Choisi on the Banks of the Seine
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

333. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

334. A View of the Temple of Concord

A View of the Temple of Concord
Creator:
unknown artist
Date:
1814
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

335. A Stag Hunt

A Stag Hunt
Creator:
John Wootton, 1682–1764
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 18 inches (29.8 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

336. Whitton House, Middlesex: Ground Floor Plan

Whitton House, Middlesex: Ground Floor Plan
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 3/8 x 18 3/16 inches (31.4 x 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

337. Whitton Place, Middlesex: Elevation of the Garden Front

Whitton Place, Middlesex: Elevation of the Garden Front
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 inches (31.4 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

338. Whitton House, Middlesex: Elevation of the Court Front

Whitton House, Middlesex: Elevation of the Court Front
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 18 3/16 inches (30.2 x 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

339. Neophron percnopterus (Egyptian Vulture)

Neophron percnopterus (Egyptian Vulture)
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

340. Tomb of Juba II near Algiers

Tomb of Juba II near Algiers
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 18 1/4 inches (29.8 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

341. Virgin and Child

Virgin and Child
Creator:
Jacques Christophe Le Blon, 1667–1741
Date:
undated
Materials & Techniques:
Color-printed mezzotint on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 23 3/8 × 18 1/4 inches (59.4 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

342. Aldborough

Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (d) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/16 × 18 1/8 inches (28.4 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

343. Barnard Castle, Durham

Barnard Castle, Durham
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 18 1/8 inches (32.1 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

344. Lake Nemi

Lake Nemi
Creator:
Jakob Phillip Hackert, 1737–1807
Date:
1776
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/2 × 18 inches (34.3 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

345. Totnes from the Seymour Hotel

Totnes from the Seymour Hotel
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
1838
Materials & Techniques:
Pen and black ink, brown ink, gray wash, brown wash and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 7/16 × 18 3/16 inches (29.1 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

346. Ruins in Rome

Ruins in Rome
Creator:
William Hamilton, 1751–1801
Date:
between 1768 and 1775
Materials & Techniques:
Gray wash, pen and black and brown ink, white gouache over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 3/8 x 18 3/16in. (34 x 46.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

347. Aquaduct at Segovia, Spain

Aquaduct at Segovia, Spain
Creator:
Edward Alfred Goodall, 1819–1908
Date:
undated
Materials & Techniques:
Watercolor, graphite and gouache on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 18 inches (26 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

348. Konigstein

Konigstein
Creator:
Charles Gore, 1729–1807
Date:
1789
Materials & Techniques:
Watercolor and gouache with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/8 x 18 1/4 inches (26.4 x 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

349. Portrait of a Gentleman

Portrait of a Gentleman
Creator:
John Hayter, 1800–1895
Date:
1832
Materials & Techniques:
Graphite, black chalk, white chalk, blue chalk, and red chalk on medium, slightly textured, beige laid paper mounted on linen
Dimensions:
Sheet: 23 1/4 × 18 inches (59.1 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

350. View of Bath from Spring Gardens

View of Bath from Spring Gardens
Creator:
Thomas Hearne, 1744–1817
Date:
1790
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 x 18 1/8 inches (30.8 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

351. View of Erthig, Denbigshire, Wales

View of Erthig, Denbigshire, Wales
Creator:
Moses Griffith, 1747–1819
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 inches (31.4 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

352. Maidstone, Kent

Maidstone, Kent
Creator:
William Jefferys, 1730–ca. 1805
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 18 1/4 inches (20.3 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

353. Design for an Athenian Villa

Design for an Athenian Villa
Creator:
Edward Jones, active 1819–1835
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 11/16 × 18 1/4 inches (29.7 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

354. St. Vincent's Rocks, Clifton

St. Vincent's Rocks, Clifton
Creator:
Amelia Long, 1762–1837
Date:
undated
Materials & Techniques:
Graphite, black chalk and white chalk on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 11 7/8 × 18 inches (30.2 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

355. Oxford from Boar's Hill

Oxford from Boar's Hill
Creator:
Hugh O'Neill, 1784–1824
Date:
1811
Materials & Techniques:
Watercolor with scratching out over graphite on medium, slightly textured, wove paper
Dimensions:
Sheet: 11 7/8 × 18 1/4 inches (30.2 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

356. Landscape with Trees

Landscape with Trees
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Black chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 18 1/4 inches (31.1 x 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

357. Landscape in Wales with Castle, Lake, and Rocky Foreground

Landscape in Wales with Castle, Lake, and Rocky Foreground
Creator:
pupil of John Varley, 1778–1842
Date:
1815
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 18 1/4 inches (17.8 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

358. Landscape in Wales with Mountains, Lake, Castle and Two Figures in the Foreground

Landscape in Wales with Mountains, Lake, Castle and Two Figures in the Foreground
Creator:
pupil of John Varley, 1778–1842
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 18 1/4 inches (17.8 × 46.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

359. View of London from Richmond House, Whitehall

View of London from Richmond House, Whitehall
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 11/16 × 18 1/8 inches (27.1 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

360. A View of Worcester College &c.

A View of Worcester College &c.
Creator:
Print made by James Basire II, 1769–1822
Date:
1804
Materials & Techniques:
Etching and engraving; published state, late impression on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 18 1/4 inches (36.2 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

361. View of Exeter College, All Saints Church, &c. from the Turl

View of Exeter College, All Saints Church, &c. from the Turl
Creator:
Print made by James Basire II, 1769–1822
Date:
1806
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 × 18 1/8 inches (35.6 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

362. View of the Cathedral of Christ Church, and Part of Corpus Christi College

View of the Cathedral of Christ Church, and Part of Corpus Christi College
Creator:
Print made by James Basire II, 1769–1822
Date:
1811
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 1/8 × 18 1/4 inches (35.9 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

363. Sheerness and the Isle of Sheppey, with the Junction of the Thames and Medway, from the Nore

Sheerness and the Isle of Sheppey, with the Junction of the Thames and Medway, from the Nore
Creator:
Print made by unknown artist
Date:
1821
Materials & Techniques:
Etching and engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/4 × 18 1/8 inches (33.7 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

364. High Force or Fall of Tees

High Force or Fall of Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1821
Materials & Techniques:
Etching and engraving; engraver's proof (aa) on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 18 3/16 inches (30.8 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

365. Junction of the Greta and Tees at Rokeby

Junction of the Greta and Tees at Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1819
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (c) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 15/16 × 17 15/16 inches (30.3 × 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

366. Brignall Church

Brignall Church
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1821
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 × 18 1/16 inches (30 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

367. Aysgarth Force

Aysgarth Force
Creator:
Print made by John Scott, 1774–1828
Date:
1818-1823
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 15/16 inches (29.8 × 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

368. Boat Building on the Teign

Boat Building on the Teign
Creator:
Samuel Lucas, 1805–1870
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 18 1/8 inches (23.8 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

369. View of the Palace and Village of Choisi, on the Banks of the Siene

View of the Palace and Village of Choisi, on the Banks of the Siene
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

370. View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

371. The Water Works at Marli,and St. Germain en Laye Seen in the Distance.

The Water Works at Marli,and St. Germain en Laye Seen in the Distance.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 24 1/2 inches (39.4 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

372. Landscape with Ruins

Landscape with Ruins
Creator:
Joseph Wright of Derby, 1734–1797
Date:
undated
Materials & Techniques:
Gray wash, black wash, brown wash, black chalk, graphite and white chalk on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 16 x 18 1/8 inches (40.6 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

373. Castle of Ostia and Porte Trojan

Castle of Ostia and Porte Trojan
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor, pen and black ink, graphite, and scratching out on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 6 7/16 × 18 1/4 inches (16.4 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

374. Einsiedein, Switzerland

Einsiedein, Switzerland
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1817
Materials & Techniques:
Pen and gray ink, black ink, graphite, gray wash, black wash, and sponging on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 1/8 x 18in. (30.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

375. Convent, Mt. St. Bernard (Switzerland)

Convent, Mt. St. Bernard (Switzerland)
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1816
Materials & Techniques:
Watercolor, pen and gray ink, over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 18 1/16 inches (31 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

376. An Execution, Rome

An Execution, Rome
Creator:
Isaac Weld, 1774–1856
Date:
1819
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, graphite, brown wash, and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 18 3/16 inches (25.4 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

377. Design for stables, plan with 2 elevations

Design for stables, plan with 2 elevations
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, gray wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/8 × 18 inches (49.2 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

378. The Monument of Thomas Fiennes

The Monument of Thomas Fiennes
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, watercolor within triple-ruled pen and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/4 × 18 1/4 inches (64.1 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

379. Kings Weston, Bristol: Garden Front Elevation

Kings Weston, Bristol: Garden Front Elevation
Creator:
Sir John Vanbrugh, 1664–1726
Date:
ca. 1710
Materials & Techniques:
Pen and brown ink with graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 9/16 x 18 1/8 inches (37 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

380. Castell Dinas Brân, Wales

Castell Dinas Brân, Wales
Creator:
Richard Wilson, ca. 1712–1782
Date:
ca. 1771
Materials & Techniques:
Graphite and black chalk on moderately thick, moderately textured, cream laid paper mounted on thick, moderately textured, beige laid paper
Dimensions:
Mount: 13 × 19 5/8 inches (33 × 49.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

381. An Imaginary Design for a Monument to Lord Nelson

An Imaginary Design for a Monument to Lord Nelson
Creator:
Agostino Aglio the elder, 1777–1857
Date:
1805
Materials & Techniques:
Watercolor, gouache, and chalk on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 18 1/8 x 18 1/8in. (46 x 46cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

382. Section of the Loggia, Deepdene; Section of the Staircase, Ceilings and Skylights of the Hall and Staircase, Deepdene

Section of the Loggia, Deepdene; Section of the Staircase, Ceilings and Skylights of the Hall and Staircase, Deepdene
Creator:
unknown artist
Date:
1841
Materials & Techniques:
Pen and black ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 26 1/2 × 18 1/4 inches (67.3 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

383. Shanklin Church/ Isle of Wight

Shanklin Church/ Isle of Wight
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and gum arabic on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 16 3/16 × 21 13/16 inches (41.1 × 55.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

384. [One of] Five Designs for a Church

[One of] Five Designs for a Church
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 1/4 inches (31.1 x 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

385. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 22 1/4 x 18 inches (56.5 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

386. Design for London Bridge Approach

Design for London Bridge Approach
Creator:
Print made by Sir Robert Smirke the younger, 1781–1867
Date:
between 1827 and 1835
Materials & Techniques:
Gray wash over graphite and black ink on moderately thick, slightly textured, greened white wove paper
Dimensions:
Sheet: 8 1/4 x 18 1/16 inches (21 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

387. Design for the Approaches to London Bridge

Design for the Approaches to London Bridge
Creator:
Henry Roberts, ca. 1710–1790
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 18 1/4 inches (21.3 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

388. The Temple of Aphaia at Aegina: Elevations

The Temple of Aphaia at Aegina: Elevations
Creator:
Edmund Turrell, active 1835–1860
Date:
undated
Materials & Techniques:
Line engraving with graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 18 inches (30.5 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

389. Ipswich from the Grounds of Christchurch Mansion

Ipswich from the Grounds of Christchurch Mansion
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/8 x 18 1/8 inches (30.2 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

390. Landscape at Ambleside

Landscape at Ambleside
Creator:
Thomas Sunderland, 1744–1828
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and brown ink, blue wash, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 x 17 13/16in. (33 x 45.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

391. Mountain of Rigi and the Ancient Castle of Hapsbourg on the Lake of Lucerne

Mountain of Rigi and the Ancient Castle of Hapsbourg on the Lake of Lucerne
Creator:
Thomas Sunderland, 1744–1828
Date:
18th century-19th century
Materials & Techniques:
Watercolor and pen and brown ink over graphite on medium, slightly textured, cream laid paper mounted to thick cream card
Dimensions:
Sheet: 13 1/8 × 18 1/8 inches (33.3 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

392. A Family in Hyde Park

A Family in Hyde Park
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Gray wash, graphite with pen and gray and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/4 x 18 1/4 inches (12.1 x 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

393. Scenery, Haymarket Theatre

Scenery, Haymarket Theatre
Creator:
attributed to Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Gray ink and gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/4 x 15 1/2 inches (17.1 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

394. Windsor Castle

Windsor Castle
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 18 15/16 × 25 inches (48.1 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

395. Flounder's Monument From the Race Course, Ludlow

Flounder's Monument From the Race Course, Ludlow
Creator:
Augustine Aglio the younger, 1816–1885
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, moderately textured, cream wove paper
Dimensions:
Mount: 14 15/16 × 21 1/8 inches (37.9 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

396. Crowcombe Court: a gentleman with his dog walking by the river

Crowcombe Court: a gentleman with his dog walking by the river
Creator:
Coplestone Warre Bampfylde, 1719–1791
Date:
ca. 1775
Materials & Techniques:
Pen and gray ink, gray wash, brown wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 18 3/16 inches (29.5 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

397. Valley of Gothe

Valley of Gothe
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
1819
Materials & Techniques:
Black chalk and gray wash on medium, moderately textured, blue laid paper
Dimensions:
Sheet: 11 3/4 × 18 1/8 inches (29.8 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

398. From the Window of the Inn at Lauterbraun

From the Window of the Inn at Lauterbraun
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
ca. 1811
Materials & Techniques:
Graphite, gray wash, white chalk and black chalk on moderately thick, moderately textured, blue laid paper
Dimensions:
Sheet: 11 7/8 × 18 1/4 inches (30.2 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

399. The Eel Catcher

The Eel Catcher
Creator:
Charles Warren, 1767–1823
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 13 x 18 1/4 inches (33 x 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

400. Hypatia Teaching at Alexandria

Hypatia Teaching at Alexandria
Creator:
Robert Trewick Bone, 1790–1840
Date:
undated
Materials & Techniques:
Watercolor and brown ink on medium, moderately textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:
Mount: 13 3/4 × 19 13/16 inches (34.9 × 50.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection