Width [cm]: 47 / Classification: Prints - YCBA Collections Search Search Results

Print made by William Hogarth, 1697–1764

Marriage à la Mode, Plate 6

1745

William Hogarth, 1697–1764

Southwark Fair

1733

Print made by William Hogarth, 1697–1764

A Midnight Modern Conversation

1733

Print made by John Copley, 1875–1950

French Songs

1946

John Copley, 1875–1950

People in a Room

1947

Print made by John Boydell, 1720–1804

The Taking of the Nuestra Senora de los Remedios

1753

Print made by John Boydell, 1720–1804

The Wreck of the Nuestra Senora de los Remedios

1753

L. Truchy, 1721–1764

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

1762

Francesco Bartolozzi, 1728–1815

Certificate Of The Royal Academy Of Arts Appointing Henry Perronet Briggs To Be An Associate, November 7, 1825

1825

Francesco Bartolozzi, 1728–1815

Certificate Of The Royal Academy Of Arts Appointing Henry Perronet Briggs To Be An Associate, November 7, 1825

1825

Simon Gribelin, 1662–1733

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

ca. 1720

Print made by William Bernard Cooke, 1778–1855

Plymouth Citadel

1821

Nathaniel Parr, active 1742–1751

A North View of Westminster Bridge

1751

John S. Muller, ca. 1715–1792

A North East View of Westminster with the Bridge, taken from Somerset Garden

1794

William Emmett, 1671–1736

The Front or West End of the Cathedral Church of St. Pauls, London

1702

Print made by James Basire the younger, 1769–1822

Inside View of the East End of Merton College Chapel

1802

Print made by James Basire the younger, 1769–1822

View of the Cathedral of Christ Church and Part of Corpus Christi College

1808

Print made by James S. Storer, 1771–1853

Part of Balliol College Quadrangle

1809

Print made by George Cooke, 1781–1834

Lulworth Castle, Dorsetshire

1820

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by John Landseer, 1769–1852

Orchard Bay

1799

Print made by William Bernard Cooke, 1778–1855

Crowhurst, Sussex

1816 to 1820

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by Henry Moore, 1898–1986

Mother and Child with Border Design

1976

Print made by William Ward, 1766–1826

The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812

December 1, 1801

Thomas Girtin, 1775–1802

View of the City with the Louvre &c., taken from Pont Marie

1802

Thomas Girtin, 1775–1802

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

1802

Thomas Girtin, 1775–1802

The Waterworks at Marli; and St. Germain en Laye seen in the distance

1802

Thomas Girtin, 1775–1802

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

1802

Celia Paul, born 1959

My Mother Seated

1997

Print made by Stephen Conroy, born 1964

Self-portrait

2002

Robert Havell, 1769–1832

Coaching [a pair]: 1. Stage Coach Setting Off

1816

William Henry Toms, ca. 1700–ca. 1750

The South - West View of the Parish Church of Ecton in Northamptonshire

1749

Peter Simon, 1750–1810

Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'

1789

Thomas Girtin, 1775–1802

View of the City with the Louvre &c. taken from Pont Marie

1802

Print made by Robert Thew, 1758–1802

King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

1792

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Frederick Christian Lewis the Elder, 1779–1856

View of Viaduct leading to Sezincot House, Gloucestershire. The Seat of Sir Charles Cockrell, Bart

ca. 1818

Robert Havell, 1769–1832

Coaching [a pair]: 2. Arrival of the Stage Coach

1816

Print made by Thomas Talbot Bury, 1811–1877

Elevation of the River Front

ca. 1835

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by Richard Hamilton, 1922–2011

TiT

2002

Print made by Axel Herman Haig, 1835–1921

Gefaler Cathedral

1901

Print made by Simon François Ravenet, 1706–1774

Marriage à la Mode, Plate 4

1745

Print made by Gerard Jean Baptiste Scotin, 1671–1716

Marriage à la Mode, Plate 1

1745

Print made by Bernard Baron, 1696–1762

Marriage à la Mode, Plate 3

1745

Print made by Simon François Ravenet, 1706–1774

Marriage à la Mode, Plate 5

1745

Edmund Turrell, active 1835–1860

The Temple of Aphaia at Aegina: Sections

1860

Print made by Miles Edmund Cotman, 1810–1858

Mousehold Heath--The Lane to the Left above Col. Harveys House

1847

Print made by Miles Edmund Cotman, 1810–1858

Mousehold Heath-The Lane to the Left Above Col. Harvey's House

1847

Print made by Miles Edmund Cotman, 1810–1858

Mousehold Heath--The Lane to the Left above Col. Harveys House

1847

Print made by W. Pickett, active 1792–1820

Peaks Hole, Derbyshire

1805

Print made by Robert Spence, 1871–1964

George Fox Comes to London After the Great Fire

between 1890 and 1911

Henry Fletcher, 1729–active 1750

A View of the Fountain in the Temple

1753

Print made by Peter P. Benazech, 1767–1794

The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ..

ca. 1759

Print made by Peter P. Benazech, 1767–1794

The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...

ca. 1760

Print made by Sir Francis Seymour Haden, 1818–1910

The Breaking Up of the Agamemnon, no. 2

after 1880

Sir Francis Seymour Haden, 1818–1910

The Breaking Up of the Agamemnon, no. 2

after 1880

Sir Francis Seymour Haden, 1818–1910

Shere Mill Pond, no. 2 (large plate)

1860

Peter P. Benazech The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

Print made by Peter P. Benazech, 1767–1794

The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

ca. 1760

Print made by Andrew Fairbairn Affleck, 1874/7–1936

San Giorgio Maggiore

undated

Print made by Andrew Fairbairn Affleck, 1874/7–1936

Canale Grande

undated

Print made by James Basire the younger, 1769–1822

South View of Christ Church, etc., From the Meadows..

1799

Print made by James Basire the younger, 1769–1822

A View of the Chapel and Hall of Oriel College

1801

Print made by John Raphael Smith, 1752–1812

Miss Cumberland

1779

Print made by James Watson, 1740–1790

Mrs. Abington as 'the Comic Muse'

ca. 1769

Print made by James McArdell, ca. 1729–1765

The Holy Family at Night

ca. 1750

Print made by Johann Jacobus Haid, 1704–1767

Uxor Zelotypa

undated

Anna Maria Smith Edmonton, 1766–1833

Sir Thomas Pasley

1796

Print made by unknown artist

Panthei Fidelissime Dimensi Exterior et Interior

1553

Print made by James T. Willmore, 1800–1863

Mercury and Argus

1841

Print made by James T. Willmore, 1800–1863

Mercury and Argus

1841

Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565

Pantheum Romanum nunc Mariae Cognomento

1549

Sir Stanley Spencer, 1891–1959

The Marriage Feast at Cana, 1952

1952

James Heath, 1757–1834

William Henry West Betty

1806

Thomas Gainsborough, 1727–1788

Wooded Landscape with Two Country Carts and Figures

1779 to 1780

Print made by Edward Goodall, 1795–1870

Oxford from North Hinksey

1841

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene

1785

L. Truchy Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs

L. Truchy, 1721–1764

Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs

1762