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A View of Erith, Looking Up the Thames
Creator:
Print made by John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Wreck of the Nuestra Senora de los Remedios
Creator:
Print made by John Boydell, 1720–1804
Date:
1753
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
Creator:
Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ceiling in the Banqueting House at Whitehall
Creator:
Print made by Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South Sea House
Creator:
Print made by unknown artist
Date:
between 1720 and 1728
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Admiralty Office
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Date:
1731
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1819
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Breaking Up of the Agamemnon, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield
The Breaking Up of the Agamemnon, no. 2
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield
Shere Mill Pond, no. 2 (large plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 18 3/8 inches (31.7 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
A View of the Chapel and Hall of Oriel College, &c.
Creator:
Print made by James Basire II, 1769–1822
Date:
1801
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 × 18 3/8 inches (32.4 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South View of Christ Church, &c. from the Meadows
Creator:
Print made by James Basire II, 1769–1822
Date:
1799
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 18 3/8 inches (33.7 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The High Street, Southampton
Creator:
Print made by William Day, 1764–1807
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 15/16 x 18 11/16 inches (38 x 47.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Orchard Bay
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 3/8 × 18 1/2 inches (34 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth Citadel
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1821
Materials & Techniques:
Etching and engraving; first published state on vellum, mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Cathedral of Christ Church, and Part of Corpus Christi College
Creator:
Print made by James Basire II, 1769–1822
Date:
1808
Materials & Techniques:
Etching and engraving; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 19 inches (37.8 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of Balliol College Quadrangle
Creator:
Print made by James S. Storer, 1771–1853
Date:
1809
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 18 3/8 inches (36.8 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Inside View of the East End of Merton College Chapel
Creator:
Print made by James Basire II, 1769–1822
Date:
1802
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Junction of the Greta and Tees at Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Etching and engraving; engraver's proof (b) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 18 5/16 inches (30.2 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ingleborough, from Hornby Castle Terrace
Creator:
Print made by Charles Heath, 1785–1848
Date:
1822
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 14 7/8 × 18 5/8 inches (37.8 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
George Fox Comes to London After the Great Fire
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 11/16 x 18 7/16 inches (29.7 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
North East View of Henry VII Chapel Westminster
Creator:
Print made by unknown artist
Date:
ca. 1813
Materials & Techniques:
Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elevation of the River Front
Creator:
Print made by Thomas Talbot Bury, 1811–1877
Date:
ca. 1835
Materials & Techniques:
Line engraving and etching on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 14 7/8 × 22 1/8 inches (37.8 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection