Width [cm]: 47 / Topic subjectplace ss: Europe - YCBA Collections Search Search Results

1. Toulon (?)

Creator:: Edward William Cooke, 1811–1880
Date:: 1845 or after 1863
Materials & Techniques:: Oil on millboard
Dimensions:: 12 × 18 3/8 inches (30.5 × 46.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Epsom Races: The Race Over

Creator:: James Pollard, 1792–1867
Date:: 1834 to 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/8 x 18 5/8 inches (30.8 x 47.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Epsom Races: Settling Day at Tattersalls

Creator:: James Pollard, 1792–1867
Date:: 1834 to 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/8 x 18 5/8 inches (30.8 x 47.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Epsom Races: Preparing to Start

Creator:: James Pollard, 1792–1867
Date:: 1834 to 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/8 x 18 5/8 inches (30.8 x 47.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Epsom Races: The Betting Post

Creator:: James Pollard, 1792–1867
Date:: 1834 to 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/8 x 18 5/8 inches (30.8 x 47.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Sussex Farm Wagon

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1906
Materials & Techniques:: Crayon and watercolor on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 7/16 × 18 5/16 inches (36.7 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. A Sussex Barn

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Watercolor and black chalk on medium, smooth, cream wove paper mounted on card
Dimensions:: Sheet: 13 7/8 x 18 5/8 inches (35.2 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

8. Mount Siabod from Tyn-y-Coed near Capel Curig

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Gouache, watercolor, and graphite with pen and brown ink on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 14 7/8 x 18 5/8 inches (37.8 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Study for Hay Carts, Cumberland Market

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1915
Materials & Techniques:: Black chalk on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 15/16 × 18 1/2 inches (35.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Landscape in Westmoreland

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 18 3/8 inches (28.9 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

11. The Wreck of the Nuestra Senora de los Remedios

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Creator:: Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Gate Toward Bursit, Aix-la-Chappelle

Creator:: Charles Gore, 1729–1807
Date:: 1785
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 18 1/2 inches (28.9 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Gibraltar, South West by West

Creator:: John Thomas Serres, 1759–1825
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 18 5/8 inches (15.9 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Plymouth Citadel

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1821
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Herstmonceux Castle, East Sussex: The Kitchen

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/4 x 18 5/8 inches (64.1 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Herstmonceux Castle, East Sussex: The Chapel

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/4 x 18 5/8 inches (64.1 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Hubertusburg Château

Creator:: Charles Gore, 1729–1807
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 13/16 x 18 3/8 inches (14.8 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Herstmonceux Castle, East Sussex: South View of the Green Court

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/4 x 18 5/8in. (64.1 x 47.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Herstmonceux Castle, East Sussex: The Hall

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/4 x 18 5/8 inches (64.1 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite and watercolor triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/4 × 18 5/8 inches (64.1 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Whitton House, Middlesex: First Floor Plan

Creator:: Roger Morris, 1695–1749
Date:: between 1732 and 1739
Materials & Techniques:: Pen and black ink with gray wash over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 5/8 x 18 1/2 inches (32.1 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Beaudesert, Staffordshire

Creator:: Moses Griffith, 1747–1819
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 x 18 1/2 inches (32.4 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Tythrop

Creator:: John Linnell, 1792–1882
Date:: 1817
Materials & Techniques:: Black ink and gouache over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 12 1/8 x 18 1/2 inches (30.8 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Whitton House, Middlesex: Elevation of the Court Front

Creator:: Roger Morris, 1695–1749
Date:: between 1732 and 1739
Materials & Techniques:: Graphite, pen and black ink and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 18 3/8 inches (31.4 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Plan for Entrance at Hinton St. George

Creator:: John Kempshead, active 1808
Date:: 1812
Materials & Techniques:: Graphite, pen and black ink, watercolor, pen and brown ink on moderately textured, moderately thick, cream laid paper
Dimensions:: Sheet: 22 13/16 × 18 3/8 inches (57.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Queen Elizabeth Gate

Creator:: Paul Sandby, 1731–1809
Date:: 1767
Materials & Techniques:: Gouache and watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 18 1/2 inches (36.5 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. A Street in Florence with the Duomo and Campanile in the Background

Creator:: William Marlow, 1740–1813
Date:: ca. 1765
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 18 1/4 x 22 1/2 inches (46.3 x 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Lyson's Cottage, Cowes, Isle of Wight

Creator:: attributed to Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/4 x 18 7/16 inches (12.1 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. View of the City with the Louvre &c., taken from Pont Marie

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Waterworks at Marli; and St. Germain en Laye seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Newport High Street, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 18 7/16 inches (13.3 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Design for Ardgowan House, Scotland: Attic Floor Plan

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Graphite, gray wash and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/8 × 18 9/16 inches (28.3 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Design for Ardgowan House, Scotland: South South East Elevation

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Graphite, watercolor, gray wash, and pen and black ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/8 × 18 1/2 inches (28.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Design for Ardgowan House, Scotland: North North West Elevation

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Graphite, watercolor, gray wash, and pen and black ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 9/16 inches (28.6 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Antigonus Disposing of Perdita

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:: Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Greenwich

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1795 to 1800
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 18 5/16 inches (28.4 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. View of the Palace and Village of Choisi, on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 6 1/4 × 18 1/2 inches (15.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Colonel Thornton Driving Tandem on His Sporting Tour of Scotland

Creator:: George Garrard, 1760–1826
Date:: 1786
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 7/8 × 18 9/16 inches (32.7 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Unloading the Luggage From The Exeter Coach

Creator:: Charles Cooper Henderson, 1803–1877
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 18 1/2 inches (30.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. View of the City with the Louvre &c. taken from Pont Marie

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Mr. Drummond's Cottage, East Cowes, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor with pen and gray and red-brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 18 5/16 inches (13.7 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. South East View of Longleat House, Wiltshire, the Seat of the Marquis of Bath

Creator:: John Buckler FSA, 1770–1851
Date:: 1805
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1822
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Design for Ardgowan House, Scotland: Principal Floor Plan

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Watercolor, gray wash, and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 3/16 × 18 9/16 inches (28.4 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Design for Ardgowan House, Scotland: Chamber Floor Plan

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Watercolor, gray wash and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 5/8 inches (28.6 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Design for Ardgowan House, Scotland: Ground Floor Plan

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Gray wash, pen and black ink, and brown ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 9/16 inches (28.6 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. George Fox Comes to London After the Great Fire

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 11/16 x 18 7/16 inches (29.7 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

51. The Breaking Up of the Agamemnon, no. 2

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

52. The Breaking Up of the Agamemnon, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

53. Shere Mill Pond, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream antique laid paper
Dimensions:: Sheet: 12 1/2 x 18 3/8 inches (31.7 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

54. Panthei Fidelissime Dimensi Exterior et Interior

Creator:: Print made by unknown artist
Date:: 1553
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 18 1/2 inches (35.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Pantheum Romanum nunc Mariae Cognomento

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: 1549
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/8 × 21 inches (41 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. View of the City with the Louvre & Taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Porchester Castle: A View from Porchester Village Looking across the Water to Portsmouth

Creator:: William Turner of Oxford, 1789–1862
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 18 1/2 inches (26.4 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. A View of Erith, Looking Up the Thames

Creator:: Print made by John Boydell, 1720–1804
Date:: 1750
Materials & Techniques:: Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching with graphite corrections on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 x 20 3/4 inches (21.4 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The High Street, Southampton

Creator:: Print made by William Day, 1764–1807
Date:: 1828
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 15/16 x 18 11/16 inches (38 x 47.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Mount: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Water Works at Marli and St. German en Laye seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. View of the City with the Louvre taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 5/8 inches (41.3 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Width [cm] 47

Topic subjectplace ss Europe

Search Results

1. Toulon (?)

2. Epsom Races: The Race Over

3. Epsom Races: Settling Day at Tattersalls

4. Epsom Races: Preparing to Start

5. Epsom Races: The Betting Post

6. Sussex Farm Wagon

7. A Sussex Barn

8. Mount Siabod from Tyn-y-Coed near Capel Curig

9. Study for Hay Carts, Cumberland Market

10. Landscape in Westmoreland

11. The Wreck of the Nuestra Senora de los Remedios

12. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

13. Gate Toward Bursit, Aix-la-Chappelle

14. Gibraltar, South West by West

15. Plymouth Citadel

16. Herstmonceux Castle, East Sussex: The Kitchen

17. Herstmonceux Castle, East Sussex: The Chapel

18. Hubertusburg Château

19. Herstmonceux Castle, East Sussex: South View of the Green Court

20. Herstmonceux Castle, East Sussex: The Hall

21. Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone

22. Whitton House, Middlesex: First Floor Plan

23. Beaudesert, Staffordshire

24. Tythrop

25. Whitton House, Middlesex: Elevation of the Court Front

26. Plan for Entrance at Hinton St. George

27. The Queen Elizabeth Gate

28. A Street in Florence with the Duomo and Campanile in the Background

29. Lyson's Cottage, Cowes, Isle of Wight

30. View of the City with the Louvre &c., taken from Pont Marie

31. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

32. The Waterworks at Marli; and St. Germain en Laye seen in the distance

33. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

34. Newport High Street, Isle of Wight

35. Design for Ardgowan House, Scotland: Attic Floor Plan

36. Design for Ardgowan House, Scotland: South South East Elevation

37. Design for Ardgowan House, Scotland: North North West Elevation

38. Antigonus Disposing of Perdita

39. Greenwich

40. View of the Palace and Village of Choisi, on the Banks of the Seine

41. Colonel Thornton Driving Tandem on His Sporting Tour of Scotland

42. Unloading the Luggage From The Exeter Coach

43. View of the City with the Louvre &c. taken from Pont Marie

44. Mr. Drummond's Cottage, East Cowes, Isle of Wight

45. South East View of Longleat House, Wiltshire, the Seat of the Marquis of Bath

46. South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart.

47. Design for Ardgowan House, Scotland: Principal Floor Plan

48. Design for Ardgowan House, Scotland: Chamber Floor Plan

49. Design for Ardgowan House, Scotland: Ground Floor Plan

50. George Fox Comes to London After the Great Fire

51. The Breaking Up of the Agamemnon, no. 2

52. The Breaking Up of the Agamemnon, no. 2

53. Shere Mill Pond, no. 2 (large plate)

54. Panthei Fidelissime Dimensi Exterior et Interior

55. Pantheum Romanum nunc Mariae Cognomento

56. View of the City with the Louvre & Taken from Pont Marie

57. Porchester Castle: A View from Porchester Village Looking across the Water to Portsmouth

58. A View of Erith, Looking Up the Thames

59. View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

60. The High Street, Southampton

61. View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

62. View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

63. The Water Works at Marli and St. German en Laye seen in the distance

64. View of the City with the Louvre taken from Pont Marie

65. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud